BARBIER, George, illustratorBiblio.com
10 613 résultats
19138720<p>First edition in English following the French edition of the same year Barbier's first illustrated book. 148 of 400 copies all on vellum paper. The foreword by Francis De Miomandre was translated by C. W. Beaumont. The bookseller publisher and dance historian Cyril Beaumont was instrumental in promoting and documenting the performances of Nijinsky and the Diaghilev's Ballets Russes in London and here published a suite of Barbier's iconic prints with an introductory text.</p><p>Large 4to 320 × 270 mm pp. 16 including final blank plus 12 pochoir coloured plates. A couple of the plates with their heavy black backgrounds very lightly rubbed. Original pictorial wraps slightly soiled. preserved in early buckram boards with pictorial onlay. Sometime rebacked rubbed corners worn and soiled. Still a very good copy.</p> C. W. Beaumont & Co,
19012P., Lucien Vogel, 1921, petit In-4, en feuilles, chemise cartonnée de l'éditeur, premier plat illustré de dessins en noir, papier de gardes illustré de masques en couleurs par G. Barbier, manquent les rubans d'attache..
192388930s. n. | s. l. 1923 | 24.2 x 30.2 cm | Une feuille
17904685A Genève et à Paris, chez Volland, 1790. 16 tomes in-4 reliés en 13 volumes plein veau raciné, dos lisses ornés de filets et motifs dorés. Défauts à quelques coins et coiffes (certaines manquantes), deux dos fendus, quelques galeries, quelques mors fendus, quelques rousseurs.
1927013578Paris: Camille Bloch & Jules Meynia 1927. First Edition Limited. Soft cover. Near Fine. Limited edition this #129 of 300 numbered copies printed on blue laid paper. Printed covers with illustrated front cover title in green and tissue guards. Includes a mounted etched frontispiece portrait of Barbier by Charles Martin and 25 mounted colored plates depicting theater costumes with gold and silver highlights. The text and illustrations were printed by Frazier-Soye. In original glassine wrapper which is tanned and chipped but lacking slipcase. Internals near fine. George Barbier 1882-1932 was a French illustrator in the early 20th century. He designed theater and ballet costumes illustrated books and produced haute couture fashion illustrations. Barbier led a group from the Ecole des Beaux Arts who were known as "The Knights of the Bracelet. Camille Bloch & Jules Meynia unknown
2009C87065Institute; Foundation. As New. 2009. Hardcover. 8493726028 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 787 pages; over 300 illustrations in color. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee Catálogo -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . Institute; Foundation hardcover
1917247301917N?²+ Encre signée et datée en haut à gauche, 1918, 27.8 x 20.3 cm. (format à vue), 30.5 x 23.2 cm. (format de la feuille).
1946880Éditions Georges Guillot, Paris 1946. In-4 (325 x 255 mm)en feuilles sous couverture rempliée imprimée, étui-chemise de l'éditeur. 25 eaux-fortes originales en couleurs par Louis Icart dont 5 refusées. 1 des 100 exemplaires réimposés sur vélin de Rives (2ème papier, n° 68)) accompagné d' une suite complèteen sanguine et UNE AQUARELLE ORIGINALE DE GRANDE QUALITÉ SIGNÉE PAR LOUIS ICART (325 x 255 mm). Notre exemplaire est enrichi d'une SECONDE TRÈS BELLE AQUARELLE ORIGINALE SIGNÉE SUR UN FEUILLET LIBRE, AU FORMAT DU LIVRE. - English description : Éditions Georges Guillot, Paris 1946. 1 vol. 4° (325 x 255 mm) in sheets under printed folded cover, publisher's slipcase. 25 ORIGINAL ETCHINGS IN COLOR by Louis Icart, 5 of which were refused. 1 of the 100 copies in large size sheets on Rives vellum (2nd paper) with an extra a suite in sanguine and A BEAUTIFUL ORIGINAL WATERCOLOR SIGNED BY LOUIS ICART. This copy is enriched with a SECOND SUPERB ORIGINAL WATERCOLOR SIGNED ON A LOOSE SHEET (each 325 x 255 mm).
19491524Éditions de la Cité, Paris 1949. 1 fort volume in-4 (33 x 25 cm), en feuilles, couv. rempliée,chemise et étui recouvert de papier végétal rose de l’éditeur. 22 GRAVURES ORIGINALES EN COULEURS PAR LOUIS ICART EN HORS-TEXTE, 2 gravures en couleurs dans le texte. Celui-ci l' 1 des 30 numérotés sur vélin d'Arches avec LA SUITE COMPLÈTE DES GRAVURES EN DEUXIÈME ÉTAT TIRÉES EN SÉPIA sur papier de Rives. Détail du tirage : 165 exemplaires (20 Arches avec 2 suites + 30 Arches avec 1 suite + 100 Rives + 15 Lana h.c.).
