112 résultats
188481921Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette on an interior page: ""Monstres de Paris. Les peintres incompris : M. Carolus Durand"". Literary contributions by Alphonse Allais ""Moeurs de ce temps-ci"" Georges d'Esparbès ""Les juges"" Jean Lorrain ""Miss Miser"" Camille de Sainte-Croix ""La chanson de la mer de Victor Margueritte"" under the semi-pseudonym of Xernand Fau ""La guerre aux abus"". Handsome copy. Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
188481920Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. The issue consists of 4 pages and is illustrated with a double-page interior drawing by Adolphe Willette ""C'est un conte blanc - C'est un conte noir"". Literary contributions by Georges Auriol Rodolphe Salis Xernand Fau Adolphe Willette. Handsome copy. Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
192966579Würzburg: L'Emancipatrice 1929. Fine. L'Emancipatrice Würzburg 1929 10.50 x 13.70 cm une feuille Very rare prospectus for the banquet of the Republic of Montmartre organized at the Moulin de la Galette on November 6 1931. In the upper part there is a beautiful original print signed Francisque Poulbot representing the citizens of the Republic of Montmartre returning from vacation. In the spirit of the Paris Commune the Republic of Montmartre was created in 1921 by Parisian artists Joé Bridge Adolphe Willette Jean-Louis Forain Francisque Poulbot Maurice Neumont Louis Morin Maurice Milliere Raoul Guerin and Jules Depaquit . His parties and banquets often organized in the mythical places of Montmartre Moulin de la Galette Circus Medrano Moulin Rouge were intended to weld the Montmartre community by mutual aid and sociability. L'Emancipatrice unknown
20031225067PN. New. 2003. Reprint Edition. Soft Cover. Date is copyright date; this is a later reprint edition . PN paperback
65405-A-57654H. Floury Paris 1919. First edition with original red Morocco half-leather binding corners red morocco marbled boards. Top end edges gilt. 27x21 cm. With frontispice original lithographs tipped-in colour plates and many ills in the text. 183 p. Edges and corners of cover somewhat worn ex libris on inside front board pages slightly browned. H. Floury, Paris, 1919 hardcover
189064956-A-57321Paris: Leon Vanier ca 1890. Small folio blue boards with silver diagonal lettering and vignette of Pierrot with a nimbus around his head Orig. covers contents loose. Complete with 41 loose sheets as issued including pictorial title and preface by the author. Each plate engraved on chine. Linnen boards sl. scuffed on extremities but all in all in a very good condition. First plate browned and a moisture spot of appr. 10 x 5 cm not affecting the picture. Last plate somewhated browned. All further plates in fine condition. [Leon Vanier] hardcover
124456589X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
2172650Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2179297Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1898. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2175288Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1887. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2178328Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1887. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
20171379730New York: Cambridge University Press 2017. First Edition. Hardcover. Quarto xxii 385 pages. In Very Good condition with a Very Good condition dust jacket. Evergreen and sea-green spine with white lettering. Dust jacket has mild shelving wear mild finger-staining mild wear along front cover head and tail edges and mild wear along spine head and tail. Rear board has mild dent along tail edge and mild wear along spine head and tail. Textblock has mild wear along the tail edge. Shelved in the Quarto/Folio area in Locked Annex. 1379730. FP New Rockville Stock. Cambridge University Press hardcover
1919834G41Paris: H. Floury 1919. First edition. Cloth. Near Fine. 10.5" by 8". Adolphe Willette . A beautifully illustrated first edition autobiography by the renowned French artist Adolphe Willette. The first edition. In full red cloth binding with gilt lettering. With an illustrated title page colour portrait frontispiece and numerous vignette illustrations throughout. In addition to 47 full page illustrations some of which are in colour and printed on handmade paper. Collated complete. An autobiography by the French painter and caricaturist Adolphe Willette. Willette is best known as the architect of the famous Moulin Rouge cabaret. His graphical works made Pierrot the pantomime character a fictional hero of France. With a bookplate to the front paste down and stamp to the front free endpaper from the Royal College of Art in London. In full cloth binding. Externally excellent with light shelf wear to the edges and some fading to the spine. Book stamp to the front paste-down and library stamp to the front free endpaper. Internally firmly bound. Pages lightly age-toned to the edges but otherwise very bright and clean. Closed tear to the bottom of page 37. Near Fine H. Floury hardcover
