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18430001770Baltimore Maryland MD - at Sea Aboard the Charles 1843. On offer are two 2 super original manuscript relics of Christian outreach and missionary work handwritten by Reverend Walter Gunn one of the first missionaries to India addressed to Frederick Schott of Waterloo New York. Bio notes follow. The first is a one 1 page letter written by Gunn dated 1843 while in Baltimore. The second letter is written by Rev. Gunn while on the boat "The Charles" heading to India in 1844. He has been at sea for 138 days. This is a 3¼ page letter. Here are snippets: 1 "Baltimore May 24 1843 Dear Brother in the Lord I should like to write a long letter to you and enter into many particulars but I have but only a few moments to spare as Bro Selmser is soon to leave B. and I have a press of business on hand. Well how do you do. How is your family and how do your souls prosper. Is Christ precious are you actively engaged in his service. O my brother watch your heart your words and your actions and strive to live so that the flame of love may burn brightly in your heart to God. How pleasant it would be for me to enjoy the hospitalities of your table again to bow with you again around the family altar to walk to the house of God in company but instead of walking the street of Waterloo I shall soon be walking the deck of the vessel that bears me to the heathen land. But shall I ever forget you and the beloved brethren of W. No. Even now while going from house to house among the brethren in imagination the tears fall upon the paper and bedew these lines I write .Your brother in Christ Walter Gunn." 2 "Ship Charles Indian Ocean March 25th 1844 Dear Brother Shutt While penning these lines I am sailing up the Indian Ocean towards the shores of Hindustan. I have crossed the equator twice doubled the Cape of Good Hope and shall in a few weeks I trust reach my field of labor. But though I am separated from you by a distance of so many thousand miles I have not forgotten you no in imagination I often walk the streets of Waterloo visit the houses of the brethren and join in your acts of worship in the congregation. The different articles of apparel that I wear at this moment remind me of you and many others in W. While contemplating the interesting scenes that transpire in your place one year ago my eyes often fill with tears. Were not those precious and heavenly seasons when you and so many of your associates and friends took a stand on the Lord's side. Though I am now denied the privilege of witnessing such glorious displays of the power and grace of God in the conviction and conversion of sinners I do not on that account conclude that I am out of the path of duty. True it would be a pleasing task for the minister of Christ to be engaged daily in the work of directing the inquiring to the Savior and strengthening those who had just commenced running the Christian course. But that privilege at present is denied me. From no one for the last few months have I heard the inquiry "What must I do to be saved." Except the missionaries who are going with me to the heathen. I am surrounded by those who seem to think but little of their undying souls .You will undoubtedly wish to know how I feel now that I am so far away from kindred friends and natives land with but little prospect of ever seeing them again. To answer for the most part I feel cheerful contented and happy. Often have I seen the ocean all lashed into commotion the vessel at one moment raised upon the top of a mighty billow and the next plunged into the fearful chasm below; at such a moment it seemed as though we must all be engulfed beneath the troubled ocean but even then my mind has been calm and unruffled .Tell your sister Mrs. Bean that the pantaloons she made me became very spotted by the damp weather around the Cape of Good Hope but that the spots did not make them any the less comfortable. Tell Jackson that I hope and pray that he may become a minister. Tell Mrs. Mayer that my wife often speaks of her and the pleasant time that they spent together in Johnstown and Whitesboro. Tomorrow or next day we expect that our vessel will anchor in the harbor of Amherst in Burmah. One hundred and thirty eight days I have been tossed upon the billows of the ocean without setting my feet on land and many more anxious days will pass before I reach Guntur the field of my labor. Pray for me and my companion that we may be preserved from the temptations to which we are exposed and that we may be the faithful servants of Christ among the heathen. Yours in the bonds of Christian love Walter Gunn. Near the shores of Burmah April 3rd 1844." BIO NOTES: "The Rev. W. Gunn. The Missionary was a graduate of Union College N.Y. in 1841; studied theology at Gettysburg; was ordained by the Hartwick Synod in 1843 at Johnstown; appointed missionary to India in the same year; arrived at Guntur on June 18th 1844 and was a faithful and an indefatigable colleague of the Rev. Mr. Heyer until 1851 when after a period of seven years service in the cause of Jesus he departed this life at Guntur esteemed and loved by all who knew him. He is spoken of as a good man full of zeal for the Lord so much so that on one occasion in the Guntur bazaar he became so indignant at some idolatrous performances of the heathen that he lifted up his voice in great earnest against the idolaters who became exasperated at him and consequently proceeded to pelt him with stones. But he prudently withdrew from the enraged rabble only to return on subsequent occasions to continue publishing the message of salvation to them. His remains rest in the Guntur Cemetery until the day of the resurrection. He died while in Guntur in 1851 from Tuberculosis." "Reverend Adam Long went to India almost immediately after being ordained. The Lutheran mission to India was still in its early phases when Long arrived it have been started in the Andhra region by Rev. John Christian Frederick Heyer in 1842 who at 48 and widowed was an anomaly compared to other missionaries. He was joined by the Rev. and Mrs. Water Gunn another Gettysburg College and Seminary graduate in 1844 and by Rev. George Martz in 1849. There these men and Gunn's wife Lorena began the task of educating and converting Indians. In a country that is dominated by the polytheistic Hinduism and Mohammedanism this was not an easy task. Traveling from village to village these men and women counted their accomplishments by the individuals that they could convert and the schools and churches that they built. . Good. 8vo - over 7¾" - 9¾" tall. Manuscript. unknown
187231740AB1872. Suffolk c.1872. 69 11 pages. Hardcover / Half Morocco with gilt lettering to spine. Very good condition. This unpublished Manuscript of an unfinished Work on the History of Finger - Rings by Reverend James Beck includes for example the following chapters: - History of Finger Rings Eqyptians as true inventors of the Finger Ring "according to Pliny the Greeks could not have known of them at the time of the Trojan Wars as no mention of them is made by Homer" - Beck dissects the meaning of Rings on certain fingers and explains why the "Ring Finger" was chosen as such: "By some this finger is called the digitus medicus or medicinalis but its more correct name is annularis Digitus anularis today known as Ring Finger" ".it was selected as annular finger because it was less employed than any of the others & it was protected by the middle & little finger hence as Atteus Capito says it was better suited for preserving a Ring. Aulus Gellius mentions that the anatomists had discovered a vein which extended from the Heart to the fourth finger of the left hand & that on this account it was selected as the ring finger." The Manuscript makes further cases for Rings worn on the other fingers on the hand. Includes sections on: - Signet Rings / Signet Rings with Crystals and Enamels / Rebus / Letters and Coronets / Signet Heraldic - Rings with angraved Cameos - Sergeant at Law - Rings The manuscript includes a larger section on Rings for Serjeants at Law - Rings of Investiture / Rings for Poet Laureates - Xtian Rings Christian Rings / Iconographic Rings - Rings for Prelates - Doctors of Divinity - Canons & Priests - Rings for Consegrated Virgins / Rings used as Reliquaries "The custom of putting Relics with Rings" - Rings as Gifts at Marriage of Servants / Ring Money - Ad Memoriam Ring etc. etc. - Finger Rings as Charms against Diseases "annali virtuosi" Beck lists here a story of a Charm - Ring against Epilepsy which was found at Kemp Weston in Somerset - Finger Rings as Talisman "Crapaudine - Talismanie" - Rings with merchant Marks Attractive quarto bound in half deep red morocco over cloth covered boards with