1943316Barber Samuel. <i>First Symphony In One Movement.</i> New York: G. Schirmer Inc. 1943. G. Schirmer's Edition of Study Scores of Orchestral Works & Chamber Music No 32 title-page verso gives instrumentation information about first performances in Europe and the United States duration time; 97 pages full-score Opus 9 Schirmer plate number 40720 copyright 1943. This copy was signed inscribed and dated by Samuel Barber: "To my boss and friend Dan Saidenberg Samuel Barber June 1944". 26 cm. x 19 cm. The cover was de-acidified expertly conserved and mended and the book block was resewn. Now very good and a usable reading copy. A rare early inscription on an early work in the first edition to an important fellow musician when both men were in the U.S. Army. <br /><br /> Samuel Barber 1910 – 1981 was one of the most celebrated composers of the twentieth century. Barber was a triple prodigy in voice piano and composition entering the Curtis Institute in Philadelphia at age 14. Best remembered internationally for his hauntingly beautiful Adagio for Strings first championed by Arturo Toscanini his music has been used at times of national and international crisis to honor the dead and console the living. Who could ever forget Barber's music at Princess Grace's funeral The First Symphony dates from 1936 and bears the opus number 9 on the first page of the score. The first performance was by Bernardino Molinari and the Augusteo Orchestra in Rome December 13 1936. The first American performance was given by Arthur Rodzinski and the Cleveland Orchestra January 22 1937. Samuel Barber enjoyed the distinction for winning the Pulitzer Prize twice as well as distinguished commissions such as writing the opera for the opening of the new Metropolitan Opera House in 1966 <i>Anthony and Cleopatra</i>. In 1942 Barber joined the Army Air Corps. The dedicatee here is Daniel Saidenberg a violoncellist in the Philadelphia Orchestra starting in 1926 and in 1930 he was a 'cellist in the Chicago Symphony. Saidenberg was the first 'cellist to win the prestigious Walter W. Naumburg International Competition after which he pursued a solo career; and in later years he was a Manhattan gallery owner known for his sponsorship of faculty recitals at New York's Juilliard School. Saidenberg died in 1997 at age 90. G. Schirmer, Inc. books
1921007075Paris: Éditions de la Guirlande. Printer: L'Imprimerie Studium 1921. First Edition Thus. Stiff Wraps. Very Good. 4to. 29 by 20 cm. Unpaginated 136 pp. 8 color pochoir plates by Barbier with many smaller color illustrations interspersed in the text. Unnumbered copy to match the 225 on Verge d'Arches from a total edition of 300. Condition: light soiling to the wraps. A few tears and one dangling piece of the spine with minor loss of the paper on the spine. Light age toning to the leaves within. Éditions de la Guirlande. Printer: L'Imprimerie Studium unknown
8719<p>First edition. Barbier designed the sets and costumes for the Bouffes-Parisiens production of Maurice Rostand's Casanova in February 1919. The 24 fine costume plates here are coloured by Jacomet et compagnie.<br />The commission for Casanova was an important moment in Barbier's artistic career leading to commissions with theatres the Ballet Russes and the Folies Bergère. Other successes followed and for a time he was the most sought-after costume designer in Paris recognized as the theatrical artist 'who better than any other had captured the mood of the age' Gordon Ray.</p><p>4to 245 × 190 mm pp. 4 iv 2. 24 pochoir coloured plates some with gold and silver. Loose as issued in original decorative portfolio. Slightly soiled wants ties but still a very good copy.</p> Lucien Vogel.
1834002750Paris, Vimont, 1834
19283859Paris, G. Govone éditeur, 1928. Un volume in-4 (339 x 250 mm) 337 pp., reliure en plein maroquin gris, plats et dos ornés en continue de filets ondulés noirs parallèles, encadrant au centre du premier plat un losange de maroquin noir orné de bandes de motifs ovales mosaïqués bronze et dorés, dos lisse titré or, doublures avec un large encadrement de maroquin gris, orné de filets ondulés parallèles à froid et gardes de soie moirée bronze, doubles gardes, tête dorée, non rogné, couverture et dos conservés, étui bordé (Lefranc). Édition limitée à 353 exemplaires, ornée de la reproduction d’un autoportrait de Baudelaire et d’une page autographe de l’auteur en fac-similé, contrecollées à pleine page. 10 EAUX-FORTES ORIGINALES DE MARIETTE LYDIS TOUTES EN HORS-TEXTE. L'exemplaire est l'un des 290 exemplaires numérotés sur Hollande Pannekoek (n° 92). Il est exceptionnellement enrichi de LA SUITE COMPLÈTE DES DIX EAUX-FORTES TIRÉES EN COULEURS ET SIGNÉES AU CRAYON PAR MARIETTE LYDIS. Il s’agit ici de l’une des 75 en couleurs sur vélin de Hollande Pannekoek. Cette suite, considérée comme l’une des meilleures productions de l’artiste, a été publiée séparément par l’éditeur à 125 exemplaires seulement. À noter qu’en 1937, l’éditeur publiera une autre suite très différente de 33 compositions lithographiées en couleurs de Mariette Lydis pour illustrer ce même texte.
