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0876374402.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0876374380.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0876374844.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
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1975010826San Jose Ca: R. James Bender Publishing 1975. 208pp/illus. End-paper maps. Contents include: Its History 1933-1945 Recruitment for 'GG'/'HG' Formations Musikkorps 'General Göring' / 'Herman Göring' The Commanders Knight's Cross Holders Uniforms Insignia Luftwaffe War Badges Personal Identification Standards Command Flags Staff Flags Car Pennants Vehicle Identification Markings. Clean. 1st Edition. Decorative Cloth. Near Fine/No Jacket - Issued. 8vo - over 7¾" - 9¾" tall. R. James Bender Publishing Hardcover
193528489Collins 1935. Roy. 4to. Second Impression with title-vignette and numerous fine full-page plates small neat contemporary inscription on front free endpaper endpapers lightly spotted ; original olive cloth upper board and backstrip lettered in brown covers lightly dust-soiled else a very good firm clean copy in unclipped dustwrapper the latter with minor loss not affecting lettering at head of backstrip. Published a year after the first impression. Collins, hardcover
199022746New York: Books Arts Press 1990. First edition 1 of 850 copies 8vo pp. 55 1; frontispiece; fine in original wrappers. The fourth annual Sol. M. Malkin lecture in bibliography. Book Arts Press occasional publication No. 6. <br/><br/> Books Arts Press unknown books
161918555<p>Very Good HC. Text in Dutch blackletter; tekst in het Nederlands gotisch. Full contemporary vellum; untitled; raised bands on spine; red edges; 50 numbered full page copperplate engravings of Christian eremite saints 25 male 25 female printed recto with text pages verso; full page frontispiece for work as well as full page frontispiece for female section. Vellum in very good condition with some handling discoloration remains supple; ties at cover fore edges lacking; tightly bound; few pencil notes on front pastedown; without free end papers; lacking frontispiece for male section leaf A!; facsimile laid in; few leaves with light damp stains or soiling mostly in margins otherwise light and clean interior; one leaf B3 with large chip at top fore corner not affecting portrait but with some text missing from marginal notation on verso see photo; all leaves remain supple. 25 x 18 cm; 51 text pages; 50 numbered plates 2 frontispiece plates; in 4s. Ref OCLC #901301549.</p> Hantvverpen (Antwerp): Hieronymus Verdussen hardcover
164818717<p>Good hardcover. Text in Dutch. Contemporary vellum over boards; blind stamped central strapwork lozenge on each cover; raised bands on spine; 3 engraved title pages; woodcut decorative drop-cap initials and head and tail pieces; 686 numbered woodcuts by van Sichem. The vellum is in Very Good condition with some scuffing/light soiling; small splits at cover joints head and tail but vellum remains supple; tightly bound; generally bright and clean interior with woodcuts ranging from Good to Fine condition; one leaf 3C6 has 2 cm abraded hole that doesn't affect text on recto but slightly affects woodcut on verso; leaf 3C7 has 2 small areas of text effacement 2 cm each. The work is complete but has numerous pagination errors and some signature errors. Pagination: Title Page 1 2-598Title Page 2 600-722 Title Page 3 723-800. Collation: A-V8 2A-2V8 3A-3H8. 8vo 19 x 13 cm. Cf STCN #ppn 842875999; OCLC #1008001235.</p> Amsterdam: Pieter J[acobsz] P[aets] hardcover
