GEO NORGE (MOGIN Georges)Livre Rare Book
152 181 résultats
192915044Recueil de 38 poèmes orné de 2 petites compositions sur le titre et la justification, signées et rehaussées à l'aquarelle. Tiré à 41 exemplaires polycopiés. Celui-ci (N°II) sur Japon.Édition originale rare. Sans lieu, non nommé (chez l'auteur), 1929. Envoi autographe signé de Georges Mogin sur le titre, accompagné d'une étoile dorée fixée sur le papier "Et cette étoile-ci : pour l'amitié mon cher Jean. Géo 14 avril 29".Georges Mogin est né en 1898 à Bruxelles. A partir de 1923, il choisit l'écriture sous le nom d'abord de Géo Norge puis Norge. Il fonde en 1931 le Journal des Poètes puis en 1937 les Cahiers blancs. En 1983 il reçoit un hommage à la Maison de la Poésie à Paris. Il est mort en 1990.Très belle reliure demi veau gris perle à bande signée Lobstein-Laurenchet. Dos lisse aux titre et auteur dorés. Tête dorée sur témoins, non rogné. Pas de rousseur. Parfait état pour ce bel exemplaire. Format in-4°(28x21).
Années 1867, 1868, 1869, 1870, 1871, 1872, 1873, 1874, 1875, 1876, 1877 (manque 11 & 12), 1878, 1879 (Manque 12), 1880,1881, 1882 (Manque 05 &11), 1883 (Manque 02,04,05, 06, 07, 08, 09, 10, 11 & 12), 1885 (seul 07), 1887, 1889, (Man,que 12), 1890, 1891 (Manque 01), 1892, 1893, 1894, 1895 (Manque 1,2,3,4,5,6,7,8 & 9, 10,11 &12 abimés), 1896, 1897, 1898, 1899, 1900 (Manque 01,10, 11 & 12,09 abîmé). Lorsqu'il y a mentionné Année, sans commentaire, celà indique que l'année est complète de ses 12 fascicules; Soit 23 années complètes : 276 NUMEROS, + 54 NUMEROS, SOIT 330 NUMEROS.
913Années 1867, 1868, 1869, 1870, 1871, 1872, 1873, 1874, 1875, 1876, 1877 (manque 11 & 12), 1878, 1879 (Manque 12), 1880,1881, 1882 (Manque 05 &11), 1883 (Manque 02,04,05, 06, 07, 08, 09, 10, 11 & 12), 1885 (seul 07), 1887, 1889, (Man,que 12), 1890, 1891 (Manque 01), 1892, 1893, 1894, 1895 (Manque 1,2,3,4,5,6,7,8 & 9, 10,11 &12 abimés), 1896, 1897, 1898, 1899, 1900 (Manque 01,10, 11 & 12,09 abîmé).
1885171065Paris; Léon Vanier, édition originale, tirage à 511 exemplaires (réf. Marcel Clouzot), 1 volume de format 18,5 x 12,5 cm, reliure demi maroquin à coins signée P.-L. Martin, tête dorée, couverture conservée, 147 pages, très bon état.
6301875-1879 Paris, Furne, Jouvet et Cie, Pagnerre, Hachette et Cie, 1875-1879.
Prima edizione così. Ottimo esemplare. Edizione limitata a 110 esemplari. Scelta di poesie di poeti russi (Majakoskij, Pasternak, Achmatova, Cvetaeva, Mandel’stam, Zabolockij, Evtuschenko, Voznesenskij, Achmadulina) illustrate con 10 incisioni (due a doppia pagina), in nero e colore, di Mastroianni.
191217622Eaux-fortes originales de Ch. Jouas (1866-1942). 37 compositions.Édition illustrée originale tirée à 260 exemplaires. Celui-ci (N°102) un des 180 exemplaires sur vélin d'Arche, filigrané, fabriqué spécialement à la forme par la Maison Perrigot-Masure.Paris, Blaizot, Kieffer - 1912 - 207 pages. Collection Éclectique. Fac-similé de la reliure Kieffer destinée à La Cité des Eaux, reliée in fine.Ouvrage broché sous couverture rempliée, illustrée d'une vignette dorée représentant un blason, et datée. Pas de rousseur. Parfait état. Format in-8°(29x20).
