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149329022[Freiburg, Kilian Fischer für Wolfgang Lachner in Basel, nicht vor 2.V.1493]. 184, 103, 1 weißes Bl. Mit farbig eingemalter Initiale mit Randverzierungen über den gesamten Innensteg. Fol. (32,5 x 21,5 cm). Blindgeprägtes braunes Leder der Zeit auf Holzdeckeln.
152720990Köln, Quentell und Mainz, Schöffer 1527, 1527. 19,6 x 15,6 cm. Blindgeprägtes Leder der Zeit über Holzdeckeln auf 3 Bünden, Metallschließen fehlend.
174131833Midhurst West Sussex England 1741. Very Good. Midhurst West Sussex England 1741. Original large example of "Scherenschnitte" or scissor art depicting scenes predominantly from the Old Testament 41x32cm.; mounted within a scherenschnitte paper frame 51x43cm. The entire display is laid down on black mat in a 19th-century frame not examined out of frame. <br /> <br /> Scherenschnitte is the folk art tradition of cutting paper designs often incorporating rotational symmetry and silhouettes. A treasured Chinese art dating back to the invention of paper the tradition was adopted in Europe in the 16th century before making its way to Colonial America primarily the Pennsylvania region two centuries later.<br /> <br /> This is a stunning English example in which the plethora of intricate detail can take some time to take in. The interior centerpiece depicts Adam and Eve under the forbidden apple tree. They and their furry friends are surrounded by an intricate floral border. Below: the twelve Apostles; above: Mary in the manger Christ on the cross and Jesus ascending to Heaven. <br /> <br /> Radiating outward lie what are to us the most impressive part of this piece - eighteen vignettes sixteen from the Old Testament each admirable for their skillful artistry and execution. Jonah and the Whale Cain slaying Abel Death and Time the Last Judgment and Hell are all depicted the latter in the form of a fire-breathing monster. Happily for the historian the British royal arms are depicted as well as a circular lozenge stating the date and a name: "January 1741" and "James Cox" presumably the artist.<br /> <br /> Around the whole is a splendid 4cm-wide border executed in eight scissor-cut strips glued together and each with two or three cut circles within which the artist has written the titles of each Bible scene. Each circle has its own surrounding design with only a couple examples repeated. Though we don't know when it arrived in America this piece was found in a Lancaster Pennsylvania house. A truly superb example of this traditional folk art and a lovely survival. . unknown
165144943Straßburg, Lazarus Zetzner, 1651. (16), 1109, (41) SS., l. w. Bl. Mit 3 gefalt. Tabellen, 1 Ausschneidetafel sowie zahlr. schematischen Textholzschnitten. - (Beigebunden) II: Alsted, Johann Heinrich. Clavis artis Lullianae, et verae logices duos in libellos tributa. Ebda., 1652. (8), 150 SS. Mit einigen schematischen Textholzschnitten sowie einer Ausschneidetafel. Pergamentband der Zeit auf 3 durchzogenen Bünden mit hs. Rückentitel und Spuren von Bindebändern. 8vo.
8vo. (16), 1109, (41) pp., final blank. With 3 folding tables, 1 cut-out plate, and numerous woodcut diagrams in the text. - (Bound with) II: Alsted, Johann Heinrich. Clavis artis Lullianae, et verae logices duos in libellos tributa. Ibid., 1652. (8), 150 pp. With several woodcut diagrams in the text and a cut-out plate. Contemporary vellum on 3 bands with ms. spine title and traces of ties. Last of Zetzner's four collected editions, as usual including Alsted's "Clavis". Contains not only Lull's works and other writings ascribed to him, but also works by other authors, such as three treatises by Giordano Bruno ("De specierum scrutinio", "De lampade combinatoria Lulliana" and "De progressu & lampade venatoria logicorum") and a commentary by Agrippa of Nettesheim on Lull's "Ars brevis". - With all three folding plates and the frequently lacking plates showing woodcut discs, intended to be cut out and mounted over the woodcuts in the text. - Binding somewhat rubbed. Variously browned throughout due to paper; insignificant edge defects to title page. A good copy from the library of the classical scholar and polymath Abraham Jakob Penzel (1749-1819) with his autograph ownership ("Teschiniae a. d. III. Non. VIIbris MDCCLXXXXII") on front pastedown; his bibliographical notes on the flyleaf. I: VD 17, 1:064275P. Rogent/D. 233. NLM 17th cent. 7187. BL (German books) L 1230. Ferchl 327. Duveen 372. Brüning 1801. Palau 143.678. Salvestrini (Bruno) 4. Cf. Wellcome I, 3908. Dorbon Ainé 2793. Ferguson II, 49. - II: VD 17, 1:064288T.
15079380Venedig, (Peter Liechtenstein), 1507. 8 nn Bll., 219 num. Bll. mit Titelholzschnitt. 4°. HLdr. des 18. Jahrhunderts mit Rückenschildern und Rückenvergoldung (leicht berieben und bestoßen).
