10 613 résultats
192734127Paris C. Bloch et J. Meyni 1927 In-4, broch, couverture illustre.Superbe album, prfac par Edmond Jaloux, contenant un portrait-frontispice de George Barbier grav sur cuivre par Charles Martin et 25 planches de George Barbier aquarelles au pochoir et rehausses d'or et d'argent. Tirage unique limit 300 exemplaires numrots sur papier verg bleu, avec les compositions imprimes sur papier Ingres blanc contre-colles et accompagnes de serpentes lgendes.
192775202Sous étui cartonné. Couverture illustrée rempliée avec petites taches brunes.Illustré d'un portrait de George BARBIER gravé par Charles MARTIN, d'un bandeau gravé sur la couverture et de 25 planches de costumes de théâtre coloriées au pochoir avec rehauts d'or et d'argent par George BARBIER, sous serpentes légendées et montées.
19491521Paris, Maxime Cottet-Dumoulin Éditeur, 1949. 1 volume in-4 (330 x 255 mm),70 pp. + ffnch., en feuilles sous couverture imprimée rempliée, chemise-étui bordé recouvert d'un papier ciré imitant la peau de serpent. Édition illustrée de 67 compositions originales par Paul Jouve gravées sur cuivre par Raymend Haasen, soit : 13 HORS-TEXTE GRAVÉS EN COULEURS, dont 3 à double page et 54 bandeaux noir et or. Chaque page de texte est encadrée d'un filet rouge, la typographie étant dûe à Jacques Beltrand. Tirage unique à 123 exemplaires numérotés sur vélin d'Arches teinté filigrané au nom de l'artiste, celui-ci n° 115 est l'1 des 110 avec UNE SUITE EN NOIR DES 13 GRAVURES HORS-TEXTE. Exemplaire à l'état de neuf bien signé à l'encre par Paul Jouve et l'éditeur Cottet-Dumoulin.
19281208301928. First Edition. BARBIER George VERLAINE Paul. Fêtes Galantes. Paris: H. Piazza 1928. Folio 9 by 12 inches original illustrated self-wrappers; original slipcase. $4500.Beautiful limited edition number 810 of 800 copies on Rives paper of a total edition of 1200 illustrated by George Barbier with 20 full-page hand-colored pochoir plates in his characteristic Art Deco style.Associated with the early Symbolists Verlaine ""wrote some of the finest and most musical lyrics in the French language"" Harvey & Heseltine 738. First published in 1869 Fêtes Galantes reflects the care for form and objectivity characteristic of Verlaine's early poetry. The designs in this splendid production are the work of Art Deco legend George Barbier who began his career as a costume and set designer for the Ballet Russes and later created décors and costumes for music-halls movies and the Folies Bergère through Max Weldy Studios. Renowned for his fashion illustrations for the leading magazines of the time including the Gazette du Bon Ton and Vogue his artistic style is recognized by a characteristically elegant stylized line. Text in French. Some toning to spine of scarce original slipcase; book fine. An excellent copy of this beautiful production. unknown
191175205Luxueux ouvrage publicitaire réalisé pour la maison Paquin sous la direction de la couturière Jeanne PAQUIN. Cartonnage sali, dos réentoilé.Illustré de 7 PLANCHES IMPRIMÉES AU POCHOIR, dont un sur le titre, par LEPAPE, BARBIER ET IRIBE. Le bouquet de fleur de Lepape est tiré sur papier du Japon. Les autres planches représentent des éventails et manteaux de fourrures.