193017362Orné de nombreuses gravures au burin sur cuivre d'Albert Decaris dont 20 hors-texte.Édition tirée à 359 exemplaires sur les presses d'Aimé Jourde pour le texte, et d'Edmond Rigal pour les gravures. Celui-ci (n°172) un des 300 sur vergé de Montval. Enrichi d'un dessin original signé d'Albert Decaris non noté sur la justification.Paris, Le Fuseau chargé de laine 1930.Très belle reliure plein maroquin violine signée R. et A. Mondrac. Dos lisse avec titre vertical doré. Décors mosaïqués en couleurs sur les plats, les contreplats et le dos. Gardes de velours rose avec petites pièces de cuir en couleurs. Le dessin original est contrecollé sur le premier plat de couverture. Couverture illustrée et dos conservés. Parfait état. Format in-4° (33x26).
1 vol. in-12 reliure de l'époque demi-basane marron, Calmann-Lévy, Ancienne Maison Michel Lévy Frères, Paris, 1890, 2 ff., 131 pp. ; Librairie Sandoz et Fischbacher, G. Fischbacher, Paris, 1882, 220 pp. Rare exemplaire de l'édition originale des "Rimes familières" du grand compositeur Camille Saint-Saëns, dont les poèmes sont dédicacés à Pauline Viardot, Gabriel Fauré, Augusta Holmès, Charles Gounod ou Georges Audigier. Deux poèmes évoquent le Japon : "Fouji-Yama" et "Le Japon" (dédicacé à Judith Gautier). Français
Edizione originale. Ottimo esemplare, completo in ogni sua parte (appena percettibile lieve ingiallitura perimetrale alle carte); in quarta di copertina etichetta editoriale che annuncia «Questo volume L. 1500 (Iva compresa)». Rara seconda raccolta di poesie visive, ospitata così come la prima («Poesie da montare», 1965) nella collana sperimentale «Il Dissenso», pubblicata dall’editore Sampietro di Bologna — uno dei protagonisti editoriali del periodo della neoavanguardia — per una decina di fascicoli nel corso degli anni sessanta, tutti accomunati dallo stesso, raffinatissimo design ideato dallo studio Cuniberti-Mignani. Se in «Poesia da montare» Spatola era comunque rimasto ancorato alle parole, pur slegate dai tradizionali vincoli testuali ed editoriali, qui financo le singole letter sono frammentate e decostruite per diventare, appunto, «zeroglifici». L’artista parte dall’assunto paradossale che se «i testi concreti si avvicinano spesso, data la loro dipendenza tipografica, ai testi pubblicitari, deve allora essere in qualche modo verificabile anche il contrario: i testi pubblicitari sono cioè già, almeno tipograficamente, progetti di poesia concreta» (dalla quarta di copertina). Il libro inaugurò una delle vie di Adriano Spatola all’interno della poesia visiva (o concreta che dir si voglia), probabilmente la più originale, coltivata indefessamente fino agli «Ultimi zeroglifici» — appunto — del 1985, a tre anni dalla prematura scomparsa dell’artista. -- Il primo «Zeroglifico» avrà l’onore di una seconda edizione / anniversario nel 1975, come numero 20 della collana «Poesia» delle Edizioni Geiger, con una prefazione di Giulia Niccolai, poetessa, traduttrice e per un ampio periodo compagna di vita e di lavoro di Adriano Spatola, quindi indefessa redattrice del progetto Geiger in tutte le molteplici sue forme. La seconda edizione sarà prontamente tradotta in inglese due anni dopo da Paul Evangelisti, per i tipi di The Red Hill Press, Los Angeles - Fairfax. Tonini, I libri di Adriano Spatola (2011), n. 3; Fontana, In forma di libro, p. 31; Osti e Minarelli, 3 editori storici d’avanguardia, p. 53 (con illustrazione)
Con 7 incisioni originali di Orfeo Tamburi firmate a matita (cm 12x12, raccolte in singole cartellette con velina protettiva). Testo in francese di Georges Hugnet Volume stampato su carta Fabriano Rosaspina. Incisioni tirate a mano sui torchi dell'Atelier di Piergiorgio Spallacci. 4to (cm 29x24). pp. 8+incisioni. . Ottimo (Fine). . Edizione originale di 100 es. numerati. .
