108 933 résultats
1987007288Houston: TimesBooks / Museum of Fine Arts 1987. First Edition. Hardcover. Near Fine/Near Fine. First edition stated of this photography book chosen by Roth et al as one of the 101 most influential photobooks of the 20th century. A bright near fine clothbound copy in near fine price intact dustwrapper. One of the most sought after titles of this period. <br/><br/> TimesBooks / Museum of Fine Arts hardcover books
195224925Lausanne: Guilde du Livre 1952. First edition. Paperback. Very Good /very good . Lovely first edition of this volume of black and white photographs by Strand with text in French by Claude Roy. Photo-illustrated wrappers over stiff cardboard covers. 123 pp plus list of illustrations at rear of volume. A most handsome copy with only some light handling wear and very minor spotting to edges. Considered by many to be one of Strand's crowning achievements of the era. Laid in to this copy is a one-page handwritten letter from Strand to a Mr. Oring. Letter is dated Dec. 15. 58 and is SIGNED by Strand in full at the bottom of the letter. Strand is responding to questions related to the publication of this and one other of his books. Letter is quite legible. Guilde du Livre paperback books
196811676Tokyo: Shaken 1968. First edition. Hardcover. Very Good/very good. Small square quarto. Tomatsu's rare book of photographs of Afghanistan and its people. Text in Japanese. A very good copy in photo-illustrated boards with original clear acetate wrapper present. Some light soiling to board edges. Internally fine. Scarce book. <br/><br/> Shaken hardcover books
197023557Chicago 1970-1982. Very good . Collection of 70 photographs Most formal posed mug shots in color 4'' x 5'' approx. with a small number of black and white photos and Polaroid snapshots. Majority of photographs have notes in pen handwritten on versos. Housed in a new archival box. Very good plus overall. <br/><br/>Booking photographs of several dozen African American men most taken in the mid to late 1970s. With police notes on subjects' identities often including their known associates and aliases physical descriptions and alleged crimes most of which involve low-level fraud and confidence scams. A small sampling: "Pimp - Con Man" "Sells T.V. Con Game" "Project Robberies" "Had Chicago Police Badge / Impersonates Police" "Con Game Handkerchief Switch" "Pastes One Dollar To Tens / Paste Corner of Ten on Ones" "String Man." A vivid vernacular collection from the height of 1970s urban decay reflecting both its causes and its toll. unknown books
188954427Lausanne: Georges Bridel Éditeur 1889. First Softcover Edition. Softcover. Very good to fine condition. Oblong Quarto. Unpaginated 8 10pp. & 10 plates per vol. Original gray wraps with black lettering on covers. Rare and fascinating early photographic work on Palestine profusely illustrated with 100 phototypes reproduced by F. Thévoz in Geneva. Each print facing a plate with descriptive text by Phillipe Bridel partor in Lausanne. All photographs were taken during a six months journey by F. and E. Thévoz starting on February 22nd 1887. During their complicated journey they faced the hostility of authorities and sometimes of the population itself. Softcover edition with 100 photographs of this extraordinary collection: Nos. 1-50 from Jaffa to Jerusalem 51-100 from Kefr et-Tour to Hebron. Text in French. Light wear along edges of wraps with light sporadic damp-staining of covers and in margins not affecting images. Vol. with photos 61-71 with more pronounced damp-staining on cover; short inked line on following issue. Georges Bridel Éditeur unknown
