25 427 résultats
1935117791935. Soyer Raphael. Soyer Raphael. IN STUDIO. Lthograph 1935. 13 1/2 x 9 1/2 in. Editon of 100 Cole 37 Gettings 28. Ttiled and Signed in pencil. "This was done on the stone in my studio. Those are my sketches tacked on the wall." Trimmed close to the image else in excellent condition. unknown
1944103591944. Soyer Raphael. Soyer Raphael. MY STUDIO or In The Studio. Lithograph 1944 Cole 63. Edition of 250 published by Associated American Artists. Signed and titled in pencil. A short marginal tear at left stopping just at the image margins somewhat trimmed backed with Japanese tissue for support else in very good condition. An early and relatively hard to find image. unknown
1954133581954. Soyer Raphael. Soyer Raphael. NUDE IN INTERIOR. Cole 76. Lithograph 1954. AAA edition of 250. 12 1/4 x 9 1/4 inches signed in pencil. Attractively framed. Fine. unknown
193822571938. Soyer Raphael. Soyer Raphael. PROTECTED. Lithograph 1938 Cole 55. 13 3/8" x 6 1/4" signed and titled in pencil. From the AAA edition of 250. Faint staining in upper margin not affecting mage. unknown
195425771954. Soyer Raphael. Soyer Raphael. RAILROAD WAITING ROOM. Lithograph 1954 Cole 69. 12" x 9 1/2." Signed and annotated "ap" aside from the edition of 250 published by AAA. Very good. unknown
13118Soyer Raphael. Soyer Raphael. STREET SCENE WITH MOSES SOYER. Gettings 113 not in Cole. Lithograph 1970. 19 1/4 x 14 1/4 inches; 488 x 362 mm. Edition of 150 printed by Burr Miller. Signed in pencil numbered 67/150 and inscribed "Best wishes to to Dave and Edith" In excellent condition. Nicely framed. unknown
195454891954. Soyer Raphael. Soyer Raphael. SEAMSTRESS THE. Cole 75. Lithograph 1954. Edition of 250 published by A.A.A. 9 5/8 x 11 3/8 inches; 245 x 298 mm. Signed in pencil. With original A.A.A. label. Excellent condition. unknown
194220081942. Soyer Raphael. Soyer Raphael. WAITING. Drypoint 1942. Cole 59. AAA ed of 250. 7 1/8" x 9 1/8." Signed. Excellent condition framed. unknown
1651000966London: by T. N. for Humphrey Moseley 1651 1651. FIRST EDITION OF THE ENGLISH TRANSLATION & THE SECOND ENGLISH EDITION OF THE LATIN TEXT. 1 vol. 5-7/8" x 4" complete internally clean and bright. Bound in later 1/4 calf gilt lettered spine hinges rubbed. Both editions contain Thorius' Cheimonopegnion or a Winter Song. Scarce only 3 copies of the first work have ever appeared at auction sense 1965 and we can find no copy of the second title ever appearing at auction. London: by T. N. for Humphrey Moseley, 1651 unknown
189974816Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Février 1899 23.50 x 34.50 cm une feuille et une serpente Rare original colour lithograph executed by Raphaël Collin for L'Estampe Moderne series number 22 published in February 1899. One of 50 deluxe copies printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe issue on verso; engraving preceded by a tissue guard captioned with the artist's name title and a poem. Lithograph inspired by the poem Partenza by Francis Vièlé-Griffin reproduced on the tissue guard of the print. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colours also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1875129Cronica medico quirurgica de la habana revista mensual de medicina cirugia y ciencias auxiliares dirigida por los doctores jose r argumosa y j santos fernandez habana cuba 1875.encuadernacion en media piel.11 numeros encuadernados en un volumen comienza con el numero 1 mayo de 1875 y termina con el numero 11 noviembre de 1876.revista muy rara ilustradacon trabjos de grandes medicos cubanos de la epoca.conto con la colaboracion de.joaquin lebredocalixto oxamendifelipe rodriguezmanuel bangoserafin gallardoluis montanerafael cwleyjose argumosaantonio mestrejose r a montalvojose pulidoantonio reyneztomas plasenciagabriel garciajose francisco arangovicente de la guardiasiendo su redactor administrador don eduardo f pla la propaganda literaria hardcover