gilt lettering. Blue endpapers and paper stock throughout; circular stamp of Assay Office Library Birmingham on flyleaf. A sequence of pasted letters about 10 pages in all precede the manuscript starting with a letter to Beck from Thomas Clifford Allbutt inventor of the Clinical Thermometer and co-founder with Sir William Osler of the History of Medicine Society from the Royal Archaeological Institute about works held in their library on finger rings; a book order form from W H Smith; and a brief note from the former Bishop of Glasgow Walter Trower. Becks manuscript has a typed title page and is dated circa 1872. His history of rings runs to 69 pages with an additional 11 pages of notes laid down on the blue paper stock. Beck proceeds from the ancient Egyptians through the classical world occasionally adding illustrations dealing with signet rings and rings of office such as the Serjeant of Law as well as the ring of the poets laureate. The final notes become increasingly fragmentary at the end. James Beck 1819/20-1886 was educated at Corpus Christi College Cambridge serving as Rector of Parham Sussex and subsequently of Bildeston Suffolk; in 1867 he married Caroline Jeannette Bignell Walter. This volumes has the feeling of a family memento probably bound up after Becks death to preserve his hard work on this fascinating subject. Source of Description: Dr.Christian White. hardcover
184131857AB1841. Maynooth / Radanstown Meath / Cole Hill Longford etc. 1841-1854. Octavo. 181 pages Diary of William Handcock / 140 pages plus 4 pages of Index Diary of Robert Ball Handcock. Hardcover / Original 19th century half-leather with paper-covered boards. Very good condition with only minor signs of wear. Letters and Petitions and Addresses transcribed in this Manuscript - Diary of William Handcock include many Letters he wrote himself to authorities or Newspapers at the Time Letters he received as Rector of Clontarf Rector of Radanstown Meath and Rector of Kilnagross Diocese of Ross Friends Colleagues etc. but William Handcock also included transcriptions of Letters of contemporaries colleagues and people who had written to Newspapers or the Crown which he found interesting. Letters and Addresses include for example: 1. Address from the Roman Catholic Inhabitants of Clontarf to the Revd. William Handcock page 117 - 119 2. Letter to the Maynooth Grand Diocese of Meath - To the Reverend Samuel Magee - Rector of Rathmolyon Glebe Maynooth June 1848 / Page 107 - 110 3. Letter "To the Rent Charge - To the Landed Proprietors of Ireland - Maynooth Dec.15 / 1848" page 102 - 106 4. Letter from a Lady to Revd. W. Handcock on.the Right of Private Judgment in Matters of Religion - Clifton Vale April 12 - 1841 Page 73 - 77 and followed by the long answer of the Reverend William Hancock on Pages 77 - 86 And many more !!! Biographical Information on Reverend William Handcock 1795-1873 Rev. William Handcock was born on 22 December 1795 in Dublin Ireland. He was the son of Rev Robert Handcock D D and Jane Bryanton. William matriculated at Trinity College Dublin on 1 July 1811. William Handcock pensioner Mr Fea aged 15 son of Robert clericus born Dublin. William late Rector of Kilgariffe Diocese of Ross co. Cork; Leslie states: priest 1820 Dromore Vicar choral St Patrick's Cathedral 1819-21; Curate Ardee Armagh 1820 Prebend and Vicar Ballisodare Achonry 1821-9 exchanged with Charles Mulloy for Rector of Clontarf 1829-40; Rector Radanstown Meath 1840-52; Rector Kilnagross Ross 1852-8; resigned. Succeeded to his father's estate at Cole Hill co. Longford between 1820 and 1858. Rev William Handcock married Sarah Coddington on 6 January 1821. He owned an estate of just over 500 acres in the parish of Aughrim barony and county of Roscommon in the 1850s. In the 1870s Mrs Sarah Handcock of Ballyknockan House Ballypatrick county Tipperary owned 515 acres in county Roscommon. William died on 3 January 1873 aged 77. Source: Linley & Jim Hooper's family history: "The genealogy of George A A Hooper his wife Linley Maree McKenzie & her half sister Jennifer Anne Dunbar Daniels of Melbourne Australia" hardcover
Acquaforte misure: mm 91 x 123 Pittore e incisore italiano. Venne indirizzato allo studio del disegno dal padre Giovanni Andrea modesto pittore paesaggista, ben presto però Bartolomeo preferì studiare copiando le opere dei grandi maestri come Guido Reni e Giulio Romano presenti nelle chiese di Genova. Intorno al 1650 entrò nella bottega di Valerio Castello (Genova 1624 - 1659) principale esponente del barocco genovese. A differenza del maestro che si dedicò soprattutto all'affresco, Biscaino praticò soprattutto la pittura su tela e l'incisione. Si conoscono circa una quarantina di lastre per le quali sembra abbia tratto ispirazione dalle opere del maestro Giovanni Benedetto Castiglione, detto il Grechetto (Genova 1609 – Mantova 1664). In questa stampa vine rappresentato Dio Padre che scende dal cielo per benedire gli uomini. Viene raffigurato come un uomo anziano dalla barba lunga, con sguardo benevolo fissa un punto sulla sinistra della composizione. Egli è avvolto in una toga, rigonfia dal vento e riccamente panneggiata con giochi chiaroscurali che accentuano il movimento e danno dinamicità alla composizione. A precederlo c'è la colomba della pace, nell'angolo in basso a destra e in alto a sinistra sono descritti i volti di due putti. Lo sfondo è riempito mediante linee parallele disposte a raggiera che creano un'atmosfera solenne. Impressione eccellente. Ottimo stato di conservazione. Minimi margini oltre la battuta del rame, fatta eccezione del margine sinistro rifilato. Stato Unico. Bibliografia: T.I.B., 47/041.
1836002795Paris, Charles Gosselin et Furne, 1836
012482Révérend Père Augustin Colombel (1833-1905), missionnaire jésuite en Chine, père de l'astronomie moderne en Chine à qui on doit la construction de l'observatoire de Shanghai. L.A.S., Ousi [actuelle Shanghai ?], 17 avril 1872, 4p in-8. A sa soeur Marie-Thérèse Colombel (1839-1912), baronne Richerand : « Ma bien chère sour, Je reviens du nord de mon district où j'ai passé toutes les fêtes de Pâques, depuis deux mois je suis en course et je dois repartir après demain matin. Je te trouve toujours fidèle à ton affection pour moi et ta lettre du 6 février m'attendait ici. J'ai reçu aussi les journaux que vous m'envoyiez, l'album des ruines de Paris et la photographie de mgr Surat. Je vous remercie de vos attentions délicates. [....] Vous pensez bien que parmi mes chrétiens j'ai toute sorte de personnes, les riches exceptés toutefois. Ici plus que partout ailleurs la malédiction de l'Evangile pèse sur eux. Outre cette raison principale, on peut ajouter qu'ici plus que partout ailleurs cette classe tient d'autant plus à la terre qu'elle y jouit davantage. La grande majorité de ces pauvres gens cultive quelques arpents de terre. L'admirable fécondité du sol leur demande au plus quatre mois de travail et ils ont une récolte de riz qui leur donne la nourriture de la famille d'abord puis de quoi vendre assez pour pourvoir aux vêtements et aux autres besoins. Je n'ai qu'un catéchumène qui possède 200 arpents, il n'en cultive que 40 qui suffisent amplement pour ses besoins, mais le pauvre homme est trop simple, il se laisse gruger par tous ses parents et amis payens, il en est toujours à la misère. J'ai aussi parmi mes chrétiens deux anciens prêtres des idoles, l'un brûlait l'encens devant Fo et les autres dieux que la Chine a empruntés à l'Inde, il avait la tête rasée, c'est un Bonze. Il est maintenant cuisinier dans un thé tenu par des payens (comme qui dirait dans un café). L'autre faisait pousser sa queue et récitait les prières chinoises devant je ne sais quel héros du céleste empire, c'est un Fao sse (?). Comme j'avais refusé la communion au Fao sse qui n'était pas assez instruit et accordé cette faveur au Bonze qui dans sa simplicité savait et croyait le nécessaire. L'orgueil du Fao sse se réveilla et se traduisit en coup de poing sur la tête de son émule. C'était au moins un signe qu'il désirait le bienfait de la communion. Mais ce désir ne me paraissant pas assez surnaturel je lui donnais pourtant tous les torts. Parmi mes catéchumènes, j'ai aussi d'anciens rebelles, ils ont bien des meurtres à se reprocher, Dieu leur a pardonné, la justice chinoise ne s'en préoccupe pas, mais si jamais on établit les lois françaises en Chine et qu'il vienne un procureur de la république ou du Roi, je le prierais bien sincèrement de ne pas trop chercher à savoir le passé. Vous voyez combien nous avons besoin du secours de Dieu, priez beaucoup pour ces pauvres gens, pour que les payens ouvrent les yeux, j'espère que le Bon Dieu, à son heure, aura pitié d'eux. Ici comme en France on s'attend à de grands évènements. Prions pour que Dieu les tourne à sa gloire. Priez aussi pour moi, que vos prières m'accompagnent partout et nous aurons ainsi tous part à la même récompense. Adieu tout à tous et à chacun. Mon respect et mon affection toute entière, surtout à notre bien aimé père. Ton frère tout dévoué. Aug. M. Colombel s.j. » Magnifique témoignage sur le développement des missions en Chine et à Shanghai. Cette lettre a été publié avec quelques autres sur le blog du Bibliomane Moderne le 14 octobre 2021. Elles apportent un éclairage particulièrement intéressant sur le développement des missions jésuites en Chine et à Shanghai en particulier. [242]
