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Book is in excellent condition in black cloth with gilt print at spine. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind; as new. Dust jacket shows the slightest signs of shelf wear only, no tears. 714 pages, heavily illustrated with b&w photos, some color prints, maps, architectural drawings, coins, relics, iconography, etc. Over 400 illustrations This book tells the story of the Architecture and the Figural Art produced for the Crusaders after the battle of Hattin and the fall of Jerusalem in 1187, during the one hundred years that Acre was the capital of the Latin Kingdom of Jerusalem, 1191 -- 1291. It is an art sponsored by kings and queens, patriarchs and bishops, clergy, monks, friars, knights and soldiers, aristocrats and merchants, all men and women of means, who came as pilgrims, Crusaders, settlers, and men of commerce to the Holy Land. The artists are Franks and Italians born and/or resident in the Holy Land, Westerners who traveled to the Latin East, Eastern Christians, and even Muslims, who worked for Crusader patrons. Notes begin on p. 561 and go to 711. Unopened CD-rom at back contains a complete set of more than 500 illustrations from Crusader manuscripts.
194564014San Francisco CA: Carl Frederick Hobby 1211 Jackson Street ca. 1945. One large oil painting on canvas sized 11 x 14 in. preserved as original stretched canvas within the frame as presented to the artist’s niece and with the original green & gilt frame sized 14.5 x 17.5 in. now professionally cleaned and w/ artist’s pencil numbering on verso of frame and apparently executed about the same time as his “Produce Stand†painting. Signed in lower corner this painting was presented by the artist following the War to his niece and held in the family until 2025. This original oil painting depicts a young Chinese-American child drinking from a bottle of orange soda in traditional Chinese hat and high-collared cloak with rain falling around the subject as well as brick wall and cityscape faintly in the background. Chinese-American children were frequent subjects along with their families for the artist as he often featured them with parents marketing or in their everyday lives on the teeming streets of San Francisco. This close large portrait represents an unusual format for the artist as he tended to paint and draw group scenes.Hobby 1886-1964 was the son of an Iowa City IA ophthalmologist and moved with the family as a teenager to San Diego CA about 1900 where he began working at 14 as a sketch artist and later published a book in San Diego in 1919 with his artwork. He studied art at the Cumming School of Art in Des Moines the Art Students League in New York and became portrait and landscape painter in San Diego until 1923. After a divorce from Plooma Crowther he settled in San Francisco in Chinatown where he became an instructor at the Art Center while also painting and sketching the densely populated area publishing “The Street of Dragon Lanterns Chinatown of San Francisco†in 1936 while contracting with the Madison & Burke Agency through World War II. Exhibits of his paintings and pen & ink sketches were displayed at the Oakland Art Gallery in 1928 and the Society for Sanity in Art in 1945. See: Maud McB. Maywood Palm City The Chula Vista Star July 9 1937 p. 6; Sketches of San Diego 1919. Carl Frederick Hobby, 1211 Jackson Street, unknown
180180267London:: Printed by C. Whittington 1801. A New Edition. old full gilt strainght-grain morocco; gilt paneled spine. Preserved in a later cloth slipcase. Elegant 1817 gift inscription on front pastedown and 1923 ink ownership signature on flyleaf. Very fine. . 16mo. With an attractive and detailed old fore-edge painting depicting Leadenhall Street London featurein g street traffic and the East India House. Printed by C. Whittington, hardcover
1865FF120London:: Longman Green Longman Roberts and Green 1865. 1865. Small folio. xvi 540 pp. Illustrated throughout. Original binding by Riviere dark green morocco stamped in blind and gold over heavy boards a.e.g.; corners worn but otherwise very good. Bookplate and rubber stamp of Dr. Juan Weiss. With a large fore-edge painting of the body of Christ mourned by the Virgin Mary and an Angel as depicted on page 257 after the painting of the "Pietà " by Francesco Francia 1450-1518. The fore-edge painting is unsigned and probably dates from pre 1980. The original painting is in the National Gallery London. See: Charles Heaton A Concise History of Painting 1893 p. 81. Longman, Green, Longman, Roberts, and Green, 1865. hardcover books
