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502510 August 1915 to 23 November 1917. Clowes is an eminent firm of English printers founded in London in 1803 and still thriving in Suffolk. The twelve typed letters are each one page quarto on the firm's Duke Street letterhead. The autograph letter is one page 12mo with mourning border. The collection in good condition overall with a few items aged and lightly creased. Most items docketed and bearing the Society's stamp. All items except the circular signed by 'W A Clowes' who he informs Wood in his first letter has taken over from his cousin Captain W. C. Knight Clowes whose copy of the First Folio was subsequently bought by William Foyle. The collection provides an fascinating insight into the effect of the Great War on the printing trade with Clowes reluctantly announcing repeated increases in costs. In the third letter 21 October 1915 he states: 'We wish to wait and see what the effect of Lord Derby's recruiting scheme will be on the printing trade because if many more men are taken from it the cost of production will again be greatly increased . I am glad to say that for the moment we have a stock of the old Journal paper at the usual price'. Letter four 14 August 1918 warns of 'another large rise in wages in the London District in the near future' and letter five 27 March 1918 confirms 'the large increase in wages that the printing and binding trades have been compelled to grant their workpeople. All materials used in printing and binding have again risen and are still rising . we shall be obliged to raise our prices to you for printing and binding by a considerable percentage'. Letter six 20 March 1918 responds to a complaint from Menzies regarding the printing of the Journal's wrappers: 'I . cannot in any way defend the printing. I was having the matter thoroughly looked into before your letter came and the type renovated'. He complains that 'labour is so scarce' but promises that he will be 'keeping an eye on it until it is done properly'. Letter of 13 June 1917 announces '15% extra on composition machining and binding owing to the increases in wages which took place previously to October 1916 and the large increase that took place then and the still larger increase which had to be paid on this June 1st'. A printed circular announces another rise of 15% from 31 October 1917 'owing to the further increases in War Bonuses and the never ceasing increases in the cost of all materials'. On 28 March 1917 Clowes warns that the firm has 'only sufficient paper in stock to take us to about June 30th' and that 'prices will rise very sharply immediately owing to the great scarcity of materials'. In the handwritten letter which ends the series Clowes thanks Menzies for his 'kind letter of sympathy with us on the sad loss we have sustained by the death of my Cousin Mr Knight Clowes. I note with pleasure that you intend to insert a short obituary notice of him in your Journal. You may have seen the one in "The Times" for Wednesday last'. 10 August 1915 to 23 November 1917. unknown
1853180959London: George E. Eyre and William Spottiswoode 1853. A modestly bound Bible from the library of Marquess of Tweeddale of Yester House Gifford. The estate and its library were sold after the death of William Hay 11th Marquess of Tweeddale in 1967 and the Bible was subsequently gifted to Stephen C. Massey. Octavo 230 x 137 mm. Contemporary hard-grain black morocco spine lettered in gilt spine compartments and covers bordered in blind front cover with "Yester" in gilt board edges and turn-ins decorated in floral gilt yellow coated endpapers gilt edges purple bookmarker. Printed leaf with 14 recognised versions of Psalm 23 loosely inserted. Bookseller's ticket on rear pastedown of William Moffat Edinburgh. Front inner hinge split but firm couple of spots to contents at rear otherwise clean. A very good copy. unknown
18910The letters mostly from Southgate House Winchester Eagle House Wimbledon Winchester College; dating from between 1871 and 1875. All items in good condition on lightly-aged paper. The letters total 49pp 16mo and 8vo. All are complete except the last which lacks the last part. They are liberally adorned with sketches. Mostly addressed to 'My dear Aunty' and signed in a variety of ways from 'J. Bowyer B. Nichols' to 'BBN'. The first letter dated 4 December 1871 sets the tone showing Bowyer Nichols to be a precocious and spirited twelve-year-old. It begins: 'Will you send me if you can find it that poem about Sally Porter and Charlie Church I forgot to take it upstairs last evening after I had written it out. I think that most likely it is in the blotting-book. This afternoon I had my promised drill I had an hour. I was so cold I thought I should be frozen. The boys have a pole which two or three boys go on at once: illustration Two other boys were on mine. / How is the Prince of Wales He is