012489Révérend Père Augustin Colombel (1833-1905), missionnaire jésuite en Chine, père de l'astronomie moderne en Chine à qui on doit la construction de l'observatoire de Shanghai. L.A.S., Shanghai, 5 octobre 1890, 4p in-8. A sa soeur Marie-Thérèse Colombel (1839-1912), baronne Richerand : « Ma bien chère sour, Il me semble que je suis bien en retard avec toi. Je voudrais t'écrire souvent, je remets au lendemain, les malles partent et je te laisse en retard. Et puis, il y a encore les chaleurs, les affaires qui mettent des bâtons dans les roues de la bonne volonté. Même la maladie, car le Bon Dieu m'en a envoyé une petite tout juste pour me rappeler que je ne suis pas exempt de ce châtiment là. Donc j'ai été 10 jours au lit... gastrite... affection dysentérique, voilà les noms que les médecins disaient mais nous avions du choléra à Shanghai et on avait peur de tout ce qui y ressemblait. Donc je me suis demandé si le Bon Dieu voulait de moi... mais non. Je n'étais pas encore mur pour le ciel. Les journaux vous ont peut-être déjà dit que nous avons eu cette mauvaise maladie ici. Pendant le mois d'août, il est mort 12 ou 15 européens à l'hôpital du choléra. Un peu plus dans les familles. Et les chinois ont payé un tribut bien plus fort. On dit que pendant 3 ou 4 jours, ils ont eu 200 ou 300 morts par jour. Mais il est impossible d'avoir un nombre exact. Tout autour de Shanghai, la maladie a sévi longtemps, nos Pères des paroisses chinoises donnaient plusieurs extrêmes onctions chaque jours, quelques fois cinq ou six à la suite l'une de l'autre. Il semble que c'est maintenant fini à Shanghai et que ça diminue beaucoup dans les campagnes. Les sours de Charité à l'hôpital ont perdu une sour, la sour Pauline Faisais. Elle y était chargée de la cuisine - c'est une grosse charge dans un hôpital - et s'en acquittait très bien. 36 ans d'âge. 18 mois de Chine. La pauvre sour était en cure à son office le mercredi à 11h. A 3h elle se met au lit. Dès le soir on désespérait et le samedi elle mourait. J'ai fait son service le 29 sept. C'était une de mes premières messes après ma maladie. C'est une grosse perte pour les bonnes sours. Nous avons eu aussi nos victimes. Le fr. infirmier du collège. Il était bien faible déjà, le choléra a eu beau jeu sur lui. Puis un Père italien de 64 ans, très fort, mais tout dévoué à ses 4000 chrétiens qu'il saignait à 2 heures d'ici. Le Bon Père avait donné de 60 à 80 extrêmes onctions dans le mois de septembre. Il fut pris le 27 mais continua à donner des extrêmes onctions. Le 28, il dit encore la messe à grand peine, p[ar]c[e] q[ue] c'était dimanche et pour consommer les saintes espèces. Mais déjà les chrétiens qui connaissent bien cette maladie le regardaient comme perdu. Ils nous l'amenèrent aussitôt après la messe, il nous arrivait à 11hŸ et mourait à 4h malgré les efforts des médecins qui ont essayé des remèdes héroïques. Ce bon Père avait été chassé par la révolution de plusieurs provinces. Il était venu se consacrer à la mission. Il meurt les armes à la main. C'est là une belle mort de missionnaires. Chez la m. St Dominique, deux enfants ont été prises. Toutes deux en sont revenues. L'une d'elles (11 ans) était bien à l'extrémité, condamnée par le médecin. Je crois qu'elle doit la vie aux prières faites pour elle. On tenait beaucoup à ne pas la perdre pour la réputation de la maison. [...] Je vous embrasse tous bien fort. ton frère Augustin. » Belle lettre sur les difficultés des missions en Chine, le choléra, les nombreux morts, etc. Cette lettre a été publié avec quelques autres sur le blog du Bibliomane Moderne le 14 octobre 2021. Elles apportent un éclairage particulièrement intéressant sur le développement des missions jésuites en Chine et à Shanghai en particulier. [242]
16764401855London: R. Royston 1676. Preliminaries thumbed a bit foxed and a few scattered stains; binding scuffed and worn at extremities with some loss of the headband rear board stained. Folio with a frontispiece and double page 'Tree of Faith' plate trimmed and mounted on plain paper several other cuts in the text title-page printed in black and red; contemporary English crimson calf gilt unlettered spine with ornately gilt-decorated panels between raised bands. <p><p>The second of several editions of this history of the early church illustrated with remarkable cuts depicting the apostles persecuted in all manner of ways including crucifixion immolation and the dreaded 'cauldron of boyling oyl'. Each apostle is awarded a separate chapter and is depicted both beatified and under duress. William Cave 1637-1713 was a minister and scholar of Church history who took his Doctor of Divinity at Cambridge before serving as vicar of Islington and later in London. He was chaplain to Charles II and Canon of Windsor. Cave's primary area of expertise was the early history of the Church and following the structure of Eusebius of Caesarea he weaves the lives of the apostles into a close narrative that illuminates arcane early theology for his reader successfully making the early history of the Church accessible to a wider audience: 'what is significant about Cave's writings is that they follow the tradition of Christian bio-bibliography that in late antiquity and into the medieval period had such a long and rich history and which was revived in the Reformation. Cave's works provide valuable evidence for the interest in patristic scholarship at the end of the seventeenth century.' ODB.</p> </p> . Provenance: Early signature of Elizabeth Wyndham; from the library of Chillingham Castle Northumberland spruiked today as "Britain's most haunted historic castle" with old label to the front endpaper; ownership inscription on title of "Cam. Tankerville 1727" Chillingham was the family seat of the Earls of Tankerville; from 1674 to 1931 the seven successive earls were all named Charles Bennet. R. Royston unknown
170997894Paris, Jean Mariette, 1709, in-12, [24]-591-[9] pp, Veau marbré havane, dos à nerfs orné de caissons dorés, pièce de titre rouge, tranches rouges, Édition originale de cette biographie historique de Georges Kastrioti ou Skanderbeg, héros national albanais, célèbre pour avoir tenu tête à l'Empire ottoman et avoir rendu à l'Albanie son indépendance. Pris en otage par l'empereur turc Mehmed Ier alors qu'il est encore enfant, il reçoit une éducation militaire et entre dans l'armée turque pour laquelle il remporte plusieurs batailles. Selon l'usage, au décès de son père, le sultan devait le nommer comme son successeur mais il place un autre homme à cette place. Skandeberg décide donc de s'évader et de reprendre son fief perdu. Alors que ses effectifs sont fort réduits, il parvient à maintenir l'Albanie indépendante jusqu'à son décès. Pour composer son ouvrage, le père jésuite Duponcet a traduit et abrégé l'ouvrage de Marino Barlezio (ou Martin Barlet) De vita e moribus ac rebus adversus Turcas gestis Georgii Castrioti, paru à Rome sans date pour l'édition originale puis à Strasbourg en 1537. Il précise dans sa préface qu'il s'agit du seul ouvrage de première main dont il dispose à ce sujet mais que trouvant l'ouvrage trop long, il en a retranché les digressions inutiles. Il attribue aux ottomans ce manque de sources, émettant l'hypothèse de la destruction systématique de ce genre de documents pour effacer Skanderberg de l'Histoire. Malgré ce vide, il reste un symbole pour l'Albanie et il a inspiré d'autres auteurs, Voltaire et Ronsard notamment, ainsi que Vivaldi qui lui consacre un opéra éponyme. Rare, le Worldcat n'en recense que 4 exemplaires de cet ouvrage en France, le CCfr, 9 exemplaires. À l'étranger, seule l'université de Princeton semble en posséder un selon HathiTrust. Ex-libris Pontchartrain. Baker, III, 295; G. Brunet, Dictionnaire des ouvrages anonymes, 123d. Couverture rigide
1684YRG-374Fort in-8,reliure d'époque Maroquin rouge, dos à nerfs, tranches dorées, titre doré, fleurons dorés, dentelle dorée bornant les plats, double filet aux coupes. Texte sur six colonnes.Intérieur frais. Dorure des tranches estompée en petites zones, petit manque sur 3 coins. Trés bon état général. coloniae agrippinae. apud balthasarum ab egmond.