1879WRCLIT84843Edinburgh & London: William Blackwood & Sons 1879. vi303pp. Small octavo. Full olive green morocco a.e.g. spine and upper board lettered in gilt gilt decorated inner dentelles marbled endsheets. Joints and extremities rubbed but sound spine darkened a few scattered dust marks otherwise very good. A volume from the "Cabinet Edition" of Eliot's works with the engraved bookplate of Princess Helena third daughter of Queen Victoria and Prince Albert on the front pastedown. The volume is further embellished with a fore-edge painting in color identified as a view of the Acropolis from the west. The binding is signed in type at the lower edge of the verso of the front free endsheet by R. de Coverly the London binder under whom T.J. Cobden Sanderson and Charles McLeish the younger trained. William Blackwood & Sons unknown books
05177London: Printed for J. Sharpe 1824. 'The Entrance to Hyde Park'<br /> An Early-to-Mid Twentieth Century Fore-Edge Painting<br /> <br /> FORE-EDGE PAINTING. GAY John. Fables. London: Printed for J. Sharpe 1812 i.e. 1824. <br /> <br /> With an early to mid twentieth century fore-edge painting of the "Entrance to Hyde Park" by an unidentified artist.<br /> <br /> Volumes I & II of three bound in one. <br /> <br /> Sixteenmo 4 3/4 x 3 inches; 121 x 76 mm. Engraved frontispiece engraved general title-page iv 1-155 1 blank engraved frontispiece 1-142 pp. <br /> <br /> Bound ca. 1824 in full red straight grain morocco covers decoratively bordered in gilt and blind smooth spine decoratively tooled and lettered in gilt in compartments gilt board edges blind tooled turn-ins gray endpapers all edges gilt. <br /> <br /> Contents: Volume I The Fables of John Gay; Volume II The Poetical Works of John Gay volume I only. London: Printed for J. Sharpe, 1824 unknown
132638aafRoma, Studio Anderson (1845-1963) / Ediz Jacquier / , vers 1880 - 1900, 24.5x19.5 (Fotos) / 35x28 cm (Blattgr.) 59 auf festen braunen Kartonträger aufgezogene Fotografien + 1 (das letzte) Blatt ohne Foto. Mit eingelichteter Nummer, Titel d. Malerei und dem Namen des Fotografen Anderson (mitunter auch D. Anderson) sowie Ediz Jacquier. Alle Tafeln sind auf Falz gebunden. / Toutes les 60 planches avec 59 photographies sont montées sur des feuilles brunes reliés sur onglets dans un album de luxe (avec date 1906), Ledergebundenes (Souvenir-)Album (29x37.5 cm) mit Goldaufdruck - 12 September 1906 - . Etwas fleckig. In Orig.-Schachtel. / Reliure en cuir brun avec titre or sur le plat devant. Encadrement d’une large bordure dorée à l’intérieur, tranches dorées, qqs. taches sur les plats + boite (usée) - 12 Septembre 1906 - . Les planches sont reliées sur onglets.
76567aafMünchen Paris London, Schirmer/Mosel, 1990, gr. in-4to, 125 + (1) S. mit 30 Tafeln u. 10 Textillustr., auf Schmutztitel: Aquarell mit Widmungstext v. René Burri, Orig. Leineneinb. mit Rück.titel u. orig. Schutzumschlag.
1937788DG1937. Ölgemälde. 60 x 50 cm.
19341160DG(1934) Ölgemälde auf Holz. 72 x 59 cm.
68818aafBâle, Frobenius, Compagnie suisse d'arts graphiques, 1920, in-4to, richement illustré de 60 planches en n/b et en couleurs, et accompagné d'un texte descriptif, un des 250 ex. numérotés Ex. N° 199, reliure en d.-cuir, titre doré au dos, plats marbrés, magnifique exemplaire.
98048aafs.d. (début XXè), 23.5x18.5 cm, sans cadre.
142072aaf(19)93, 37x48 cm. signed : Szöcs, L. 93. With blackwoodenframe 48x58 cm.
19302867# AUTEUR: Barrès Maurice # ILLUSTRATEUR: Denis Maurice # ÉDITEUR: Eos - Paris # ANNÉE ÉDITION: 1930 # ENVOI, BEAUX PAPIERS: Vélin pur fil BFK filigrané Maurice Barrès # COUVERTURE: Souple illustrée à rabats - sous chemise cartonnée rouge brique illustrée - à double lacets - titre manuscrit au dos # DÉTAILS: In 4° en feuilles sous chemise à lacets de soie 2ff.vierges+ 2ff. (faux titre, titre)+ 88pp.+ 4ff.(dont 2 vierges) 20 bois gravés en couleurs dont 10 hors-texte, 6 vignettes et culs de lampe. N° 185 des 225 exemplaires tirés par l'imprimerie nationale. Les illustrations de Maurice Denis ont été gravées sur bois par les frères Beltrand et tirées sur leurs presses par M. Lacou, Lainé et Vaganay. Cet exemplaire porte les initiales E.H. # PHOTOS visibles sur www.latourinfernal.com
199073715Barcelone 19 décembre 1990 | 22 x 20 cm | une feuille
awd-995Technique mixte sur papier, signée, titrée et datée 1978 en bas à gauche (39/36 cm).
