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New Turkish Paperback. Roy. 8vo. (24 x 16 cm). In Turkish. 164 p. Çagatayca Cümcümenâme. A study on literary critics on 'Cümcümename' in Chagatai TUrkic / Turkish language by Hüsam Kâtip. Original name of text is 'Dastân-i Cümcüme Sultan (Legend of Cumcume the King)'. Written in late of 14th century in verse. "Cümcümename, that we saw the first sample in Harezm area, appears as Kesikbas story or epic. It is known that these literary Works that overlap as content shows different language features according to fields they have been written. It is known that these the same subject literary Works whether at Harezm area or Anatolian area are written in verse. This work, that Chagatai area belongs, is written as more different than others as prosaic. It is not known that Cümcümenâme (Book of Cümcüme Sultan) belongs to Chagatai area in catalog record in 18th century by whomever is written or is edited when and where is written. The manuscript that is kept in that is edited Biblioteque Nationale of Paris must be that edited in Kâsgar areas The manuscript that is 16 foils, as it mentioned above is written as prosaic the content of the literary work is: perditions Cümcüme sultan has been exposed and things she witnessed in the hell as a result of not believing in god the heroes of literary work is Cümcüme Sultan and prophet Isa depiction of death life of grave and hell in the work is striking. Considering the language characteristics of the work it is not incorrect that the last period of Chagatai Turkish belongs to the period after classical. Visualization of some elements that belongs to New Uigur Turkish in the manuscript shows that this literary work belongs to last term Chagatai Turkish.". (Source: TOKER & UYGUR: A translation of Cümcümename in Chagatai Turkish.).
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 202 p. Çagatayca bir masal mecmuasi (Eine tscagataische Marchensammlung).
As New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 202 p. Çagatayca bir masal mecmuasi (Eine tscagataische Marchensammlung).
New Turkish Paperback. Roy. 8vo. (24 x 17 cm). In Turkish. 269 p. Çagatay Türkçesinde anlam ve fonksiyon açisindan fiilde çati.
New New English Original binding with original dust wrapper. Oblong 4to. (24 x 28 cm). In Turkish. B/w and color ills. [vii], 3, 544 p. Mint. A very heavy volume. Çadirdan saraya Osmanli - Türk mutfagi.
2019500131668BORDAS 2019 64 pages 17 8x25 4x0 6cm. 2019. Broché. 64 pages.
2021500135206BORDAS 2021 48 pages 19x25 8x0 7cm. 2021. Broché. 48 pages.
19892168Beijing China: 文物出版社 = Cultural Relics Publishing House 1989. 8.75" x 12" pp. 268 includes multiple illustrations some color and 1 fold-out map; text in the Chinese language. Hardcover bound in tan cloth boards. Illustrated cover jacket is clean with slight wear along the edges presents well. Text is clean and free of markings. Very good. <br /> <br /> The Bingling Temple is a series of grottoes with Buddhist iconography carved into natural caves; the location was designated an UNESCO World Heritage Site in 2014. 文物出版社 [= Cultural Relics Publishing House] unknown
197443848Tokyo: å°å¦é¤¨ Shogakukan 1974. First edition. Hardcover. g- to near fine. Large folios. 14.5 x11". Illustrated slipcases with black lettering on the spines. 9 of the 16 volumes still have their original obis belly bands. Ilustrated dust jackets. Grey buckram over red textured paper boards with gilt illustrations and ruling. Spines with black and red lettering and volume numbers in gilt. Textured blue endpapers.