[THOUSAND AND ONE DAYS - ITALIAN].Biblio.com
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ABC_49355Venice: Santini 1810. Contemporary gold-stamped half brown cloth marbled paper sides with the title and volume number stamped in black on the spine. 12mo. 5 volumes bound as 2. Charming Italian edition of the Heyaryek-Rouz or Thousand and One Days so called to give the work an air of originality Chauvin IV 124. A Persian manuscript of this work was given to Francois Petit de la Croix in Isfahan in 1675 but enjoyed far fewer editions and translations than the Alf layla wa-layla. As Chauvin notes it cannot be determined whether the Thousand and One Days or the Thousand and One Nights was composed first; nevertheless to this day the Heyarek-Rouz is much less well-known to the Western world IV 123f. Chauvin quotes one commentator who declares the Heyarek-Rouz much more ingenious and more realistic as it sometimes includes marvels following the taste of the Oriental.With the bookplate of Luciano Perez mounted on the front pastedowns. The spines incl. the hinges are worn with some loss of material on both spines. A slight stain in the upper blank margin of a few pages of vol. 4. Otherwise in good condition.l OPAC SBN ITICCUTO0E074381 11 copies incl. 5 incomplete; WorldCat 57504717 1040084656 2 copies incl. 1 incomplete; cf. this edition not in Chauvin. Santini, hardcover
1778475761778 BERNE, Chez la Société Typographique- 1778 - 1 ère édition française - complet des 2 tomes en 1 volume - In-8 - Reliure de l'époque plein veau porphyre - dos à nerfs, à caissons ornés - Tranches jaspées - (1) + 248 pages, 9 gravures ou cartes H.T. dont 5 dépliantes et (1) + 276 pages, 8 gravures ou cartes dont 7 dépliantes, manque 1 planche - Bandeaux, Culs-de-lampe - Très bon état des gravures et des cartes, ainsi que des reliures- Très bel exemplaire - Réf. 47576
70-BFo.J. Bleistift, auf Bütten, rechts unten bezeichnet ?Girgenti?. 18,7:26,8 cm. - Knickfalte in der rechten unteren Ecke.
18261307011826. Bezeichnet "Subiaco der 1r Sept[...]6". Auf festem Zeichenpapier 35 x 23,5 cm.
026-Io.J. Bleistift und Pinsel in Dunkelbraun, auf cremefarbenem Velin. Ca. 15,5:25 cm. Verso zwei Entwurfskizzen südlicher Landschaften, rechts unten datiert ?9/5 66.?. Am Oberrand auf Untersatz montiert. Provenienz: Sammlung Joseph Heilmair (1843-1923). Rechts und unten ungleich beschnitten.
46866Tubingae ( Tubingen ) Sumptibus Chrrist. Henrici Bergeri & Joh. Ge..Cottae 1737 in 4 (25x21) 2 très forts volumes reliures plein velin ivoire rigide de l'époque, tranches teintées rouge. Volumen I:page de faux-titre, page de titre imprimée en rouge et en noir, 7 feuillets préliminaires non chiffrés, 1924 pages. Volumen II: 1 feuillet préliminaire non chiffré, 2020 pages. Ferdinandi Christophori Harpprechti, Tübingen 1650-1714, juriste allemand. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
087-Io.J. Bleistift, auf braunem Papier, rechts unten signiert und bezeichnet ?JHHasselhorst / Roma?. 19:27,2 cm. Die Zeichnung ist während des Aufenthaltes in Italien 1858/60 entstanden.
2201701. Hälfte 20. Jh. Signiert "CA Hunt", verso eigenh. bezeichnet "`Capri`: Bay of Naples". 29,3 x 39 cm
18801506581880/90er Jahre. Verso mit dem Nachlaßstempel. 35,8 x 22,5 cm.
18100034-B1810. Radierung, 1810, auf Velin. 17:22,6 cm. Blatt 15 der 20-Blatt-Folge ?Römische Ansichten?. Sehr gutes Exemplar mit ca. 1,5 cm breitem Rand um die Plattenkante. Verso an den oberen Ecken Klebereste. Literatur: Andresen 15, III, mit der Nummer rechts oben; Lutterotti Radierungen 15; Ausst. Katalog: Joseph Anton Koch. Ansichten von der Natur. Stuttgart, Staatsgalerie, 1989, Nr. 83-92.
71314Links unten dat.: "Decbr [18]33" und alt bez. und monogr.: "C. K.". 22,5 x 27,5 cm.