very ill isn't he Everybody seems to be talking about it.' He notes that ''All the boys take a remarkable interest in my letter this evening.' Further topics include: the Tichborne Claimant 'I begin to pity the poor old creature. He's a horrible old heart though'; the nature of the 'Bran Pie' to be eaten at a 'Juvenile Party'; the finding of 'the Autograph Catalogue' 'we had a bottle of champagne in honour of the occasion!'; a cricket match with another school 'They beat us by sixty runs!!!!'; the blowing over of 'the old cedar tree on the lawn'; social engagements; school gossip; the letters he has received; his reading; his need for new clothes. On 5 February 1874 he writes: 'I feel gloomy this evening - Perhaps it is the effect of reflecting on Greek Grammar Papers to come; perhaps of chocolate that is past.' His view 1 March 1874 of the outcome of the Tichborne case is expressed in quietly sarcastic terms: 'What think you of the verdict Fourteen years will almost finish him I should think. We got the news "Guilty in every respect." at just before dinner yesterday morning. I heard Miss Hawkins say "Of course I have known all the while what the end would be. From the very first day" etc etc. Of course she knew. Everybody knew all the while. There wasn't the slightest doubt in anybody's mind. I've heard people say that they had heard that all the jury were not agreed and that they were not so sure about the decision but I've no doubt they said immediately on receiving the news "I told you so." We didn't hear about the 14 years till the evening when there were bills posted about everywhere "Telegrams addressed to the editor of the Hampshire Mercury or Herald or Argus or something of the kind" -'. The drawings in pen and ink and pencil with only one in colours mainly depict figures in contemporary and historical costume executed in detail with skill and wit showing the influence of 'Punch' but also with an anomalous Edwardian feel. Subjects include a preacher in a pulpit; a Pre-Raphaelite maidens in kimonos; a woman in Grecian costume; 'Strephon' and 'Astrologos'; a woman playing the piano; ladies and gentlemen in evening dress and fashionable attire; a priest being beheaded by a knight; ladies and gentlemen in eighteenth-century costume; heads of a falcon; fancy initial capitals. They are present in the letters and on 24 pieces of paper ranging in size from 7.5 x 10 cm to 28 x 32 cm. Again in good condition with only two pieces damaged: the largest is worn and frayed at the extremities and another piece has had a small hole made through it by the force of Nichols's pen strokes. The pieces of paper are taken from notebooks and cut from letters The letters mostly from Southgate House, Winchester, Eagle House, Wimbledon, Winchester College; dating from between 1871 and 18 hardcover
18507383<p>Nattali and Bond. London. No Date.Circa 1850. THREE VOLUMES. Tall 8vo 10.2 x 6.6 inches. Text and plates taken from the Ninth edition. Complete set of this famous trilogy with 80 fine hand-coloured full page aquatint plates the colouring still strong and bright by Thomas Rowlandson. Some minor spots of foxing to a few leaves in each volume but generally clean and bright copies in the scarce original publisher's brown cloth bindings with gilt lettering and decoration on spines. Decorative blind stamped panels on boards. Original yellow coated endpapers. Previous owners bookplates to front paste downe endpapers. Some rubbing to top and tail of spines and fore-edges and a couple of the hinges with neatly repaired splits about 1.5 inches but generally these are very good examples. Slight uniform fading to spines but overall a very attractive set of this classic work with Rowlandson's humourous plates. Uncommon in the publishers original decorative cloth bindings.:</p> Nattali and Bond. London. No Date.,Circa 1850 hardcover
21262A V-Mail Victory Mail letter. San Francisco. February 1944. An interesting communication from one noted twentieth-century English-language poet to another and of additional significance as a V-Letter written in the year of publication of Shapiro's first successful collection the Pulitzer Prize winning 'V-Letter and Other Poems' 1944. See Diederik Oostdijk 'The Wartime Success of Karl Shapiro's V-Letter' 2006. The present item is a V-Mail Victory Mail letter: a 13.5 x 11 cm photograph print of an autograph letter bearing the censor's stamp. At the time of writing Shapiro was on active service. In fair condition lightly aged and folded once. The V-mail process would have ensured that the original letter was destroyed: the present document is therefore the only surviving version of the text. Addressed to 'Mr George Barker c/o New Directions Norfolk Connecticut U.S.A.' Dated February 1944. The address is in parts hard to read: 'Sgt. Karl Shapiro 33006969 13th Port. Sang. Hosp. APD 928 c/o Pan San Francisco'. Shapiro begins the letter: 'Dear Mr. Barker. The letter I wrote you several days ago – if you have received it – must have seemed rather wild and whirling.' He feels that he should tell Barker that he was 'recovering from a malaria attack at the time' and that his 'thoughts were disarranged' and his 'perspective abnormal'. Now that he is better he would like to say 'in sober language that the Elegies Rilke's Duino Elegies are a boon to us who are readers and writers and do me a a bucket of cold water in the face'. 