192075893s. l. Petrograd Saint Petersburg: Izdanie Otdela Izobrazitel'nikh Iskysstv Published by the Department of Fine Arts of Narkompros Commissariat du peuple à l'Éducation 1920. Fine. Izdanie Otdela Izobrazitel'nikh Iskysstv Published by the Department of Fine Arts of Narkompros Commissariat du peuple à l'Éducation s. l. Petrograd Saint Petersburg s. d. 1920 17.50 x 11.50 cm agrafé 16p. Ot Sezanna do Suprematizma Kriticheskii otcherk From Cézanne to Suprematism. A critical essayIzdanie Otdela Izobrazitel'nikh Iskysstv Publishing house of the department of visual arts Narkompros people's commissariat for education Petrograd 1920 17.5 x 11.5 cm stapled Extremely rare first edition. Small split at the foot of the spine purple stamp with the price on the second board and a small mark on the first board of the stamp of another copy. A very beautiful copy. Published two years after his masterpiece White on White this manifesto composed from his previous theoretical treatise On new systems on Art in 1919 is one of Malevitch's major writings. Written at the height of his artistic research this summary of Malevitch's creative thought lays the theoretical foundations of Suprematism understood not as a break with the past but on the contrary as the result of a history of Art freed from the illusions of the sensitive world. Thus Malevitch establishes an intellectual genealogy taking its roots in the work of Cézanne Van Gogh and Monet crossing Cubism and Futurism to result in Suprematism this statement of the total sovereignty of painting as it is of the triumph of colour which in its very materiality in its resonances its intrinsic energy discloses the abyssal reality in which objects merge until they disappear. Jean-Claude Marcadé postscript in De Cézanne au suprématisme 1993. Known for his pictorial work Malevitch was also a genius theorist. However unlike others his artistic reflection does not precede his work it accomplishes it. He also abandoned creation between 1919 and 1920 to devote himself to this theoretical work which would remain abstruse for many of his contemporaries. The Marxist journal Petchat' i révolyoutsiya will view From Cézanne to Suprematism only as a collection of inept sentences. However it is correct that this short treatise enhancing Suprematist ambition contains noticeable omissions perhaps attributable to official censorship. But these reservations could also be down to Malevitch himself. Indeed published by the Commissariat du peuple à l'Éducation directed by his friend and great defender of the arts Anatoli Lounatcharski this booklet is much more than a simple summary of Malevitch's theoretical work. As Jean-Claude Marcadé highlights this brochure printed in Moscow was destined to have greater distribution in artistic circles than . the small artisan copies of the Ecole de Vitebsk where Malevitch tried to impose his aesthetics his pedagogy and his methodology under the label of the Affirmation du Nouveau Art OUNOVIS. His fundamental dispute with official materialism and especially figurative art gives way here to an analysis of the origins of total non-figurative art Cézanne Cubism Futurism which aims to demonstrate to the adversaries of abstract art the seriousness the scientific character the unwavering logic and the legitimacy . of the evolution of the visual arts. . From Cézanne to Suprematism is less an offensive work than a demonstration of the inevitable character of the Suprematist deduction. The brevity of this booklet thus contributes to raising it to the rank of Manifesto in the service of a revolutionary desire for collective metamorphosis of human demonstrations. This auctorial intention is served by the reduced size of the volume and the Suprematist composition of the white cover with the eloquent title printed in quincunx which poses Russian modernity as heir to the European pictorial revolution and white as a deduction from colour. This title summarising Malevitch's thinking will precisely be chosen by his biographers for the complete publication of his writi Izdanie Otdela Izobrazitel'nikh Iskysstv [Published by the Department of Fine Arts of Narkompros][ Commissariat du peuple à l'à unknown
97801-page 8vo on green paper. Undated. Mounted to a leaf from a Victorian album. unknown