Prima edizione, parzialmente originale. Ottimo esemplare, piuttosto fresco e pulito, sostanzialmente integro anche alla copertina (da segnalare appena una fessura professionalmente fermata al dorso, che rimane tutto originale): non comune in queste condizioni. Prima raccolta organica dell’autore, dopo le rarissime plaquette «Porto Sepolto» (Paris 1916) e «La Guerre» (Paris 1919). Raccoglie con varianti la maggior parte delle poesie pubblicate alla data (nelle plaquette citate, e su alcune riviste militanti come «Lacerba», «La Brigata» ecc.), più alcune inedite.
19227368Paris, H. Piazza, 1922. In-8 (163 x 231 mm), 160 pp., 3 ff. n. ch. Broché, couverture violette imprimée d'éditeur rempliée, étui.
19484348Paris, Gallimard, 1948. In-8 broché de 271 pages. Traces de plis à la couverture.
24674LONDON STOCKDALE 1782. FIRST EDITION REBOUND IN RECENT ATTRACTIVE MARBLED BOARDS NEW ENDPAPERS. TITLE PAGE49 pp. THE ATTACK ON THOMAS WHARTON'S HISTORY OF ENGLISH POETRY. THE TONE OF HIS OBSERVATIONS IN WHICH WHARTON IS TREATED AS A PRETENDER IS CHARGED WITH CHEATING AND LYING TO COVER HIS IGNORANCE CAUSED A SENSATION IN LITERARY CIRCLES. RITSON WAS SAID TO HAVE DESTROYED MANY COPIES AFTER HE REPENTED HIS ATTACK HENCE VERY SCARE. LONDON, STOCKDALE, 1782 hardcover
1945058571New York: Owen Dodson 1945. First Edition . Single Sheet Folded. Fine. Plates and illustrations in text. Single Sheet Folded With Printed Poem On First Page: "Open Letter Brothers Let Us Discover Our Hearts Again . Bury That Agony Bury This Hate Take Our Dark Hands In Yours. Signed In Ink Owen Christmas 1945." The Poem Was Reprinted As The Last Poem In His 1946 Book "Powerful Long Ladder." Signed Beneath The Poem "Owen" And Additionally Inscribed Inside By Owen Dodson "Dear Hilda Thanks For The Encyclopedia It's Just What I've Needed For Long. Take Care Of Yourself And Come Back Soon. As Ever Owen." The Inscription Is To Hilda Simms April 15 1918 - February 6 1994 The African-American Stage Actress Best Known For Her Starring Role On Broadway In Anna Lucasta In 1944. Born As Hilda Moses In Minneapolis Minnesota One Of Nine Siblings She Studied Teaching At The University Of Minnesota Until Lack Of Money Forced Her To Leave. Anna Lucasta And Ms. Simms' Performance In The Title Role Created A Stir When The Play Written By Philip Yordan And Produced By The American Negro Theater Moved From Harlem To Broadway In 1944. In 1943 Ms. Simms Moved Permanently To New York. She Acted In Radio Dramas And Joined The American Negro Theater Where She Was In Charge Of Sound Effects Props And Publicity. In 1947 Ms. Simms Went With The Play When It Moved To London. Under The Alias Julie Riccardo She Sang In Nightclubs In Paris Nightclubs Before She Returned To The Usa In 1953 To Make The Film The Joe Louis Story. Her Other Film Role Was In The Black Widow 1954. She Also Appeared In The Cool World 1960 As Well As A Revival Of The Madwoman Of Chaillot 1970 In New York. On Television She Was In The Series The Nurses. As The Director Of The Creative Arts Program Of The New York State Division Of Human Rights In The 1960S She Focused Attention On Discrimination And The Lack Of Roles For Black Actors In Film And Television. After Earning A Master's Degree In Education From City College She Worked For Drug Treatment Programs. <br/> <br/> Owen Dodson unknown
