ANONYMOUSBiblio.com
253 630 résultats
179815285London: Published by Haines & Son No. 19 Rolls Buildings Fetter Lane 1798. Mezzotint. Printed on wove paper. In excellent condition with the exception of some glue residue on the verso of the sheet. Four vertical creases in sheet. A small abrasion in image. Image size: 9 1/4 x 13 7/8 inches. A bold hunting scene of a rider drawing cover.<br/> <br/> This early hunting scene follows the tradition of James Seymour by presenting a small format sporting picture in a bold decisive style. The artist and engraver are not recorded on the plate which was typical of works published at the period by Haines & Son. Haines & Son were prolific publishers and printsellers who catered to the decorative print market they often republished earlier plates which they acquired from other publishers such as Carington Bowles and Robert Sayer. This image which is listed as plate 2 is most likely the second plate in a set of six prints. Published by Haines & Son, No. 19 Rolls Buildings, Fetter Lane unknown
179815285London: Published by Haines & Son No. 19 Rolls Buildings Fetter Lane 1798. Mezzotint. Printed on wove paper. In excellent condition with the exception of some glue residue on the verso of the sheet. Four vertical creases in sheet. A small abrasion in image. Image size: 9 1/4 x 13 7/8 inches. A bold hunting scene of a rider drawing cover.<br/> <br/>This early hunting scene follows the tradition of James Seymour by presenting a small format sporting picture in a bold decisive style. The artist and engraver are not recorded on the plate which was typical of works published at the period by Haines & Son. Haines & Son were prolific publishers and printsellers who catered to the decorative print market they often republished earlier plates which they acquired from other publishers such as Carington Bowles and Robert Sayer. This image which is listed as plate 2 is most likely the second plate in a set of six prints. Published by Haines & Son, No. 19 Rolls Buildings, Fetter Lane unknown books
164955113Jansson Amsterdam 1649. First Edition. Hardcover Full Leather. Very Good Condition/No Dust Jacket. ANONYMOUS Pierre du Moulin. Tragicum Theatricum Actorum & Cafuum Tragicorum Londini Publice Celebratorum Amsterdam: Jansson 1649. Small octavo about 14x9cm pp. 85 3 a list of judges 85 sic-320 green morocco boards with French fillets and gilt tulips in the corners gilt lettering and ornate gilt tooling in six compartments on spine all edges gilt 8 portrait plates and 1 folding plate showing Charles I in the moment before his beheading; old dealer description attached to front paste-down. The portraits show some of the principal actors in the revolution: Cromwell Wentworth et al. The author was a Huguenot minister who spent much time in England but was living in France at the time of publication. A former owner of this book states that the binding was done by Francisque Cuzin the great 19th-century Parisian craftsman but there is no proof of that aside from the exceptionally fine tooling which could have been done by Cuzin or one of his students and imitators. In any case it is a fine piece of work. Scarce Worldcat locates 8 copies. Lowndes 2660 Barbier 1395-1396. Condition of this book: Covers lightly worn at edges joints deftly reinforced overall very good and sound. Shipments outside the U.S. may be subject to local taxes. Size: Octavo standard book size. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. All edges clean neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Antiquarian & Rare; England; Renaissance 16thc to 17thc; History. Pictures of this item not already displayed here available upon request. Inventory No: 55113. . Jansson hardcover
18805675Great Britain:: Original Watercolor c.1880-1900. Fine. Fine original watercolor on rag paper. 25.4 x 17.7 cm. Matted in Rag. Condition: Fine with minor aged paper remains to verso corners from previous mount watermarked 1902. Pathos notwithstanding and made all the more alluring by want of attribution this vivid watercolor scene grazing African Antelope was envisioned and thus executed not by a professional artist field naturalist or explorer but by an amateur or armchair traveler/naturalist /painter. The drama evident yet depiction gentle this watercolor quite plausibly was painted by a young Victorian gentlewoman who would have learned the art of nature painting as was the custom and who would have sought inspiration from the grand natural history color plate volumes of the eighteenth and nineteenth centuries. This bold and vivid naturalists' display of a tapestry of dappled foliage or the crystalline translucence of disturbed water or the splendid reticulated plumage is clearly stylized by a primitive eye yet executed with an accomplished and refined hand; the technique is learned. The resulting composition is one of dramatic charm. Matted in Rag Board Original Watercolor, unknown
