Yves MONTANDBiblio.com
48 390 résultats
194687774s. l.: S. n. 1946. Fine. S. n. s. l. s.d. ca 1946 12 x 16.50 cm une feuille Original inscribed photograph showing Yves Montand dressed as a cowboy and pointing a revolver in his right hand. Yves Montand is slightly facing forward. Vintage silver gelatin print. On the verso Yves Montand's name is misspelled twice. Autograph inscription signed by Yves Montand at the bottom of the photograph: ""Pour Michel amicalement Y.Montand.""  S. n. unknown
196088194Paris: Studio Philips 1960. Fine. Studio Philips Paris s.d. ca 1960 18 x 24 cm une feuille Original photograph from Studio Philips showing Yves Montand posing with his hands crossed over his mouth. On the verso of the photograph a press clipping has been pasted alongside which is written this notation in blue felt pen: ""Photo J.L. Sieff libre droits de presse"". Autograph inscription signed by Yves Montand in the lower left portion of the photograph to Claude Armand. Provenance: from the collection of the great autograph collector Claude Armand. Studio Philips unknown
196088322London: Studio Philips 1960. Fine. Studio Philips London s.d. ca 1960 20.50 x 25.50 cm une feuille Original photograph showing Yves Montand seated and posing with his hands crossed on his left leg. Printed studio stamp on the verso of the photograph and this handwritten pencil notation: Let's make love. Let's make love Le milliardaire is a film by George Cukor released in 1960 with in the leading roles Marilyn Monroe and Yves Montand. Autograph signature dated 1988 by Yves Montand in the lower part of the photograph. Provenance: from the collection of the great autograph collector Claude Armand. Studio Philips unknown
196846085Paris: E.D.I. 1968. Fine. E.D.I. Paris 1968 13.50 x 21 cm broché First edition. Illustrated covers. Pencil annotations in margins of some pages. Small angular fold marks on covers one light harmless tear at foot of spine. E.D.I. unknown
195658399Paris: Gallimard 1956. Fine. Gallimard Paris 1956 12 x 19 cm broché First edition one of 25 numbered copies on pur fil paper the only deluxe copies. A rare and handsome copy. Gallimard unknown
192624321Paris: La Pensée Française 1926. Fine. La Pensée Française Paris 1926 21.50 x 27 cm broché First edition one of 189 numbered copies on Arches paper deluxe copies after 11 other Arches copies enriched with duplicate suites of illustrations. Illustrations by Pierre Robiquet. A small harmless tear at head of spine otherwise a handsome copy. La Pensée Française unknown
192977237Paris: Edgard Malfère 1929. Fine. Edgard Malfère Paris 1929 12 x 19 cm broché First edition one of 100 numbered copies on pur fil paper the only deluxe copies. Handsome copy. Edgard Malfère unknown
191325606Paris: Augustin Challamel 1913. Fine. Augustin Challamel Paris 1913 16.50 x 25.50 cm broché First edition. Iconography. Three tiny marginal lacks to boards otherwise handsome copy. Augustin Challamel hardcover
193638846Paris: S. n. 1936. Fine. S. n. Paris 1936 14.50 x 19.50 cm broché First edition one of 209 numbered copies on laid paper the only printing with 1 on Japan and 10 on Madagascar. Signed autograph inscription from Yves Gandon to André Rolland de Renéville. Work illustrated with a frontispiece by Roland Goujon. Preface by Léon-Paul Fargue. Fine copy. Provenance: from the library of André Rolland de Renéville. S. n. unknown
194738847Paris: Robert Laffont 1947. Fine. Robert Laffont Paris 1947 14.50 x 19.50 cm broché First edition of the French translation by Yves Gandon one of the numbered copies on white Crèvecoeur laid paper the only printing with 64 on Rives. Signed autograph inscription from Yves Gandon to André Rolland de Renéville. Two small stains of no consequence on the back cover handsome copy complete with its publisher's slip. Robert Laffont unknown
193422830Paris: Mercure de France 1934. Fine. Mercure de France Paris 1934 13.50 x 21 cm broché First edition one of 11 numbered copies on Holland paper deluxe copy. Small tears of no consequence at foot of one joint at the deckled edges and a tear without loss at head of spine otherwise handsome full-margined copy. Mercure de France unknown
193739914Paris: Mercure de France 1937. Fine. Mercure de France Paris 1937 13.50 x 19.50 cm broché First edition one of 33 numbered copies on Arches laid paper the only deluxe copies with 1 Holland. Spine slightly sunned as well as some deckled edges handsome full-margined copy. Mercure de France unknown