1928013579Paris: H. Piazza 1928. First Edition Limited. Soft cover. Near Fine. Limited edition. Printed paper covers with illustrations on front and back title on spine and tissue guards. Exceptionally rare this is numbered VI of XXV copies that were printed on imperial Japanese paper containing 20 colored illustrations by Barbier. The remaining two hundred copies numbered from 26 to 225 were printed on imperial Japanese paper containing a black version of the illustrations; and eight hundred copies numbered from 226 to 1025 were on pure vellum paper. In original glassine that is tanned and chipped. George Barbier 1882-1932 was a French illustrator in the early 20th century. He designed theater and ballet costumes illustrated books and produced haute couture fashion illustrations. Barbier led a group from the Ecole des Beaux Arts who were known as "The Knights of the Bracelet. H. Piazza unknown
186782010Choudens | Paris S.d (1867) | 19 x 28 cm | relié
1908165660Madrid: Imp. de la Sección de Hidrografia 1908. With appropriate military provenance First and only contemporary edition of the first Spanish translation of Clausewitz presentation copy inscribed by one of the translators at the head of the prologue: "A mi primer coronel hoy entusiasta é ilustrado general Don Joaquín Milans del Bosch Abilio Barbero." Scarce with just two locations recorded on WorldCat Biblioteca Nacional de España and Universidad Complutense de Madrid. In 1908 two students of the Escuela Superior first lieutenants Abilio Barbero and Juan Seguí published a partial translation of On War selecting passages they considered most relevant to contemporary Spanish military debate in the aftermath of the "Disaster of 1898". While Clausewitz was frequently cited in Spanish military education his work was often criticized for failing to provide the infantry-focused and colonial guidance sought by officers engaged in Morocco; a complete Spanish translation did not appear until the Second World War Baquer pp. 313-14. Barbero 1881-1940 entered the army in 1898 rose to colonel by 1925 and served with distinction in the Rif War later becoming chief of staff of the Third General Inspectorate. His co-translator Seguí 1888-1936 formerly military attaché in Brussels and Paris became a leading Falangist in Spanish Morocco and played a prominent role in the nationalist coup of July 1936 before being killed the following month. The recipient Joaquín Milans del Bosch 1854-1936 had a long and controversial career serving in the Third Carlist War the Philippines and later as captain general of Catalonia. Closely aligned with King Alfonso XIII and Miguel Primo de Rivera he was responsible for the military suppression of the 1919 La Canadenca strike and later led an aggressive anti-Catalanist campaign. After the failure of the July 1936 coup he remained in Madrid where he was arrested and executed. With the armorial bookplate of his son-in-law General José Serrano Rosales 1899-1993 bearing royalist and militant Catholic slogans and emblems underscoring the political and ideological milieu in which the volume was preserved. Octavo 217 x 145 mm. Quarter pale streaked sheep red morocco labels pale grey morocco-grain cloth grey marbled endpapers edges lightly sprinkled grey. Small press-mark tickets to front pastedown and half-title. A little rubbed headcap a touch scuffed. paper flaw crease to the title page contents lightly marginally toned overall very good. Miguel Alonso Baquer "Clausewitz Spain and the 21st Century" in Reiner Pommerin ed. Clausewitz Goes Global: Carl von Clausewitz in the 21st Century Commemorating the 50th Anniversary of the Clausewitz Gesellschaft 2011. hardcover
19191185931919. Signed. BARBIER George. Original pencil watercolor and gouache painting signed. Paris: 1919. Original pencil watercolor and gouache heightened in silver gilt on card measuring 8 by 10-1/2 inches; matted and framed wntire piece measures 14 by 18 inches. $4000.Striking original pencil watercolor and gouache design highlighted in silver gilt by legendary fashion designer George Barbier of a ""Gypsy"" with tambourine possibly relating to costumes designed by Barbier for the Gypsy ballet ""Amarilla"" danced by the Anna Pavlova and Alexandre Volinine at Drury Lane in 1920 signed and dated by Barbier.""George Barbier is one of the most valuable and most significant artists of our time so rich in all kinds of talent and original ideas. When our age is past it will just take a few drawings of Barbier to revive the taste and spirit of our time When I look at Barbier's costumes for the stage I see the characters of those magical stories come to life before me and tempt my imagination"" Edmond Jaloux. Renowned for his fashion plates in leading contemporary magazines including the Gazette du Bon Ton Journal des Dames et des Modes and Vogue Barbier's artistic style is readily identifiable by his elegant stylized line. Barbier later created costumes for the Folies Bergères in addition to the entire wardrobe for the movie ""Monsieur Beaucaire"" starring Rudolph Valentino. ""His flamboyant work continues to influence Vegas floor shows major designers and costumers worldwide"" Robert Inman. Fine condition. unknown
