2 159 résultats
1104807432.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
124882105X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
58203Venetia Domenico Giglio 1552. Kl.-8° 8 Bl. 317 S. 3 Bl. einige figürliche Initialen 6 Textholzschnitte im letzten Teil . Perg. m Stehkante. Vorderer Deckel partiell erneuert Einige Seiten mit Wurmfrass a. Steg minimal fingerfleckig einige Seiten eselohrig «Die kommentierte Ausgabe des Canzoniere von Alessandro Vellutello ist die berühmteste und erfolgreichste des 16. Jahrhunderts. Sie ist 1525 zum ersten Mal erschienen. Die massgebliche Ausgabe ist aber die von Vellutello überarbeitete die 1528 veröffentlicht wurde. Vielen Lesern war die Anordnung der Gedichte im Canzoniere nicht klar. In ihm sind die Gedichte über die Liebe zu Laura mit Gedichten anderen politischen kirchenkritischen Inhalts vermischt. Vellutello hat den Canzoniere neu geordnet so dass sich die Liebesgeschichte zwischen Petrarca und Laura - in vita prima parteI und in morte seconda parte - Schritt für Schritt verfolgen lässt. Die Gedichte die mit diesen Ereignissen nicht in Verbindung stehen hat er in einer Parte terza seines' Canzoniere zusammengestellt. Vellutello war davon überzeugt dass es die Liebesgeschichte zwischen Petrarca und Laura wirklich gegeben hat. In der ausführlichen Einleitung stellte er dazu alle Informationen zusammen.» Petrarca-Ausstellung Strauhof Zürich 2004.Alessandro Vellutello 1473 - nach 1550 wirkte ab 1515 in Venedig. 1544 publizierte er seinen berühmten Kommentar zu Dantes «La Comedia». 010 Venetia, Domenico Giglio, 1552 unknown
157452350Venedig Iacomo Vidali 1574. Small 4to. A little later full mottled calf richly gilt spine. Wear to top of spine. 28419 folios =56838 pp. Woodengraved initials throughout 1 full page map Sito di Valclusa Portraimedaillon of Petrarca and Laura 6 large woodcuts in the text 2 printers devices. Internally clean and fine. <br/><br/><em>Adams P 831. </em> unknown
1554242933Vinegia: Giovan. Griffio 1554. hardcover. very good. Griffin and putti woodcut device on title page griffin passant device at end 5 large woodcut illustrations and historiated letters. Italic and roman letter. 218 pages small 4to full vellum lacks title label on spine. Vinegia: Giovan. Griffio 1554. A beautiful copy of a scarce book.<br/> <br/> Not in Brunet; Cornell 104; not in Graesse; Haym 73 9; Hortis 55 99; Marsand 68.<br/> <br/> Giovan. Griffio unknown
1624D19140Venice: Nicolo Misserini 1624. Hardcover. Good. In Venetia: Appresso Nicolo Miserini 1624. Engraved title. 24mo. A few woodcuts. Old leather quite worn a.e.g. With 4 manuscript sonnets at the end on blank leaves. Old gift inscription and small old book label of Emmanuel Martin. A worn but charming little book. <br/><br/> Nicolo Misserini hardcover
1532324740Vinegia 1532. hardcover. very good. 303 pages with text in Italian. Thick 16mo old vellum-backed boards. Venegia: A san Moyse al segno dell'Angelo Raphael per Francsco di Alessandro Bindoni e Mapheo Pasini 1532. Some pages with old marginal repairs still a very good clean copy.<br/> <br/> unknown
1581289574Venitia.: Alessandro Griffio. 1581. 18th century full brown leather gilt floral borders raised bands gilt spine decorations speckled edges ribbon marker. Very good a few worm holes to cover old repair to top edge of title page scattered foxing. 8vo. 21x15 cm. Italian text. Set in a small attractive and very readable italic type. Leaf 415 erroneously numbered 413. Tightly bound in a handsome binding. weight: 2.1 lb. Engraved title page with decorated border and printer’s device historiated initials. Alessandro Griffio. hardcover
154144614Venegia Italy: Ioan. Antonio di Nicolini & i Fratelli da Sabbio 1541. 8vo 24 ccclxxxiiii 4 leaves; late 19th-century three quarter vellum over marbled boards maroon morocco gilt spine labels all edges red marbled endpapers; spine quite darkened lacking b3-6 from La Vita del Petrarcha quires G and V supplied; very good and sound. See Adams 807 and BM STC Italian p. 204 for the 4to edition. Ioan. Antonio di Nicolini & i Fratelli da Sabbio] unknown