Pages 562-676. Features: In the Khalifa's Clutches - part IV of Charles Neufeld's ordeal; Impressions of Pekin - sensational photo-illustrated article; Two Loves Affairs, and How They Ended - Colonel Hervey Tryon falls headlong into a deep well of garbag; The Hook-Swinging Ceremony as I Saw It - Rev. Joshua Knowles describes a South Indian pagan festival in which devotees have hook placed in their flesh before they are swung into the air at the end of long poles - with photos; A Desperate Plight - travails of Captain H.V. Barclay in the arid Australian interior; The Great Grottos of Han - photo-illustrated article on the marvelous caverns near Han-sur-Lesse in the Belgian Ardennes; Held by An Octopus - Herbert Perkins explains how he was grabbed from out of the water; Shooting the Reversible Falls - photo-illustrated story from St. John, New Brunswick involving Xavier Francis and Louis Mitchell; Life in an Italian Village (near Pallanza); On the War-Path with Redskins - a retaliatory raid of natives is recounted by J.W. Schultz, a Rocky Mountain guide who was married to a Blackfoot and lived among them in Montana; The Fantastic Carnival at Pangau in a remote part of the Austrian Tyrol; Twenty-Seven Days in an Open Boat - Part II - the castaways are finally rescued, but in ghastly condition; Naia, The Witch of Rochefort-en-Terre, in Brittany - photo-illustrated article; Through Italy in Bedouin Dress - photo-illustrated account; One Thousand Miles on Mule-Back - Part I of this photo-illustrated article of the amazing journey of Mabel Penniman from New York to London via Central and South Amerca; The Bogus "Rush" at Coolgardie - photo-illustrated of a fake gold rush in Australia as told by John Marshalll of Kalgoorlie; Photo of women coal heavers in Dresden; Full-page photo from Kelsey Creek, California showing a river of fish three feet deep - with no water!; Photo of Tunisian camel fight; and more. Average external wear and soiling. Few pencil markings. Binding intact. A sound vintage copy of this excellent issue. Book
191419782Torino, S. Lattes (Pietro Celanza tipografi), 1914 ; in 8, demi veau aubergine, dos à nerfs, titre doré (reliure de l’époque); 314 pp. [3]ff : Finito di stampare, catalogue de S. Lattes, le dernier blanc.
170658556ABBerlin, bey Joh. Andreas Rüdiger : Buchhändler, [1706 / 1712]. kl8° (17x11), 3 Bl., S. 547 - 702; [58] S. Register & Errata, mit 40 teils eingefalteten Kupfertafeln, Hldr d.Zt, mit goldRückenprägung, nur Band 3 von 3, [7 Warenabbildungen] Kanten bestossen, etwas berieben, die Rückenvergoldung ebenfalls etwas berieben, gutes sauberes nur wenig braunfleckiges Exemplar,
155623724Basel, Nicolaus Episcopius d. J. 1556. 510 S., 1 weißes Bl., S. 511-1067, 41 Bl. Mit Druckermarke auf dem Titel und am Ende sowie zahlreichen Initialen. 8° (17 x 12,5 cm). Blindgeprägtes Schweinsleder der Zeit.
080-Io.J. Feder in Braun und Blau, mit vier braunen Tuschlinien umrandet, auf Velin, rechts unten bezeichnet ?Marina di Palermo?. Darstellungsgröße 13,7:20,7 cm, Blattgröße 22,1:32,8 cm.
081-Io.J. Feder in Braun und Blau, mit vier braunen Tuschlinien umrandet, auf Velin, rechts unten bezeichnet ?Marina di Palermo?. Darstellungsgröße 13,2:20,8 cm, Blattgröße 22,1:32,8 cm.
179537151Berlin, Voß, 1793-1795. XIV S., 1 Bl., 524 S.; 3 Bl., 506; VI S., 1 Bl., 432 S. Mit gestochener und altkolorierter Faltkarte. 8° (20,3 x 13 cm). Halbleder der Zeit mit Kleisterpapierbezug, hübschen Kattunpapiervorsätzen, etwas Rückenvergoldung und zwei farbigen Rückenschildern. [4 Warenabbildungen]
1633P5193Rome: Stephanus Paulinus 1633. Very Good. Notes: Set of 3 botanical prints published in De Florum Cultura. Image Size : 195x135 mm 7.68x5.31 Inches Platemark Size : Paper Size : 242x172 mm 9.53x6.77 Inches Coloring: Hand Colored Medium: Copper Engraving Categories: Natural History Botany; Stephanus Paulinus unknown
178611791In Bologna, Nell'Istituto delle Scienze, 1786. In-folio de XXIII-[1]-202-[2] pages, cartonnage recouvert de papier dominoté brun, étiquette de titre verte, reliure un peu frottée, rousseurs aux premiers et derniers feuillets. Non rogné. Inscription ancienne à la plume au verso du premier feuillet de garde.