17684Le Rire Paris 1902-03. In/4 broché reliure factice belle ensemble 51 numéros In/4 broché illustrations en noir et en couleur. N° 422 déchiré sans manque - le n°6 mars 1903 : spécial Cake-walk a sa couverture déchirée avec manques le poster d'A. Faibvre a souffert de quelques "grignotage" sur une pliure le numéro 13 manque de papier en couverture et déchirure du numéro - manque le N°14. Revue satirique actualité sociale et politique moeurs illustrée par Caran d'Ache Forain Léandre Willette Cappiello Faivre Métivet Vallotton Rabier Roubille Poulbot. unknown
0878391746New. paperback. New. Satisfaction Guaranteed or your money back. paperback
21406Paris: Kleinmann. Print. Very good condition. Adolphe Willette original lithograph illustrated advertisement showing a topless young cabaret performer carrying a round gift box marked "Bonne Annee" stepping through a large oval frame as a young girl assists. Signed in the plate at lower left.<br /> <br /> Willette 1857-1926 was a French caricaturist painter lithographer and architect of the Moulin Rouge whose many works in the illustrated press Le Pied de Nez le Courier Francais and Le Rire often appeared under various pseudonyms. He was active during the Belle Epoque and Art Nouveau period and was a member of the Cornet Society a group of artists musicians writers academics and playwrights who gathered at various restaurants around Montmartre. Known for his lithographs posters paintings and illustrations Willette was called the "Pierrot of Montmartre" because of his fascination with this comedia del'arte character. Willette's famous 'Parce Domine' painting with many Pierrot figures first decorated the Montmartre cabaret Le Chat Noir; it is now at the Montmartre Museum. Willette also contributed posters to Masters of the Poster Maitres de l'Affiche.<br /> <br /> Image 11 x 8 1/2" hinged on one side only onto heavier stock 12 1/2 x 10 1/4" Kleinmann unknown
B169920-1Paris E.F. dAllignan Éditeur 1920. 9 1ff. 4 plates. 7 illus. 5 tipped-in color. Text reproduced from the artists manuscript. Sm. 4to. Wraps. Glassine d.j. New fitted cloth clamshell case. One of 200 hand-numbered copies from the limited edition of 270 in all. Paris (E.F. dAllignan, Éditeur), 1920. hardcover
191924533Paris 1919. Print. Very good condition. Signed printed original lithograph illustration possibly used for a cabaret such as 'Le Chat Noir' depicting a well dressed Parisian gentleman pursued by a topless cabaret dancer who has speared his hat on her umbrella. Signed in the print at the lower right.<br /> <br /> Willette 1857-1926 was a French caricaturist painter lithographer and architect of the Moulin Rouge. Willette's famous 'Parce Domine' painting first decorated the Montmartre cabaret 'Le Chat Noir'; it is now at the Montmartre Museum. Willette also contributed posters to Masters of the Poster Maitres de l'Affiche. <br /> <br /> 8 1/2 x 12 1/2" tipped on to heavier stock. unknown
2006HVD-44208-OS-0Los Gatos CA: AMP Publishers. Very Good-. 2006. 1st Edition Unstated; Fourth Printing. Paperback. 149 pages; Scuff to exterior edge of pages. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . AMP Publishers paperback
71-7388Paris: L’Estampe Moderne 1897-1899. Lithograph. 41 x 31 cm support mount. artist’s name in lower right of image ‘A. Willette’ with the blindstamp of L’Estampe Moderne Lugt 2790 printed by L’Imprimerie Champenois edited by Charles Masson and H. Piazza with the original tissue paper guard. Very Good mount sheet lightly toned and with a tear along right edge. Paris: L’Estampe Moderne, 1897-1899. unknown