'War Poetry' on the other hand has been 'a deadly disappointment' to Shapiro: 'all ex post facto experience and birds on singing-trees'. It seems to him that Barker alone has 'escaped the bogs of Language and Fame but more than that. Rilke's task of not-understanding the other war although not evasion was inapplicable to the soldier's case.' Barker has 'earned his way to the heart of the war – like the Four Hundred'. The letter concludes: 'I merely want to add my praise to all those other praises you have won.' A V-Mail [Victory Mail] letter. San Francisco. February 1944. unknown
12886Address in bottom left-hand corner of 'W. Roberts 47 Lansdowne Gardens Clapham S.W.' Circa 1898. 1p. folio. Good on a lightly-aged piece of ruled paper. In two columns with the left-hand column written out by Roberts with his address at the foot headed 'Name of Exhibition' and listing twelve international exhibitions between 1862 Amsterdam and 1898 Brussels. The right-hand column headed 'Picture Exhibition' carries Alma-Tadema's responses some of which are written in darker ink than others indicating that they were added at more than one point. Alongside 'Paris EU 1867' he writes '13 pictures amongst them. the Education of the Children of Clovis the two above An entrance to a Roman theatre armuror's sic shop. Agrippina visiting the ashes of Germanius Egyptian game'. For 'Vienna 1893' and 'Melbourne 1880' he writes 'don't remember'. The last entry for 'Royal Scottish Academy: date' reads: 'A medal of Honorary Membership given on the occasion of my election to that honour. 1877.' While Roberts does not appear to have written on Alma-Tadema directly he was a voluminous author who at the time of writing had just completed a two-volume work on the London auctioneers Christie's 1897. See image. Address in bottom left-hand corner of 'W. Roberts 47, Lansdowne Gardens, Clapham, S.W.' [Circa 1898.] unknown
1913d146.004GB: Wild Life 1913. Privately bound in old strong plain brown cloth lettered in gold between rules on spines simply lettered WILD LIFE 1 etc. All edges speckled red. Some photos are mounted on card as issued which has browned adjacent pages. Some spotting and a few marks throughout. The set look barely opened and bindings are very clean and sound. A very good working set. NOT COLLATED and may have some missing pages/illustrations. INSPECTION INVITED. Price includes UK mainland delivery. NOT AVAILABLE OVERSEAS . 1st Edition. Hardback. VG/No DW. Wild Life Hardcover
1860217209Japan. Circa 1860. Two black and white woodblock kawarabans 22.4 x 30cm occasional light creasing but overall very good. These two kawaraban present vocabulary lists comparing Japanese with six foreign languages: American Russian British Dutch Chinese and French. Alongside each vocabulary list a small portrait of a "typical" man from the respective country is provided with the country's capital indicated. For instance an American soldier is shown holding a gun with Washington listed as the capital while a Russian officer is depicted with a sword and St. Petersburg is named as Petoruku the capital. <br> <br>The vocabulary lists themselves are quite difficult to interpret raising the possibility that some of the words may be fabricated or inaccurate. However in the American section a few recognisable words such as "silver" and "coin" appear to have been transcribed phonetically into Japanese. . unknown
132099A plain postcard 89 × 140 mm postmarked 'Chiswick . 10 Apr 1968'; postage stamps neatly peeled off the address panel; in very good condition. The message reads in full: 'London April 10th. Very many thanks for that kind letter and do please forgive this brevity - I have an ocean of neglected mail about me. <p>I should of course be honoured to come to next Festival. It would be stupid of me to reiterate my regrets about this year. Again my sincerest thanks. As ever - Anthony Burgess'. For context a few contemporary accounts will suffice. 