<br /> <br /> Published from 1968-1974 to commemorate the 50th anniversary of the publisher Shogakukan this beautifully-produced series visually documents many of the most significant museums from around the world and their holdings including many of the greatest works of art in history. Each issue focuses on a group of museums of a certain country or sub-region and is profusely illustrated throughout with countless stunning full page reproductions of artwork in high quality color offset and b/w photogravure "heliogravure". Among the members of the supervising editorial committee for the series are artists critics historians archaeologists and writers. <br /> <br /> Volumes include:<br /> <br /> Vol.1: France Musee Du Louvre<br /> Vol.2: France #2 Le Galerie du Jeu de Paume Le Galerie de L’orangerie Le Musee Rodin Le Musee Bourdelle <br /> Le Musee de Cluny Le Musee du Petit Plais Le Musee des Arts Decoratifs Le Musee Guimet Le Musee National D’Art Moderne<br /> Vol.3: Italy Galleria Degli Uffizi Galleria Palatina Museo Nazionale Pinacoteca Nazionale Gelleria Di Brera Museo Poldi Pezzoli Galleria Sabauda Galleria Dell’accademia Carrara Galleria Dell’accademia<br /> Vol.4: Italy #2 Musei Vaticani Museo Nazionale Romano Museo Nazionale di Villa Giulia Museo di Palazzo dei Consevatori Museo Capitolino Museo Nazionale di Napoli<br /> Vol.5: Spain & Portugal Museo Del Prado Museo Arqueologico Nacional Biblioteca Nacional Museu Nacional d'Art de Catalunya Museo de Ceramica Museo Arqueologico Artistico Episcopal de Vich Nacional de Arte Antiga<br /> Vol.6: West Germany & Austria Staatliche Museen Preussischer Kulturbesitz Bayerische Staatsgemaldesammilungen<br /> Bayerisches Nationalmuseum Staatliche Antikensammlungen Bayerische Staatsbibliothek Staatliche Kunstsammlungen Stadelsches Kunstinstitut Wallraf-Richartz-Museum Kunsthistorisches Museum<br /> Vol.7: Belgium & The Netherlands Musses Royaux des Beaux-Arts de Belgique Musee Royal des Beaux-Arts D’anvers<br /> Musee de L’hopital St. Jean Musees Royaux D’art Et D’histoire Musee communal des Beaux-Arts Musee des Beaux-Arts Musee Mayer Van Den Bergh Rijksmuseum Stedelijk Museum Rijksmuseum Kroller-Muller Museum Boymans-van Beuningen Gemeentelijk Centraal Museum Mauritshuis Gemeentemuseum Stedelijk Museum “Het Prinsenhofâ€<br /> Vol.8: England The British Museum <br /> Vol.9: England #2 National Gallery Tate Gallery Wallace Collection Courtauld Institute Galleries Victoria & Albert Museum Fitzwilliam Museum<br /> Vol. 10: Soviet Union The State Hermitage Museum and others<br /> Vol.11: Greece Acropolis Museum National Archaeological Museum Archaeological Museum of Delphi Archaeological Museum of Olympia Archaeological Museum of Harakleion<br /> Vol.12: Egypt Egyptian Museum Coptic Museum Museum of Islamic Art<br /> Vol.13: India & Western Asia National Museum of New Delhi Indian Museum of Calcutta Archaeological Museum of Maathura Archaeological Museum of Sarnath Patna Museum Government Museum Iran: Archaeological Museum of Teheran Iraq: Iraq Museum Turkey: Archaeological Museum<br /> Vol.14: America National Gallery of Art Washington Museum of Fine Arts Boston Art Institute of Chicago Museum of Modern Art<br /> Vol.15: China<br /> Vol.16: Mexico & Peru Mexico: Museo Nacional de Antropologia Museo Regional de Oaxaca Museo de Tabasco Museo “La Venta Parque†Museo de Arte Moderno Peru: Museo Nacional de Antorpologia y Arqueologia<br /> <br /> Text In Japanese with occasional English. <br /> <br /> Slipcases with some water stains scratches smudging and other markings. Two of the cases with large holes at the tails of the spine. Some belly bands with some chipping and tears. Dust jackets with some light smudges along the spines and some other sporadic bumping to extremities of some. Bindings with some minor to light rubbing and/or bumping to extremities and along edges. Interiors with some light sporadic foxing to a few pages. Slipcases in good- to very good dust jackets in very good bindings in good to near fine and interiors in very good- to near fine condition overall. å°å¦é¤¨ (Shogakukan) hardcover
197964276Beijing: March 1979. First edition 8vo pp. 2 12 2 793 1; tables and diagrams throughout some in color 2 folding; stiff card wrappers with original red plastic dust jacket lettered in gilt on upper cover and spine; near fine. A selection of production guidelines and labor practices enacted from 1954-1979 covering an array of industries railroads aviation medical professions etc. including the treatment of women in the workplace and rules guiding maternity leaves. Also rules regarding disabilities sanitation safety food health etc. Not found in OCLC. March unknown
