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19782090502126803254Not Available 1978. Soft Cover. Fine. Volume: 23 Not Available paperback
79369aaf19th C., lg. in-8vo, leporello folded, 35 colour plates illustrating famous japanese poets with an example of one of there famous poems. Original tissue bookcovers, wooden box.
19754461Neuenburg (pour Neuchâtel), Galerie Ditesheim, 1975. 2 volumes sous emboîtage de toile écrue, gaufrage sur le premier plat, étiquette de titre au dos.
189112197Paris, Bibliothèque Charpentier, 1891. In-12 de [4]-360 pages, plein maroquin janséniste rouge, dos à nerfs, tête dorée, couvertures et dos conservés, emboîtage bordé de maroquin rouge. Reliure signée J. Faki.
20102080402107100513elementary school 2010. Soft Cover. Fine. Number of books: 56 elementary school paperback
20042110502151100424Not Available 2004. Soft Cover. Fine. Number of books: 50 Not Available paperback
1885159113Tokyo: Tsutsumi Kichibee 1885. A classic Japanese fairy tale A charming Meiji-era edition of this famous children's tale following two young foxes from their first meeting through to their marriage ceremony. This type of literature experienced a resurgence in popularity during the 1880s as Western notions of childhood entered Japan growing a market for age-appropriate stories with an instructional element. This is part of Tsutsumi Kichibee's ten-volume fairy tale series. Other stories include The Tongue-Cut Sparrow The Quarrel of the Monkey and the Crab and The Old Man who made the Flowers Blossom. Duodecimo. Colour woodblock illustrations throughout; text in Japanese. Original colour printed wrappers renewed white thread fukuro-toji stitching mica decorations on front wrapper. A little rubbed some ink marks internally: a very good copy. unknown
1952187135Japan and United States: c.1952-57. For the Japanese African Americans were both powerful occupiers and fellow second class citizens A thought-provoking album that offers an insight into the Afro-Japanese cultural exchange during the Allied Occupation. Shearer was a Black US serviceman with Fleet Aircraft Service Squadron 120 stationed at Iwakuni 40 km southwest of Hiroshima. His album includes images of the Japanese countryside and people fellow personnel his Japanese wife Hisako and family back home in the States. Shearer 1935-1999 born in Madison Kentucky grew up in Cincinnati spending his later years in California he is buried in Fort Rosecrans National Cemetery. His ownership inscription gives his rank as ADJ2 or Aviation Machinist's Mate jet engine mechanic. From around 1954 his unit FASron-120 supported the US fleet's airborne capabilities. A few shots show him in uniform driving that workhorse of the US military the 2½ ton 6x6 truck adapted as a tanker. Some of the early shots show him with Hisako and a fellow serviceman with his Japanese girlfriend. One image pictures the latter clutching a jazz album: George Shearing's Latin Escapade 1957 reflecting the fact that "postwar Japan embraced the music of its former enemy" Van Nguyen. "The postwar period includes some of the richest chapters in the story of Afro-Japanese cultural exchange. The culmination of the Pacific War and the onset of the Allied Occupation of Japan made for heady times in the encounters between African Americans and Japanese people Postwar African Americans enlisted in droves in search of a better life on the other side of the Pacific and the Occupation saw both the genuine empathy and the messy disillusionment that comes with the lived experience of cross-cultural exchange. For the Japanese African Americans were both powerful occupiers and fellow second class citizens 'beneath' white soldiers in the world racial order" Bridges pp. 16-17. Landscape quarto 255 x 342 mm. With 75 gelatin silver photographs landscape or portrait 80 x 115 to 255 x 200 mm corner mounted on recto of 22 black thick paper leaves