157325868<p><strong>1573 Petrarch Poetry Triumphs Italian Il Petrarca Venice BEMBO Ridolfi Tavola</strong></p><p>Petrarch was a 14th-century Italian humanist known for his discovery of the letters of Cicero and establishment of the study of humanism. He wrote sonnets and poems many of which were the model of poetry during the Dark Ages. This exceedingly rare 1573 edition of the works of Petrarch includes his '<em>Triumphs'</em> and includes commentary and notes by Pietro Bembo. Interestingly this work includes a printing of Luca Ridolfi's "Tavola" with a separate title page.</p><p>Item number: #25868</p><p>Price: $950</p><p>PETRARCH Francesco</p><p><strong><em>Il Petrarca</em></strong></p><p>In Venetia: Domenico Nicolini 1573.</p><p><u>Details</u>:</p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages; 3 parts in 1 volume</p><p><!-- if !supportLists-->o <!--endif-->Il Petrarcha – 399 1</p><p><!-- if !supportLists-->o <!--endif-->Trionfi – 2 403-544</p><p> <!--endif-->6 vignette woodcut engravings</p><p><!-- if !supportLists-->o <!--endif-->Tavola di Tutte – 256</p><p><!-- if !supportLists-->· <!--endif-->References: USTC 847854</p><p><!-- if !supportLists-->· <!--endif-->Provenance:</p><p><!-- if !supportLists-->o <!--endif-->Armorial bookplate – Petri S.R.E. Cardinalis Ciriaci</p><p> <!--endif-->Pietro Ciriaci 1885–1966 was an Italian Cardinal of the Catholic Church who served as prefect of the Sacred Congregation of the Council in the Roman Curia from 1954 until his death and was elevated to the cardinalate in 1953 by Pope Pius XII. Motto: DOMINUS REGIT ME.</p><p><!-- if !supportLists-->o <!--endif-->Handwritten – <em>Manuel Maria Loper de Sampaio</em></p><p><!-- if !supportLists-->o <!--endif-->Handwritten – <em>Antonio Feliciano de Castilho</em></p><p> <!--endif-->António Feliciano de Castilho 1st Viscount of Castilho 1800–1875 was a Portuguese writer. He lost his sight at the age of six but the devotion of his brother Augusto and aided by a retentive memory succeeded in his studies and acquired an almost complete mastery of the Latin language and literature. Though Castilho's lack of strong individuality and his excessive respect for authority prevented him from achieving original work of real merit yet his translations of Anacreon Ovid and Virgil as well as his best-known <em>Letter to the Empress</em> reveal him as a master of form and a purist in language.</p><p><!-- if !supportLists-->· <!--endif-->Language: Italian</p><p><!-- if !supportLists-->· <!--endif-->Binding: Leather; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~4.75in X 3in 12cm x 7.5cm</p><p><!-- if !supportLists-->· <!--endif-->Rare and desirable</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>25868</p><p>Photos available upon request.</p> Domenico Nicolini hardcover
90602Venezia Venice Italy Vincenzo Valgrissi 1560. Hardback approx 8 x 6 inches. Vellum boards with gilt line panels later leather to spine with raised banding and maroon leather spine label. Red page edges plain endpapers. In very good condition. Professionally rebacked on spine with later leather and spine label and later endpapers. Boards darkened corners bumped. Inscription to prelim “G. Frere to his dear sister Susanna Oct. 1805.” Some minor darkening to title page faint water stain to top inner corner of pages disappears about 1/4 way through.Chip/tears to bottom inside corners of pages at rear p208 - end does not affect text. Else a very good clean and tight copy. xii 214pp 5pp Index. Illustrated with a decorative engraved title page decorative chapter headers and pictorial letterpieces. One clipped illustration pasted to one page in intro/dedication M. Lavra. Illustration to last page of cross & serpent design. “Alessandro Vellutello’s Commentary Il Petrarca con l'espositione di M. Alessandro Velutello was first published in 1525 and was more successful than the other Cinquecento’s commentaries. It was reprinted 26 times until the end of the century. Vellutello’s was not a professional letterato as he admits; however his commentary has unprecedented humanist qualities as he quotes the Latin sources of Petrarch from Vergil to Horace from Propertius to Ovid from Cicero to Plinius. Furthermore his commentary includes accurate references to the Bible and the Provençal poets. Vellutello’s commentary is extremely original as it completely changes the original numbering that Petrarch gave to his poems based on biographical and geographical considerations. He wanted to recreate the identity and life of Francesco and Laura. To this goal he wrote three important introductory essays explaining his new approach to Petrarch’s Rvf. The first essay declares the new order that he gave to the poems Trattato de l’ordine de’ sonetti e canzoni mutato; the second is a short biography of Petrarch Vita e costumi del poeta; finally the third essay reconstructs Laura identity l’Origine di madonna Laura con la discrizione di Valclusa e del luogo ove il poeta di lei a principio s’innamorò.” https://petrarch.uoregon.edu/apparatus/commentary/14670 Venezia, (Venice, Italy) Vincenzo Valgrissi, 1560 hardcover