1930List328Boston 1930. Oblong quarto 49 pp. With appx. 1400 photos most measuring less than an inch square with roughly 175 in larger formats up to 3 ½ by 5 inches. Very Good. A wonderful labor of photographic love created by an unidentified young woman with ties to the Cabot family of Beacon Hill. The album composed largely of tiny contact prints glued in neat grids. Off-kilter compositions - a portion of a steeple against the sky the tail of a dog etc. - are mixed in with more traditional landscapes leading one to question whether the photographer had modernist aspirations or just took a lot of pictures.<br /> <br /> The photographer is unknown but our best guess is that it was someone who was a friend of Ellen Cabot of Beacon Hill perhaps while both were students or just after. Ellen Cabot the most frequent subject of the album is shown in a variety of settings often accompanied by her dog Prowler. Aerial photography the New England coastline camping life in Cambridge and equestrian competition are all on display. Other highlights include a dog named Benito Mussolini and artful shots of a monk's torso. A portion of the photos perhaps five or ten percent are not present though the album is otherwise in excellent condition. Handwritten label on the front reads "Newport Races to Topsfield autumn 1930". Overall the album is a testament to the energy and spontaneity of youth and the possibilities of the photographic form as well as an intimate look into Boston's storied upper class. unknown books
194520240The Hague ca. 1945. Hardcover. Near fine. Two oblong 8vo. albums. First album: 11.5" by 9" approx. String-tied faux-alligator boards. 43 gelatin-silver prints majority 3.75" by 2.5" but many 5.5" by 3.25" mounted to stiff gray leaves with cobweb-patterned tissue guards on each and handwritten captions in Dutch. Apparently complete. Near fine with several photos mildly yellowed but majority bright and sharp. <br /> <br />Second album: 13'' by 9'' approx. String-tied grey textured paper boards. 91 gelatin-silver prints of various sizes from 3.75'' by 2.5'' to 5.5'' by 3.25'' most of the latter size on stiff blue paper with tissue guards and handwritten captions in Dutch. Also contains an anti-Hitler card affixed to the front paste-down several cards with art and verse and two sepia-toned photographs on the final page. Two 5'' scuff marks to front board album corners and edges worn and bumped otherwise near fine with bright and sharp photographs. <br/><br/>A pair of carefully assembled albums possibly compiled for official use. The majority of the photos in both albums record the aftermath of a botched Allied bombardment in the Hague on March 3 1945; the attack claimed the lives of 511 civilians and left over 20000 people homeless. Targeted at a German missile base in the occupied Netherlands bombs deployed by the Royal Air Force landed instead in the adjacent Bezuidenhout neighborhood in the Hague destroying thousands of homes business and public buildings. The photos show several bombed-out churches and many apartment buildings with street names captioned underneath. Near the end of the first album three images show the burning of the Schevenigen Pier near the Hague which the compiler blames on the Germans but whose exact cause has never been established. The album forms a direct account of wartime destruction in the Netherlands. <br /> <br />The second album much more extensive includes some of the same material along with many other photographs. Affixed to the front paste-down is a black-bordered satirical memorial card for Hitler reading in Dutch "He came.but not to England / He saw.Moscow / He lost.the war." Beginning with two views of The Hague one in 1930 and one apparently mid-bombardment labeled March 3 1945 it also includes numerous scenes of destroyed buildings and monuments identified by street name. Some of these overlap with images from the first album; many do not. In addition to those showing the aftermath of the bombing several photos show intact monuments and buildings from neighboring cities like Middelburg possibly as a point of comparison with the ones destroyed. A few pages show photographs of various Bailey bridges at unspecified locations and other wartime construction. The final page of uncaptioned photos includes a shot of a pro-Hitler slogan painted in Dutch on a bridge underpass and a photo of several posters including a Dutch advertisement for "De Eeuwige Jood" The Eternal Jew a German propaganda film. A final leaf follows with two pro-R.A.F. cards with verses and drawings and three souvenir cards of Queen Wilhelmina Princess Juliana and her children Beatrix and Irene. The final page has two sepia-toned photos of a parade presumably celebrating the war's end. An important act of witnessing from an unfortunate event. hardcover books