19342026002512CHODERLOS DE LACLOS, Pierre. — Les Liaisons dangereuses. Tome I & II. Paris, Le Vasseur et Cie, 1934. 2 volumes (218 et 217p) in-4°, illustrés. Belle édition illustrée des Liaisons dangereuses, ornée de 20 planches hors-texte en couleurs et en noir de George Barbier ainsi que de frontispice, vignettes et encadrements de titre sur chaque volume, dans un style Art déco caractéristique et d’une grande élégance. L’ensemble constitue une interprétation visuelle remarquable de l’œuvre de Laclos. Tirage limité à 720 exemplaires numérotés ; celui-ci un des exemplaires sur vélin pur fil des Papeteries de Rives (n°629). Reliure postérieure non signée de qualité : demi-coins en cuir à finition veloutée (veau suédé ou basane poncée), dos en cuir orné de motifs et titre dorés, plats en papier marbré. Intérieur complet et bien conservé, avec une très bonne fraîcheur des couleurs. État : bon état général. Dos légèrement usés, présence d’une fragilité sur le 1er cahier du tome II. Quelques traces d’usure à la reliure. Ensemble complet en deux volumes, recherché pour la qualité de son illustration. (Translated with artificial intelligence) CHODERLOS DE LACLOS, Pierre. — Dangerous Liaisons. Volume I & II. Paris, Le Vasseur et Cie, 1934. 2 quarto volumes (218 et 217p), illustrated. Fine illustrated edition of Dangerous Liaisons, featuring 20 color and black full-page plates by George Barbier, along with frontispieces, vignettes, and decorative title borders in each volume, executed in a refined and characteristic Art Deco style. The whole forms a remarkable visual interpretation of Laclos’ work. Limited edition of 720 numbered copies; this is one of the copies on vélin pur fil paper from the Papeteries de Rives (no. 629). Later unsigned binding of good quality: half binding with corners in velvety-finished leather (suede calf or sanded sheepskin), leather spine decorated with gilt motifs and title, marbled paper boards. Complete and well-presed interior, with very fresh colors. Condition: overall good condition. Slight wear to the spines, with a fragility to the first gathering of volume II. Minor wear to the binding. Complete set in two volumes, sought after for the quality of its illustrations.
19302091202133212977A. & G. Mornay 1930. Soft Cover. Fine. Volume: 1 A. & G. Mornay paperback
22748S.l, s.n., s.d. (1948), in-folio en feuilles, 46 pp. et 12 eaux-fortes au même format, plus 1 eau-forte tirée à deux exemplaires, nombreux dessins et culs-de-lampe imprimés en ocre ou jaune, texte imprimé en couleurs terre-de-Sienne et ocre, écriture manuscrite, chemise cartonnée rigide, plats beiges marbrés à froid, dos de percaline rouge vif, 4 cordons de fermeture de soie rouge, centre décoré d'une pièce rectangulaire de chagrin rouge-sang (152x128mm), grand losange central découpé et remplacé par une scène collée au dos, représentant Jésus stylisé doré accompagné de l'Alpha et Oméga dorés également. Des têtes de clous bombées cuivrées entourent la pièce centrale et le losange en creux, titre en rouge juste au dessus (cartonnage probablement réalisé par Luc Barbier).
20216Londres [Bruxelles], [ J.-L. de Boubers], 1774 - 1783. 12 volumes in-4 plein veau moucheté, dos à nerfs ornés de filets et fleurons dorés, pièces de titre et tomaison brun, tranches rouge.