19228553<p>Volume 2 of the Apres le Guerre collection assembled by Dorbin-Aire. Marbled endpapers. Lacking spine paper see image and general wear to edges and corners of boards; plates themselves all fine. Artists included are: Georges Barbier Benito Robert Bonfils Bernard Boutet de Monvel Pierre Brissaud Jean-Gabriel Domergue Drian Iacovleff Chas Laborde Llano-Florez Georges Lepape Charles Martin Andre Marty Pierre Mourgue Simeon Zenker Zyg-Brunner and others. <br />Gazette's focus was on fashion lifestyle and beauty on a more elite level than that of Harper's Bazaar and Vogue. Part of their difference was publishing around 10 full page fashion illustrations per issue in the pochoir technique. This collection of 100 plates comes from the 1920-1922 issues. Plates are not trimmed c. 8 x 9.7 inches; 20.2 x 24.6 cm & are individually hinged.</p> Dorbon-Aine hardcover
4491A pair of stylized and detailed ensembles: an 18th century fantasy gown and hair style signed in full ca 1915; a winter outfit with fur trimmed jacket and long decorative skirt ca 1911. The fantasy costume drawing measures 10 3/8 x 8 7/8 inches. Condition: two marginal tears not affecting drawing and light foxing near the breaks. Tipped onto a mat and framed. Frame measures 15 x 17 inches. The winter outfit is drawn on cream toned art paper and is lighter than shown in the accompanying image. The drawing measures 11 x 8.5 and the frame measures 12 x 16 inches. Barbier considered one of the great illustrators of the early 20th century led a group of artists from the Beaux Arts School known for their flamboyance as much as their art. Barbier designed jewelry glass and wallpapers in addition to his costume and set designed for theater ballet and the Follies Bergére. His stylized design has become iconic. unknown books
17821170211782 in-4 A Genève, [sans éditeur], 1782, 17 volumes in-4 de 200x255 mm environ, de 460 à 700 pages par volumes, contient un portrait en frontispice d'après La Tour, 35/37 planches (figures de Moreau et Le Barbier) et 24 planches de musique. Plein cuir porphyre, dos à cinq nerfs portant titres et tomaisons dorés sur pièces de cuir vert foncé, caissons à fleurons dorés aux entrenerfs, encadrements à froid sur les plats, filet doré sur les coupes, gardes bleu roi à motifs peints, tranches mouchetées de bleu. Bel état général malgré les défauts indiqués aux reliures (des coiffes et des coins émoussés, discrets et épars trous de ver sur les cuirs et gardes, des frottements, un plat restauré), un tampon d'ex-libris sur chaque page de faux-titre, 2 planches manquantes, une quarantaine de feuillets avec traces importantes de mouillure (Nouvelle Héloïse), auréoles marginales au tome XVI sans atteintes au texte (Confessions), sinon intérieur frais.
19288724<p>First edition with Barbier's illustrations. Number LX of 175 copies on Japon for America the total edition was 1200 copies. The poems of Verlaine's Fêtes galantes first published in 1869 took inspiration from the pastorals of Watteau as well as the sumptuous fantasies of Fragonard and Boucher while drawing characters from the Italian traditions of the commedia dell'arte. Barbier's sensibilities made him the perfect artist to reinterpret Verlaine for the 1920s.</p><p>Large 4to 300 × 230 mm pp. 4 100 4 plus 20 coloured pochoir plates. Uncut in original wrappers and decorative slipcase the latter slightly rubbed and soiled.</p> [Imprimerie nationale for] H. Piazza,
19348726<p>First edition with Barbier's suitably libertine pochoir coloured illustrations. Number 206 of 650 copies on papier de Rives the total edition of 720 copies.</p><p>2 vols 4to 265 × 200 mm pp. 4 218 2; 2 217 3. 28 pochoir colour illustrations by Barbier consisting of 2 original upper cover illustrations 20 full page plates 2 decorative title pages 2 chapter heading vignettes and 2 justification vignettes. Original wrappers very lightly browned towards the margins spines slightly creased upper hinge of one volume slightly fragile. A very good set.</p> [R. Coulouma in Argenteuil for] Le Vasseur.