2363-21[Russland 19. Jahrhundert]. [Manuskript]. Folio. 1 zusammengeklebtes Bl., 1 w. Bl., 117 Bll. u. 11 w. Bll. Mit einigen, teils mehrere Zeilen übergreifende Initialen; in roter u. schwarzer Tusche geschrieben. Ldr.-Bd. über Holdeckeln mit geprägtem Deckel- u. Rückentitel (Goldreste), 2 (intakten) Messingschließen, 4 (von 5) Messing-Buckeln auf dem Hinterdeckel u. Messing-Stehkantenschonern an den unteren Kanten. Etwas berieben u. kleinere Kratzspuren. Innen erste u. letzte Bll. mit wenigen, dezenten Wurmlöchlein. Leicht gebräunt, Tusche leicht durchscheinend. Hinterer Spiegel u. flieg. Bl. mit privaten Notizen in Kyrillisch aus dem 20. Jhdt. in Tinte u. Kugelschreiber. [4 Warenabbildungen]
153442216Sans lieu (Cologne, Johann von Aich), 1534. In-12 de (144) ff. (sign. A-S8), maroquin rouge, dos lisse orné, pièces de titre en maroquin olive, triple filet doré d'encadrement sur les plats, tranches dorées (reliure du XVIIIe siècle).
Cinque tomi in folio (cm. 21,1x30,2), legature piena pergamena molle coeva con integrazioni ai dorsi, titoli calligrafati ai dorsi, cc (169) per il primo tomo; per il secondo; (304) per il terzo; (244) per il quarto; (83), per il quinto. Cinque frontespizi con suggestiva incisione silografica a piena pagina, in due differenti versioni,raffiguranti enorme basilisco: creatura ibrida tra gallo e serpente, reggente lo scudo di Basilea, su due delle incisioniè impresso "Basilea 1511". Testo in carattere gotico su due colonne, con chiose marginali; al colophon del tomo quarto,dati tipografici con stampatori, luogo e data, scritta "1511". Esemplare genuino, bruniture sparse, sguardie rifatte, ex libris ms"R.D. Caroli Salutii" in calce a tutti i frontespizi (Carlo Saluzzo, dell'omonima storica famiglia), al primo la data "1714"; altro antico ex libris cancellato a penna con svolazzi volti a simulare chiaroscuri e rilievi nello scudo del disegno, molti capilettera disegnati con volute della stessa penna; al tomo sesto, manca(16),bianca. Il capolavoro di san Antonino (1389-1459), domenicano, arcivescovo, diplomatico,difensore del popolo fiorentino, fondatore del Convento di San. Marco a Firenze fulcro di Umanesimo: uno dei fondatori della moderna teologia morale e etica sociale cristiana, Autore umanista impresso in sontuosa suggestiva edizione da triade di altri umanisti, i celebri stampatori di Basilea, (Froben fu in società con Petri dal 1496 e con Amerbach- che studiò a Parigi e il cui figlio faceva parte della cerchia di Erasmo- dal 1500) le cui edizioni contribuirono al progresso del pensiero oltre che della tecnica editoriale. Affascinante esemplare di opera eminente. un esempio censito in COPAC. non in Adams; Graesse1, p. 154. Panzer, VI, 188, 97.
186164764Stuttgart, Verlag von Krais & Hoffmann, 1861. 4°. Mit 9 (3 tlw. mehrf. gefalt.) lithogr. Tafeln. XL, 435 (1) S., Mod. HLdr. m. etw. Rückenverg. u. goldgepr. Rückentitel.
187741143Lyon u.a., 1857-1877. Zus. 72 S., 8°.
1783002461Paris, Bastien, 1783
173812027ABAugspurg (Augsburg), Franz A. Ilger, 1738. Gr.-4°. 12 n.n. Bll. + 534 + Leerbl. + 559 + 1 S. OLd. der Zeit, mit zwei Orig. Schließen., Abbildung
cc. (6), CXXXIII, manca l’ultima bianca, al frontespizio nome dell’autore in caratteri calligrafici, e incisa su legno il San Giovanni Battista (Kristeller 328) con il monogramma “bMo” di Benedetto Montagna; all’ultima pagina la marca tipografica di Tacuino incisa su legno; nel testo capilettera incisi, al fol. I capolettera e titolo stampati in rosso, diagrammi nel testo, tra ui uno che raffigura un’eclissi. Buon esemplare marginoso. Piena pergamena con titolo manoscritto al dorso. Prima edizione pubblicata in Italia dell’opera di Dionigi l’Aeropagita, edita a cura di Jacques Lefèvre d’Etalpes, che segue la traduzione di Ambrogio camaldolense.