194780916Paris: Editions du Chêne 1947. Fine. Editions du Chêne Paris 1947 11.50 x 19 cm broché The first edition of which there were no deluxe copies. Small tears to spine. Signed autograph inscription from Yves Farge to Carlo Rim : "". ce petit manuel de civilité puérile et honnête."" "". this little manual of childish and honest civility."" Carlo Rim author of ""Ma belle Marseille"" was a Provençal writer caricaturist and filmmaker and friend of Fernandel Raimu and Marcel Pagnol as well as André Salmon and Max Jacob. Editions du Chêne unknown
194553813Paris: Les Editions de Minuit 1945. Fine. Les Editions de Minuit Paris 1945 11.50 x 16 cm 3 volumes brochés First public edition for each volume one of 200 numbered copies on pure fil de France paper deluxe issue after 35 Madagascar copies. A handsome complete set in three volumes of these texts published under pseudonyms in clandestinity. Les Editions de Minuit unknown
195381024Paris: Les Editeurs Français Réunis 1953. Fine. Les Editeurs Français Réunis Paris 1953 12 x 18.50 cm broché First edition a Service de Presse advance copy. A minor tear to head of slightly sunned spine. Signed autograph inscription from Yves Farge to Carlo Rim and his wife Alice : ""Aux deux Rim un vieil ami."" ""To the two Rims an old friend."" Carlo Rim author of ""Ma belle Marseille"" was a Provençal writer caricaturist and filmmaker and friend of Fernandel Raimu and Marcel Pagnol as well as André Salmon and Max Jacob. Les Editeurs Français Réunis unknown
194680919Paris: Editions raisons d'être 1946. Fine. Editions raisons d'être Paris 1946 11.50 x 18.50 cm broché First edition one of the Service de Presse advance copies. Spine sunned. Signed autograph inscription from Yves Farge to Carlo Rim and his wife Alice : "". ce petit recueil de souvenirs - parfaitement imaginés - du temps de ma jeunesse provençale."" "". this small collection of memories - perfectly imagined - from the time of my Provençal youth."" Carlo Rim author of ""Ma belle Marseille"" was a Provençal writer caricaturist and filmmaker and friend of Fernandel Raimu and Marcel Pagnol as well as André Salmon and Max Jacob. Editions raisons d'être unknown
193050731Paris: Librairie de l'art catholique 1930. Fine. Librairie de l'art catholique Paris 1930 11.50 x 17 cm broché First edition. Two tears to head and foot of spine tiny insignificant spots to upper cover internally good. A rare copy. Librairie de l'art catholique unknown
200982237Paris: Odile Jacob 2009. Fine. Odile Jacob Paris 2009 14.50 x 22 cm broché The first edition of which there were no deluxe copies. Handsome copy. Autograph inscription signed by Yves Coppens to Francis Tyszkiewicz. Odile Jacob unknown
199163126Paris: Université de Paris I Panthéon 1991. Fine. Université de Paris I Panthéon Paris 1991 21 x 29.50 cm broché First edition of this thesis submitted for a doctorate degree. A crease mark on the back cover two small sunning marks in the margin of the front cover. Rare. Université de Paris I Panthéon unknown
197877142Neuchâtel: Ides et Calendes 1978. Fine. Ides et Calendes Neuchâtel 1978 30.50 x 29.50 cm reliure de l'éditeur sous étui toilé 1 aquarelle de 54x40cm sous marie-louise et cadre First edition one of 20 numbered copies on deluxe paper the only deluxe copies. Handsome copy complete with its cloth slipcase publisher's full cream cloth binding smooth spine complete with its illustrated dust jacket. Work illustrated with reproductions of works by Yves Brayer text by Pierre Mazars. Manuscript signature of Yves Brayer below the justification page at the end of the volume. Our copy like the 20 deluxe copies is complete with its large original watercolor by Yves Brayer framed and signed by him ours reproduced in this work is entitled: ""L'Arrivée à l'Ile de Rhodes 1975"". Ides et Calendes hardcover
193082689Paris 1930. Fine. Paris 1930 19 x 32.50 cm une feuille Superb invitation poster-card for the 1930 edition of the Bal des Quat'Z'Arts still bearing its stub in the lower section. Very fine color illustration by Yves Brayer and O. Rabaud depicting a menacing Aragonese knight being charmed by an oriental dancer. The theme of the famous fine arts students' ball which took place on June 21 at the Porte de Versailles was the capture of Granada by the Aragonese knights - on the invitation one can read the following text: ""Le sultan Abou-Abdillah se fait vider de Grenade par les bandes d'Aragon ainsi que la chose s'est très véridiquement passée en 1492. Viens voir ça ma jolie et accourt avec nous vers l'Alhambra pour y boire le vin d'Espagne et danser la danse de Mograbines au son des violes."" ""Sultan Abou-Abdillah is being driven out of Granada by the bands of Aragon just as this thing truly happened in 1492. Come see this my pretty one and hurry with us to the Alhambra to drink Spanish wine and dance the dance of the Mograbines to the sound of viols."" Also printed is this prudent