155381681In Vinegia Venice: Apresso Gabriel Giolito de Ferrari 1553. Fine. Apresso Gabriel Giolito de Ferrari In Vinegia Venice 1553 15.30 x 22.50 cm relié Third edition of these works by Petrarch commented by Gesualdo the first of which appeared in Venice in 1533. They comprise the Canzoniere in italics prima parte and seconda parte with commentary distributed around it and the Trionfi also accompanied by commentary. 2 engraved title pages the first general one with portraits of Laura and Petrarch on either side of the portico and the second for the Trionfi. Numerous engraved and historiated initials and 6 title vignettes for the trionfi. A map of the Vaucluse site where Petrarch lived. Later Italian binding ca 1840 in half cherry red morocconized shagreen with red percale boards. Spine with 4 false flat raised bands decorated with 3 tools and blind frames roulettes on the bands and thick blind fillets. Initials in one of the compartments: CG. Traces of rubbing. Stains on boards and rubbing. Title-frontispiece cropped short with small lacks to corners and outer margin. Traces of pale yellow dampstains in margin of first 5 preliminary leaves then on Petrarch's life on 2 leaves dampstain trace at mid-page and in margin. Gathering 553 detached. On leaves 647 to 657 outer margin nibbled for 1cm then diminishing. Some scattered light foxing in margins but overall relatively fresh notably the text of the Canzoniere; more significant but still very light foxing at end of work. The preliminary pages include a stylistic analysis the lives of Petrarch and Laura. This edition of Gesualdo's commentary was revised in light of Vellutello's critical edition published later. Addressing very diverse and erudite questions Gesualdo's commentary is renowned for its great elegance. Apresso Gabriel Giolito de Ferrari hardcover
in-8. pp. 16, 317, 3. Cartonatura settecentesca. Hortis, n93. Marsand p.63. 6 incisioni in legno ai Trionfi . Completo e in buono stato.
Curatori: G. Billanovich, G. Frasso.
1554242933Vinegia: Giovan. Griffio 1554. hardcover. very good. Griffin and putti woodcut device on title page griffin passant device at end 5 large woodcut illustrations and historiated letters. Italic and roman letter. 218 pages small 4to full vellum lacks title label on spine. Vinegia: Giovan. Griffio 1554. A beautiful copy of a scarce book.<br/><br/> Not in Brunet; Cornell 104; not in Graesse; Haym 73 9; Hortis 55 99; Marsand 68.<br/><br/> Giovan. Griffio unknown books
2 volumi, cm. 12, mezza pelle con fregi in otìro al dorso (lievi difetti), pag. (28) 319; 340, LXXII. Tagli rossi. Minimo foxing ma ottimo esemplare.
1609046285Venice: Giovanni Alberti 1609. Early Edition. Hardcover Vellum. Very Good Condition. Full contemporary vellum light soiling bookplate of Maurice Hewlett notes to endpaper very clean otherwise with vignette illustrations in the Trionfi section. Light impressions of a few of the illustrations but a fine little Petrarch. 321 14pp. A reimpression of the 1605 edition. 3 7/8" x 2 1/8". Size: 32mo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Inventory No: 046285. Giovanni Alberti hardcover books
In-8° pp. 109, bross. edit. Alcune segnature nel testo.
In 8, pp. 102 + (2b). D. rifatto. Br. ed.
In-8° pp. 37, bross. edit. esemplare intonso.
Arezzo, Stab. Tip. Palmini, 1977, in-8, brossura editoriale, pp. 49. Estratto dagli "Atti e Memorie dell'Accademia Petrarca di Lettere, Arti e Scienze di Arezzo".
Volume in 12° legato in mezza pergamena, titolo al tassello al dorso, sguardie, frontespizio con marca tipografica, 26 carte non numerate (carta della Sorga, luogo dove nacque Laura e dove il Petrarca s'innamorò, illustrazione a doppia pagina; silografia a piena pagina col ritratto di Laura e del Petrarca raffigurati in uno splendido vaso con al piede cartiglio), 400 pp. per le Rime i Trionfi e le Rime rifiutate (i Trionfi con proprio frontespizio), frontespizio delle "annotationi di Giulio Camillo" per 63 carte comprensive degl'indici, al verso dell'ultima colophon con marca tipografica, sei illustrazioni silografiche a mezza pagina per i Trionfi. Il volume, col margine superiore un poco corto, è in bello stato. Sono da segnalare alcune macchie d'inchiostro su poche pagine ed un più preciso e reiterato atto di censura alle pagine 128 e 129 in cui i sonetti parrebbe volessero essere cancellati. I tratti di pennino affaticano ma non impediscono la lettura. In definitiva, una bella cinquecentina giolitiana illustrata, rara a reperirsi.