'Burgess 53 passing through Perth to Adelaide for festival lectures on obscenity pornography and the novel is a rough-hewn man who looks more like a cattleman from some sunless plain than an escaped Manchurian. In fact he so completely lacks pommification and literary lustre that his quest to discover the Australian idiom is likely to be entirely successful. Burgess was once scheduled for an Adelaide Festival when his first wife became fatally ill. This two months trip is a recompense' Duncan Graham 'The Bulletin' 14 March 1970 page 53. <p>'Anthony Burgess visited Australia in 1970 to open the Adelaide Festival an occasion that brought much calamity. Even before they disembarked the plane Liana Burgess had a giant stuffed elephant she had bought in Bombay confiscated by Australian officials Burgess supposed its body must have been stuffed with syphilitic bandages. She also did not have the correct visa for entry and was eager to leave the country before she had even properly arrived. Further bad luck ensued when Burgess quoted from Drayton's verses to the Virginia pioneers angering his audience who saw him as condescending. These experiences soured Burgess's view of Australia yet the country made a lasting impression. In his 1980 novel "Earthly Powers" Kenneth Toomey visits the country and is impressed with its beauty even as he struggles with the Australian language' from the official Anthony Burgess website. <p>'I am quite willing to concede Roger Lewis's point that Burgess was not nice to know. The one time I laid eyes on him in 1970 when he was on his way to the Adelaide Festival he gave a disgraceful contemptuous talk at the University of Sydney. He treated us like cretins - I felt at the time that he had persuaded himself that he was lecturing in Omsk or Monrovia. Afterwards at lunch he patronised all and sundry. But does an artist have to be a good chap Plenty - Wagner Sartre and Picasso among others - clearly weren't. So there's something distasteful and tiresome about Lewis's endless catalogue of Burgess's betises' Andrew Riemer reviewing 'Anthony Burgess' by Roger Lewis in 'The Sydney Morning Herald' 8 March 2003. <p>The postcard is loosely inserted in Hedley Brideson's copy of 'Nothing like the Sun. A Story of Shakespeare's Love-life' by Anthony Burgess London Heinemann 1964 first edition; a fine copy with the unclipped dustwrapper initialled in pencil on the front free endpaper by Hedley Brideson. 2 items. unknown
7777B<p>Viking PressNY. HBDJ <strong>DJ is LASER Copy</strong> stated 1st edition Published 1957 Later ISSUE FINE/F AS-IS 8 voBlack Cloth Hardboard Cover lettered in White on Spine This bk might possibly be Facsimile A truly beautiful copy rarely encountered in this superlative condition The boards are straight and clean with no bumping tears shredding soiling or loss. The white lettering is bright and complete. Internally there is no writing tears soiling foxing or separation No red Topstain 310 PAGES . Hard Cover. Fine/Fine.</p> Viking Press,NY hardcover
Very Good Turkish, Ottoman (1500-1928) Contemporary 1/4 black leather bdg. raised four bands to spine. Occasionally minor stains and foxing on pages extremities, restored spine, and re-backed boards. Otherwise a good copy. Cr. 8vo. (20 x 14 cm). In Ottoman script (Turkish with Arabic letters). 246 p. Exceedingly rare first edition of this first translation of Stevenson in any Turkish / Turkic language, of 'New Arabian Nights' including the short stories Stevenson's 'The Suicide Club' and 'The Rajah's Diamond'. Translated by Salime Servet Seyfi (1868-1944), who was a female author and translator who wrote books during the period of the Constitutional Monarchy (after 1908) and National Struggle for Independence (1919-1922). Having published two books, poetry and a novel, her place among the women author is notable. She among the rare women authors to contribute to war literature. She mainly wrote didactic prose and poems. Her works attract attention for they inspire readers about national conscience. Salime Servet, who wrote mainly during the years of the Balkan Wars (1911-1912), played an active role in Müdafaa-i Milliye Cemiyeti [i.e. National Resistance Community]. Furthermore, she contributed to the literature with her journal of Seyyale [i.e. Fluid]. She translated Stevenson's short stories shortly after the Balkan Wars (1911-1912). She used a gorgeous but simple language in Ottoman Turkish including Persian and Arabic words carefully selected by her in her translation. "New Arabian Nights" by Robert Louis Stevenson, first published in 1882, is a collection of short stories previously published in magazines between 1877 and 1880. The Suicide Club is a collection of three 19th century detective fiction short stories by Robert Louis Stevenson that combine to form a single narrative. First published in the London Magazine in 1878, they were collected and republished in the first volume of the New Arabian Nights. The Rajah's Diamond is a cycle of four short stories by Robert Louis Stevenson. First published in 1878 in a serial periodical London Magazine, they were republished in the first volume of New Arabian Nights. The stories are: "Story of the Bandbox", "Story of the Young Man in Holy Orders", "Story of the House with the Green Blinds", "The Adventure of Prince Florizel and a Detective". First Edition. Özege 9271.; OCLC 780204146.