1936035841Oxford: University Press 1936. 1st Edition . Soft cover. Good. 15 Pp. Softcover First And Only Edition. Color Title On Both Covers And On Inside Of Rear Cover. Text Is A Memorial Poem By Edward James For His First Cousin Edward Vii. Surrealist Photo Montage On Cover Artist Unknown; This Could Be By James Or One Of His Surrealist Friends. Covers Worn Small External Tape Repairs To Top Center And Bottom Spine Edge; 1" Triangular Chip At Center Of Right Edge Of Front Cover; Content Clean But All Pages Detached As A Group While Still String-Bound. Edward James British Heir Usually Considered To Be A Son Of Edward Vii Author Was An Important Collector And Supporter Of Surrealism. His Family Home The West Dean Estate He Donated To Found A College Devoted To Fostering Skilled Useful Arts.He Took As His Personal Home A Smaller House On The Estate Monkton Which He Filled With Surrealist And Other Fine Art Including Work On The House Itself By Noted Surrealists. While In Hollywood He Advocated For The Saving Of The Watts Towers After They Were Abandoned By Simon Rodia. By His Design And At His Own Expense. Las Pozas "The Pools" Was Created By James Circa 1949-1984 More Than 2000 Feet 610 M Above Sea Level In A Subtropical Rain Forest. It Includes More Than 80 Acres 32 Ha Of Natural Waterfalls And Pools Interlaced With Towering Surrealist Sculptures In Concrete. Las Pozas Is Near The Village Of Xilitla San Luis Potosí A Seven-Hour Drive North Of Mexico City.Where It Is Now Maintained As A Foundation. <br/> <br/> University Press paperback
1948056693London / New York / Toronto: Oxford University Press / Bernard Chester Middleton 1948. Reprint . Hardcover. Fine/Slipcase. 18 Tipped-In Color Plates. Xv 587 Pp. A 1948 Reprint Of The Classic Collection Of Early English Poetry 6 1/4" X 3 7/8" . In A Deluxe"Yellow Goatskin" Binding "Gilt-Edges Black Suede Doublures. Gold Tooled With Black Onlays" Marbled Free Endpapers All Edges Gilt Also With His Slipcase With Matching Goat Open Edges. Also With Middleton's Handwritten 1996 Invoice For 455 Pounds. Per Wikipedia Bernard Chester Middleton Mbe 1924 - 2019 Was A Preeminent British Restoration Bookbinder. He Was Regarded As One Of The Foremost Book Craftsmen And Trade Historians Of Modern Times Lecturing And Teaching In Europe Belgium Switzerland And The Netherlands And The Americas Brazil The United States And Venezuela. He Authored Two Major Works A History Of English Craft Bookbinding Technique 1963 And The Restoration Of Leather Bindings 1972 Which Became Essential Reading For Professional Bookbinders Scholars And Collectors. In The Trade He Was Known As "The Great Man". He Was Elected A Fellow Of The Royal Society Of Arts In 1951 And In 1986 Was Awarded An Mbe For Services To Bookbinding. His Gold-Tooled Bindings May Be Seen In The British Library The Victoria And Albert Museum The Royal Library Windsor And The Wormsley Library And In Other Major Libraries Worldwide. <br/> <br/> Oxford University Press / Bernard Chester Middleton hardcover
1876059653New York: W. J. Widdleton 1876. First Edition Thus . Hardcover. Very Good. Three Of Four Volumes In Red-Brown Cloth Brown Endpapers Spines Gilt Boards Blind Stamped. Some Wear No Fraying Gilt Bright. We Would Also Like To Purchase A Matching Volume Ii To Complete This Set <br/> <br/> W. J. Widdleton hardcover
1964043821Iowa City: The Stone Wall Press 1964. 1st Edition 1st Printing. Hardcover. Fine. 53 Pp. Gilt #80 Of A Limited Edition Of 225 Copies Strand's First Book. Red Cloth Gilt; All Text Printed In Grey-Brown With Contents Page Using Arabic Numerals. Fine No Wear Gilt Brilliant No Faults. Lacking The Original Clear Acetate Dust Jacket. <br/> <br/> The Stone Wall Press hardcover
183018829Edition originale rare et peu courante de cette pièce de Victor Hugo. Représenté sur le Théâtre-Français le 25 février 1830.Paris, Mame et Delaunay-Vallée, 1830. 154 pages (avec l'erreur de pagination à la page 80 comme indiqué chez Vicaire.)Reliure demi-cartonnage brun moucheté. Joli cartonnage avec le dos orné de filets dorés. Pièce de titre maroquin havane. Pages de garde brunies. Pas de rousseur sur le texte. Très bon état. Format in-8° (21x13).