some captioned in pen on the image pencil numbers on verso 7 signed by Shearer tissue guards removed; comprising 34 shots of scenery and people 18 of Shearer with friends 10 of service life 7 of his family in America 5 others; and a 10 x 8 publicity shot by the Murray Korman studio of singer Clyde McPhatter 1932-1972. Original black lacquer music box album orange and white thread binding metal hinges front board painted with Japanese scene in colour rear board with feet and winding key silver speckled endpapers. Music box non-functional scratched and chipped at extremities especially spine and front board lower corner photographs bright a few slightly creased: a very good example. Will Bridges Playing in the Shadows: Fictions of Race and Blackness in Postwar Japanese Literature 2020; Dean Van Nguyen "'Society was volatile. That spirit was in our music': how Japan created its own jazz" The Guardian 12 Jan. 2002. unknown
1928165432Tokyo: Japanese Government Railways c.1928. Seeing Japan by Rail A delightful souvenir album commemorating the visit of some Western guests to Japan at the invitation of the state railway including views of the country's rapidly developing mass transport infrastructure and the tourist locations it served. While the identities of members of the touring party are unknown many of the locations they visited can be readily discerned. The album pictures the railway line near Mount Fuji Tokyo train station the Toshogu Shrine at Nikko and the Kegon Falls. One photograph shows the party learning out of the windows of a first-class carriage while in another they pose outside the famous Fujiya Hotel run by H. S. K. Shozo Yamaguchi 1882-1944. A loosely inserted photograph of the Kegon Falls is inscribed and dated 18 May 1928 on the verso. Landscape quarto. With 20 silver gelatin photographs each c. 110 x 150 mm and mounted on card leaf. Original decorative limp cloth blue silk musubi toji binding front cover with printed and gold-flecked title label brown card leaves with decorative cloth backstrip. Covers lightly foxed and rubbed with a few small stains a little wear to extremities blue silk faded in places photographs well-preserved old tidemarks and skinning at foot of couple of leaves images unaffected. A very good example. hardcover
197928361ABTokyo 1979ff. Folio. Mit zahlreichen farbigen, teils doppelblattgroßen Abbildungen. Orig.-Leinwandbände mit Blindprägung in farbig illustr. Orig.-Pappkassette. - Prachtvolle Ausgabe der bedeutendsten Ukiyo-e Farbholzschnitte aus folgenden Sammlungen: Museum of Fine Art Boston (3 Bde), The Art Institute of Chicago (3), The Metropolitan Museum of Art & The New York Publik Library; Fogg Art Museum & Worcester Art Museum & Yale Univ. Art Gallery & Philadelphia of Art & Nelson Galery of Art & Atkins Museum of Fine Art; The Minneapolis Institute of Arts & Portland Art Museum & Achenbach Foundation für Grafic Art & Allen Memorial Art Museum & Obeelin College; Honolulu Academy of Arts & Edvin & Irma Grabhorn Collection; THe British Museum & The Ashmolean Museum & Victoria and Albert Museum & Fitzwilliam Museum; Musee Guimet & Bibliotheque Nationale Paris & Henri Vever Collection & Huguette Beres Collection; Musees Roy Aux D'Art et D'Histore Bruxelles & Rijksmuseum Amsterdam & Rijksmuseum voor Volkenkunde Leiden & Bibliotheque Royale Albert 1er, Bruxelles; Museum für Ostasiatische Kunst in Berlin und Köln & Museum für Kunst und Gewerbe, Hamburg & Theodor Schweiwe Coll. & Museum Rietberg, Zürich & Baur Coll., Geneve & Walter Amstutz Coll. & Otto Riese Coll. & Wiener Schindler Coll. & Österreichisches Museum für Angewandte Kunst; Tokyo National Museum; Freer Gallery of Art.
189025344AJapan, ca. 1890. 9 Fotografien im Format ca. 20,5 x 27 cm (Fotopapier), ca. 31 x 40 cm (Karton); 37 Fotografien im Format ca. 19 x 25 cm (Fotopapier), ca. 23,5 x 32 cm (Karton).
92059ABo.J. Vermutlich Mitte 16. Jahrhundert.