11380Woodblock-printed. 27 joined sheets numbered except 3 & 27 62.5 folding leaves red edges. Tall narrow 8vo bound between wooden boards. Hà Ná»™i: Kì vÅ© tá»± 祈雨寺 1889 date of publisher's colophon; copy perhaps printed in 1922.<br /> <BR> <BR> A beautiful and rare example of Vietnamese printing in the accordion "sutra-binding" or orihon format. We find no Vietnamese edition of this sutra in WorldCat and only the later 1906 edition is listed in the Vietnamese Han-Nom Literature Database surviving in two copies at the Institute of Hán-Nôm Studies AC.403 & 498.<br /> <BR> <BR> The Sutra of Infinite Meanings together with the Lotus Sutra and the Sutra on the Meditation of Samantabhadra Ch. Guan pu xian jing 觀普賢經 are traditionally held to constitute the Threefold Lotus Sutra wherein the brief Sutra of Infinite Meanings served as the introduction or "opening sutra" to one of the most philosophically profound and culturally influential texts in East Asian Buddhism. Although the Sutra of Infinite Meanings is considered today by many scholars to be an apocryphal text the canonical bibliography of Sengyou åƒ§ç¥ 445-518 holds that it was translated by DharmajÄtayaÅ›as sometime before 481. The identification of this sutra with a text by the same title mentioned in the first chapter of the Lotus Sutra was established by Liu Qiu 劉虬 438-95 in his 485 Preface to the sutra an identification that quickly became widely accepted in Buddhist East Asia.<br /> <BR> <BR> Like the Lotus Sutra the Sutra of Infinite Meanings emphasizes the transformative power of the Buddha's word itself which even in the abridged form of a single verse or a single line eternally delivers the hearer from the world of suffering. The belief in this teaching of the Threefold Lotus Sutra motivated centuries of Buddhist printing in East Asia. To briefly quote from the sutra's third chapter "Ten Virtues":<br /> <BR> <BR> "If living beings are able to hear this sutra though they hear only one recitation one verse or just one line and are thereby able to comprehend and master hundreds and thousands ten thousands millions of meanings then although they have earthly desires it will be as though they were free of earthly desires and they will go in and out of the realm of birth and death without thoughts of fear or dread. Toward living beings they will acquire minds of pity and tenderness and they will confront all phenomena with brave and stalwart thoughts"-trans. Burton Watson The Lotus Sutra and Its Opening and Closing Sutras 2009 p. 23.<br /> <BR> <BR> Our copy opens with the Preface of Äá»™ng Thượng Thanh Nguyên å³’ä¸Šæ¸…æº dated Gia Long 嘉隆 15 1816 followed by the dates of two reprints: Minh Mạng 明命 18 1837 and Äồng Khánh åŒæ…¶ 3 1888 the latter being carried out by the monks Thanh Äoan 清端 and Thanh NghÄ©a 清義 on behalf of their master Từ TÃnh 慈性. The printed colophon written by the artisans Nguyá»…n Văn Việt 阮文越 and Nguyá»…n Văn Giáp 阮文甲 of Thanh LÆ°u xã é’蓼社 an important center for Buddhist publishing in the Hà Ná»™i region is dated Äồng Khánh åŒæ…¶ 4 1889 and gives an exhaustive list of donors and the amounts of their donations. The colophon also specifies that Thanh Äoan and Thanh NghÄ©a come from the Kì vÅ© tá»± 祈雨寺 monastery in Hà Ná»™i province æ²³å…§çœ Hoà i Äức prefecture 懷德府 Từ Liêm district 慈廉縣 Hạ Trì canton ä¸‹æ± ç¸½ Thượng Cát commune 上葛社 and that the completed woodblocks were to be kept in this monastery. A handwritten colophon by the monk Thanh Khoan 清寬 and others from the Nam Äịnh province dates the printing and binding of this particular copy to the Nhâm Tuất 壬戌 year 1922 2951 years after the birth of the Buddha.<br /> <BR> <BR> Pristine copy.<br /> <BR> <BR> ⧠Yuenan Hannan wenxian ziliaoku 越å—漢喃文ç»è³‡æ–™åº« Academia Sinica. unknown