193219417Illustré de 35 lithographies originales érotiques en sanguine de Jean Berque.Tirage limité à 99 exemplaires. Celui-ci N°59 contient 8 planches hors commerce inédites en fin de volume, et un dessin original en couleurs.Paris, chez Philippe Gonin - 1932 - 55 pages.Très belle reliure plein veau fauve de l'époque signée Forbin. Etui bleu bordé de cuir fauve. Dos lisse avec titre et auteur. Couverture et dos conservés. Pas de rousseur. Parfait état. Format in-4° (31x26).
1964006347Bloomington Indiana: Indiana University Press 1964. The Latin Text. With an English translation by Willis Barnstone and twelve lithographs and ten woodcuts by Rudy Pozzatti. 42pp. Contents Fine in Near Fine clamshell grey linen case with woodcut printed paper label ribbon marker small chips to bottom corner of case faint bleed to ink at label. Number 272 of 325 copies. The lithographs were pulled at Il Torcoliere in Rome and printed on Cartiere Enrico Magnani Pescia. Book designed by George Sadek. Text handset in Emerson type and printed with the woodcuts from the original blocks on Rives paper by Joseph Blumenthal at The Spiral Press New York. A quite well-preserved copy of this gorgeous Pozzatti limited edition complete with all 12 of the original lithographs. . SIGNED BY ILLUSTRATOR. Limited and Numbered Signed 1st Edition. Fine/No Jacket As Issued. Illus. by Rudy Pozzatti. Elephant Folio - over 15" - 23" tall. Limited Edition. Indiana University Press unknown books
1799000119Paris: J.B. Fournier P.N.F. Didot 1799. Hardcover. See Description. Tall 8vo. 5 vols. This copy dated "an septieme 1799." Vol. I. pp. 435 1 blank Vol. II. pp. 410 2 blank Vol. III. pp. 4 365 2 blank Vol. IV. pp. 4 352 Vol. V. pp. 6 352. Volumes I-III contain frontispiece engravings. Volume I contains an additional engraving opposite p. 74. Bound in period straight grained morocco binding blind stamped and gilt. All edges gilt. Corners a bit bumped; minor wear to extremities; tiny chip to head cap of vol. I. Initial and final blank leaves foxed. The interiors are generally clean with only mild scattered foxing a bit heavier in volume I. Small inscription on verso of fly-leaf in first volume. This edition is based on Lenglet Dufresnoys 1735 edition. The "Roman de la Rose" was one of the most important Medieval French poems. The work is divided into two sections. The first written by Guillaume de Lorris in the early to mid 13th century is an allegorical dream addressing the Art of Love. The second written in the late 13th or early 14th century by Jean de Meung continues the poem in a different vein turning the work into a satire and a commentary on contemporary society. The poem contains long digressions in which an encyclopedic mass of information on various topics is set forth including "satires on women attacks on the magistrates the hereditary nobility and the mendicant friars disquisitions on the origin of society and of royal power on property pauperism and marriage on the relations of nature and art on hallucinations and sorcery and on the physical sciences." Oxford Comp. to French Lit p. 630. Over time great interest has been attached to the allegorical meaning of the poem which is open to diverse interpretations. The work contains much alchemical symbolism. Also included are "Le Codicille de Maistre Jean de Meung" and " Le Testament de Maistre Jean de Meung" as well as several related alchemy tracts "Le Remontrances de nature a lalchymiste errant par Jean de Meung"; "Le Response de lalchymiste a nature"; "Testament attribute a Arnauld de Villeneufve"; "Petit traicte dalchymie intitule le sommaire philosophique de Nicolas Flamel"; "La Fontaine des Amoureux de science"; "Balade du secret des philosophes". Vol. V includes Lantin de Damereys "Supplement au glossaire" first printed in 1737. This is a heavy set. Please inquire about postage. Brunet 1175; Graesse IV pp. 262-3 both listing a 1798 printing. <br/> <br/> J.B. Fournier, P.N.F. Didot hardcover
009600Cleveland: Bits Press 1978. Book. Near Fine. Stapled Wrappers. First Edition. 8vo - over 7¾" - 9¾" tall. The much beloved Pulitzer Prize and National Book Award winning poet's SCARCE third book. Near Fine sun fading along spine and top edges tiny bump top edge front wrapper. Internally clean bright and unmarked. Bits Press Paperback