10959P., Société d'Editions d'Art, 1898, 1 vol. in-8° (275 x 178), relié 1/2 maroquin chocolat à coins, dos à 5 nerfs richement orné, date en queue, filet doré bordant les plats, tête dorée, couverture illustrée de motifs Art-nouveau dorés par Léon Rudnicki et imitant une reliure en parchemin et dos conservés (Canape), de (1) f. bl. - (2) ff. (faux-titre, justif au v°, titre) - 50 pp. - (1) f. (achevé d'imprimer) - (1) f. bl. Très bel exemplaire parfaitement établi par Canape.
1974002350Vence Pierre Chave 1974 In-12 en feuilles sous emboitage de l'éditeur
1929135961929 P., Editions Orion, 1929, 1 vol. in-4° (248 x 193 mm) broché sous couverture blanc cassé rempliée, titrée au dos et au plat supérieur, étui cartonné recouvert de papier vert, de (2) ff. (faux-titre avec justificatif au verso et titre) - VI pp. (préfaces) - 249 pp. - (2) ff. (notes et achevé d'imprimer).Cahiers désolidarisés du dos (non recollés pour faciliter une éventuelle reliure), étui légèrement frotté avec un coin choqué, parfait exemplaire par ailleurs
195891202AB1958. Bildgrösse/Platte: 27x49 cm - Blattgrösse: 50x66 cm. Unten rechts signiert "Hamaguchi", links nummeriert: 21/50 An den Rändern etwas vergilbt.
192686404Hakubunkan | T?ky? 1926 | 19.50 x 11 cm | relié
1925180215[Paris], Édition du Siècle, 1925. 6 Bll., 100 lose Tafeln, darunter 30 farbige, in grün. OHLwd.-Mappe mit farbig gemusterten Deckeln, farbig gemusterter OHLwd.-Schuber, 2°,
1949260461949. Librairie Floury, Paris. Mit 21 Illustrationenund einer Suite mit 22 Tafeln von Henri de Toulouse-Lautrec. Originalpappband in Originalpapphülle. [92] Seiten. 31 x 22,5 cm.
197149183ABTokyo, Edition Unida, 1971. Folio. 6 leaves with text and illustrations. With 18 handpainted colour plates each in black illustrated wrappers and 1 orig. kite. Loose in orange-coloured folder and dark red shitsu cloth folder with bamboo clasps. In orig. cardboard box.
48147Paris.1679.In-12 en vélin d'époque.564 p.+ Tables de Chapitres.1 carte rempliée du Japon.8 gravures.Cinq parties:1/Une relation du Japon.2/Négociation des députez en Perse et Aux Indes.3/Commerce des Indes Orientales.4/Royaume de Tunquin.5/Les Hollandais en Asie. Bel exemplaire. Au dos, titre et date à l'encre.Manque de vélin sur les bords des plats.petit manque de papier en bordure horizontale de la page de garde.Réparation ancienne de la carte.Intérieur et gravures très frais.
188033455Japan: No publisher ca. 1880. An Album of copies of Literati Paintings. Illustrated with 56 Literati Paintings mounted on 25 double-sided accordion-fold boards some with woodblock colour some finished in colour by hand the illustrations mounted with gilt-speckled borders. Oblong folio the album 28 3/4 x 17 1/2 cm. the paintings 22 x 13 1/2 cm. the upper cover of the album with original padded silk brocade and paper label. The album includes 7 'Poetry Competition paintings and poems from the '100 Famous Poems' an 8th century Heian period compilation. A very pleasing example well preserved with minor rubbing to the extremities the mountings and illustrations all in fine condition. A FINE EXAMPLE. THE JAPANESE ART OF BUNJIN-GA WAS INTRODUCED IN THE 17TH CENTURY FROM CHINA'S SOUTHERN SCHOOL OF PAINTING. This occurred during the Ming dynasty through the 'Painting Manual of the Mustard Seed Garden' although that in itself was based on Song and Yuan dynasty landscape painting; and the poetry of the Japanese literati painting was in the style of Classical Chinese poetry termed Kanbun in Japan.<br> Literati painting in Japan is generally referred to as Bunjinga literati painting; Ch. Wen ren hua or Nanga Southern School painting; Ch. nan zong hua both terms borrowed from China. Wen ren hua refers to the status of artists who belonged to the scholar-gentleman class. Nan zong hua was coined by the Chinese painter and theorist Dong Qichang b. 1555–d. 1636 who used it to describe art by literati ostensibly amateurs whose paintings were indebted to their mastery of calligraphy expressed their inner feelings and sought to capture the spiritual essence of their subjects. Japanese Literati Painting and Calligraphy<br>P. J. Graham F. L. Chance.<br> No publisher hardcover