48827San Agustin Convent.Intramuros Manila.1993.3 volumes.in-folio. 1 volume : texte: 387 pages en anglais et espagnol. 2 volumes avec 479 planches en couleurs,réalisées par des artistes philipins et espagnols,ainsi que Regino Garcia y Basa et Resureccion Hidalgo. Belle réédition de l'originale datée de 1877-83.Cartonnages rouge éditeur avec chemises rouge et or, texte avec couverture souple à l'identique.Etui assorti en état moyen, à recoller. . Dos légèrement décolorés.Ex.0052.
17519755En Amberes, Marcos-Miguel Bousquet y Compania, 1751-1756. 16 volumes in-12, demi-veau brun à coins, dos lisses ornés de filets, étoiles et titre dorés, étiquettes de titre marron, de tomaison vertes, tranches jaunes. Rares rousseurs, papier parfois légèrement bruni.
158745116Ingolstadt, Wolfgang Eder (gedruckt von Adam Berg in München), 1587. 8°. Mit einigen Holzschn.-Vignetten u. -Initialen. 16 Bll., 578 S., 1 Bl., Pgmt. d. Zt. m. durchzogenen Bunden, gepr. Deckelvignette, handschriftl. Rückenschild u. intakten Schließbändern.
108401890-1900 ; 11 tomes reliés en 1 fort volume in-folio, demi-chagrin vert foncé, faux-nerfs et filets dorés, titre et dates dorés (reliure de l'époque) ; 50, 4, (1) f. blanc ; (4), 64 ; (4), 72 ; (4), 79 ; (4), 101, (1) f. blanc ; (4), 106, (1) f. blanc ; (4), 113, (1) f. blanc ; (4), 138, (1) f. blanc ; (1), 144 ; (6), 135, (1) f. blanc ; (6), 135 pp. Texte manuscrit lithographié.
11576In 4 plein cuir fauve raciné à nerfs, pice de titre cuir brun clair, caissons palmettes dorés. Portait gravé de l’auteur, en frontispice, titre illustré et gravé, épitre avec bandeau illustré et gravé, 8 pages, préface 6 pages, 6 pages de table historique et chronologique. Grande carte dépliante Civita Tullensis aujourd’hui diocèse de TOUL. 16 pages avertissement- 71pages- CXXIII Varia Regum et Principum Diplomata- 2 pages additions et fautes à corriger. Tranches rouges. A Toul chez Alexis Laurent imprimeur du Roi & de Mgr l’évêque. 1707. Seconde édition Pâle mouillure angle supérieur au frontispice, à la page de titre, ainsi qu’aux 4 premières pages de l’épitre, sans gravité, Sinon bel exemplaire de cet ouvrage rare, bien complet de sa grande carte dépliante.
2305PG009<p>Conseguidas em Tres Campanhas Da Vida Morte & Bemaventurança da BEATA RITA DE CASSIA Viuva religiosa da Ordem dos Eremitas de N. Grande Padre Santo Agostinho acclamada commummente pela devoção dos povos ADVOGADA DOS IMPOSSIVEIS Com as noticias da grande veneração & culto em que he tida a Bemaventurada S. Rita Nas principaes Cidades Villas & lugares do Reyno de Portugal e das muytas mercès & maravilhas que os povos dellas atribuem à poderosa intercessão da mesma Santa. Author o Padre Mestre Fr. Joseph de S. Antonio Religioso da mesma Ordem & Commissario da Correa. Lisboa Occidental. Na Officina de Antonio Pedrozo Galram. Com todas as licenças necessarias. Anno de 1718.</p>_x000d_<p>In 8.º de 206x152 cm. Com xvi 164 págs. Encadernação da época inteira de pele com nervos e ferros a ouro na lombada.</p>_x000d_<p>Impressão em caracteres redondos e alguns itálicos na folha de rosto nas citações no texto e em alguns tÃtulos ornamentada com cabeções constituÃdos por pequenas vinhetas iniciais decoradas e um florão de remate no fim da segunda parte.</p>_x000d_<p>Exemplar com pertence manuscrito no pé da margem inferior da folha de rosto: «He do padre Joze Leite de Lemos e Castro».</p>_x000d_<p>As folhas preliminares contêm o Prólogo ao Leitor as licenças com aprovações do Padre Mestre Frei João de Santo Agostinho Frei Miguel de Santa Maria Frei Teodósio da Cunha Padre Teodósio de Santa Marta Frei António Cruz e Pedro Ãlvares; e um conjunto de 16 epigramas em latim em louvor da santa.</p>_x000d_<p>Muito rara. Inocêncio não menciona não consta dos principais catálogos de leilões e livreiros e a Porbase só regista um exemplar.</p>_x000d_<p>Santa Rita de Cassia 1381-1457 religiosa italiana foi beatificada em 1627 e canonizada em 1900.</p>_x000d_<p>Frei José de Santo António Lisboa - Lisboa 1737 Eremita Augustiniano; professou em 21 de Agosto de 1688. Foi Vigário Provincial e muito versado nas antiguidades da sua Ordem. Escreveu as três primeiras partes do Flos Sanctorum Augustiniano publicado em Lisboa entre 1723 e 1726 assim como outras obra de hagiografia.</p>_x000d_<p>EN In octavo. 206x152 cm. xvi 164 pp. Contemporary full leather binding with raised bands and gilt tools on spine.</p>_x000d_<p>Printing in round characters and some italics on the title page in quotations in the text and in some titles decorated with headpieces consisting of small vignettes decorated initials and a finishing <em>fleuron</em> at the end of the second part.</p>_x000d_<p>Exemplar with handwritten ownership title at the foot of the lower margin of the title page: "He do padre Joze Leite de Lemos e Castro" Belongs to padre JozeÂ….</p>_x000d_<p>The preliminary leaves contain the Prologue to the Reader the licences with approvals from Padre Mestre Frei João de Santo Agostinho Frei Miguel de Santa Maria Frei Teodósio da Cunha Padre Teodósio de Santa Marta Frei António Cruz e Pedro Ãlvares; and a set of 16 epigrams in Latin in praise of the saint.</p>_x000d_<p>Very rare. Inocêncio does not mention it it is not in the main auction and booksellers' catalogues and Porbase only records one copy.</p>_x000d_<p>Saint Rita of Cassia 1381-1457 Italian nun was beatified in 1627 and canonised in 1900.</p>_x000d_<p>Frei José de Santo António Lisbon - Lisbon 1737 Augustinian hermit; professed on 21 August 1688. He was Vicar Provincial and well versed in the antiquities of his Order. He wrote the first three parts of the Augustinian Flos Sanctorum published in Lisbon between 1723 and 1726 as well as other works of hagiography.</p>_x000d_<p>Referências/References:</p>_x000d_<p>Inocêncio IV 236.</p>_x000d_<p>Barbosa Machado 822.</p> M-6-E-15 hardcover
1309JC012<p>DEL PADRE ANTONIO VIEYRA DE LA COMPAÑIA DE IESVS. NVEVAMENTE ACRECENTADOS com dos Sermones del mismo Autor. Y DOS TABLAS VNA DE LOS LVGARES de la Sagrada Escritura y otra de los Assumptos y cosas Notables. Parte Primeira Parte Segunda. DEDICADOS AL MVY REVERENDO PADRE ALONSO DE Pantoja de la Sagrada Ilustre y Docta Religion de la Compañia de Iesus Procurador que fue por su Prouincia de nueuo Reyno de las Ãndias a la Congregacion General que se celebrò en la Corte Romana oy Rector meritissimo de su Religiosissimo Colegio de Quito y Calificador de la Santa Inquisicion. CON PRIVILEGIO DE CASTILLA Y ARAGON. En Madrid Por Ioseph Fernandez de Buendia Año 1664. Acosta de Lorenço Ibarra Mercader de libros.</p>_x000d_<p>Obra com 2 partes em 1 volume.</p>_x000d_<p>In 8º de 20x15 cm com viii 214 xviii 382 xxiv pags.</p>_x000d_<p>Encadernação da época inteira de pele com ferros a ouro na lombada.</p>_x000d_<p>Corte das folhas carminado da época.</p>_x000d_<p>Exemplar com oxidação natural do papel e manchas marginais de humidade sem afectar a leitura do texto.</p>_x000d_<p>Palau 1973 XXV pag. 465 ent. 364277 não refere a colação da Parte Segunda.</p> M-4-C-21 unknown