disclaimer from the organizers fearing some inevitable excesses and joyful demonstrations: ""le comité dégage sa responsabilité des poursuites que pourrait entraîner l'exhibition du nu sur la voie publique."" ""the committee disclaims responsibility for any prosecution that might result from the exhibition of nudity on public thoroughfares."" Light traces of wear along the upper edge. The first Bal des Quat'z'Arts a grand celebration organized by students of the École nationale des beaux-arts de Paris took place on April 23 1892. This tradition continued until 1966. « Depuis que nous allons au bal des Quat' z' Arts nous avons vu déjà plusieurs fois Babylone travestie à la mode Quat' z' Arts rien ne change et le bal des Quat' z' Arts demeure ne ressemblant à rien d'autre. Il a précédé les ballets russes et les revues de music-hall à grand spectacle il ne leur a rien emprunté par la suite fidèle à ses propres traditions. Cette fête dans un décor de palais reconstitué « à la blague » la somptuosité remplacée par l'ingéniosité tout cela ne se retrouve que là. L'esprit quat' z' art existe et se perpétue il s'est manifesté une fois de plus dans la lumière dans le charivari des cuivres et des tambours dans les danses forcenées les bousculades le tumulte d'une foule maintenue par la traditionnelle garde noire ». ""Since we have been going to the Quat'z'Arts ball we have already seen Babylon disguised in the Quat'z'Arts fashion several times nothing changes and the Quat'z'Arts ball remains resembling nothing else. It preceded the Russian ballets and the grand music-hall revues it borrowed nothing from them afterwards faithful to its own traditions. This celebration in a palace setting reconstructed 'as a joke' sumptuousness replaced by ingenuity all this can only be found there. The quat'z'art spirit exists and perpetuates itself it manifested itself once more in the light in the cacophony of brass and drums in the frenzied dances the jostling the tumult of a crowd controlled by the traditional black guard"" André Warnod Comoedia 1933. unknown
194484344Paris: Jean Vigneau 1944. Fine. Jean Vigneau Paris 1944 19 x 24.50 cm broché First edition printed in a numbered edition of 850 copies on Auvergne paper. Illustrated with an etching as frontispiece and 4 original compositions in double state by Yves Brayer. Some small spots three light stains on the back cover. Jean Vigneau unknown
198277835Paris: Michèle Trinckvel 1982. Fine. Michèle Trinckvel Paris 1982 31 x 29 cm reliure de l'éditeur sous coffrets toilé et cartonné First edition one of 10 numbered copies properly containing an original watercolor and lithograph signed by Yves Brayer deluxe copies. Publisher's full orange cloth binding smooth spine marbled paper boards complete with illustrated dust jacket its orange full cloth slipcase with flaps as well as its full kraft-style paper box. Work decorated with illustrations by Yves Brayer. Very handsome copy. The signed original lithograph and watercolor are placed under separate chemises within the orange full cloth chemise with flaps. Autograph inscription dated and signed by Yves Brayer to Bernard Gauche enriched with an original drawing in brown felt-tip pen depicting a country scene: a donkey peacefully grazing in the scrubland at the foot of Greek mountains. Date and manuscript signature by Roger Peyrefitte in turquoise felt-tip pen above Yves Brayer's drawing. Finally we include two invitation cards to the presentation of the work at Galerie Matignon on Tuesday June 15 1982 for its publication. One of the two cards bearing the manuscript signatures of Yves Brayer and Roger Peyrefitte in brown and turquoise felt-tip pens. Michèle Trinckvel hardcover
194568496Paris: Editions de la couronne 1945. Fine. Editions de la couronne Paris 1945 20.50 x 28.50 cm en feuilles sous chemise et étui Illustrated edition of a frontispiece and 19 drawings by Yves Brayer one of 15 numbered copies on Japan Ot-Su-Ki leading print after 1 Auvergne. Nice copy. Preface by Henri de Montherlant. The book is full of his suite of 16 bullfighting boards presented in a separate folder. Handwritten signature of Yves Brayer to the justification of the draw. Our copy is enriched on a guard volume of text a beautiful watercolor original Yves Baryer he signed and representing a bullfighter brandishing his muleta. Editions de la couronne hardcover
194777284Paris: Richard Lallemand 1947. Fine. Richard Lallemand Paris s. d. 1947 28.50 x 38 cm en feuilles sous chemise et étui Illustrated edition with 25 original lithographs by Yves Brayer one of 150 numbered copies on pure rag Lafuma paper. Covers and spine entirely browned otherwise handsome copy. Richard Lallemand unknown