190021241London, Rowland Ward, 1900. In-8 de XII-324 pages + 8 pages pour le catalogue des livres édités par Rowland Ward. Pleine percaline bleue d'éditeur.
189821240London, Rowland Ward, 1898. In-8 de XVI-319-[1] pages + 4 pages pour le catalogue des livres édités par Rowland Ward. Pleine percaline bleue d'éditeur.
176615688London, Printed for R. Baldwin, 1766. 2 volumes in-8 de [4]-372; [4]-296 pages, plein veau moucheté brun, dos à nerfs ornés de filets dorés, pièces de titre et tomaison beige, tranches rouges. Ex-libris Boyve.
200217761Through Leaves Press 2002. 8vo. First Edition thus; handsomely bound in blue full crushed morocco sides with frame border gilt back original printed wrappers preserved gilt top a most attractive copy ideal as a gift or for presentation. Vita Sackville-West's first published work Chatterton was issued in 1909 in a privately printed edition of 100 copies printed by J. Salmon of Sevenoaks. See Gretton 1. Only two copies are known to have survived; this high-quality facsimile is reproduced from the copy preserved at Sissinghurst. In his specially written introduction Nigel Nicolson provides fascinating and detailed background to the work's composition and original publication which Vita funded with £5 from her pocket money at the age of 17! See Cross & Hulme A.1; Gretton 1. [Through Leaves Press], unknown
17782111902160600070Aono Tomosaburo 1778. Soft Cover. Fine. Size: 183x25.4 cm Aono Tomosaburo paperback
2 Vols., 'Source of the Thames' plate volume folio (375 x 270 mm), large paper copy, engraved pictorial title and 76 engraved plates on India paper, occasional spotting, contemporary red morocco by C. Smith, covers with wide gilt tooled border, spine gilt, upper joint cracked, all edges gilt; 'Descriptions of the Plates' text volume 8vo (230 x 150 mm), [300pp.,], cont. half green morocco, marbled boards, lightly rubbed, spine gilt extra, all edges gilt.
4to (280 x 215 mm), [8], 64pp., plus one leaf of publishers' adverts, 28 mounted photographs (165 x 120 mm) of Nottingham street views, each with caption title in ink on lower margin, orig. green cloth, spine and upper cover decorated in gilt and black with a mounted photographic view of Nottingham Castle, re-cased, some minor fraying to head and foot of spine otherwise a very nice copy. Gernshiem describes a copy with 12 albumen prints and gives a date of 1875. In our copy page 64 notes that "While these sheets are passing through the press, an event of unusual interest has taken place in Nottingham. On Thursday, September 27th, 1877, the Foundation Stone of the new University College was laid." Inscribed on front free-endpaper "Mary Thorpe, with her brothers love and best wishes, January 20th 1882." Gernshiem, 601.
196529362Angleterre, Harold Davison LTD 1965. Fascicule de 20 pages au format 25,5 x 21 cm, edité pour la tournée britannique de l’Orchestre de Duke Ellington. Couverture illustrée par une photographie de Duke Ellington. Premier plat avec petit accroc au bord supérieur renforcée au verso par de l'adhésif transparent. Infimes frottis et tassements aux coins. Publication avec légère trace de pliure verticale. Intérieur resté frais. Textes inédits de Duke Ellington, Benny Green et Peter Clayton, accompagnés de superbes photographies en noir de Michael Sanders. Complet du billet d'entrée pour le concert du samedi 20 février 1965 au " Winter Gardens Bournemouth ". Edition originale en bel état général. Rare et précieux exemplaire enrichi de signatures autographes de Duke Ellington et de 8 de ses musiciens : Herbie Jones, Cootie Williams, Ray Nance, Mercer Ellington, ( trompettes ), Chuck Connors, Buster Cooper ( trombones ), Sam Woodyard ( batterie ), John Lamb ( basse ).