1309JC028<p>Della Compagnia di Giesù. Nella Solennità del B. STANISLAO. Vinheta da Companhia de Jesus. In Roma per il Lazzari Varese: 1675. Con licenza de" Superiori. </p>_x000d_<p>In 8º de 17x11 cm com x 99 i 79 i págs. Encadernação da época em pergaminho flexível.</p>_x000d_<p>Exemplar com falta de uma folha preliminar em branco antes da folha de rosto com pequeno restauro de papel à cabeça da folha de rosto que cobre uma assinatura de posse coeva com ex-libris oleográfico do Dr. José Bayolo na folha de rosto e com o número de registo 07892 também por carimbo oleográfico no pé da folha de rosto.</p>_x000d_<p>As folhas preliminares contêm dedicatória a João III rei da Polónia donde era natural Santo Estalisnau Kostka por Giovanni Hernmani da Companhia de Jesus o imprimatur e uma última página em branco. Cada uma das partes tem uma folha inicial com o verso em branco com o título e o autor e as páginas finais de cada uma delas está em branco. </p>_x000d_<p>Livro muito raro e importante para o estudo da personalidade e da obra do Padre António Vieira da vida religiosa e dos processos de canonização de membros da Companhia de Jesus. </p>_x000d_<p>A presente obra coloca em evidência o prestígio internacional e as invulgares e excepcionais capacidades linguísticas do Padre António Vieira que além de ser um dos maiores escritores portugueses dominava o latim o italiano a ponto de escrever nestas línguas obras primas da literatura epistolar e paranética. </p>_x000d_<p>O Padre António Vieira estava em Roma desde 1668 para obter revisão da sentença do Tribunal da Inquisição de Coimbra onde tinha estado detido desde 1665 a 1667 e que o tinha proibido de escrever ensinar e pregar. </p>_x000d_<p>Contém dois sermões pregados em italiano em louvor de São Estanislau Kostka em 15 de Agosto de 1675 na Igreja de Santo André em Roma por Giovanni Paolo Oliva que era nesta data Superior Geral da Companhia de Jesus e pelo Padre António Vieira que já era um célebre pregador e diplomata ao serviço de D. João IV.</p>_x000d_<p>Nesta data São Estanislau Kostka era beato desde 1605 e estas sumptuosas cerimónias faziam parte das acçções destinadas a conseguir a canonização que veria a ocorrer em 1726. </p>_x000d_<p>S. Estalisnau Kostka Castelo de Rostków Czernice Borowe 20-10-1550 - Roma 15-10-1567 Santo da Companhia de Jesus que é um modelo para a juventude e para os estudantes e cuja festa se celebra a 15 de Agosto. Aos treze anos foi estudar para o Colégio dos Jesuítas em Viena onde teve o apoio do jesuíta português Padre Francisco António confessor da Inmperatriz. Com uma forte vocação religiosa desde a infância apesar da oposição do pai entrou na casa dos jesuítas em Diligen an der Donau na Alemanha onde foi recebido por S. Pedro Canísio posteriormente com dezassete anos foi para Roma estudar no Colégio Romano tendo falecido de doença ao fim de poucos meses. Foi beatificado em 1605 e canonizado em 31 de Dezembro de 1726 pelo Papa Bento XIII. </p>_x000d_<p>Giovanni Paolo Oliva Génova 1600 - 1681 Padre Jesuíta que se celebrizou como Pregador Apostólico ao serviço de quatro papas foi o Décimo primeiro Superior Geral da Companhia de Jesus de 1654 a 1681. É autor de livros de sermões de cartas e de uma vasta obra em seis volumes sobre a Bíblia: In Selecta Scripturae Loca Ethicae Commentationes in Genesim.</p>_x000d_<p>Padre António Vieira Lisboa 1608 - Baía Brasil 1697 Um dos maiores escritores portugueses o Imperador da Língua Portuguesa como disse Fernando Pessoa foi autor de uma vasta e grandiosa obra constituída por Sermões tratados teológicos e proféticos cartas tratados políticos e poesias. Foi igualmente uma personagem notável do século XVII tendo exercido funções diplomáticas e defendido os escravos e os índios contra os abusos e a escravatura. Durante a sua estadia em Roma tornou-se confessor da Rainha Cristina da Suécia pregou em muitas ocasiões numa delas perante o Colégio dos Cardeais. </p>_x000d_<p>José Pedro Paiva. Bibliografia do Padre António Vieira. BNP. 1998. Nº 1319. </p>_x000d_<p>Catalogo del Servizio Bibliotecario Nazionale. IT/ICCU/BVEE/050031. </p>_x000d_<p>Inocêncio XXII 374</p> M-3-B-10 unknown
190023925<p>London: S.T. Freemantle 1900. leather. Very Good. 2 volumes 8vo. b&w illustrations ""The Natural History & Antiquities of Selborne & A Garden Kalendar by The Reverend Gilbert White M.A. edited by R. Bowdler Sharpe LL.D. with an Introduction to the Garden Kalendar by The Very Reverend S. Reynolds Hole Dean of Rochester & numerous illustrations by J.G. Keulemans Herbert Railton & Edmund J. Sullivan in two volumes""; Gilbert White's classic work detailing the natural history of the area around his family home at the Vicarage of Selborne composed in the form of a series of letters to Thomas Pennant and Daines Barrington; here in a new custom binding by fine art binder Karen McGuire - full green leather with four compartments to each spine being two red labels with gilt titling bird and cloud motifs to top compartments the lower compartments with gilt illustrations: vol 1 showing a tree in bloom with a mobile hare vol 2 with tree lake and foliage and birds overhead; gilt borders to boards front and rear; new marbled endpapers new prelims; both volumes with frontispiece plates and copiously illustrated throughout with full-page engravings text drawings and fold-out facsimile letters; a superb art binding enhancing Gilbert White's enduring natural history; title pages and text blocks foxed occasional light foxing in text o.w. both volumes Very Good; PLEASE NOTE: VERY HEAVY TWO VOLUME SET MAY INCUR EXTRA SHIPPING DEPENDING ON DESTINATION.</p> S.T. Freemantle hardcover
183421190881834. London: Edward Bull. 1834. 8vo. Original pictorial full olive morocco gilt edges; pp. viii 254 2 advertisements 25 steel-engraved plates on mounted India after William Daniell; a little wear to extremities front cover with old repair to scratch light marginal browning to plates; otherwise very good. First edition extremely rare large paper copy of the first annual in this series which was to be continued up to 1840. The fashionable preacher and writer William Caunter was fascinated by India and wrote this mix of information and entertainment probably for the family members who had remained in Britain and where not over in India. Daniell's contributions make this a very handsome publication on India under the Raj. The normal format measures just over 20 by 14 cm wereas this issue measures over 24 by 16 cm. This issue is on better velin paper and the engravings - not foxed as often - are on mounted India paper with tissue guards. This annual appeared between 1834 and 1840 8 volumes with two volumes dated 1839 as a gift book for British people who had members of their family serving in India. unknown