1702190277A Amsterdam Chez François Van-Der Plaats. 1702 4p de préface nc+16p de discours+47p 1 volume IN12. Reliure à la bradel en cartonnage moderne. Ouvrage orné de 44 figures h.t contre-collées.
1940TAB0000036. 1940. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. Huile sur toile représentant Bois-le-Roi (commune française de Seine et Marne) sous la neige. Dimensions : 60,5 x 73cm. Oeuvre signée en bas à droite. Coins frottés avec manques de matière. Fente sur la toile (peu visible - 1cm) à hauteur de la maison derrière l'arbre du premier plan (voir photo).. . . . Classification : 920-Peinture
189771909s. d. | 17.70 x 22.80 cm | Deux feuillets et un papillon encollé
1961350Paris, Maeght éditeur, 1961. In-folio (380 x 280 mm) en feuilles, 28 pages. 8 LITHOGRAPHIES ORIGINALES EN COULEURS dont 2 en triple page et 3 en double page. Texte de René Char "Dansez, montagnes" et de Jacques Dupin "Nouvelles peintures de Miro. Exposition de 46 peintures récentes. Tirage original.
189586782s. d. [ca 1895] | 14 x 9.50 cm | un bristol recto verso
276370I. Rice Pereira New York 1957 In-folio ( 530 X 355 mm ), broché sous couverture anthracite imprimée. EDITION ORIGINALE et PREMIER TIRAGE des illustrations en couleurs de I. Rice PEREIRA. Edition limitée à 553 exemplaires. Bel exemplaire enrichi d'un envoi autographe signé de I. Rice PEREIRA.Née en 1902, I. Rice PEREIRA s'est immergée dans le monde bohème de Greenwich Village au milieu des années 1920 et a embrassé l'avant-garde artistique européenne Bauhaus, cubisme et constructivisme. Dans les années 1930, ses peintures commencent à être reconnues. Au début, elle a signé son uvre I. Rice Pereira, à cause, dit-elle, de la discrimination qui assaille les femmes dans le monde de l'art. Avec une exposition de son travail au Whitney Museum of American Art en 1953, elle est devenue l'une des premières femmes à avoir une rétrospective dans un grand musée de New York. []. Les uvres de Pereira sont maintenant exposées au Hirschhorn Museum, au Metropolitan Museum of Art, au Museum of Modern Art et dans d'autres grands musées d'art du pays. ( Kathryn Allamong Jacob : Artistes et artisans. Dans : Nouvelles de la bibliothèque Schlesinger. Automne 2016.
Barcelona, Polígrafa, 1989. Poemes de Joan Brossa i collages de postals i reproduccions d'aiguaforts, litografies i fotografies de Perejaume. Text poètic de Joan Brossa amb il·lustracions de Perejaume Format 40 x 47,5 cm 74 pàgines Text en català Enquadernat en tela amb caixa estoig entelada i il·lustrada Tots els exemplars en paper fil de Guarro signats pel poeta i l'artista en la justificació del tiratge. Del tiratge de 425 exemplars numerats del 76 al 500 que corresponguin a l'edició normal del llibre. Molt bon exemplar. 1ª edició. Primera edició. 1st edition. First edition.
185071234s. d. | 11.80 x 18.60 cm | une feuille
1904S91684Wien, Gerold & co. 1904-1908 First 4 complete years 1904-1908, each year/volume consists of 10 issues ("Hefte"), bound together in 2 large volumes, xxiii,188 + xviii,202 pp. & xx,200 + xx,222 pp., with numerous bl/w illustrations in text and some plates out of text of which some in colour, each volume includes an extensive index, bound in two hardcover volumes (marbled boards, spines in leather with some use at ends), marbled endpapers, 29cm., text in German, good condition, text and interior clean and in very good condition, very rare, total weight: 5kg., [The author Theodor Von Frimmel-Traisenau, Amstetten 1853 - Wien 1928, was an Austrian art historian and became famous as Beethoven biographer. Among other things, he taught art history at the 'Wiener Athenäum' and was director of the art gallery "Galerie des Grafen Schönborn-Wiesentheid". He published his "Blätter für Gemäldekunde" from 1904 till 1912 (7 volumes-years, of which the first 4 are on offer here)], S91684