60170Paris: Meynial 1924. One volume only of 5. 8vo. 26 x 17cm. Original pictorial wrappers. Decorative pochoir title page 12 full page pochoir plates and front cover colour illustrations by George Barbier. Complete. Georges Barbier 1882-1932 was at the forefront of the Art Deco movement and his images have become icons of an era of unsurpassed glamour elegance and decadence. His Falbalas et Fanfreluches 1922-1926 graphically display the artist's intense interest in fashion both of his and earlier ages as well as his sharp sense of humour. The issue for 1923 features the essay 'Modes' by Colette; the remaining essays are by the Comtesse de Noailles Cécile Sorel Gérard d'Houville and the Baronne de Brimont. There seems to be no direct translation of "Falbalas & Fanfreluches" but perhaps "Frills and Fripperies" works quite well. Paris: Meynial, 1924. unknown
192921238021929. Paris: A & G Mornay. 1929. 8vo. Original pictorial paper wrappers with fold-over flaps with glassine dust jacket; pp. 6 323 1 untrimmed with colour illustrations by Barbier wood-engraved by Emile Gasperini including frontispiece title page chapter headings tail pieces and illustrations in the text; light shelf wear to spine ends corners a little bumped spine and top edge of rear wrapper gently toned else a near-fine bright copy; printed publisher's note loosely inserted.8vo. Original pictorial wrappers by Gasperini after Barbier with fold-over flaps with glassine dust-jacket partially untrimmed; pp. vi 325 2 colophon blank; over 30 wood-engraved illustrations by Gasperini after Barbier including frontispiece title-page head- and tailpieces initials and in-text illustrations; spine lightly bumped at head and foot slight wear to corners spine and head of rear wrapper lightly toned; else a near-fine bright copy; printed bifolium quire 21 and printed publisher's note on green paper loosely inserted see below.Uncommon first edition of Gautier's novel - set partly in the nineteenth century and partly in ancient Egypt - to be illustrated by Georges Barbier no. 289 of 834 copies printed on Rives paper from a total edition of 1091.Le Roman de la momie follows a young English aristocrat and a German Egyptologist on an expedition to the Valley of the Kings where they uncover a sarcophagus containing the perfectly preserved mummy of Tahoser the beautiful daughter of a high priest. The narrative then unfolds her past life and lovers. This edition is beautifully illustrated by Georges Barbier 1882-1932 celebrated designer of stage costumes and one of the most renowned French Art Deco illustrators and was one of the last illustrative projects executed before his death. Theophile Gautier 1811-1872 was a prolific and influential author whose work became a touchstone for later literary movements including Parnassianism Symbolism Decadence and Modernism and was much admired by the likes of Charles Baudelaire T. S. Eliot and Marcel Proust. First serialised in Le Moniteur universel in 1857 and published in book form the following year by Hachette Le Roman de la momie remains one of the most successful literary products of nineteenth-century Egyptomania.Loosely inserted is a printed notice from the publishers apologising for the colophon's erroneous statement that this is the forty-seventh volume in their Beaux Livres series it was the forty-eighth along with a printed bifolium in which the error has been corrected. 'Four of the five titles which Barbier undertook between 1924 and 1931 for Mornay's series Les Beaux Livres are tales by Henri de Regnier also with 18th century settings . More attractive is Gautier's Le roman de la momie of 1929 thanks in large part to the harmonious engravings printed in color by which Gasperini rendered the artist's designs. Barbier seems to have welcomed the opportunity offered by Gautier's Egyptian setting to rival the middle eastern subjects which preoccupied Schmied at this time' Ray p. 43.Outside continental Europe OCLC finds eight copies of which six in North America Fisher Morgan RIT Royal Ontario Museum SMU University Club Library one in Japan Waseda and only one in the UK NLA.See Ray The Art Deco Book in France II 2005; this edition not in Cartier cf. vol. III p. 179. unknown
19241181711924. First Edition. BARBIER George. Falbalas & Fanfreluches. Almanach des Modes Présentes Passées & Futures. Paris: Chez Meynial 1924. Slim quarto original illustrated paper wrappers signatures and plates laid in loose as issued; original glassine. Housed in a custom clamshell box. $2000.First edition of this lovely almanac one of only 600 copies with vignette title page and 12 plates brightly hand-colored in pochoir watercolor by Barbier in original illustrated wrappers and glassine.This lovely fashion almanac was produced by George Barbier from 1922 through 1926 as a more lavish version of his Guirlande des Mois series of 1917-1921. Barbier an Art Deco legend began his career as a costume and set designer for the Ballet Russes and later created décors and costumes for music-halls movies and the Folies Bergère. Renowned for his fashion illustrations for the leading magazines of the time including the Gazette du Bon Ton and Vogue his artistic style is recognized by a characteristically elegant stylized line with some classical Greek influence. In Falbalas & Fanfreluches Barbier depicted fashions of the past present and future from the Gallo-Roman Era through the 20th century usually with pairs of lovers. In addition to the 12 beautiful plates vividly hand-colored in pochoir within the volume Barbier also designed the color cover illustration the color vignette title page and one in-text headpiece. Text in French. Three small chips to glassine. A fine copy. Scarce. unknown
2016120688Foundation. New. 2016. Hardcover. 889404713X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened. Text in Italian. -- with a bonus offer-- . Foundation hardcover
1970105930Boy Scouts of America. New. 1970. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 448 pages. -- with a bonus offer-- . Boy Scouts of America hardcover
2014109314Cambridge Scholars Publishing. New. 2014. Hardcover. 1443856959 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened - -- with a bonus offer-- . Cambridge Scholars Publishing hardcover
2016122276Oxford University Press. New. 2016. Hardcover. 0199394016 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened with a bonus offer-- . Oxford University Press hardcover