1863List308N.p. 1863. Dark carved wood 11 ½ x 11 ½ x 1 inches with bone border and star inlays in corners an inlaid tree with carved names of Civil War battles as leaves. During the Civil War wounded or captured soldiers would often pass their time waiting to return to duty carving relics. The practice was fairly common with pipes being the most commonly carved object and the quality of the relics varied wildly depending on the talent of the soldier. A.H. Barber from Wisconsin was wounded at Antietam and most likely carved this memorial piece while recovering from his wounds. Each leaf notes a different battle during the 1861-1862 campaigns. Barber enlisted in Company C of the 2nd Wisconsin in 1861 and was discharged in 1863 following wounds suffered at Antietam. The trunk reads Battles for the Union and the four branches read Dept. of the South Army of Virginia & of the Potomac and Dept. of the West with twenty-nine leaves naming battles. <br /> <br /> The resultant plaque is exceptional in timeliness craftsmanship and overall aesthetic beauty. Barber's metaphorically growing tree is particularly timely for the Union cause as the 1863 failure of the Maryland Campaign would serve as inspiration to Lincoln to issue the Emancipation Proclamation. Wonderfully preserved in excellent condition with no notable flaws. From the collection of Norm Flaydernman the noted Americana dealer who personally collected carved Civil War pipes and had been planning to write a book on the subject at the time of his death. unknown books
92854Paris June- December 1912. . First issue limited edition number 1150 of 1279 8vo 22.8 x 14.8 cm; 1 viii 1 facsimile 168 pp. limitation page 43 pochoir plates original blue printed paper wrappers bound adverts all bound in contemporary Bordeaux straight-grained morocco gilt boards ruled in gilt spine in 6 compartments top edge gilt; a superb copy. <br /><br /> This journal which borrowed both the title and format of La Mesangere's periodical of over a hundred years earlier is illustrated by George Barbier and Brunellschi the masters of pochoir among others and was founded by Tom Antonginigini secretary friend and biographer of poet connoisseur and collector Gabriele D'Annunzio 1863-1938 whom he followed to Paris from Italy in 1910. It was meant to be a reflection of the intellectual and artistic atmosphere of Paris as well as a record of Parisian culture and fashion at the time and also unwittingly reflects the end of the golden Belle Epoque and the beginning of another very different time in world history.<br /><br />The first issue appeared on 1 June 1912 the last on 1 August 1914 due to the outbreak of World War I.<br /> Paris, June- December 1912. hardcover
91768Paris Meynial 1923-1926. . Six pochoir plates by Barbier framed together and glazed overall size: 64.2 x 61.3 cm.<br /> An exquisite series displaying fashion in magnificent and imaginative illustrations by George Barbier the noted early twentieth century French artist and illustrator. <br /><br />Falbalas et fanfreluches was the last of Barbier's books to reflect contemporary life directly. Its special value is the unique way in which it catches the tone and mood of les années vingt.<br /> Paris, Meynial, 1923-1926. unknown
19552693Sans lieu, manuscrit, pièce unique, sans date (circa 1915-1955). 38,5 x 32,5 cm. Reliure signée Legendre en plein maroquin cerise, doublée, dos lisse orné d'un petit motif mosaïqué, une nature morte, peinte à l'huile, est incrustée au centre du premier plat (signature non identifiée), filet noir en encadrement, roulette dorée sur les coiffes, filet doré sur les coupes, gardes de soie moirée, chemise et étui assortis. 38 Manuscrits et 35 oeuvres graphiques originales ornent cet album. Parmi les écrivains, nous avons pu identifier : Henry Charpentier, Vincent Muselli, Philippe Chabaneix, Paul Fort, André Mary, Georges Duhamel, Victor-Gérard Le Dantec, Francis Carco, Pierre Camo, Gabriel-Joseph Gros, Maurice Du Plessys, Guy Lavaud, Louis Chadourne, Ernest Raynaud, André Salmon, Saint-Georges de Bouhélier, Camille Mauclair, Francis Vielé-Griffin, Lucie Delarue-Mardrus, Laurent Tailhade (Lettre autographe signée à Xavier Privas), Henri de Régnier, Fernand Gregh, Xavier de Mongallon, Léon Vérane, Robert Houdelot et [Pierre Louÿs, poème imprimé avec une aquarelle originale dessinée par dessus par Sylvain Sauvage]. Parmi les artistes, nous avons pu identifier : Eugène Corneau, Henry Bégué, Albert André, André Barbier, Robert Lotiron, René Levrel, Marcel Roche, Jean Marchand, Albert Lauzero, Ginette Signac, Pablo Tillac, Joseph Hémard, Albert Lepreux, Serge Czerefkov, Lucien Mainssieux, René Blanc, Pierre Ambrogiani, Kamal, Charles Pollaci et Sylvain Sauvage.