18805674Great Britain:: Original Watercolor c.1880-1900. Fine. Fine original watercolor on rag paper. 25.4 x 17.7 cm. Matted in Rag. Condition: Fine with minor aged paper remains to verso corners from previous mount watermarked 1902. Pathos notwithstanding and made all the more alluring by want of attribution this vivid watercolor scene Bison Family was envisioned and thus executed not by a professional artist field naturalist or explorer but by an amateur or armchair traveler/naturalist /painter. The drama evident yet depiction gentle this watercolor quite plausibly was painted by a young Victorian gentlewoman who would have learned the art of nature painting as was the custom and who would have sought inspiration from the grand natural history color plate volumes of the eighteenth and nineteenth centuries. This bold and vivid naturalists' display of a tapestry of dappled foliage or the crystalline translucence of disturbed water or the splendid reticulated plumage is clearly stylized by a primitive eye yet executed with an accomplished and refined hand; the technique is learned. The resulting composition is one of dramatic charm. Matted in Rag Board Original Watercolor, unknown
18805672Great Britain:: Original Watercolor c.1880-1900. Fine. Fine original watercolor on rag paper. 25.4 x 17.7 cm. Matted in Rag. Condition: Fine with minor aged paper remains to verso corners from previous mount watermarked 1902. Pathos notwithstanding and made all the more alluring by want of attribution this vivid watercolor scene Active Prong-horned Antelope on the Plains was envisioned and thus executed not by a professional artist field naturalist or explorer but by an amateur or armchair traveler/naturalist /painter. The drama evident yet depiction gentle this watercolor quite plausibly was painted by a young Victorian gentlewoman who would have learned the art of nature painting as was the custom and who would have sought inspiration from the grand natural history color plate volumes of the eighteenth and nineteenth centuries. This bold and vivid naturalists' display of a tapestry of dappled foliage or the crystalline translucence of disturbed water or the splendid reticulated plumage is clearly stylized by a primitive eye yet executed with an accomplished and refined hand; the technique is learned. The resulting composition is one of dramatic charm. Matted in Rag Board Original Watercolor, unknown
18805673Great Britain:: Original Watercolor c.1880-1900. Fine. Fine original watercolor on rag paper. 25.4 x 17.7 cm. Matted in Rag. Condition: Fine with minor aged paper remains to verso corners from previous mount watermarked 1902. Pathos notwithstanding and made all the more alluring by want of attribution this vivid watercolor scene Rocky Mountain Bighorn Sheep was envisioned and thus executed not by a professional artist field naturalist or explorer but by an amateur or armchair traveler/naturalist /painter. The drama evident yet depiction gentle this watercolor quite plausibly was painted by a young Victorian gentlewoman who would have learned the art of nature painting as was the custom and who would have sought inspiration from the grand natural history color plate volumes of the eighteenth and nineteenth centuries. This bold and vivid naturalists' display of a tapestry of dappled foliage or the crystalline translucence of disturbed water or the splendid reticulated plumage is clearly stylized by a primitive eye yet executed with an accomplished and refined hand; the technique is learned. The resulting composition is one of dramatic charm. Matted in Rag Board Original Watercolor, unknown
