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186424339Groombridge and Sons London 1864. 1st Edition. Hardcover Original Cloth. Good Condition. Previous owner's signature in ink on tp. sunned top inch of backstrip missing. Uncommon . Quantity Available: 1. Category: Great Britain; Pictures of this item not already displayed here available upon request. Inventory No: 24339. . Groombridge and Sons hardcover
188654809St. Petersburg Russia: A. Buttner associated with Aug. Cranz of Hamburg 1886. Presumed First Edition First Printing thus from this publisher. Wraps. Good. Oversized approximately 10 inches by 11.75 inches. 8 pages. Wraps Sheet music. Illustrated/lithographed cover. Some soiling and creasing. Text is in German. Johann Baptist Strauss II 25 October 1825 - 3 June 1899 also known as Johann Strauss Jr. was an Austrian composer of light music particularly dance music and operettas as well as a violinist. He composed over 500 waltzes polkas quadrilles marches and other types of dance music as well as several operettas and a ballet. The Russian March is a march by Johann Strauss II Op. 426. The work was premiered on April 29 1886 in the riding hall of the Guard Regiment in St. Petersburg Russia. In 1886 Johann Strauss visited Russia for the first time since 1869 accepting an invitation from the ladies of St. Petersburg society to participate in several charity events. At a gala concert held in the riding hall of the Russian Horse Guards Regiment the composer presented the waltz Les Dames de St. Pétersbourg-written specifically for his Russian tour-which later became known as Wiener Frauen Op. 423. The polka An der Wolga Op. 425 was also composed during this period. Many works created during Strauss's earlier visits to Russia were performed. A new release was the march Garde à Cheval which was later retitled Russischer Marsch. The work was dedicated to the reigning Tsar Alexander III. Incidentally this 1886 trip to Russia proved to be the composer's last. The duration of the piece is 4 minutes and 2 seconds cited in references. This time may vary slightly depending on the conductor's musical interpretation. The Russischer Marsch one of Johann Strauss's 'characteristic marches' belongs to that group of new compositions with which the Viennese maestro charmed audiences attending his series of charity concerts in St. Petersburg in 1886. This trip to Russia made at the invitation of the 'Russian Society of the Red Cross' and a children's charity was to be Johann's final visit there and came after a lapse of seventeen years since his last concert engagement at nearby Pavlovsk 1869. The court society which surrounded the Tsar may have known little of life in Russia thirty years earlier but was well aware of Strauss's reputation as the darling of the public and as a favorite of the Imperial family through his triumphant 'Russian summers' at Pavlovsk during the years 1856-65. The appearance of the Viennese maestro in St. Petersburg in 1886 once again occasioned an outbreak of 'Strauss fever' with shops offering pictures busts and statuettes of the conductor/composer. The venue for the 1886 charity concerts was the vast riding school of the Horse Guards Regiment in St. Petersburg and the 80-strong orchestra of the Imperial Russian Opera had been provided for the concerts. Johann conducted his own compositions. The majority of the works he performed were those which had proved popular in Pavlovsk during the 1850s and 1860s but these were supplemented by more recent works like the Brautschau-Polka op. 417 and Schatz-Walzer op. 418 both based on themes from his latest operetta success Der Zigeunerbaron The Gypsy Baron 1885. In addition Johann composed four new works especially for his 1886 Russian visit - 2 waltzes a polka and a march. It was at his third concert on 29 April 1886 = 17 April Russian calendar that he unveiled his Marche des Gardes à Cheval March of the Horse Guards written as a tribute to the Tsar's bodyguard in whose riding school