51 760 résultats
2111902160600959Not Available N.A. Soft Cover. Fine. Size: 22.3 cm Not Available paperback
19752090502130302050Not Available 1975. Soft Cover. Fine. Number of books: 1 Not Available paperback
- Dreyer's vorlag & Flammarion, Paris 1991, 25,5x25,5cm, reliure de l'éditeur. - Edition originale trilingue norvégien français et anglais. Agréable exemplaire illustré de reproductions d'oeuvres d'Olivier Debré. Reliure de l'éditeur en plein cartonnage illustré d'une peinture d'Olivier Debré sur les plats, dos lisse, exemplaire complet sa fragile jaquette en papier parcheminé qui comporte un manque en tête du dos. Envoi autographe signé d'Olivier Debré au crfitique d'art Georges Raillard enrichi, sur la page en regard, d'un dessin original noir, bleu et orange. [ENGLISH DESCRIPTION ON DEMAND]
- Publications de la Sorbonne, Paris 1993, 21,5x29,5cm, reliure de l'éditeur. - Edition originale. Reliure de l'éditeur en plein cartonnage rouge, dos lisse, exemplaire complet de sa jaquette illustrée. Envoi autographe signé d'Olivier Debré à Pierre (Dumayet) enrichi, sur la page en regard, d'un grand dessin vert et bleu. Notre exemplaire est également enrichi d'un envoi autographe signé d'Emmanuel Pernoud à Pierre Dumayet. Agréable exemplaire illustré de reproductions d'oeuvres d'Olivier Debré. [ENGLISH DESCRIPTION ON DEMAND]
- Galerie Durand-Ruel, Paris Mai 1892, 14,5x19,5cm, relié. - Galerie Durand-Ruel | Paris May 1892 | 14.5 x 19.5 cm | Bradel binding First edition of this exhibition catalogue at the Galerie Durand-Ruel that took place from 7 to 21 May 1892. Illustrated catalogue with a bistre etching of Marie Auguste Lauzet from «La femme au chat» by Auguste Renoir on the frontispiece. Bradel binding in full paper with decorative motifs, title piece in green morocco, conserved wrappers (comprising small corner restorations), binding signed by Thomas Boichot. Preface by Arsène Alexandre. Pleasant and rare copy of this catalogue describing 110 works by Auguste Renoir. [FRENCH VERSION FOLLOWS] Edition originale de ce catalogue d'exposition à la Galerie Durand-Ruel s'étant déroulée du 7 au 21 Mai 1892. Catalogue illustré, en frontispice, d'une eau-forte en bistre de Marie Auguste Lauzet d'après "La femme au chat" d'Auguste Renoir. Reliure à la bradel en plein papier à motifs décoratifs, dos lisse, pièce de titre de maroquin vert, couvertures (comportant de petites restaurations angulaires) conservées, reliure signée de Thomas Boichot. Préface d'Arsène Alexandre. Agréable et rare exemplaire de ce catalogue décrivant 110 oeuvres d'Auguste Renoir.
2110502150906749Hanmoto fumei N.A. Soft Cover. Fine. Number of books: 1 Hanmoto fumei paperback
2092902138301069Tsujiokaya Bunsuke board N.A. Soft Cover. Fine. Number of pages: 1 print Size: 71x51cm Tsujiokaya Bunsuke board paperback
19172110502150901293Manners and Customs Picture Book Publishing Association Yoshikawa Kobunkan 1917. Soft Cover. Fine. Number of books: 3 Manners and Customs Picture Book Publishing Association, Yoshikawa Kobunkan paperback
18182110502150906634Yamamoto-ya-ban 1818. Soft Cover. Fine. Number of books: 1 Yamamoto-ya-ban paperback
18152110502150906537Yamamoto-ya-ban 1815. Soft Cover. Fine. Number of books: 1 Yamamoto-ya-ban paperback
19062110502150902516Heikichi Matsuki version 1906. Soft Cover. Fine. Number of books: 1 (Heikichi Matsuki version) paperback
18782110502150908531Chujiro Funatsu Version 1878. Soft Cover. Fine. Number of books: 1 Chujiro Funatsu Version paperback
18512080202105100996Itadaki on-do-ban 1851. Soft Cover. Fine. Volume: 1 Itadaki on-do-ban paperback
43908Paris, Editions Bernheim-Jeune, 1973. In-4°, 488p. Reliure pleine toile d'éditeur, sous jaquette illustrée.