1641ABC_49539Barcelona Pedro Lacavalleria; Lisbon 1641. 4to 19 x 14 cm. Antonio Alvarez Blueish-green paper wrappers with the hand-written title author and year of publication added in black marker on the front wrapper. With 2 woodcut decorated initials and a large woodcut vignette on the title page of ad 2. Further with one headpiece. 4; 76 pp. Contemporary account of the major events and conflicts occurred in the first two years year of the Guerra de los Segadores also known as the Catalan Revolt or the Reapers War 1640-1652. The work accounts other principal events occurred at Tortosa Barcelona Terragona Martorell Lérida Martorell Perpiñan and so on.Included is the narration of the important Battle of Montjuic 1641 which marked the official start of the lengthy Guerra de los Segadores that lasted approximately 9 years. This long war which affected almost the entire Principality of Catalonia started with the discontentment of the Catalans by the presence of the Castilian troops in the region during the wars between France and Spain. The first edition published in Barcelona is regarded as Palau as muy estimada. The present copy is probably the second Catalan edition with the preliminaries of the Portuguese translation of the same year. It is unclear if the head margin at some point contained page numbers that were lost when the margin was cut short or that there were not any page numbers. See Palau 285725 second Catalan ed. and 285276 Portuguese ed.The head margin is cut short without affecting the text. The corners of the blank margins of the leaves are occasionally very slightly stained. Otherwise in very good condition.l Palau 285725 and 285726; USTC 5036258 3 copies; WorldCat 23775406 433609675 1045841604 68682055 224501317 10 copies incl. 1 incomplete; cf. USTC 5018526 unclear if first or second Catalan ed. unknown
In 16 (18x12) Legatura editoriale in pelle, sovracoperta illustrata in b/n e cartone protettivo; ottimo
18496425New York:: V.G. Audubon 1849-54. First Royal Octavo Edition. Fine with original hand-coloring. A fine original hand-colored lithograph on paper. Royal Octavo 10.5 x 7 inches. Drawn from nature by John Audubon drawn on stone by William E. Hitchcock and lithographed printed and colored by JT Bowen Philadelphia. Accompanied by the original text written by the Reverend John Bachman DD. The Quadrupeds of North America; portrayals of 155 four-legged mammals native to North America depicted in their natural environment was a collaborative effort between the premier nineteenth century American Ornithologist Naturalist Artist and Frontiersman John James Audubon 1785-1851 his sons John Woodhouse Audubon and Victor Gifford Audubon and the naturalist Reverend John Bachman. The four men were unified in their desire to document and portray what they recognized as a dwindling resource; America's native animals amidst the natural beauty of the untouched American landscape. Their collective wisdom predicted the impending effects of Manifest Destiny- man's encroachment on the wilderness and natural landscape of North America- and as such was the impetus for the journey. To document and then portray America's native animals in the splendor and majesty of the uninhabited North American landscape the team traveled westward from Audubon's home in Mill Grove Pennsylvania up the Missouri River and through territory just previously explored by Lewis and Clark; from the Canadian border of the Northern Russian Territories- now Alaska- then southward to Mexico. Arduous and monumental the journey is recognized in the pathos of the compositions. However the true legacy of the work rests on John James Audubon's prolific vision and mastery of his subject and medium. Heretofore unseen The Quadrupeds of North American is a wildlife classic: an essential and timeless contribution to both Early American culture and the Art of American Wildlife Painting. The American Review a Whig journal heralded the national origin of the Quadrupeds: "We have at last have a Great National Work; originated and completed among us- authors artists and artisans of which are our own citizens the Bible of Nature!" John James Audubon in the West. New York: Henry H. Abrams 2000. Sabin 2368. Wood 208. Archivally matted & framed V.G. Audubon, unknown
19631475<p><strong>n. 1 7 Anno 2</strong>.: dicembre 1963.</p><p>Quarto 96 pages illustrated throughout. Printed red wrappers. Lightly soiled and edgewear towards spine.</p><p>summary: collazione - S. Bussotti - " Mi travolse una remota esistenza " da " Torso "; F. Evangelisti: e i da " Random or not Random " ; verifica - Paolo Emilio Carapezza; - Domenico Guaccero : Una conclusione provvisoria; Heinz-Klaus Metzger - Ueber Schallquellen / Le sorgenti sonore; letture - R. Kayn: Schwingungen N. Sgro; D. Schnebel: Glossolalie D. Schnebel; E. Macchi: Parabola E. Macchi; asterisco 1 - La nuova musica dopo la " 4 Settimana " di Palermo P. E. Carapezza; Notizie; confronto - F. Bacon e J. Johrn M. Calvesi; Lawrence Alloway - Six painters and the object / Sei pittori e loggetto; Maurizio Calvesi - Ricognizione e reportage / Recognition and reportage; Scheda - Mimmo Rotella a cura di Vittorio Rubiu; asterisco 2 Aforismi sulla maniera di dipingere Franco Nonnis. " Aspetti dellarte contemporanea " all Aquila; Christo alla Salita di Roma; Millares all' Odyssia di Roma; il " Teodelapio " di Calder. V. Rubiu. Notizie.</p><p><strong>n. 2 8 Anno 3</strong>.: marzo 1964.</p><p>Quarto 95 pages illustrated throughout. Printed red wrappers. Edgewear towards spine.</p><p>summary: <br />arti visive collazione - Inghilterra - U.S.A.: pitture di Kitaj. RauschenbergFahlstrom Johns; Verifica - Vittorio Rubiu; Jean-Jacques Lebel - Un regard neuf; Nello Ponente - Ideologia e pseudo-ideologia/ Ideology and pseudo-ideology; john coplans - American painting and Pop Art / Pittura americana e Pop Art; Cesare Vivaldi - Commento a Coplans / Comment to Coplans; Letture - Cesare Brandi Burri Filiberto Menna; Ballardini e Quattrini Ceramica italiana moderna Benedetto Patera: Cultura del vino e cultura del Coca-cola Maurizio Calvesi; Asterisco 1° Tre mostre alla Tartaruga di Roma Cesare Vivaldi / Retrospettive di Rauschenberg a Londra; " Nuove Tendenze " a Venezia / Dine Oldenburg Rosenquist e Segal alla Sidney Janis di New York Maurizio Calvesi. Segal e Pistoletto alla Sonnabend di Parigi Anna Nosei. Hoeme all'Attico di Roma: Novelli all' Arco dell'Alibert di Roma Vittorio Rubiu;</p><p>musica <br />Confronto - La nuova musica di 2500 anni fa e quella dei giorni nostri Paolo Emilio Carapezza / New music 2500 years ago and in modern times Paolo Emilio Carapezza; Heinz-Klaus Metzger - Das Altern der jüngsten Musik / L'invecchiamento della musica nuovissima; Giuseppe Chiari – Appunti / Notes; Domenico Guaccero - A provisory conclusion; 2 - Sylvano Bussotti a cura di Antonino Titone; Asterisco 2' - Notizie</p><p>ILLUSTRAZIONI; pitture di Kitaj. Rauschenberg Fahlstrom Johns Angeli Warhol Lichtenstein Festa Morris Samaras Segal Oldenburg Pistoletto Mondino Saul Lombardo fotografie di<br />Scianna. musiche di Bussotti Chiari La Monte Young. papiri " Arciduca<br />Ranieri " Cairense 59533 Osloense 1413.</p><p><strong>n. 3-4 11 Anno 3</strong>.: dicembre 1964.</p><p>Quarto 118 pages illustrated throughout. Printed red wrappers. Slightly bumped towards the top right of this issue.</p><p>summary: <br />musica <br />collazione Karl-Heinz Stockhausen - Plus-Minus; verifica Domenico Guaccero - Materiali per per verifica sociologica; Christian Wolff - Duct For violins. Questions. Domando; Mauricio Kagel - I. Komposition Decomposition II. Notation heute III. Analyse des Analysierens.<br />1. Composizione Scomposizione II. La notazione oggi III. Analisi dell'analizzare; Luis De Pablo - Control del material: la cantidad sonora como nocion eje de una perceptiva musical; Dieter Schnebel - Das musikalische Material: Verhältnisse und Aktionen. Kommentar zur neuer Musik.