1921000470Battersea and Cardiganshire 1921. First Edition . Soft cover. Very Good Plus. 8vo - over 7¾" - 9¾" tall. Battersea and Cardiganshire Great Britain 1921 and 1922. Standard letter folds minor age discoloration and peripheral wear else Very Good Plus. Three original ALS by Sabatini - author of such landmark masterpieces as Scaramouche Captain Blood The Sea-Hawk Fortune Fool Saint Martin's Summer and a lengthy list of other titles. Sabatini was just beginning earning to earn international renown for his lush textured prose and swashbuckling romantic plots when he wrote these letters. Two were written in 1921 - the year of publication of Scaramouche considered by many to be his most brilliant work. The other was written in 1922 the year of publication of Captain Blood. Those two titles remain today the most valuable Sabatini first editions. That his life was becoming hectic in those years at the height of his genius is evidenced by these letters: hard to read they nonetheless all express regrets for his being unable to attend one function or another. L-61 <br/> <br/> paperback
193772521937. Soyer Raphael. Soyer Raphael. BEDTIME. Cole 54. Lithograph 1937. 18 x 10 1/4 inches; 457 x 260 mm. Total edition of 225 commissioned by Rabin & Kreuger Gallery Newark NJ a first edition of 75 was supplemented by a second edition of 150. Although Cole is silent about it it seems likely that the second edition was really a further printing done shortly after the first; he offers no indication that there is any variation between the two or any way to tell them apart. In the next year Soyer did his first lithograph for Associated American Artists "Protected" which is very similar to this image here the baby looks at the viewer from the mother's right shoulder; in "Protected" the baby is on the mother's left shoulder; the format for "Protected" is smaller. Bedtime is much less frequently seen than "Protected" a surprise given that the editions were apparently close in size. A fine impression of this large early print in excellent condition. unknown
4086Soyer Raphael. Soyer Raphael. BEHIND THE SCREEN. Etching with aquatint 1935. Cole 39 2d state. 4 7/8 x 3 15/16 in. An unrecorded apparent later state from of Cole 39 with additional cross-hatching creating deeper shading. An unsigned possibly unique impression. unknown
7244Soyer Raphael. Soyer Raphael. STUDY FOR PEDESTRIANS. Cole 87 Gettings 64 the second state. Etching 1962. Artist's Proof there was no edition in this state and only about 8 in the first state. 5 15/16 x 6 3/4 inches; 151 x 171 mm. Inscribed "A.P." and signed in pencil. Annotated verso "the artist his daughter and her friend." A true "working proof" in very good condition. Rare. In the second state there is additional drypoint cross-hatching to Soyer's face and jacket and to the background. This is the first of four related plates on the "Pedestrian" theme and the first in which Soyer inserted his own likeness into the image See Soyer's comment at G.63. In Cole 88 G.65 Pedestrians - First Plate an additional female figure appears at Soyer's left. Cole 89 G. 66 Self-Portrait shows only the image of the artist and Cole 90 G. 67 Pedestrians 1963 shows additional figures to the right as well as the cityscape in the background. These latter two were included in the portfolio "Sixteen Etchings by Raphael Soyer." unknown
7734Soyer Raphael. Soyer Raphael. YOUNG WOMAN DRYING HERSELF. Cole 57A. Lithograph in color 1940. Edition of 300. 19 x 12 1/8 inches; 482 x 308 mm. Signed in pencil and numbered 193/300. In excellent condition. unknown
192338723Sous étui bordé. Reliureplein maroquin orangé, dos lisse, auteur, titre et 2 fleurons dorés, filet doré et fleurons angulaires aux plats, filet à froid aux coupes, contreplats doublés de satin bleu et bordés d'une roulette, avec boutons de roses en fleurons angulaires, le tout doré, doubles gardes, tête dorée. Reliure signée René Kieffer.Édition illustrée de 7 bois gravés en camaïeu par Raphaël Drouart imprimés en 2 tons
