Poésie

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Spatola, AdrianoMareMagnum

Zeroglifico

Edizione originale. Ottimo esemplare, completo in ogni sua parte (appena percettibile lieve ingiallitura perimetrale alle carte); in quarta di copertina etichetta editoriale che annuncia «Questo volume L. 1500 (Iva compresa)». Rara seconda raccolta di poesie visive, ospitata così come la prima («Poesie da montare», 1965) nella collana sperimentale «Il Dissenso», pubblicata dall’editore Sampietro di Bologna — uno dei protagonisti editoriali del periodo della neoavanguardia — per una decina di fascicoli nel corso degli anni sessanta, tutti accomunati dallo stesso, raffinatissimo design ideato dallo studio Cuniberti-Mignani. Se in «Poesia da montare» Spatola era comunque rimasto ancorato alle parole, pur slegate dai tradizionali vincoli testuali ed editoriali, qui financo le singole letter sono frammentate e decostruite per diventare, appunto, «zeroglifici». L’artista parte dall’assunto paradossale che se «i testi concreti si avvicinano spesso, data la loro dipendenza tipografica, ai testi pubblicitari, deve allora essere in qualche modo verificabile anche il contrario: i testi pubblicitari sono cioè già, almeno tipograficamente, progetti di poesia concreta» (dalla quarta di copertina). Il libro inaugurò una delle vie di Adriano Spatola all’interno della poesia visiva (o concreta che dir si voglia), probabilmente la più originale, coltivata indefessamente fino agli «Ultimi zeroglifici» — appunto — del 1985, a tre anni dalla prematura scomparsa dell’artista. -- Il primo «Zeroglifico» avrà l’onore di una seconda edizione / anniversario nel 1975, come numero 20 della collana «Poesia» delle Edizioni Geiger, con una prefazione di Giulia Niccolai, poetessa, traduttrice e per un ampio periodo compagna di vita e di lavoro di Adriano Spatola, quindi indefessa redattrice del progetto Geiger in tutte le molteplici sue forme. La seconda edizione sarà prontamente tradotta in inglese due anni dopo da Paul Evangelisti, per i tipi di The Red Hill Press, Los Angeles - Fairfax. Tonini, I libri di Adriano Spatola (2011), n. 3; Fontana, In forma di libro, p. 31; Osti e Minarelli, 3 editori storici d’avanguardia, p. 53 (con illustrazione)

IRINA PETROVNA TOKMAKOVA, (1929-2018).MareMagnum

Zernishko. (Seria: Dlia Malen'kikh).

Very Good Russian Paperback. 16mo. (14 x 9 cm). In Russian. 15 p., color ills. No illustrator info. Zernishko. (Seria: Dlia Malen'kikh). Tokmakova was a Soviet and Russian writer of children's books, a poet, playwright, and a translator of classic children's literature into Russian. Her translations of Tove Jansson, Astrid Lindgren and Kenneth Grahame's works were particularly renowned. She was a laureate of the State Prize of the Russian Federation for children's literature, and the Alexander Grin literary prize. Irina Manukova was born in Moscow to Perch Manukian (an Armenian, whose Russified name was Pyotr Manukov), an electrical engineer, and Lidia Diligenskaya, a paediatrician at a local orphanage. During the Second World War, she and her sister were sent to Penza to stay with relatives. For a while, there was no news from her parents, but some time later, her mother's orphanage was evacuated to Penza, and her parents were able to join her. They lived in Penza till 1943, after which they returned to Moscow, where the orphanage was re-established. Manukova graduated from high school with a gold medal in 1948. She had been writing poetry from her childhood onwards, but feeling that she lacked a literary talent, she decided to take up a career in languages. In 1953, she graduated from the philological department of the Moscow State University. She then entered a postgraduate programme in general and comparative linguistics, and began to work as an interpreter. Manukova married Leo Tokmakov, an illustrator. Their son, Vasily Tokmakov, also became a writer of children's fiction. The first literary translation into Russian undertaken by Tokmakova was a collection of Swedish folk songs for children. These had been sent to her by a visiting Swedish energy executive named Borgqvist, who had recognised her love for Swedish song. Initially, the translation was meant for her son, but Tokmakova's husband took it to a publishing house, which then printed it in the magazines Merry pictures and Murzilka. The writers Samuil Marshak and Agniya Barto saw Tokmakova's works in Murzilka and encouraged her to write and publish more. Subsequently, Leo Tokmakov illustrated many of their books. To join the Union of Soviet Writers, Tokmakova needed sponsorships from three members; Marshak, Boris Zakhoder and Valentin Berestov recommended her. Her first book of poetry, illustrated by Leo Tokmakov, was titledTrees, and was published in 1962. Tokmakova was able to travel abroad to attend international seminars and conferences on children's literature. She was a juror for the Hans Christian Andersen Award. (Source: Wikipedia).

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR18,54 €

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