188934475Paris & Digne & Montauban: Administration de la Revue alsacienne fifth bookletF. Giraud sixth bookletS. n. fourth bookletImp. Champon & Pailhé first 3 booklets 1889. Fine. Administration de la Revue alsacienne fifth booklet F. Giraud sixth booklet S. n. fourth booklet Imp. Champon & Pailhé first 3 booklets Paris & Digne & Montauban 1889 & 1890 & 1900 & 1908 & 1910 16 x 25 cm 8 fascicules reliés en 1 volume First editions for each of the eight fascicles. Half burgundy cardboard binding smooth spine showing traces of rubbing decorated with blind fillets marbled paper boards. Autograph inscriptions from the authors on four of the pamphlets to the same dedicatee. Also bound at the end of the volume are two other small texts: ""Le port de Caen : son passé - le trafic actuel - les travaux projetés - ce qui en résultera"" published in 1905 by an unknown author; and finally ""Les rois d'Yvetot"" by Maurice rancès published in Yvetot by A. Bretteville printing house in 1900. Rare collection of these texts dealing for the most part with the history of Normandy. Some minor foxing of no consequence. Administration de la Revue alsacienne (fifth booklet)F. Giraud (sixth booklet)S. n. (fourth booklet)Imp. Champon & Pailhé (firs hardcover
191487365Paris: Edward Sansot 1914. Fine. Edward Sansot Paris 1914 13.50 x 20 cm broché Rare first edition of this work dedicated to Oscar Wilde. A tear to the upper left corner of the first cover a small stain on the second cover handsome interior condition. Edward Sansot unknown
1935049643Mockba / Moscow Ussr: Izdatelstvo Moccx 1935. 1st Edition . Soft cover. Very Good. 12 Pp Tissue Guarded Plates. Card Covers. Very Scarce And Tiny Catalog Of Works By Neuschul During The Brief Period Of Exile In The Soviet Union In The 1930'S. Worldcat Shows No Institutional Holdings. Ernest Neuschul Was Born In Aussig A Small Town In What Is Now The Czech Republic. He Studied In Prague And Later Vienna Where He Was Fascinated By The Paintings Of Klimt And Egon Schiele And The Expressionistic Works Of Oskar Kokoschka. At The Outbreak Of World War I Neuschul Avoided Conscription Moving To Cracow Poland In 1916. After The War Ended He Moved To Berlin Joining The Academy Of Arts Where He Won The Rome Prize For Outstanding Achievement. In 1919 Neuschul'S First One-Man Exhibition Opened In Prague. In Berlin Neuschul Embarked On An Active Productive Period Painting Under The Post-War Influence Of The New Objectivity Neue Sachlichkeit Movement. In 1926 He Joined The Novembergruppe First Founded In 1918 And A Vigorous Opponent Of Fascism. He Also Got To Know Ludwig Meidner Who Was Painting Expressive And Highly Emotional Figure Subjects Often With A Religious Theme. Neuschul'S Work During The 1920S Took A More Hard-Edged And Socially Committed Look At Day-To-Day Life Under The Weimar Republic. Unlike Other Painters Of The New Objectivity Movement Neuschul'S Socially Critical Art Embodied His Innate Compassion For His Fellow Men And Women Irrespective Of Whether They Were Urbanised Industrial Workers Or Drawn From The Demimonde Of Cabarets And City Nightlife. In 1932 Neuschul Became Professor Of Fine Arts At Berlin'S Academy Of Fine Art And Was Also Elected Chairman Of The Novembergruppe. In 1933 However An Exhibition Of His Paintings Was Closed Down By The Nazis. Because Of His Jewish Birth And Radical Political Opinions Neuschul Also Lost His Teaching Post And In March 1933 He Returned To Aussig Accompanied By His Wife Christl. In 1935 Neuschul Was Invited To Exhibit And Work In The Soviet Union Painting Portraits Of Steelworkers And Revolutionary Figures And Even Gaining A Double Portrait Commission Of Stalin And Dimitroff. In 1937 However Several Of Neuschul'S Paintings On Exhibition In Aussig Were Vandalised And Disfigured With Swastikas A Grim Foretaste Of What Awaited Him And His Family If They Remained. Neuschul His Wife And Child Eventually Escaped The Nazis On The Last Train Out Of Czechoslovakia Eventually Arriving In London In 1939. In 1959 A One-Man Exhibition Was Held At The Betzalel National Museum In Jerusalem And In 1966 A Major Retrospective Exhibition In Berlin With The Title 'From The New Objectivity To The New Non-Objectivity'. He Died In London In 1968. <br/> <br/> Izdatelstvo Moccx paperback
195763977Paris: Fasquelle 1957. Fine. Fasquelle Paris 1957 11.50 x 17.50 cm broché First edition on current paper. Autograph signed by Lise Deharme Guy Dupré: "". in all understanding of all things ."" Fasquelle unknown
199680058Paris: Seuil 1996. Fine. Seuil Paris 1996 15 x 24 cm broché The first edition of which there were no deluxe copies. Handsome copy. Precious autograph inscription signed by Elie Wiesel to Maurice de Gandillac. Seuil unknown