<br />Il materiale musicale: rapporti e azioni. Commento alla nuova musica; scheda 3. — Mauricio Kagel; letture Paolo Castaldi - Anfrage. Luciano Berio – Traces; asterisco • Domenico Guaccero - I concerti di Nuova Consonanza e le manifestazioni per gli universitari a Roma. Luciano Alberte - Vita musicale contemporanca IV ciclo a Firenze; Paolo Emilio Carapezza - Arte e tecnologia il convegno del " gruppo 70" a Firenze; Gertrud Meyer-Denkmann - Darmstadt al bivio.<br />NOTIZIE</p><p>arti visive<br />collazione Spazio E Movimento; verifica Maurizio Calvesi - Un pensiero concreto I; George Brecht - Chance Imagery. Immagini casuali; Sandra Pinto - Intervista a Brett Whiteley; M. C. - A proposito di Whiteley e della situazione inglese; Vittorio Rubiu - La materia dell'informale è esplosa nell'oggetto / The material of the informel burst into the object; confront Mario Diacono – " Parole e disegni " di Frank O' Hara e Mario Schifano / " Word and Drawings " of Frank O' Hara and Mario Schifano; G. Robert Swenson - The darker Ariel: Random notes on Andly Warhol / Annotazioni casuali su Andy Warhol; Jolanda Brunetti - Appunti sulla danza fino a Merce Cunningham / Notes on the dance up to Merce Cunningham; asterisco James Brodey - The George Segal exhibit Green Gallery New York; Maurizio Calvesi - Mario Ceroli alla " Tartaruga " Roma; Cesare Vivaldi - Piero Dorazio alla " Malborough " Roma; Vittorio Rubiu - Antologia di Capogrossi alla " Medusa " Roma. Il premio Marzotto - Comunità Europea; Antonio Bandera - il XVIII premio Michetti.<br />NOTIZIE</p><p>ILLUSTRAZIONI:<br />musiche di Stockhausen Wolf Kagel Castaldi / pitture di Whiteley Schifano Lichtenstein Capogrossi Warhol Titone Dorazio / sculture di Segal Ceroli / fotografie di azioni corcografiche di Merce Cunningham / servizio fotografico su Warhol.TRADUZIONI: dal tedesco di Laura Valdes Schnebel Anna Maria Rubino: Kagel Meyer-Denkmann Liborio Mario Rubino Kagel: dall'inglese e in inglese di Rende Plaja-Levine.</p><p><strong>numero 5 12</strong>: settembre 1965.</p><p>Quarto 97 pages illustrated throughout. Printed red wrappers.</p><p>arti visive<br />verifica. Maurizio Calvesi - A concrete thought; scheda 4. - Ettore Colla a cura di Augusta Monferini; letture Maurizio Calvesi - Cinque sintesi radiofoniche di F. T. Marinetti e il manifesto del teatro radiofonico.<br />REVORT 1 - PALERMO SETTEMBRE 1965. Mario Diacono - Una prefazione invettiva / An invective preface; Cesare Vivaldi - Una mostra di giovanissimi / An exhibition of the very young/ Lawrence Alloway - Order and reference / Ordine e riferimento; Jasia Reichardt - Now and Here / Ora e qui; Manfred de La Motte - Neue malerei in Deutschland / La nuova pittura in Germania.</p><p>musica<br />collazione. Franco Donatoni - Black and White; Heinz-Klaus Metzger - Ueber die<br />Verantwortung des Komponisten / Sulla responsabilità del compositore; Paolo Emilio Carapezza - Atti e fatti di rilievo costituzionale nella nuova musica d'oggi / Acts and facts of constitutional impor-tance in the new music of to day; scheda 5. - Francesco Agnello a cura di Paolo Emilio Carapezza; asterisco . Eric Salzmann - New Music 1964 Lettere E Notizie; letture<br />Francesco Pennisi - Hymn Paolo Emilio Carapezza.</p><p>ILLUSTRAZIONI:<br />pitture e sculture di Colla Barni Ceroli Lombardo Pascali Tacchi Titone Chow Green Furnival Whitfield Fischer-Lueg Kriwet Richter.<br />musiche di Donatoni e Carapezza.<br />TRADUZIONI: dall'inglese e in inglese: Juliet<br />Siragusa Arning; dal tedesco: Liborio<br />Mario Rubino.</p><p><br /><strong>n. 6 13</strong>: settembre 1966.</p><p>Quarto 98 pages illustrated throughout. Illustrated wrappers. Wrappers with light foxing. summary:</p><p>musica <br />collazione. Juliusz Luciuk : Pacem In Terris ; Domenico Guaccero : Klaviatura. verifica. Paolo Emilio Carapezza : verifica pratica ; Dieter Schnebel : Das Formproblem in der Neuen Musik ; Dieter Schnebel : Mahlers Spätwerk als Neue Musik ; Henri Pousseur : Elementi Realistici della Musica Elettronica ; Jacobo Romano : La Nueva Musica Argentina ; Norbert Weiss : Film in der Oper ; Giuseppe Chiari : alcune opere alcuni scritti. scheda 6. Frederic Rzewski ; letture ; Jean Barraque : Sequence Paolo Renlmosto ; Gilbert Amy : Epigramme Pour Piano Paolo Renosto ; Vittorio Gelmetti : Nous Irons à Tahiti Giuseppe Chiari ; Svenskt Musik 60-Tal Paolo Emilio Carapezza ; Domenico Guaccero : Negativo Domenico Guaccero.asterisco . Gabriella MulachiÈ : Inattualit‡ della Danza ; Paolo Emilio Carapezza : Premio Italia 65. lettere e notizie.</p><p>arti visive <br />verifica. Otto Hahn: Critique = compréhension compréhension = action; Mario Diacono : Antimetaphisica ; William S. Wilson : Ray Johnson: Vibration and Reverberation ; Ann Wilson : . from a patchwork history: 1958 ; Maurizio Fagiolo : La Ragion Purapratica di Lichtenstein ; Martial Raysse : Jai mille choses à classer. ; Heinz Ohff : Gernot Bobenik ; Cesare Vivaldi : La Scuola di Pistoia ; Henry Martin : Flowers facades and IBM machines ; Peter Bruning und Manfred de la Mott : Là gendes ; Vittorio Rubiu : I falsi giocattoli di Pino Pascali. letture. Dick Higgins : Jeffersons Birthday and Postface Juliet Arning Siragusa ; asterisco . Daniel Spoerri : Una topografia aneddotica del caso ; Emilio Vedova : Interventi ; Seiichi Niikuni - Pierre Garnier : TroisiËme manifeste du spatialisme pour une poesie supranationale. illustrazioni: musiche di Luciuk Guaccero Chiari Rzewski ; pitture disegni e sculture di Lichtenstein. Tilson Brecht Kounellis Johnson Raysse Bobenik Barni Buscioni Natalini Ruffi Nesbitt Bruning Pascali Topor Vedova Innocente I. e P. Garnier Kolà r ; in copertina: J. Kounellis Paint 1966; F. Rzewski dal Requiem.</p><p><br />- First editions. Collage used to be a spoken periodical. With nr. 1 7 the printed version of this magazine came into existence. Da una rivista parlata a una stampata: Collage costituisce un raro esempio di esoeditoria di una pubblicistica cio‡ gestita direttamente da artisti al fine di promuovere unalternattiva alla cultura dominante nata a Palermo nel corso degli anni Sessanta.</p><p><strong>collage 8</strong>. dicembre 1968. Direttore Antonino Titone.</p><p>Folio 132 pages illustrated throughout. Illustrated wrappers by Gianni Maniscalco Basile. Bumped at lower part that affects the first 40 pages.</p><p>summary: 2 "verifica" 3 Christian Wolf - Electricity and music; 5. Peter P. Várnai - I mille anni dell'alea; 8. Dieter Schnebel - Sichtbare music; 19. Paolo Castaldi - Take care; 27. " scheda 9 " - Franco Donatoni; 34. Mario Diacono - La struttura negativa di Robert Morris; 40. Joe Tilson - The porcelain factory - questionnaire III; 43. Gianni Maniscalco Basile - Living Theatre<br />Palermo 1968; 51. " asterisco "
William Wilson - Five ways of looking at
the medium. Mario Diacono - Intervista a Kitaj. Ben Vautier - Art = pas art. Tullio Catalano - Sergio Lombardo; una ricerca per una poetica 1961-1968. Daniela Palazzoli - Di un ex.hibition in/pro.gress. Achille Bonito Oliva - Un'arte del positive; 61. " letture "
Claes Oldenburg - Store days Juliet Arning
Siragusa; 73. " revort 2 "
Gillo Dorfles - Revort 2.