39316Paris, Maeght, 1958. In-folio, 29p. en feuilles, sous couverture illustrée.
1808FF2435London:: Printed for T. Cadell and W. Davies 1808. 1808. 2 volumes. Third edition. 8vo. xxviii 221 3; viii 195 1 pp. 40 plates some tined some hand-colored. Bookplate of Courtenay F. Wilson. Bookseller's label of Henry March Gilbert 1846-1931 Southampton. Very good. With a DOUBLE FORE-EDGE PAINTING of Vol. I: Dundee & Montrose Vol. II: Aberdeen & Glamis Castle. Twentieth century paintings. This book is considered by Francis B. Pinion to be a source book for Jane Austen and her stories. "Only from some of the arresting illustrations in this book could Jane have imagined her amusing picture of Lesley Castle. The sensible Augusta of 'Love and Friendship' prevailed upon her father to take her on a tour of Scotland after she had read this book. Jane would have loved to do the same." Pinion A Jane Austen Companion: A Critical Survey and Reference Book p. 161. PROVENANCE: Courtenay Freeman Wilson 1841–1915. Printed for T. Cadell and W. Davies, 1808. unknown books
1836FF2429Parigi:: Presso Baudry 1836. 1836. 2 volumes in 1. Sm. 8vo. xxx 2 442 2; iv 288 2 pp. Frontispiece portrait 2 half-titles; light foxing. Original full green straight-grain gilt-stamped morocco a.e.g.; rubbed Early ownership inscription 1839. Bookplate with signature of Edward Thomas King. With a beautiful scene painted by Don Noble unsigned of Tivoli Italy. Presso Baudry, 1836. unknown books
1857FF153Edinburgh:: Adam and Charles Black 1857. 1857. Small 8vo. 746 1 pp. Engraved frontispiece portrait of the author with his favorite wolfhound "Maida" by John Horsburgh after the painting by Sir John Watson Gordon Scottish painter 1788-1864 engraved half-title by W. Allan & T. Dobbie engraved plates. Original full red morocco tooled in gilt gilt spine a.e.g. Ownership inscription of Ellen Davis Browell October 1859. Fine. With a beautiful fore-edge painting by Martin Frost of "Abbotsford" and an oval inset portrait of Sir Walter Scott signed by Frost with his initials on the outer left margin. Abbotsford was the home of Sir Walter Scott. Painted by Martin Frost in 1986. See: Weber Jeff Annotated Dictionary pp. 151-3 Frost fl. 1973-2018. Adam and Charles Black, 1857. unknown books
CSP-1784Editions Durand-Ruel, Lausanne, 1959. Edition numérotée 1019/1200. Première édition en magnifique état, jaquette manquante.
Madrid, Imprenta Real, 1797, 25,5 x 19 cm., piel de época algo rozada por las puntas, 6 hojas + retrato grabado en cobre + LII + 402 págs. (Error de paginación: de página 324 pasa a la 327. Limpio ejemplar, con buenos márgenes y con la primera hoja de preliminares restaurada en el margen blanco inferior, sin afectar al texto).
18686574ALondon, Pickering, 1868. Gr.8°. Signierter, roter Lederband von Riviere mit reicher Deckel- u. RVg., Steh- und Innenkantenfileten u. ganzs. Goldschnitt.
