25 427 résultats
7233Soyer Raphael. Soyer Raphael. THE WINDOW Cole 70. Lithograph 1954. Edition 250 published by Associated American Artists. 11 x 91/2 inches 282 x 243mm; Signed in pencil. In excellent condition. unknown
2017Atlantic-9781439881712CRC Press 2017. 1. Hardcover. New. CRC Press hardcover
2017Atlantic-9781439881712CRC Press 2017. 1. Hardcover. New. CRC Press hardcover
1922278519Boston: Houghton Mifflin Co 1922. First Edition. Hard Cover. Very Good binding/Fair dust jacket. A first edition with a pencilled name and address on the front endpaper. The dustjacket is Fair only. The jacket has not been price-clipped and has the correct First Edition price of $2.00 on the flap. There is about a 1" piece gone from the top the jacket spine and about 2" from the bottom. The N. C. Wyeth illustration to the front panel is mostly present but has a 1/2" x 1" amount of loss at the top edge of the illustration and there is minor loss at the front fold. The front of the jacket was in two pieces and has been discreetly repaired on the verso. Very Good binding / Fair dust jacket. Houghton Mifflin Co unknown books
080-Ao.J. Radierung, auf Bütten. 15,2:24,9 cm. Literatur: Bartsch (Cavedone) 1; Nagler II, Seite 84; Nagler Monogrammisten I, 2299-1. Eine gedruckte Adresse rechts unten wurde ausgeschliffen. - Ausgezeichneter Druck mit feinem Rändchen um die Einfassungslinie und vorzüglich erhalten. - Selten! Provenienz: Rheinische Privatsammlung.
198488127Editions du Griffon | Neuchâtel 1984 | 27.50 x 27.50 cm | reliure de l'éditeur
190640808Couverture rempliée illustrée avec titre en rouge. Intérieur d'une belle fraicheur.Avec33 compositions de Raphaël COLLIN gravées àl'eau-forte par Chessa, dont une vignette detitre, répétée sur la couverture, 8 planches horstexte et 24 compositions dans ou autour dutexte.
19131A Paris, chez la veuve Mabre-Cramoisi, 1696, 1 pleine basane, dos à nerfs, orné, mors fendus sur 9 cm, coiffes manquantes, coins émoussés, reliure à restaurer (dos). in-folio de 1 feuillet blanc, 40 pages de texte et 1 feuillet blanc in-fine, 7 panches montées sur onglets, dont 5 en double-page, gravées par Gérard Audran sur des dessins d'Henry Testelin, Le Brun et Raphael, 6 planches de tables en double-page dans un encadrement , gravées et montées sur onglets, 1 vignette dessinée par Le Brun gravée par Sébastien Le Clerc, page de titre en 2 couleurs, orné d'une vignette gravée (armoiries de l'Académie Royale de peinture et sculpture), bandeaux, culs-de-lampe, lettrines, 3 feuillets brunis ;
BN66044Obligationenrecht II Art. 530-964 OR Art. 1-6 SchlT AG Art. 1-11 ÜBest GmbH - Art. 530-964 OR Art. 1-6 SchlT AG Art. 1-11 ÜBest GmbH <br/><br/> unknown
1999x-047198602XJohn Wiley & Sons Inc 1999. Hardcover. New. 1st edition. 444 pages. 9.25x6.25x1.25 inches. John Wiley & Sons Inc hardcover
1787935P23Roma: Stamperia Pagliarini 1787. Vellum. Good Only. 8" by 5". Various. A scarce two volume edition collecting together the artistic writings of Neoclassical painter Anton Raphael Mengs. Complete in two volumes the scacer edition by Pagliarini who also published an edition in one volume.Illustrated with a frontispiece to each volume. In Italian.The collected writings by the noted eighteenth century Neoclassical painter Anton Raphael Mengs.Mengs' writings were all on the theory of art and on the lives of eminent painters throughout history. This includes his 1762 'Reflections on Beauty and Taste in Painting' an influential treatise which inspired the artistic society of his day. His other writings includes 'Reflections on the Three Great Painters Raphael Correggio and Titian and on the Ancients' 'Practical Painting Lessons' 'Reflection on the Academy of Fine Arts in Madrid' a selection of letters written to Antonio Ponz 'Dreams on Beauty' and more. As an artist Mengs painted many of the important figures of his day such as Charles IV of Spain Maria Luisa of Spain and Johann Joachim Winckelmann as well as striking religious and mythological scenes of figures such as Helios and St. John the Baptist. Including a life of Mengs by Jose Nicolas d'Azara edited by Carlo Fea.Collated complete. In the original vellum binding. Externally generally smart. Vellum is discoloured as is usual to see heavier to the spines. Minor marks to the boards and spine. Light bumping to the head and tail of the spines and