1094021 vols. of 24; see below. Small folio 305 x 197 mm. orig. dark brown wrappers edges dyed red lower fore-edges with titles volume numbers & number of parts in manuscript stitched. Hà Ná»™i: Linh Quang Tá»± Bà Äá 1929.<br /> <BR> <BR> A very rare set of the woodblock-printed Sutra of the Heap of Jewels Skt. MahÄratnakÅ«á¹a SÅ«tra T. 0310 from northern Vietnam here in 21 volumes our set lacks Vols. 1 13 & 20. We identify only one other surviving copy in the Institute of Sino-Nôm Studies in Hanoi Viện nghiên cứu Hán Nôm AC.666/1-24. We do not know if that set is complete.<br /> <BR> <BR> “The MahÄratnakÅ«á¹a SÅ«tra is not a single Buddhist work but a large collection of forty-nine works which in its present Chinese form was compiled in the T’ang dynasty by Bodhiruci a South Indian Brahman and illustrious Tripiá¹aka master who arrived in China in 693†K. Priscilla Pedersen “Notes on the RatnakÅ«á¹a Collection†Journal of the International Association of Buddhist Studies 3.2 1980 p. 60.<br /> <BR> <BR> In 1926 the first year of the Bảo Äại reign a meeting was held among the high-ranking monks of modern-day Hanoi to continue a project left behind in 1917 by the deceased abbot of the Linh Quang Tá»± éˆå…‰å¯º temple which was to carve a set of woodblocks for printing the MahÄratnakÅ«á¹a SÅ«tra or the Sutra of the Heap of Jewels. Led by Bhiká¹£u Thông Mệnh 通命 of the Äà o Xuyên tá»± 桃å·å¯º temple and Bhiká¹£u Thanh Thứ æ¸…æ• of the Linh Sóc tá»± éˆæœ”寺 temple the project was very much a product of its time. Rather than merely reprinting the Sutra as it was already known to Vietnamese Buddhists the monks were delighted to discover — and incorporate into their edition — two further versions of the text one being from the Japanese Buddhist Canon held at the colonial Bác cổ trÆ°á»ng åšå¤å ´ i.e. l’École française d’Extrême-Orient in Hanoi the other being a Chinese copy brought by Bhiká¹£u Tâm Trà 心智. The three versions — referred to as the “southern version†nam bổn å—本 the “northern version†bắc bổn 北本 and the “Japanese version†nháºt bổn 日本 — were carefully compared and collated by the editors whose notes at the end of each chapter list all textual variants down to the page and line numbers Preface transcribed in Phạm Lê Huy “Nihon no kanyaku DaizÅkyņ日本ã®æ¼¢è¨³å¤§è”µçµŒ RiterashÄ« shi kenkyÅ« リテラシーå²ç ”究 14 2021 p. 97.<br /> <BR> <BR> The resulting edition of the Sutra of the Heap of Jewels despite the traditional-seeming xylographic form and the use of Sinographs which were being quickly replaced by the Latin-based quốc ngữ after the abolition of the civil service exams in 1919 is therefore a product of its time enabled by the forces of colonial modernity and partaking in the Buddhist revival movements that were to unfold over the next few decades across the Asiatic world.<br /> <BR> <BR> The carving of the 1300 woodblocks for this Sutra was an expensive affair and the final volume ends by listing the names affiliations and contributions of over 100 donors mostly monks and nuns of various temples who had contributed to its making. Their donations ranged from 300 Indochinese piastre from Bhiká¹£u Tâm Trà himself to one piastre the contribution of many nuns placed at the end of the list. The woodblocks were kept — and might still be kept — at the Linh Quang Tá»± temple in Hanoi which based on a recent count preserves about 2600 woodblocks to this day Nguyá»…n Tuấn CÆ°á»ng et al. “Buddhist Print Culture in Nineteenth-Century Northern Vietnam†Journal of Vietnamese Studies 13.3 2018 pp. 74–75.<br /> <BR> <BR> Finally a note on Vietnamese books in general. Despite the country’s long history of Buddhist and Confucian learning woodblock-printed books published within Vietnam are far fewer in number than their Chinese or Japanese counterparts. This scarcity was due to the high cost of domestic production. According to the estimate of Kathlene Baldanza as late as the 19th century “the labor cost of printing in Vietnam was five to ten times higher than in China. Even ink and brushes were more expensive to produce in Vietnam.