the concerts took place. Although the Marche des Gardes à Cheval is without doubt "uniquely interesting" as the critic of the St. Petersburger Zeitung opined of this and the polka-mazurka Mon salut = An der Wolga op. 425 its title does not really suit the character of the piece. Far from being a 'cavalry march' in the style of the Grossfürsten-Marsch op.107 or the Caroussel-Marsch op. 133 for example this work is more descriptive of heavily-laden Russian foot-soldiers trudging wearily through the snow even to the extent of the diminuendo at the end of the piece as the column of soldiers disappears into the distance. Thus much more apposite was the name with which the march was rechristened for audiences in Vienna when Johann conducted its first performance there as an encore item during Eduard Strauss's benefit concert in the Musikverein on 7 November 1886: the Russischer Marsch. This was also the title under which August Cranz published the work together with the composer's dedication to "his Majesty Alexander III Emperor of Russia etc. etc" A. Buttner [associated with Aug. Cranz of Hamburg] paperback
185125790Wien: Carl Haslinger quondam Tobias PN C.H. 11385 1851. Oblong folio. Unbound as issued. 1 title 2-10 pp. Engraved. <br /> <br /> Outer bifolium detached; slightly foxed; lacking lower blank leaf. First Edition. Weinmann p. 75. Scheider SEV p. 142. Carl Haslinger quondam Tobias [PN C.H. 11,385] unknown
18607462616 pieces including Rossini's Overture to Il Tancredi duet; Belisario Grand Duet for Piano Forte; My Lodging is on the Cold Ground; Half Hours with the Best Composers- Meyerbeer and Mendelssohn; A Midsummer Night's Dream by Mendelssohn; Twelve sets of Brilliant Waltzes by Strauss set 3 and 5; Sur le Lac Barcarole by Ascher; Mabel by Godfrey; Air with variations by Cutler; Oesten's Souvenir de Norma Published by Boosey & Sons; Metzler & Co; Chappell; Addison; R. Cocks & Co hardcover
186530639AB1865. Wien C. A. Spina o. J. um 1865. Quer-4°. 19 S. gestochene Noten und lithogr. Titelblatt. Illustr. lithogr. Orig.-Umschlag. Österreichische Nationalbibliothek Musiksammlung Signatur: MS9707-qu.4°. Die seltene vierhändige Ausgabe mit den Platten-Nr. 18293 Titelblatt und 18509 Noten. Mit stärkeren Gebrauchsspuren. Umschlag mit Einrissen. unknown
186073028Paris: Nadar 1860. Fine. Nadar Paris s. d. circa 1860 6.20 x 10.50 cm une photographie Original albumen photograph depicting violinist and conductor Isaac Strauss carte-de-visite format mounted on card from Nadar studio. Pencil annotation on verso of the photograph. Nadar's embossed stamp in lower left margin. Nadar unknown
183722051Wien: Tobias Haslinger PN T.H. 7381 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette of five gentlemen and two ladies at a banquet to title. First Edition. Weinmann p. 20. Schönherr & Reinöhl p. 153. Tobias Haslinger [PN] T.H. 7381 unknown
183722050Wien: Tobias Haslinger PN T.H. 7090 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. <br /> <br /> Slightly worn and browned. First Edition. Weinmann p. 19. Schönherr & Reinöhl pp. 145-146. Tobias Haslinger [PN T.H. 7090] unknown
183315081Wien: Tobias Haslinger PN T.H. 6079 1833. Oblong folio. Unbound as issued. 15 pp. Engraved. With decorative title within ruled border. Includes publisher's catalogue. <br /> <br /> Contains Der Sanguiniker Der Melancholiker Der Choleriker and Der Phlegmatiker. <br /> <br /> Slightly browned. With Fischer overpaste. First Edition. Weinmann p. 12. Schönherr & Reinöhl pp. 89-90. Tobias Haslinger [PN T.H. 6079] unknown
183414131Wien: Tobias Haslinger PN T.H. 6706 1834. Oblong folio. Unbound as issued. 1f. title 1-8 pp. Engraved. Decorative title with dedicatee's coat of arms. With Fischer overpaste. <br /> <br /> Minor dampstaining. First Edition. Weinmann p. 15. Schönherr & Reinöhl pp. 99-101. <br /> <br /> Composed following Strauss's visit to Hungary in 1833. Tobias Haslinger [PN T.H. 6706] unknown