IN 4. REL 1/2 TOILE [BE]. ENV 1400 PP. ENV 3000 ILL EN NOIR ET EN COULEURS. [BE]
1st Edition. Original Boards with Original Dust Jacket. 4to. 207 pages ; 28 cm. Includes 97 plates of Zadkines work. In English. Ossip Zadkine (1890 1967) was a Russian-born artist who lived in France. He is primarily known as a sculptor, but also produced paintings and lithographs. He was born to a Jewish father and a mother of Scottish origin His best-known work is probably the sculpture The Destroyed City (1951-1953) , representing a man without a heart, a memorial to the destruction of the center of the Dutch city of Rotterdam in 1940 by the German Luftwaffe. (Wikipedia, 2016) This copy is warmly inscribed by Zadkine in 1965 to the notable Judaica Collector Michael M. Zagayski and his wife. Zagayski began collecting as a youth in Poland and had accumulated an impressive number of valuable items which were looted by the invading Nazis, in 1939, when he was attending a Jewish Agency meeting in Geneva. Only a year later he began a new collection Mr. Zagayski came to the United States during World War II to serve as a vice-consul of the Polish Government in Exile. (Jewish Telegraphic Agency) Two items laid in. First, a 1955 catalog from Mr. Zagayskis sale of a 1150 AD eition of Josephus The Jewish War and Volume II of the fist Hebrew Bible printed in Spain. Second, an additional set of photographs of Zadkines sculptures printed in 1958. SUBJECT(S) : Sculpteurs -- France -- Biographies. Zadkine, Ossip. Dust Jacket has a very small tear, but on the whole this is a very beautiful copy. Jacket, book, plates, inscription, and additional laid in materials are all in Very Good Condition. (FR-2-16)
1958339Paris, Maeght éditeur, 1958. In-folio (380 x 280 mm) en feuilles, 28 pages. 4 LITHOGRAPHIES ORIGINALES de MIRO, GIACOMETTI, TAL-COAT, MARC CHAGALL avec "PAYSAGE AU COQ", une exceptionnelle lithographie en couleurs à double page (M208) et des reproductions de Braque, Bonnard, Matisse, Picasso, Kandinsky, Mirò, Léger et Bazaine. Tirage original. DLM édité en juin 1958 pour l'exposition d'œuvres monumentales de Bonnard, Matisse, Braque, Chagall, Picasso, Kandinsky, Brancusi, Léger, Mirò, Giacometti, Bazaine, Tal Coat et Ubac.
Folding Case. Large Folio. Sixty-two illustrated plates. 44 cm. Nr 289 of a deluxe edition of 2000 copies. First edition. With additional original full-size drawing in 3 colors, with colored pencil, of doves and flowers, with inscription in Hebrew and signed. Housed in original folding-case, loose as issued, original colored pictorial stiff wrappers. Title translates as: 62 Psalms and Verses of the Bible. In French. Preface by Jules Romains. The artist Benn was a renowned Jewish painter who drew inspiration from the Bible and expressed his spiritual connection to it in a body of self-contained and highly integrated work, which was published under the title 62 Psaumes et versets de la Bible. When the Nazis entered Paris, Benns worst premonitions were realized. He was rounded up together with other East European Jews and interned in a holding camp, whose inmates were ultimately destined for a concentration camp in Germany. He was held in that camp for a month, and during that time he sketched the faces of his co-internees and their surroundings. He fell into a deep depression, lost weight, and would probably have died had it not been for the efforts of his wife and friends who managed to smuggle him out of the camp. Arrangements were made to hide the couple in the basement of an apartment house in Paris. Benn and his wife remained there in hiding for the duration of the war. During his twenty six months of confinement, Benn completed a series of sixty two drawings, based on selected psalms and verses of the Bible. The remarkable feature of this body of work is that it represents a radical departure in style from of his other work, and that style, while continuing to evolve after the war, remained exclusively associated with biblical themes. He continued to use biblical themes as subject matter (e. G. , Song of Songs) , and this particular style sets these works quite apart from the other figurative and representational work he did simultaneously. The drawings and the canvasses were critically acclaimed, and the artist was urged to make the works more accessible. In order to accommodate the demand for his biblically inspired work Benn agreed to have the sixty two drawings and paintings reproduced in the form of an album, which was published in 1960 under the title, 62 Psaumes et Versets de la Bible. The publication was issued in a limited edition of 2, 000 copies. The album was prefaced by the French writer Jules Roman, of the Academie Française. (Art of Benn) Subjects: Bible. O.T. - Illustrations. Bible. O.T. Psalms - Illustrations. Bible. A.T. - Illustrations. OCLC lists 14 copies. Folding case has tear at crown of spine, otherwise Very Good. Illustrated plates are colorful, bright and clean. Very Good condition. (SPEC-36-10)