Buren Mosset Parmentier Toroni - Sept manifestations a cura di Otto Hahn. Daniela Palazzoli - La pittura multiversa di Fahlström e Simonetti. Cesare Vivaldi - Nuovo astrattismo romano. C. V. - Quattro presenze a Revort 2. Adriano Spatola - Due scritti per Parmiggiani. Francesco Carbone - Progetto e invenzione. 89. "VI Settimana Internazionale nuova musica"
Gioacchino Lanza Tomasi - Le musiche della sesta "Settimana"; Edoardo Sanguineti - La descrittione del gran paese. Domenico Gudccero - Scene del potere. Gli esecutori.<br />123. " asterisco " direct-drawn filmakers painters Mario Diacono - Per un nuovo cineMANIfesto. cinema indipendente Gregorio Napoli – La cinepresa a pendolo.<br />I films; i registi. Roberto Levdi - Musica popolare e nuova cultura. I testi; gli esecutori. Diego Carpitella - Musica contemporanea e musica etnica.</p><p>illustrazioni: <br />musiche di Stockhausen Cage Kagel Evangelisti Ligeti Riedl Schnebel Castaldi Donatoni Brecht Denisov Sciarrino Cardew Carraro.</p><p>Pitture e sculture di Morris Tilson Wilson Kienholz Kitaj Buren Mosset Parmentier Toroni Olden Fioroni Lorenzetti Kounellis Paolini Tolve Nojiri Simonetti Fahlström Simonetti Nespolo Scheggi Bonalumi Cecchini Ruffi<br />Grisi Alfano Carbone Parmiggiani Volpini Reina Bignardi." illustrazioni "</p><p>" tavole a colori "</p><p>1. Pitture e sculture di Kitaj e Lombardo;<br />II. Pitture e sculture di Verna Lecci e Manпо.</p><p>Fotografie e copertina die Gianni Maniscalco Basile. Text in Italian German French and English.</p><p><br />collage 9. dicembre 1970. annuario di nuova musica e arti visive contemporanee. Direttore Antonino Titone.</p><p>Palermo: S.F. Flaccovio Editore. 1970</p><p>Folio 98 pages illustrated throughout. Illustrated wrappers.</p><p>Summary: <br />" verifica ": Achille Bonito Oliva Le circostanze magiche; Mario Diacono Materia-destruttura.; Robert Smithson Incidents of mirror; Robert C. Kenedy Notes; " asterisco " Cunningham Higgins Rot Something else. Jan Donia Art behind the dikes; " verifica " Paolo Emilio Carapezza De modis musicandi; ÐдиÑон ДениÑов " Вариации " op. 27 Ð. Веберна Edison Denisov Le variazioni op. 27 di Webern; Michal Bristiger Sonorismo e strutturalismo; " scheda 10 " Aldo Clementi; " letture " Miroslaw Kondracki W. Szalonek 1 1 1 1. " asterisco " Roland Kayn Kybernetische Prozesse. Richard Toop Musical notation.</p><p>Illustrations: Richard Serra Bruce Nauman Joseph Kosuth Robert Smithson Jan van Munster; Cunningham-Higgins-Rot</p><p>Anton Webern Aldo Clementi Witold Szalonek Roland Kayn Boguslaw Schäffer John Cage François Bayle Karlheinz Stockhausen Gerd Zacher Morton Feldman Luis Andressen Franco Donatoni Anestis Logo-thetis Cornelius Cardew Toshi Ichiyanagi Cristian Wolft Frank Ashley Tom Phillips Michael von Biel Gordon Mumma</p><p>" tavole a colori "<br />Notazioni coreografiche di Merce Cunningham ; Manifesto di Jan Mirò ;<br />Cybernetics II di Roland Kayn</p><p>" copertina "<br />Particolare della vetrata d'ingresso di Villa Belforte in Palermo fotografia di Giuseppe Cappellani. Text in Italian German French and English.</p><p><br />- First editions. Collage used to be a 'spoken periodical'. With nr. 1 7 the printed version of this magazine came into existence. 'Da una rivista 'parlata' a una stampata: "Collage" costituisce un raro esempio di 'esoeditoria' di una pubblicistica cioà gestita direttamente da artisti al fine di promuovere un'alternativa alla cultura dominante nata a Palermo nel corso degli anni Sessanta. Se "Collage. Dialoghi di cultura" 1962-64 fondata da Paolo Emilio Carapezza Antonino Titone e Gaetano Testa affrontà un'ampia panoramica di argomenti riguardanti la cultura palermitana basandosi su veri e proprio indici che fungevano da scaletta per gli interventi orali dei partecipanti la versione stampata 1963-70 fu sviluppata secondo un doppio binario quello della nuova musica e delle arti visive con due redazioni parallele e una fitta rete di prestigiosi collaboratori internazionali. L'esperienza di "Collage" rimasta un unicum in Sicilia per l'ampiezza di respiro che la caratterizzà e per la capacità di cogliere con prontezza fenomeni cardine dell'arte contemporanea dalla Pop Art all'Arte Povera dall'happening alla danza/teatro/azione offre un interessante spaccato della Palermo degli anni Sessanta al centro di un momento d'oro di risveglio culturale che non si à pià ripetuto.' Marina Giordano in 'teCLa'.</p> G. Denaro
18033374London: Captain Henry Wilson. Very Good. 1803. Fifth Edition. Later binding of half gilt ruled faux blue morocco over marbled boards. Gilt particulars and decoration to spine. Top and bottom of front hinge cracked top of rear hinge beginning. Blue endpapers. Enlarged edition with supplement by Reverend John Pearce Hockin. "William Taylor 1813" delicately inked to top right of title page. Foldout "Chart of the Pelew Islands and Adjacent Seas" to front of book suffers foxing and some creasing as well as a small closed tear to the bottom margin of a fold line not affecting text. Contains eighteen steel plates with two additional plates included in supplement along with vocabulary of Pelew language. A nice clean copy without further markings. ; 4to 11" - 13" tall; xvii i 244; ii 72 pages; All shipments through USPS insured Priority Mail. . Captain Henry Wilson hardcover