197312195Editions Doubleday & Compagny, Inc - Garden City, New York 1973. Enorme in-4 cartonnage éditeur pleine toile noire de 522 pages au format 18,5 x 5,5 x 28,5 cm. Premier plat et dos avec titre doré et gravé. Complet de la jaquette bleue avec titre imprimé en blanc. Frottis aux coins et mors de la jaquette, qui présente aussi de petits manques et qui à été renforcée au verso. Souvenirs de l'artiste accompagnés de très nombreuses photos hors texte. Tirage sur couché. Rare édition originale américaine en premier tirage et superbe état général, à l'exception des défauts de la jaquette. Précieux Exemplaire accompagné d'une carte de vœux imprimée avec mention " Season's Greeting and Best Wishes for the New Year ", enrichie d'une dédicace autographe signée de Edward Kennedy Ellington dit Duke Ellington et de Beatrice Ellis, sa femme, dite Evie : Sincerely The Duke Ellingtons ( Evie and Edward ).Le livre est aussi accompagné d'une magnifique photo au format 18 x 24 cm, en tirage argentique, avec cachet au verso, représentant Duke Ellington en galante compagnie lors d'une fiesta organisée par Eddie Barclay. Rare et superbe ensemble.
2014015772Paris Editions Dilecta 2014 Cartonnage toilé et étui éditeur
50 numéros in-4 br., Narrow Gauge & Industrial. Railway modelling Review (50 Issues - From n° 1 Year 1989 to n° 50 Year 2002) Scarce set, complete with the 50 first issues. Good condition. Price for the whole set. Anglais
From drawings by J.M.W. Turner, Comic illustrations by G. Cruikshank, 2 vol. in-4 reliure de l'époque plein chagrin vert, dos à 4 nerfs dorés orné, belle plaque à motifs romantiques estampées à froid en plats, double filet doré d'encadrement en plats, coupes et chasses ornées, toutes tranches dorées, Fisher, Son & Co, London, Paris & America, s.d. [ 1836-1838 ], 72 et 84 pp. avec 91 planches hors texte Fine copy, in its contemporary full leather binding, nicely adorned (slight foxing). Cohn, 700 Anglais
19734086Tokyo & Hsin-Ching Nichiman Bunka Kyokai 1973. Hardcover. . ~ ~ NOTE: THE PRICE OF THIS BOOK IS CURRENTLY REDUCED! ~ ~ . Two volumes. Folio 39 x 28cm. Volume I. Pp. xi 28 English summary 116 Japanese text. Plus over 100 images on 62 plates. With 28 illustrations in the text. Volume II. Pp. xv 30 English summary 87 Japanese text. Plus over 160 images on 103 plates. With 21 illustrations in the text. The wonderful collection of plates include numerous colour plates printed separately and mounted on leaves each protected by tissue-guards; large folding plates; large extending panoramic views; appendix folding map. The text illustrations are mostly full-page. Japanese title-page to each volume printed on special paper and protected with tissue-guard. English title-pages printed in red and black. HARDCOVER uniformly bound in the original publisher's cloth-covered boards handsome wide buckram spines gilt lettered copper endpapers. Each volume placed in the original printed slipcase bit browned. In NEW condition. A superb set. ~ Reprint of the 1938-40 edition. A remarkable lavish production an exceptionally attractive set. Weight: 7kg X-7 <br/> <br/> Tokyo & Hsin-Ching, Nichiman Bunka Kyokai hardcover
1868Buf61217,5 cm X 25,8 cm, vol 1 : Africa, 774 pp, 1868 - vol 2 : autres pays, 1870, 864 pp, reliures demi et coins chagrin, dos à 5 nerfs, orné de caissons dorés, plat et tranches marbrés, nombreuses gravures de Angas, Danby... dont 1 en frontispice pour chaque volume,