†Extensive international trade between northern Vietnam and southern China — where plentiful numbers of books were printed at very low costs — meant that “it was generally cheaper to purchase books from China than to buy them locally†“Publishing Book Culture and Reading Practices in Vietnam†Journal of Vietnamese Studies 13.3 2018 pp. 10–11. Beyond the limited cases of official and temple-based publishing Vietnamese publishers were pushed toward niche genres such as Sino-Vietnamese dictionaries ritual manuals or morality books. Regardless of genre woodblock-printed books from Vietnam are very difficult to find today outside a few major collections such as the Institute of Sino-Nôm Studies in Hanoi and l’École française d’Extrême-Orient in Paris. We will not focus on the massive destruction of the nation’s cultural heritage during its long war of independence in the post World War II period.<br /> <BR> <BR> Fine and fresh set.<br /> <BR> <BR> ⧠Yuenan Hannan wenxian ziliaoku 越å—漢喃文ç»è³‡æ–™åº« Academia Sinica. unknown
1916000483<p>Istanbul: TanÄ«n 1916.<br />Book. As new. Hardcover. 8vo over 7¾–9¾ in.<br />An official report issued by the Ottoman Fourth Army under Jamal Pasha concerning the proceedings of the Supreme Court Martial Tribunal convened at Ê¿Ä€liyah Aley Lebanon established to prosecute alleged Arab separatists and Pan-Arabist movements in Syria and Egypt during the First World War.<br />The report claims that the names of prominent Arab nationalists were discovered by the Ottoman authorities among documents seized from the French Embassy in Beirut reportedly placed under the safekeeping of the American Embassy following the outbreak of war. These documents formed the evidentiary basis for the tribunal's investigations.<br />125 pages of Arabic text accompanied by over 50 facsimile plates issued as a supplement reproducing original documents and correspondence between the accused Arab nationalists and other related parties examined by the tribunal.<br />Preserved in a modern hardcover binding.<br />A significant and controversial contemporary Ottoman publication providing rare primary documentation on wartime military justice Arab nationalist movements and Ottoman intelligence practices during the final years of the empire.</p><p>An important Arabic political and legal work presenting the Arabic version of La Vérité sur la Question Syrienne addressing the investigations and proceedings of the Ottoman Martial Law Tribunal DÄ«wÄn al-Ḥarb al-Ê¿UrfÄ« convened in Ê¿Ä€liyah Aley during the First World War.<br />The work constitutes a contemporary defense and documentary clarification of political accusations brought against Syrian and Lebanese figures shedding light on:<br />Ottoman wartime judicial procedures<br />political repression and accusations of separatism<br />and the broader Syrian Question in the late Ottoman period.<br />As the original Arabic edition this publication is a key primary source for the study of Ottoman military justice Arab political movements and Syro-Lebanese intellectual history during the final years of Ottoman rule.<br />A scarce and historically significant work particularly sought after in collections relating to the Arab provinces of the Ottoman Empire World War I Middle Eastern politics and constitutional and legal history.</p> Tanine hardcover
200287151Köln, Weimar & Wien: Böhlau 2002. 122 Seiten. Mit vereinzelten Illustrationen. Gr. 8° (22,5-25 cm). Orig.-Broschur. [Softcover / Paperback].
19201065617Leipzig, Insel, 1920. Gr.-8vo. 8, 225, (5) S. OHpgtbd nach Entw. v. E. Preetorius (gebräunt u. stark angestaubt, innen ebenfalls gebräunt).
9523186019.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
ria9789523186019_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
8' red soft cover slightly worn with blue tape on lower spine. pages on edges slightly yellowing. else in good condition.
25x16.5cm. 885 pages. Gilt hardcover with dust-jacket. Cover corners and spine edges slightly bumped. Else in good condition. PLEASE NOTE: This item is overweight. We may ask for extra shipping costs.