180918754Wien, Artaria, o. J. (1809). Grenzkolorierte Kupferstich in 4 auf Lwd. aufgezogenen Bll. mit jeweils 12 Segmenten. Ca. 102 cm x 90 cm. In 8°. Pp.-Schuber der Zeit mit Rückenschild und aufgekl. Exlibris (beschabt und bestoßen, Innenteil beschädigt). [2 Warenabbildungen]
[Manoscritto- Spagna Italia](cm. 20x13,5) Bella piena pergamena originale, titolo manoscritto al dorso. manoscritto del XVII secolo, di unica mano in italiano e spagnolo, composto di 202 pagine, vergate in bella e chiara grafia. L'opera contiene 43 composizioni poetiche, satiriche e galanti per lo più inedite. Quattro sono di G.B. Ricciardi, due del Berneri, e una dello Zappi, come leggesi in fine a ciascuna. Il Ricciardi fiorentino, insegnò a Pisa, pubblicò varie opere. Per notizie biografiche, vedi: Inghirami "storia toscana" 1843, III p. 175 e Negri "scrittori fiorentini" 1722 p. 250. Il Berneri G., romano, pubblicò varie opere anche in dialetto. In particolare il "Meo patacca" in una strana mescolanza linguistica con il romanesco. Per notizie biografiche vedi: Amati "Bibliografia romana", p. 34 e Mazzucchelli "scrittori d'Italia" 1753, II p. 999. Lo zappi G.B. Felice da Imola (1667-1719) fu pastore arcade. Per notizie biografiche vedi: Angeli " Illustri imolesi" 1828, p. 115; Papotti "illustri imolesi" 1841, p. 185; Giorgetti Vichi "arcadi dal 190 al 1800" 1977. p. 253. Le altre composizioni anonime sono di vario e curioso genere: la cometa, il ganimede, aborto, contro le donne, le mammelle, tormenti amorosi, l'orologio a polvere ecc...Seguono altre 38 composizioni satiriche e burlesche in spagnolo, alcune di Francisco De Quenedo e di vario genere in 72 pagine. Il tutto in eccellente conservazione. Antico ex-libris nobiliare, manoscritto e timbro alla prima carta con stemma.[f70] Libro
1919222921919. Gentile Maria. The Italian Cook Book: The Art of Eating Well 1919 documents the early transmission of Italian culinary practice into American domestic life following mass Italian immigration in the late nineteenth and early twentieth centuries. Written in English with bilingual Italian headings the work presents Italian cuisine to an American readership at a moment when immigrant foodways were entering broader cultural circulation. As a female-authored cookbook produced in the immediate post-World War I period it identifies women's domestic labor as a central site for the preservation and adaptation of ethnic identity. The volume supports research into immigration history food studies and women's roles in shaping household economy and cultural continuity.<br /> <br /> Gentile Maria. The Italian Cook Book: The Art of Eating Well. Practical Recipes of the Italian Cuisine: Pastries Sweets Frozen Delicacies and Syrups. New York: Italian Book Co. 1919. First edition. Text in English with bilingual Italian headings. Single volume 92 pages. Bound in black pebbled boards with gilt title stamped to front cover 8vo. The book opens with a preface linking Italian domestic practice to wartime conditions stating that "the home of an Italian family. has proved more than once to be a model of food economy" and positions its recipes as "palatable healthy and economic." Contents include foundational dishes such as brodo polenta and risotti alongside pastries sweets and syrups reflecting both everyday sustenance and celebratory traditions. Recipes are written in a direct instructional style intended for practical household use.<br /> <br /> Published during a period when Italian cuisine was not yet fully integrated into mainstream American food culture this work contributes to the early documentation and dissemination of regional Italian cooking in the United States. The emphasis on frugality and efficiency reflects broader economic concerns of the postwar era while the inclusion of traditional dishes demonstrates the retention of cultural practices within immigrant households. Female authorship further situates the text within the gendered framework of domestic instruction and culinary authority in the early twentieth century. Spine replaced with black tape with text block intact and covers and pages clean; overall good to fair condition. This volume provides early evidence of Italian American culinary adaptation and the role of women in shaping American food culture. unknown
161078580BBVenedig:, Niccolo Polo und Francesco Rampazetto, 1610. 8°. 22 (25) 488, 111 Bll. 2 Titelblätter mit handkolorierten Vignettenstempeln. Schmuckbuchstabenstempel. Pergament mit umlaufendem Grünschnitt und handschriftlichem Rückentitel mit Muster in brauner Tinte aus Zeit (Text teils stark gebräunt und etwas stockfleckig; Blatt 335 fleckig mit brauner Tinte aus der Zeit; farbige Spuren der Kolorierung; Hinterer Vorsatz mit Buchdeckel minime Wurmspur; Einband etwas angestaubt mit zwei Flecken der Zeit)
122995aafMilan, de l’imprimerie Manini et Rivolta, 1821, 21 x 13,5 cm. 216 S. + 10 Aquatinta-Tafeln und 3 gefaltete gestochene Karten. (Mailand, Manini und Rivolta), Pappband der Zeit mit rotem Rückenschild (leicht berieben). / Cartonnage d’époque, pièce de titre orange au dos.