189625811896. An engraved poster welcoming the new year of 1896. A naked woman representing 1896 is at the helm of a boat which has the debris of 1895 in its wake. Tipped onto white backing cardboard. Signed in the plate A. Willette. To the bottom right is 'Phg V. Michel'. The debris of 1895 includes the words 'Panama' and 'Arton'. These appear to relate to Émile Arton a Jewish financier who was arrested in November 1895 for his part in financing in the Panama crisis. Adolph Willette was strongly anti-Semitic. Poster is clean and tidy with no significant marks. Black and white. Overall in Very Good condition. Poster size: 610 x 460 mm 24 x 18 inches. Adolphe Léon Willette 1857–1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-Semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections. Rare. Une affiche gravée accueillant le nouvel an 1896. Une femme nue représentant 1896 est à la barre d'un bateau qui a dans son sillage les débris de 1895. Renversé sur carton blanc. Signé dans la planche A. Willette. En bas à droite se trouve 'Phg V. Michel'. Les débris de 1895 comprennent les mots « Panama » et « Arton ». Celles-ci semblent concerner Émile Arton un financier juif arrêté en novembre 1895 pour son rôle dans le financement de la crise de Panama. Adolph Willette était fortement antisémite. L'affiche est propre et bien rangée sans marques importantes. Noir et blanc. Dans l'ensemble en très bon état. Taille de l'affiche : 610 x 460 mm 24 x 18 pouces. Adolphe Léon Willette 1857-1926 était un peintre illustrateur caricaturiste et lithographe français ainsi qu'un architecte du célèbre cabaret du Moulin Rouge. Willette se présente comme candidate « antisémite » dans le 9e arrondissement de Paris aux élections législatives de septembre 1889. unknown
5887Couverture rigide. Bon/sd. in-8. Paris Le Croquis sd in-8 68pp broché Très bel exemplaire de l'édition originale numérotée sur papier Lafuma n° 84/150 après 5 Japon Impérial & 10 Hollande. Exemplaire non coupé. unknown
200296246Cambridge UK: Cambridge University Press 2002. First Edition. Hardcover. Fine/Fine. Scarce first edition hardcover book in dust jacket in Fine As New condition clean crisp unmarked unused and solidly bound. Shallow scratch on jacket front. A collection of essays about Giovan Pietro Bellori an important intellectual and critic of seventeenth-century Italy. Illustrated. Large 8vo. 396 pp. including notes selected bibliography and index. Scarce. <br/><br/> Cambridge University Press hardcover
19598701Elizabeth New Jersey/Cleveland Ohio: Elizabeth Printing Service/National Consumers Committee for Research and Education Inc 1959. Very good . 9†x 6â€. Stapled wrappers. pp. Very good plus: minimal wear and light toning. <br /> <br /> This book tells the story of the Freehold New Jersey center for migratory farm workers and their families. It's notable because its author and illustrator were both African American women. Per the introduction the author Lenora B. Willette was<br /> <br /> “a Southerner by birth and she first became interested in the plight of the migrants displaced from the plantations through the mechanization of cotton. Active in civic affairs and in the Consumers League of New Jersey she worked to secure the Migrant Labor Law and was appointed one of the five public members to the first Board by Governor Walter E. Edge. She was chosen to make a study of migrant education in the southern and western states as the official representative of the State. Her recommendations were used as a guide in setting up a school of education for children—the Freehold Summer School for Migrant Children; the first of its kind in the nation.â€<br /> <br /> Willette was the also the president of the New Jersey State Federation of Colored Women's Clubs.<br /> <br /> The artist was presumably Lenora's sister Naida Willette Page who contributed the cover art as well as two full page internal illustrations. Naida Willette Page initially studied engineering at Howard University before making national news in 1950 as the first African American to be trained at Johns Hopkins for medical illustration. She graduated from Johns Hopkins in 1951 later worked as the Howard University College of Medicine medical illustrator and was the Art Director for the Journal of the National Medical Association where she often illustrated the covers that featured historic Black doctors. Several sources state that she's considered the first African American medical illustrator.<br /> <br /> A terrific combination of female author and illustrator. OCLC locates 8 copies over two entries. Elizabeth Printing Service/National Consumers Committee for Research and Education, Inc unknown
51-5167Paris: 1932-1939. 4 broadsides. 28 x 38cm. for the years 1932 1937-39. Reproductions of works by Willette on one side. Paris: 1932-1939 unknown