18805676Great Britain:: Original Watercolor c.1880-1900. Fine. Fine original watercolor on rag paper. 25.4 x 17.7 cm. Matted in Rag. Condition: Fine with minor aged paper remains to verso corners from previous mount watermarked 1902. Pathos notwithstanding and made all the more alluring by want of attribution this vivid watercolor scene a quartet of prancing Wild Ponieswas envisioned and thus executed not by a professional artist field naturalist or explorer but by an amateur or armchair traveler/naturalist /painter. The drama evident yet depiction gentle this watercolor quite plausibly was painted by a young Victorian gentlewoman who would have learned the art of nature painting as was the custom and who would have sought inspiration from the grand natural history color plate volumes of the eighteenth and nineteenth centuries. This bold and vivid naturalists' display of a tapestry of dappled foliage or the crystalline translucence of disturbed water or the splendid reticulated plumage is clearly stylized by a primitive eye yet executed with an accomplished and refined hand; the technique is learned. The resulting composition is one of dramatic charm. Matted in Rag Board Original Watercolor, unknown
182135860colophon: Mexico: Imprenta imperial de D. Alejandro Váldes 1821. Small 4to 21.2 cm; 8.25". 8 pp. <br><br>On the right of Mexico to elect an emperor based on the argument that independent Mexico is heir to the pre-conquest empire of Moctezuma.<br>Â Â Â Â Searches of WorldCat and NUC find only the copy at the National Library of Mexico. The copy listed in the printed Sutro catalogue is not findable via the Sutro OPAC. <br>Â Â Â Â <br>Â Â Â Â Garritz Impresos novohispanos 4481; Steele Independent Mexico p. 22; Sutro p. 200. Removed from a nonce volume. Very nice copy. Imprenta imperial de D. Alejandro Váldes unknown books
1690739Paris: Paris Chez Antoine Dezallier 1690 1690. First Edition. 12mo. First edition. xxv26151pp.Bound in contemporary calf. 405J <br /> <br /> <br /> Baillet was from 1680 to his death librarian to M. de Lamoignon advocat-general to the parlement of Paris of whose library he produced a manuscript catalogue raisonné in 35 folio volumes. It seems ironic that one should need to cosult Barbier to discover the author of this pioneering work but the effort is rewarding for here we read that - Cet ouvrage était le premier publié en France sur ce genre de recherches bibliographiques. The subject is approached from various angles the psychology of pseudonymity the various types of cognomes etc. This was a preliminary treatise which should have been followed by a Recueil des Auteurs Déguisés but unfortunately the author died in 1706 leaving his work unfinished and it was not for another 100 years with the publication of Barbier's Dictionnaire des Ouvrages Anonymes in 1806 that the project was finally completed. In his preface Barbier pays eloquent tribute to the erudition of his predecessor. "In 1690 Adrien Baillet 1649 - 1706 published his Auteurs deguisez. A list of nearly 1700 identifications of pseudonyms accompanied this extensive and very interesting discussion. Unconsciously Baillet adopted in this list a new procedure that has had many imitators. Aprosio's Visiera alzata and Baillet's Auteurs deguisez are the first great contributions to the study of cryptonyms by librarians." Taylor & Mosher The Bibliographical History of Anonyma and Pseudonyma pp. 115-116. Baillet was librarian to M. de Lamoignon avocat général of the Parlement de Paris. Baillet's bibliographical activities left him no time to change his clothes or to eat more than one meal a day. "Des auteurs déguisés" 1690; "Des enfants célèbres" 1688. With the exception of the last which still attracts by its curiousness these books are now almost forgotten both because they are incomplete and because they have been more than replaced by the works of such writers as Brunet Querard Barbier etc. Baillet's criticisms were not accepted by all.<br /> <br /> <br /> <br /> CG VI 562; Barbier. Paris, Chez Antoine Dezallier, 1690 unknown
192619435Traduites pour la première fois du japonais par Steinilber-Oberlin et Hidetaké-Iwamura.Aquarelles et vignettes de Foujita. 10 hors texte couleurs, dont le frontispice, avec serpentes. Vignettes à toutes les pages.Edition tirée à 557 exemplaires. Celui-ci N°109, un des 470 sur vergé d'Arches.Paris, Les Éditions G. Crès et Cie 1926. - XIX et 192 pages. Collection "Les Heures légères".Broché sous couverture illustrée sur les deux plats. Pas de rousseur. Très bon état. Format in-12°(19x10).