1721100264In Verlegung der Neuen Buchhandlung, Halle im Magdeburgischen 1721. (26 Seiten, Vorwort, Inhaltsverzeichnis), 770 Seiten, (41 Seiten, Register) mit gestochener Titelvignette und einigen Vignetten und Initialen im Text, 8°, Ganzpergament der Zeit mit handschriftlichem Rückentitel, Einband und Vorsätze minimal fleckig, Titel in Rot und Schwarz, Name auf Vorsatz, Textspiegel gering gebräunt, Papier vereinzelt minimal braunfleckig und mit minimalen Bleistiftanmerkungen, insgesamt gutes und innen sauberes Exemplar,
157945077Paris, H. Thierry für Sebastian Nivelle, 1579. Fol. (39 x 27 cm). Mit 9 (wiederh.) Holzschn.-Druckermarken a. d. Titeln u. zahlr. Holzschn.-Vignetten u. -Initialen im Text. Ldr.-Bde. d. Zt. a. 6 Bünden m. goldgepr. Deckelfileten, Rückenverg. u. goldgepr. Rückentiteln.
171744150Jena, [Catharina Magdalena] Nisius für Johann Volkmar Marckgraf, 1717. (2), 40 SS.; durchschossen mit 21 Bll., alle mit Anmerkungen von zeitgenöss. Hand. Roter Bronzefirnisumschlag der Zeit. 4to.
4to. (2), 40 pp.; interleaved with 21 ff., containing contemporary handwritten notes throughout. Contemporary red brove-varnish paper wrappers. First edition of Murray' master disputation: the author's interleaved personal copy with his extensive autograph revisions for the second, significantly expanded edition which would be published by Bohn in Hamburg in 1718 (an octavo volume of 136 pages). The thesis discusses the Kenites, a nomadic clan in the ancient Levant, whose lands God promised to the descendants of Abraham: "On that day the Lord made a covenant with Abram, saying, Unto thy seed have I given this land, from the river of Egypt unto the great river, the river Euphrates: the Kenites, and the Kenizzites, and the Kadmonites" (Gen 15:18-19). "Their origin is not known: some locate it in Arabia, others in the Philistine states or in Judah" (cf. Zedler XV, 452). The Kenites' possible origin from the Arabian Peninsula (Arabia Felix) is discussed on p. 24 in particular (with numerous corrections and amendments in the margin and additional notes on the "Sinus Arabicus" and the "mare rubrum" on the following interleaf). Rare in all editions: no copy in trade records internationally. - Murray (1695-1771), of Scottish descent, was born in Memel in East Prussia. After gaining his Master's degree with the present work, he travelled to Hamburg and then, with his expanded book-length thesis to recommend him, on to England. After his return to the continent in 1719 he lectured in Kiel before embarking on a career as a preacher in Holstein, Stockholm, and Uppsala (cf. Jöcher/A.). - Murray's extensive handwritten revisions, as indeed the printed text, are in Latin with occasional interspersions in Greek and Hebrew. Somewhat browned throughout due to paper, but a charming survival. VD 18, 1039186X. Jöcher/A. V, 224f., 1. OCLC 47167605.
150665399Carpi, Benedetto Dolcibelli, 9. April 1506. Fol. Mit zahlr. Holzschn.-Initialen u. einer Holzschn.-Druckermarke am Ende. 149 num., 11 nn. Bll., Etw. späterer Pgmt.-Bd. m. durchzogenen Bünden.
158757906Ohne Ort (Straßburg), Bernhard Jobin, 1587. 8°. Titel in Rot u. Schwarz m. Holzschn.-Druckermarke. Mit 103 fast blattgr. Portrait-Holzschnitten von Tobias Stimmer. 8 nn., 102 num., 2 nn. Bll., Späterer Ppbd. m. goldgepr. Rückenschild u. dreiseitigem Rotschnitt.
160018480Bruck an der Thaya, Druckerei des Prämonstratenserstiftes, 1599-1600. 2 Bde. Mit wdh. figürlicher Titelbordüre und 13 Textholzschnitten. (7), 663 [recte: 661], (15) Bll. (17), 546 [recte: 545], (10) Bll. Pergamentbände der Zeit mit hübscher Rücken- und Deckelvergoldung und Supralibros. Folio.
159665635Brescia, Pietro Maria Marchetti, 1596. 8°. Titel m. Holzschn.-Druckermarke (Marchettis Delphin mit Anker nach Aldus). Mit 16 ganzs. Textkupfern. 106 S., 3 weiße Bll., HPgmt. d. 19. Jhds. m. Rückenverg. u. goldgepr. Rückenschild.
161346177Vicenza, Domenico Amadio, (1613). 8vo. 144 (but: 150) pp. With a full-page woodcut (crucifixion) after the preface. Contemporary limp paper boards.
180746528O. O. u. Dr., 1807. XXII, (2), 119, (1) SS. Interimsbroschur der Zeit. 8vo.