183714134Wien: Tobias Haslinger PN T.H. 7061 1837. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. <br /> <br /> Slightly soiled. First Edition. Weinmann p. 18. Schönherr & Reinöhl pp. 140-142. Tobias Haslinger [PN T.H. 7061] unknown
183722240Wien: Tobias Haslinger PN T.H. 7081 1837. Oblong folio. Unbound as issued. 11 pp. Engraved. With decorative vignette of two cherubs playing a lyre to title. <br /> <br /> Slightly worn browned and soiled. First Edition. Weinmann p. 19. Schönherr & Reinöhl p. 144. Tobias Haslinger [PN T.H. 7081] unknown
183622048Wien: Tobias Haslinger PN T.H. 6902 1836. Oblong folio. Unbound as issued. 10 pp. Engraved. With decorative vignette to title. <br /> <br /> Edges slightly browned and creased. First Edition. Weinmann p. 17. Schönherr & Reinöhl p. 128. Tobias Haslinger [PN T.H. 6902] unknown
183822052Wien: Tobias Haslinger PN T.H. 7554 1838. Oblong folio. Unbound as issued. 10 pp. Engraved.<br /> <br /> Slightly worn and browned. First Edition. Weinmann p. 20. <br /> <br /> Strauss made a concert tour of Paris in the winter of 1837-38. Tobias Haslinger [PN T.H. 7554] unknown
190036174Leipzig .: Aug. Cranz 1900. Large octavo. Full black cloth boards with publisher's light blue printed wrappers laid down. Publisher's catalogue to rear wrapper "Opern und Operetten." 1f. recto title verso publisher's catalogue "Ballet=Musik" 3-175 i blank pp. <br /> <br /> Wrappers slightly trimmed. Very minor internal wear. First Edition later issue. Weinmann p. 135.<br /> <br /> Prinz Methusalem was first performed in Vienna at the Carltheater on 3 January 1877. Aug. Cranz unknown
183554236Boston: William D. Ticknor 1835. Revised and abridged by Baron Stow 8vo pp. xii 298; original publisher's cloth gilt title on spine; text cocked corners bumped prelims lightly foxed the rest clean; ex-Amherst Library Association with a regulations label on front free endpaper gift inscription and a small stamp on title page; good and sound. Frederick Strauss was a theologian best known for his assertion that while there may have been a historical Jesus the miracles in the Bible were myths developed by the early church to support their belief that he was the Jewish messiah. Rosenbach American Jewish Bibliography 396. William D. Ticknor unknown
188436177Leipzig .: Aug. Cranz PN C. 26000 1884. Quarto. Half gray cloth with black paper boards. 1f. recto title verso blank 3-141 i blank pp. <br /> <br /> Occasional performance markings in pencil.<br /> <br /> With multiple ownership stamps of Gustav Kotany and signature of Otto Radl to endpapers title and first page of music. <br /> <br /> Slightly browned; minor creasing to upper outer corners; minor tape repair to one leaf; some ownership stamps crossed out. First Edition. Weinmann p. 134. <br /> <br /> Eine Nacht in Venedig to a libretto by Zell and Genée after E. Cormon and M. Carré's Le château Trompette was first performed in Berlin at the Friedrich-Wilhelmstädtisches on 3 October 1883 and in Vienna at the Theater an der Wien on 9 October 1883. Aug. Cranz [PN C. 26000] unknown
184821408Wien: Tobias Haslingers Witwe u. Sohn 1848. Folio. 1 title 2 blank 3-16 pp. Engraved.<br /> <br /> Disbound. Minor to moderate foxing throughout. First Edition. Weinmann p. 40. Tobias Haslingers Witwe u. Sohn unknown
1887112817Philadelphia: J.B.LIPPINCOTT.CO 1887. Hardcover. Very Good/No Jacket. 8vo - over 7¾" - 9¾" Tall. Hard Cover No Dust Jacket Very Good Condition. Previous Owner's Name On Front Free Endpaper. Wear At Top Edge Of Spine. "- The Glory Of The House Of Israel Or The Hebrew's Pilgrimage To The Holy City : Comprising A Picture Of Judaism In The Century Which Preceded The Advent Of Our Saviour The Glory Of The House Of Israel Or The Hebrew's Pilgrimage To The Holy City : Comprising A Picture Of Judaism In The Century Which Preceded The Advent Of Our Saviour <br/> <br/> J.B.LIPPINCOTT.CO hardcover
18411255011Tübingen: C. F. Osiander / Stuttgart: F. H. Köhler, 1840 / 1841. XVI; 717 S. und VIII; 739 S.; 21,5 cm; 2 fadengeh., rückengoldgepr. Halblederbände d.Zt.