1835000304Blois France: Imprimerie de Felix Jauyer 1835. First Edition . Wraps. Good. 12mo - over 6¾" - 7¾" tall. Frontispiece Engraving. l'Academie de Blois de Petigny Blois 1835 and Imprimerie de Felix Jauyer. Wrappers. 12mo. 72 pp. Collation complete. Spine gone; otherwise generally quite a nice copy of a hard to find piece of sexual etymological scholarship. See Graesse Vol. II p. 410 col 1. Rose 1404 "suppressed and very rare". In French one page in Latin. A strange and oddly precious paperback production from 1835 written anonymously by a member of l'Academie de Blois on the origins of the word "cuckold". Avec des Notes et Pieces Justificatives Par un Membre de L'Academie de de Blois De Petigny Augmente de Origine du Cocuange. Collation: half-title v.'Blois Imprimerie de Felix Jauyer' blank v. woodcut of "Cocu' pointing to his horns title-page v.blank dedication in Latin v. blank text with signature '2.' 72 pp. Complete. Rare. Unlikely you'll see another. L6 <br/> <br/> Imprimerie de Felix Jauyer paperback
173061831/618321 16.5 x 13.5 cm 2 16.2 x 13.3 cm two manuscript maps in pen and ink. Verso: blank; additional 1 sheet accompanying original text in a neat hand paginated 452 & 453 with header "I. Ceilan." from 'Traité de géographie universelle' without place or date France around 1730 French manuscript of the early 18th century of a treatise of universal geography apparently unpublished. The author who may have been at the head of the manuscript project is unknown but for some drawings he used the reverse side of the documents from the family archives where the name of Le Tellin de Grandval reappears - perhaps a trail for his identification This nicely drawn pen illustration is part of 63 maps and 53 figures 22 sites and monuments 11 types and costumes 9 zoological representations and 11 botanicals. pages 369-475 cover Asia.Condition: 1 small paper loss on upper right. 2 tight left & upper/lower margins otherwise excellent; verso: blank. Unpublished.
190636771906 1906 1 album oblong pleine toile maroquinée grenat, tranches rouges de 33 photographies panoramiques du sud marocain montées sur onglets.Quelques rousseurs marginales.
17010039521701 Amsterdam, Jean Malherbe, 1701. Grand in-4 oblong (197 X 314 mm) basane brune, dos cinq nerfs, caissons dorés ornés aux petits fers, titre doré, tranches mouchetées en rouge (Reliure de l'époque) ; (4) ff. de titre, préface, avis au relieur et errata, (1) carte dépliante, (4) planches dépliantes, (1) mappemonde dépliante, 109 pages, (1) page d'achevé d'imprimer, (1) f. de privilège. Épidermures sur les plats, fentes aux mors, coiffes arrachées, coins élimés, ors du titre en grande partie effacés. Ex-libris manuscrit ancien biffé, cachet encre violette sur le premier feuillet blanc et le titre.
19001866s.l., ca 1900. 35 X 26 cm (planches), 8 x 11 ou 7 x 10 cm (photos). 12 planches. Ensemble de 62 photographies originales sur papier, réparties sur 12 planches, titrées et illustrées à la main, à l'encre et à la gouache.Les photographies mettent en scène rues et monuments parisiens, statues et jardins, stations et rames du métropolitain, gares et ponts, péniches et trains. Certaines évoquent des événements festifs de la capitale, tels que l'élection de la Reine des Reines lors du Carnaval de la mi-carême ou la foire aux Pains d'épices (ancêtre de la Foire du Trône). Les transformations de l'urbanisme sont évoquées, par exemple à travers un cliché des travaux de la passerelle de Passy (futur pont de Bir-Hakeim). De nombreuses illustrations ornent également les planches : décors d'inspiration médiévale, armoiries, titres ornés, frises, personnages masculins ou féminins (en noir et blanc), une superbe grisette (encre et gouache). Au verso des planches, 7 portraits de personnalités réalisés à l'encre : Bougainville, Vernet, Charlet, Madame Roland, La Bruyère, Madame de Sévigné, P. de Ségur. Très intéressant ensemble, qui reflète une certaine diffusion sociale de la pratique photographique - au sein de l'élite bourgeoise - à la fin du XIXe siècle, en lien avec l'évolution des techniques, à la fois en ce qui concerne la prise de vue et les procédés de tirage. Equipés d'appareils d'utilisation de plus en plus aisée, de nombreux amateurs immortalisent alors les petits et grands moments de la vie de tous les jours, constituant albums de souvenirs et collections privées qui consacrent le rôle désormais essentiel de l'image dans la culture de la Belle Epoque. L'auteur de ces clichés, qui ne manquait ni d'humour ni de talent, a par ailleurs enrichi son travail artisanal d'autres éléments esthétiques : décors et ornements graphiques issus de l'univers du livre (imitant fleurons,bandeaux, culs-de-lampe, séparations de chapitres...), dessins "classiques" (paysages, portraits), inspirés du mouvement Art Nouveau ou influencés par la presse et l'affiche (typographie fantaisiste, caricatures,...).