to the extremities. Chip and lifting to the fore edge of the rear board of Volume I. Heavier patch of discolouration to the rear board of Volume II. A few small chips to the vellum mostly to the spines and joints. Hinges are tender. Front endpapers are detached and edge worn. Lacking the paper to the rear paste downs. Internally generally firmly bound. Pages are lightly age-toned and generally clean with scattered spots. Dampstain to the first few pages of Volume I with amateur repairs from the half-tile to page xvi. Frontispiece and page xxix of Volume I are detached but present as if the half-title frontispiece and title of Volume II. Mark to the bottom edge of the first half of the text and final few pages of Volume II. Good Only Stamperia Pagliarini hardcover
18081308Roma: Studio di Folo Piazza di Spagna. c.1808. First edition. Large folio 41 x 54cm. Lacking boards but with remnants of calf spine originally issued in plain paper wrappers here with the upper wrapper present. Engraved title page followed by 31 plates of drawings by Vincenzo Camuccini engraved by Giovanni Folo after the original painting by Raphael. Printed on laid paper. WITH: Fifteen accomplished contemporary pen and ink drawings after the engravings twelve in black ink three in brown ink and wash three of which are annotated in manuscript by a contemporary English hand. The majority measuring 38 x 55cm. Several sheets watermarked "Turkey Mills J. Whatman 1818". The book itself with its subsequent binding lacking with the front wrapper detached and chipped at the edges and with the last three plates coming loose. The contents with scattered foxing a little heavier to a couple of plates mostly confined to the margins and with the odd minor mark. The additional drawings with some small tears and creases to the edges one with heavier creasing and a 10cm tear touching the image and the odd small mark are otherwise in good order. An uncommon book of engravings by the Italian Neoclassical engraver Giovanni Folo 1764-1836 after drawings by Vincenzo Camuccini 1771-1844 - considered to be the premier academic painter of his time in Rome - forming studies of the expressions of the figures in Raphael's painting the 'Transfiguration' 1518-20.</p><p>A pleasing example accompanied by fifteen drawings by an accomplished contemporary English artist.</p><p>LibraryHub records three institutional copies in the UK Trinity Cambridge; V&A; Wellcome. Roma: Studio di Folo, Piazza di Spagna. hardcover
1954RAINEKAT0150451954. 90 A4 pages typed on rectos only. The three acts of the play are paginated separately and Kathleen Raine's two-page introduction is not included in the pagination. Typed title-sheet. Tied into card covers with typed title-label. Kathleen Raine produced the final version from Rafael Nadal's literal translation. The Group Theatre was given funding by the Arts Council for a production of the play and this must be a script created towards that end: there are many emendations and additions some in an unknown hand and some as pasted-in typed sheets. No evidence of this version having reached the stage can be found. The translation wasn't issued in book form until 1968 a year which is sometimes cited as being that of its writing. In Raine's introduction she writes ''. in order to produce a translation actable in the 1950's modern free-verse forms seem called for baried sic at times with more formal verse.''The title-sheet has tape-marks. Some creasing to various pages usually caused by the pastings-in. Covers nicked and chipped at the edges. Very good. unknown
1909LIQ-125P. Ferroud 1909. In-4° broché, couverture ornée d'une vignette en couleurs, chemise et étui (étui refait).
22249Quinze gravures sur cuivre à pleine page : eaux-fortes, burin, mezzotinto et couleurs. Aquarelles originales à main levée. Format 25,7x19 cm, sur papier d’Arches replié, couverture type papier Japon Impérial imprimée en gros caractères rouges, vert bouteille et bleus. Trois tirages : novembre 2003 à 33 exemplaires, épuisé ; juillet 2005 à 33 exemplaires, celui-ci N°7, épuisé ; décembre 2007, dernière édition définitive à 77 exemplaires, ne sera pas réédité. Les tirages sont très différents des uns des autres : format, illustrations, coloriage des gravures, couvertures, etc. Signature de Raphaël Augustinus Kleweta au crayon sur la page de titre.