1973225867Toronto: ¡Amnistia! 1973. 9p. single issue of the 8.5x11 inch bulletin address label on rear cover horizontal crease from folding for mailing. Includes discussion of the Carabanchel Ten and other efforts to free political prisoners in Franco's Spain. ¡Amnistia! unknown books
1967102751TÅkyÅ: ダヴィッド社 / Daviddosha 1967. Shohan. Paperback. Very fine; as new. 174 pages: illustrations portraits; 21 cm. In Japanese. Uncommon. ダヴィッド社 / Daviddosha paperback
2013259734Istanbul: Patikakitap 2013. 192p. very good paperback. Turkish translation of "Evaluating the cultural revolution in China and its legacy for the future. Patikakitap unknown books
24058Undated. On letterhead of West House Campden Hill Kensington. London. See his entry in the Oxford DNB. 2pp 12mo. Bifolium. In good condition lightly aged. Folded once. The recipient is named as ‘J. Pendred Broadhurst Esq’. Boughton begins by thanking him for his ‘kind note’. He is ‘quite out of photos for the moment - there has been such “a run on†me’. His portrait is not ‘in commerce’. He is enclosing ‘a Menu Card of a dinner given me by Messrs Harper in New York’ which has ‘a portrait by Mr L. Alma Tadema R.A. which I think is a little out of the Common. There is also an illustration from our book - E. A. Abbey and mine sketching “Rambles in Holland.†which the Harpers published’. If Broadhurst uses the latter item ‘then pray let me have it again as I have only one other - which I may lose any moment.’ Undated. On letterhead of West House, Campden Hill, Kensington. [London.] unknown
23784Undated but written in 1883. Addressed in autograph at head: ‘Dutton Cook / 69 Gloucester Crescent. N.W’. For information on Cook see his biography in the Oxford DNB which points out that the subtlety of his later fiction was lost on his contemporaries being written in a style that ‘was not sufficiently sensational’ for the period. The present item is the complete text of the last thing Cook ever wrote: a story which appeared in the weeks following his death in Hood’s Comic Annual for 1884 London 1883. On 3 November 1883 the ‘Bookseller’ quoted the review of the volume in the magazine ‘Fun’: ‘a melancholy interest attaches to the article “Columbines all of a Row†from the fact that it was the last production of the late Mr. Dutton Cook having been completed only a few days before his death’. The Graphic praised the story’s ‘charming intermingling of pathos and humour’. 12pp landscape 12mo. The holograph is written in a close stylized hand in purple ink on twelve 11.5 x 18 cm leaves attached with a brass stud. In good condition lightly aged. Addressed in autograph at top-right of first page: ‘Dutton Cook / 69 Gloucester Crescent. N.W’ and signed at end ‘Dutton Cook’. With autograph emendations throughout but evidently a final draft: the tenth and eleventh leaves have both been divided into two parts with neat vertical cutting and reunited on the reverse with paper labels with the section created by this division indicated by numbering in another hand in pencil in the margins. The story is divided by Cook into nine parts with roman numerals. Undated, but written in 1883. Addressed in autograph at head: ‘Dutton Cook / 69 Gloucester Crescent. N.W’. unknown
26350‘Chertsey March 8th. c. 1865'. The phrase ‘Box and Cox’ has entered the English language. See the OED and the two men’s entries in the Oxford DNB. 2pp landscape 12mo. Neatly inserted in a trimmed windowpane mount. In good condition lightly aged. Folded twice. Signed ‘John M Morton’. Begins: ‘Dear Webster. / As Mr Anson informs me that you are “on the forward course to regenerated health†I hope I need not apologise for writing again. I find a letter of your’s respecting Woodcock’s little game produced in 1864 & two one act farces you offer me £15 per Act with the privilege of repurchasing the pieces at the same price in the event of your not having produced them’. He asks if he will do the same ‘in the case of the 4 Acts’ he has recently sent him. ‘If not let me beg of you to return them by post as I really cannot afford the expence of coming to Town!’ He continues: ‘I was served with a Writ yesterday for the first time in my life!!’ and adds ruefully: ‘I’m afraid the veteran farce writer’s “little game†is nearly up!†He concludes with surprising candour: ‘Thank God I could never get any children - not for want of trying I’m ashamed to say.’ ‘Chertsey March 8th. [c. 1865]'.. unknown