1771158521771 1 volume , (reliure d'époque), reliure plein veau havane moucheté grand in-folio (binding full calfskin in folio)(40x27 cm), dos à nerfs (spine with raised bands), décoration or (gilt decoration) à filets or (gilt lines) à froid (blind-stamping decoration), entre-nerfs à compartiments à fleurons (compartment with floweret), titre frappé or (gilt title), pièce de titre sur fond rouge (label of title) avec double filet or (label of title with double gilt line) et pièce de tomaison sur fond vert foncé (label of volume numbering) avec double filet or (label of volume numbering with double gilt line), coiffe supérieure manquante (is missing head of the spine), légers manques de cuir au mors inférieur(lack of leather on the joints)(3 léger trous de moins de 1/2 cm2), coins écornés (corners dog-eared), toutes tranches lisses (all smooth edges), rouges (all red edges), pages de garde peignées (painting endpapers), recueil de 254 planches avec leurs pages d'explication, trés légère mouillure en marge de la planche 1 et 9, 1771 Paris Briasson Editeur,
195413444Paris, les Bibliophiles de l'Amérique latine, 1954. En feuilles, couvertures illustrées, sous chemise et étui crème.
1863List308N.p. 1863. Dark carved wood 11 ½ x 11 ½ x 1 inches with bone border and star inlays in corners an inlaid tree with carved names of Civil War battles as leaves. During the Civil War wounded or captured soldiers would often pass their time waiting to return to duty carving relics. The practice was fairly common with pipes being the most commonly carved object and the quality of the relics varied wildly depending on the talent of the soldier. A.H. Barber from Wisconsin was wounded at Antietam and most likely carved this memorial piece while recovering from his wounds. Each leaf notes a different battle during the 1861-1862 campaigns. Barber enlisted in Company C of the 2nd Wisconsin in 1861 and was discharged in 1863 following wounds suffered at Antietam. The trunk reads Battles for the Union and the four branches read Dept. of the South Army of Virginia & of the Potomac and Dept. of the West with twenty-nine leaves naming battles. <br /> <br /> The resultant plaque is exceptional in timeliness craftsmanship and overall aesthetic beauty. Barber’s metaphorically growing tree is particularly timely for the Union cause as the 1863 failure of the Maryland Campaign would serve as inspiration to Lincoln to issue the Emancipation Proclamation. Wonderfully preserved in excellent condition with no notable flaws. From the collection of Norm Flaydernman the noted Americana dealer who personally collected carved Civil War pipes and had been planning to write a book on the subject at the time of his death. unknown
192388930No Location: s. n. 1923. Fine. George Barbier “one of the fascinating figures of Art Deco” and “master of Indian ink” Guillaume Garnier s. n. No Location 1923 24.2 x 30.2 cm Une feuille Five compositions in Indian ink signed and dated 1923 by George Barbier on a leaf of thick paper. Traces of paper pasted down at the four corners on the back a few very faint traces of previous pencil inscriptions on the front. An exceptional ink drawing by the eminent fashion illustrator George Barbier for the “Elegances” section of the newspaper La Vie Parisienne featuring four silhouettes at the height of 1920s fashion with boyish haircuts dressed in flowing low-waisted tube dresses or wrapped in luxurious furs. The silhouette in a headband and high heels in the lower left corner and the beautiful profile dated and signed in the center of the leaf appeared in the January 12 1924 issue of La Vie Parisienne No. 62 Year 2 p. 38 in the “Elegances” section which Barbier illustrated on numerous occasions. The three other silhouettes were published in the same section January 26 1924 no. 64 year 2 pp. 79-80. Superb fashion portraits with hieratic and elegant postures drawn by Barbier in the Art Deco style that made him famous.  s. n. unknown
200987065Institute; Foundation. New. 2009. Hardcover. 8493726028 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 787 pages; over 300 illustrations in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee Catálogo -- with a bonus offer . Institute; Foundation hardcover
497Paris, Le Vasseur, 1934. 2 volumes in-4° brochés, étui. 30 très belles compositions en couleurs dont 20 à pleine page de George Barbier. Tiré à 720 exemplaires, celui-ci sur vélin.
1917241881917N?²+ Aquarelle signée et datée au milieu à droite, 1917, complétée du cachet en bas à gauche, 39 x 28.5 cm., cadre.