1904000013623New York: Underwood & Underwood Publishers / Keystone View Co 1904. Stereograph Photographs. Near Fine. Stereograph photographs mounted on stiff brown paper board printed in black. Each card measures 18 cm x 9 cm each photograph measures 8 cm x 8 cm. Two photographs mounted on each card. Each card states "Underwood & Underwood Publishers" with various cities listed and then at the opposite end of the card the words "Works and Studios Arlington N.J. / Westwood N.J." printed. Captions in English on the recto a long caption in English on the verso of each card these long captions taken from From Notes of Travel No. 8 published by Underwood & Underwood. Below the long captions on the verso of each card there are short captions printed in English French German Spanish Swedish and Russian. Each card numbered 1 to 100. 99 out of the 100 photographs called-for are present. The photographs are housed in a brown cloth case lined with grey linen gold lettering and rules on one side of the case. Offered with these stereograph photographs is a Telebinocular Stereoscope a black binocular-type device with a holder for a stereograph card that is adjustable. When a card is placed in the stereoscope the device gives the photograph an intended three-dimensional appearance. The stereoscope is housed in a navy cloth case lined on the inside with black cloth the case lettered and ruled in gold. The photographs offered here show a myriad of views of Japanese culture and values. Highlights include steamships in Yokohama rickshaws Meiji-era clothing family life views of Japanese schools and schoolchildren millet and barley farming a Buddha statue in Kakamura Mt. Fuji views of Kobe Hiroshima Nagasaki and so much more. The photographs are brilliant and clear and are a wonderful record of life in Japan at the turn of the twentieth century. The photographs are nearly Fine the cloth case has just a touch of rubbing. The stereoscope case has more noticeable rubbing but is overall sharp. Underwood & Underwood Publishers / Keystone View Co unknown
1715E05562 volumes. 2865911 pages with 4 plates and index; 106786 pages with 4 plates one folding and index. Quarto 10" x 8" bound in half leather with raised spine bands in gilt lettering to spine over marbled boards. Streit-Dindinger VI 1418. Second edition of a 1689 history of missions to Japan prefaced with a general account of the country.<br /><br />Jean Crasset was an ascetical writer born at Dieppe France 3 January 1618 and died at Paris 4 January 1692. He entered the Society of Jesus in 1638 became professor of humanities and philosophy was director for twenty-three years of a famous sodality of men connected with the professed house of the Jesuits in Paris and was also a successful preacher. Crasset is the author of many ascetical works among which are:Methode d'oraison; Considérationes chrétiennes pour tous les jours de l'année; La chrétienne in soli tude; Dissertation sur les oracles des Sibylles which was vigorously attacked; Entretiens pour la jeunesse. He also published in 1689 a Historie de l'église du japon which has been translated into several languages but which is considered inferior to that of Charlevoix. Crasset's history was scarcely original for it was drawn in great part from the work which Father Solier had issued in 1627; he merely retouched the style and continued the narrative from 1624 to 1658. The objection is made that the work lacks precision is heavy and is crowded with details. The author attributed the origin of the persecution of 1597 to the imprudence of the friars in making their religious ceremonies public. There is a posthumous work of his entitled La foy victorieuse de l'infidélite et du libertinage. On 9 September 1656 the Bishop of Orléans issued an interdict against him for having in one of his sermons charged several ecclesiastics with sustaining the propositions condemned by the Bull of Innocent X Cum occasione 31 May 1653. The interdict was removed in the following February.<br /><br />Condition:<br /><br />Nicely rebound in half leather. Contents toned and damp-stained St. Charles Borromeo Seminary stamp on titles else a very good set. François Montalant hardcover