1786165424Hôtel de Thou A Paris Hôtel de Thou 1786, 2 volumes In-4 reliés, demi basane blonde à coins, dos lisses à filets dorés, pièces de titre et de tomaison rouges. VIII + 354 + 392 pages. Bien complet du portrait en frontispice . Mémoires sur la vie et sur les ouvrages de M. Mengs par le Chevalier d'Azara en début d'ouvrage. Traduit de l'italien, première édition française. Plats cartonnés des reliures un peu frottés, coins un peu émoussés, Une moullure angulaire au frontispice, brunissures éparses. Bon exemplaire, peu courant.
192290502The general printing & stationery company | Ile Maurice 1922 | 15.5 x 23 cm | Relié
#[60524]First print of the series: Love. In the foreground a young man playing a lute under a tree with Cupid aiming an arrow at him; beyond is a park with a loggia and figures making music eating and drinking at a table in the open air; at left is a Diana fountain a female torso spurting water from her breasts atop a turtle; by the musician's feet are various musical instruments a sport racket a sword gloves and a moneybag. Inscribed on the bottom:'Dum mihi. foelix qui potuit dicere talis eram.'; number '253' added with brown ink titled above:'AMOR' Inscription Content: Lettered above with AMOR. Below left Martin de vos inventor / Raphael Sadeler scalpsit et excudit and date 1591. In the margin two columns of Latin each four lines Dum mihi eram. l Engraving on paper pasted on cardboard rimmed within paltemark; total: 216 x 251; Hollstein 1462 copy c unknown
1946185254Tetouan Morocco: Matba'at al-Mahzan 1946. First edition of this pamphlet with only one other recorded copy BNE on the archaeological site of Medinat al-Zahra formerly the seat of the first caliph of al-Andalus in Cordoba. This booklet was intended as a summary for the attendees to the lecture of the historian and Arabist Rafael Castejón y Martínez de Arizala 1893-1986 delivered at the Spanish General Residency in Morocco at Tetouan. Based on the author's excavations and fieldwork in Cordoba published in 1945 the lecture discusses the magnificent 10th-century buildings established by Abd al-Rahman III 912-961 of the Umayyad dynasty their decoration and the Arab craftsmen who worked on them. It then addresses the sudden destruction of the city in the year 1010 and the excavations made on the site since 1911 when it was first rediscovered. Octavo 213 x 160 mm. With 4 half-tone photographic illustrations. Text in Arabic. Original pictorial wrappers wire-stitched. Couple of very minor water stains to wrapper edges contents toned: a very good copy. unknown
112060Washington DC Carnegie Institute 1908. . First edition; 2 vols 4to xxxv 240 vi; x 241-494 x pp.; 97 plates incl. large folding map 548 text illustrations; original blue cloth gilt light wear and soiling a very good set.<br /> The American geologist Raphael Pumpelly led this important scientific expedition to Anau in Russian Turkestan in 1903-1904. He was accompanied by a botanist a zoologist his geomorphologist son and the archaeologist Hubert Schmidt. The expedition funded by the newly established Carnegie Foundation was looking for the earliest evidence of farming in that part of the world.<br /> Washington DC, Carnegie Institute, 1908. hardcover
194522551945. Soyer Raphael. Soyer Raphael. CASTING OFFICE. Lithograph 1945. Cole 65. 9 3/4" x 12 3/4" signed and titled in pencil. From the AAA edition of 250. Margins trimmed to about 1 1/2" all around else very good. unknown
195420071954. Soyer Raphael. Soyer Raphael. DANCERS. Lithograph 1954. Cole74 Ed of 250 12"x8" signed. Excellent condition unknown
193056051930. Soyer Raphael. Soyer Raphael. WASHINGTON SQUARE PARK Cole 18 Gettings 15. Lithograph 1930. 9 1/4 x 7 inches; 235 x 178 mm. Edition of about 25 of which some were signed in pencil. Signed in the plate only. unknown
198420113UNIPART 1984. 1. hardcover. Zahlreiche Illustrationen! Mit Rezeptbuch! INTERNATIONALE SPEISEKARTE UNIPART hardcover