179037295MANUSCRITO DIDACTICO.- S.l.: s.n. ca. 1790.- 128 folios o sea 256 p. manuscritos con clara caligrafÃa sobre excelente papel de hilo verjurado; 8º 172 cm.; Plena Piel pasta española época lomo liso con tejuelo.- IMPECABLE ESTADO. Curioso librito manuscrito en el cual a modo de preguntas y respuestas se va explicando de una forma muy didáctica la filosofÃa en general. Posiblemente y dada la censura en esos momentos a causa de los movimientos revolucionarios en Francia se hacÃan copias manuscritas para el uso de los estudiantes y amantes del librepensamiento que inexorablemente se iba imponiendo poco a poco. MUY RARO. FILOSOFÃA E HISTORIA DE LA CULTURA Libro en español [s.n.] hardcover
18174"1 volume in-16° demi-basane marron, dos lisse, titre doré, page de faux-titre volante, gravure frontispice coloriée au moissonneur ""Champ de Thalie"" - Gravure 1 : Lepeintre rôle de M. Pothin. Gravure 2 : Vernet rôle d'isidore. Gravure n° 3 : Gontier rôle de Chavigny. Gravure 4 : Philippe rôle de M. Jovial. Gravure 5 : Me Saint Ange rôle de Marguerite. Gravure 6 : Me Dussert rôle de la mère. Gravure 7 : Brunet rôle de M. Courtaud. Gravure 8 : Me Guillemin rôle de Me Duran. Gravure 9 : Potier rôle de l'avocat. Gravure 10 : Mlle Elisa Jacops rôle d'Anna. Gravure 11 : Me Carmouche rôle de la Reine. 192 pages 11 gravures coloriées et une frontispice. Des rousseurs éparses sont à déplorere dont l'une développée affectant une gravure sinon Bel état. Rare. La bibliographie de la France 1828 mentionne 12 planches dans cette édition qui est conforme à la description qu'en donne Carteret sauf pour le titre-gravé en noir absent ici : Les almanachs français, bibliographie (...) p. 503-504 sous le numéro d'inventaire N°2030 signalant les titres de ces gravures ""au pointillé anglais""."
176589603G. Lamesle | Paris 1765 | 7.8 x 11.4 cm | Relié
179090523J.-R. Lottin de Saint-Germain | Paris 1790 | 20 x 24 cm | Broché
187590123s. n. | s. l. s. d. [1875] | 10.7 x 14 cm | Relié
187589166Pedro Lira | Lima 1875 | 14.6 x 21.2 cm | Broché
176790755s. n. | s. l. 1767 | 36.8 x 44.5 cm | Une feuille
187490050Imprimerie Balitout, Questroy & Cie | Paris 1874 | -1 x cm | Broché
165282155Gervais Alliot Jacques Langlois par les imprimeurs ordinaires du Roy Simon Langlois | Paris 1652, 1649, 1651 | 17 x 23 cm | relié