193247210EDICION FACSIMIL.- Madrid: Publicaciones del Archivo de Villa Artes Gráficas Municipales 1932.- 73 p. de los estudios previos y la transcripción 62 p. sin numerar del Facsímil a todo color 2 h. de índice y colofón; Folio mayor 33 x 232 cm; Magnífica encuadernación en Plena Piel Chagrén lomo cuajado en oro y cinco nervios Tapas con plancha en seco recuadrando flanqueada por filetes dorados contracantos con rueda dorada guardas en papel marbreado cabeza tintada en color calabaza conservando las cubiertas originales Excelente estado. Sin duda un ejemplar de los que se encuadernaron especialmente para obsequiar a las autoridades. Aunque no va firmada por su técnica la encuadernación está sin duda ejecutada por un gran maestro encuadernador posiblemente por algun discípulo de Antolín Palomino de la Imprenta Municipal. MADRID Libro en español Publicaciones del Archivo de Villa hardcover
179713068Madrid: Imprenta Real 1797. 243x190mm. 9½x7½". Madrid Imprenta Real 1797. En 4º 243 x 190mm. 6 h. 1 retrato lii-402 pp. Encuadernación de la época en plena piel lomera con ruedas doradas formando nervios y hierro dorado en las calles tejuelo en marroquén. MagnÃfico ejemplar de esta obra estimada muy bien impresa en la Imprenta Real a expensas de Julián Pereyra. Segunda edición copia exacta de la primera. Contiene además de las obras completas de Mengs un "Comentario al Tratado de la Belleza" de Mengs por Joseph Azara y varias cartas. Al fin un tratado con lecciones prácticas de pintura. Obra importante. Antonio Rafael Mengs gozó de un buen prestigio y sus obras eran consultadas por todos los artistas de la época. El libro contiene además de las obras completas de Mengs un "Comentario a su Tratado de la Belleza" por Joseph Azara quien además se encargó de recoger los textos del pintor. Al fin un tratado con lecciones prácticas de pintura. Perfecto ejemplar. Imprenta Real unknown
187424602CIUDADELA DE MENORCA: S. Fabregues 1874-1876. Primera edición.- 4º.- Media piel de época lomera con texto y filetes dorados y en seco.- 2 tomos.- I: 647 páginas.- II: 679 páginas.- 4 hojas Lista de los suscriptores.- Ilustraciones entre texto de lápidas. Sello de anterior poseedor y una dedicatoria manuscrita en las guardas de la obra no del autor a Bernardo Amer y Pons Gobernador Civil de Tarragona fechada en 1902. Muy buen ejemplar. No en Bover ya que la edición es de 1874 y la obra fue impresa en 1869 - Palau 200204 S. Fabregues unknown
187689659Andres Pego | La Habana [La Havane] 1876-1877 | 17.5 x 25.2 cm | 3 volumes reliés
A livre d'artiste engraved in aquatint throughout (text and images) by Raphael Drouart. Numerous full-page illustrations, head-pieces, tail-pieces, and page borders. Text follows the French translation done in 1550 by the Docteurs de Louvain. Edition limited to 115 numbered copies on very fine, uncut Japanese paper. Printed on rectos only. Signed in pencil by Drouart. Folio, loose as issued in hand-painted wrappers, protective folder, and decorated slipcase. Fine. A beautiful production.
022373Boston; 1924-1929: Houghton Mifflin Co. Octavo. In 23 unopened volumes. Rafael Sabatini was an Italian-English writer of romance and adventure novels. Several of his books were very popular and soon made into plays and film. This is the "Definitive edition" which OCLC records only one library which has the first 14 volumes. The present set incorporated more volumes after 1924. Later there was another edition which was limited and signed. Half-titles engraved frontispieces illustrated with tissue guards present. A handsome set bound in 3/4 brown morocco over salmon cloth raised bands with compartments lettered and decorated in gilt. top edges gilt marbled endpapers. A fine set with just a handful of volumes with some fading to spines. Houghton Mifflin Co unknown books
10-21385Ediciones Libertarias. Paperback. New. In shrink wrap. Ediciones Libertarias paperback
446350 Paris, A. Fayard & Cie, sd, cent trente trois volumes ( 18 x 23 cm ) ,ss pp,numéroté au dos (avec inversion du 37 et 73 ,sans gravité pour l'ensemble) reliure en demi-percaline vert-olive ,aux quatre coins,en très bon état,papier non piqué,en parfaite condition,