195376438Paris: La Colombe 1953. Fine. La Colombe Paris 1953 14 x 21.50 cm broché First edition of which there were no deluxe copies. Handsome copy with illustrations by Annie Vallotton. Autograph inscription by Maxime Weygand: "". ce livre écrit pour la jeunesse."" "". this book written for youth."" La Colombe unknown
195377909Paris: La Colombe 1953. Fine. La Colombe Paris 1953 13.50 x 21 cm reliure de l'éditeur The first edition of which there were no deluxe copies. Publisher's full white paper boards smooth spine illustrated front cover two light dampstains at head and foot of front cover extending to spine. Work illustrated by Annie Vallotton. Signed autograph inscription from Maxime Weygand to Patrice Morin: "". ce petit livre écrit pour lire où il trouvera de l'Histoire des histoires. et des conseils. Amicalement Weygand."" "". this little book written to be read where he will find History stories. and advice. Cordially Weygand."" La Colombe hardcover
198482967Paris: Denoël 1984. Fine. Denoël Paris 1984 17.50 x 20.50 cm reliure de l'éditeur First edition in volume. Publisher's full white paper boards smooth spine illustrated front cover. Work illustrated with humorous drawings by Jacques Faizant. Handsome copy despite small lacks to the laminated film on the joints. Autograph inscription signed by Jacques Faizant to Jean Langlois. Denoël hardcover
196839596Paris: A. Dumur 1968. Fine. A. Dumur Paris 1968 28 x 38.50 cm en feuilles First edition one of 900 numbered copies on Lana vellum the only issue with 50 Arches and 50 pure linen. Work illustrated with 12 lithographs and original drawings by Jack Girbal. Fine copy despite a small tear at the foot of the spine. A. Dumur hardcover
1993051779Gold Coast: Ian D. Skennerton 1993. 126pp index references num bw photographs line drawings. Pictorial card. Near new. First Edition. Soft Cover. Very Good. 8vo. Ian D. Skennerton Paperback
195946418London: Privately Printed 1959. 12mo pp. 24; 7 black & white photographic illustrations; early inscription on front free endpaper London bookseller ticket on lower corner of front pastedown fine in marble paper-covered boards backed in maroon cloth lettered in gilt paper label on upper cover. <br/><br/> Privately Printed hardcover books
195768709Paris: Louis Broder 1957. Fine. Louis Broder Paris 1957 13.50 x 16.50 cm relié sous chemise et étui Antonin ARTAUD & Pablo PICASSO .Autre chose que de l'enfant beau .Something Other than a Beautiful Child Louis Broder Paris 1957 13.5 x 16.5 cm full box in custom chemise and slipcase First edition printed in 120 numbered copies on Japon paper ours is one of 100 copies numbered in Arabic numerals. Illustrated with an original drypoint in colour by Pablo Picasso printed in Georges Leblanc's workshops in Paris. Handwritten signature of Pablo Picasso on the print details page. Binding in full grey box title and names of the author and illustrator gold-stamped on the spine boards decorated with an abstract and geometric decoration of gilt and black fillets mouse grey box endpapers covers and spine preserved top edge gilt chemise in half mouse grey box marbled paper boards slipcase edged in mouse grey box marbled paper boards contemporary binding signed Desmules. Using a process used the previous year for the illustration of Autre chose by P. A. Benoit the artist pierced the black mould giving the appearance of an empty circle in the engraving. This circle not pressed by the plate forms a white half-sphere in relief a unique and empty eye of a dismembered character very surely inspired by one of Artaud's great drawings from 1946 L'Homme et sa douleur preserved at the Cantini museum in Marseille. Rare and very beautiful copy perfectly set in a decorative binding comprising the only intaglio produced in colour by Picasso to illustrate the book. Louis Broder hardcover
1931049450Moskva: Tsentralinoe Izdatelestvo Narodov / Tsentrfarlag 1931. Soft cover. Good. Illustrations In Color Throughout. 32 Pp. Including Covers. Illustrated In Several Colors. Soft Cover With Boy Wearing Red Scarf. Export Issue With "Printed In Ussr / Russia" On Front Cover. Wear No Marks. Sacarce Worldcat Report Locations Of Three Institutional Copies. <br/> <br/> Tsentralinoe Izdatelestvo Narodov / Tsent?rfarlag paperback