1966PHOT0646Wien, Austria International / Köln, Magnum Verl. DuMont 1953-1966. 4°. pro Heft ca. 96 S. mit zahlreichen s/w Abb., OBrosch., Hefte 1-36 in 6 HLnMappen in Schubern, Rücken etwas geblichen, die Hefte sehr gut erhalten, nur wenige mit kleinen Läsuren am Rücken. Karl Paweks Kulturzeitschrift "magnum" erschienen 1953-57 in Wien, anschließend bis 1966 in Köln, gilt heute als legendäres Publikationsorgan der Reportagefotografie, der so genannten Life-Photographie. Das Markenzeichen von "magnum" ist die Gegenüberstellung von Photos auf den Doppelseiten der Zeitschrift. Mit Hilfe dieser visuellen Rhetorik nahm "magnum" Stellung zur Problematik des Kalten Krieges sowie zu den Technik-, Konsum- und Massengesellschaftsdiskursen der Nachkriegsära. Zudem trat "die Zeitschrift für das moderne Leben" - so der programmatische Untertitel von "magnum" - als Sprachrohr für den Modernismus in Architektur, Design und Alltagskultur auf. Dass "magnum" trotz der restaurativen Weltanschauung ihres Chefredakteurs bis heute als progressive Zeitschrift empfunden wird, dennoch für die Zeitgenossen Inbegriff der Moderne war, gilt heute als Ambivalenz dieser Kulturzeitschrift.
2015155921Taschen 2015. Oversize Hardback. Very Good/No Jacket. A clean unmarked book. Front hinge appears fragile with small tears see photos. 12""w x 12""h x 2""deep; around ten pounds. This version was issued without a slipcase in 2015. ""To mark the 50th anniversary of the Pirelli Calendar's first publication in 1964 this chronological compilation of images reproduces the complete Pirelli Calendar collection from 1964 through 2015 featuring beautiful women in glamorous settings; also includes the unpublished 1963 calendar behind-the-scenes images from various years' calendar photo shoots and an interview with the art directors Derek Forsyth and Martyn Walsh by Ben Olins."" publisher Taschen hardcover
1857453731 album in-4 (28,5 x 22,5 cm en reliure) reliure éditeur plein chagrin rouge, beaux fermoirs ciselés et dorés, toutes tranches dorées, Mayer et Pierson, s.d. [ 1857-1862 ], 1 f. blanc, 1 f. (titre), 50 feuillets sous serpente recueillant 197 photographies positives sur papier albuminé d'après des négatifs sur verre au collodion, au format carte de visite
1903129941903 demi-chagrin havane, couv. conservées. 5 vol. in-4, illustrés, P. Photo-Club 1903-1907,
1922105881BBBerlin, W. J. Mörlins, 1922. 4°. [4] Bl. u. 12 Tafeln in Kupfertiefdruck. Orig.-Kart.-Mappe (von Ludwig Kozma).
- S.n., S.l. 1989, 24x30,cm, une feuille. - Original photograph. Portrait, taken in 1947, of the writer Antonin Artaud, with a so-called "pigeon's wing". Black and white print on Baryté de luxe paper. Artist's proof signed on lower right. The photograph is accompanied by a certificate of authenticity from Jean-Luc Mercié, a photographic historian and Denise Colomb's publisher. [FRENCH VERSION FOLLOWS] Photographie originale. Portrait, pris en 1947, de l'écrivain Antonin Artaud dit "à l'aile de pigeon". Tirage en noir et blanc sur papier Baryté de luxe. Epreuve d'artiste signée en bas à droite. La photographies est accompagnée d'un certificat d'authenticité rédigé par Jean-Luc Mercié, historien de la photographie et éditeur de Denise Colomb. .
139089aafUm 1904, quer gr. in-4to (37x26 cm), 25 feste Albumseiten mit insg. 143 montierten s/w-Abzügen in verschiedenen Formaten: 8.5x5.5 cm (private Aufnahmen), 15.5.x9.5 cm, 27x21 cm (ganzseitig), gewisse Seiten mit handschriftl. Angaben in schwarzer Tinte, Albumblätter am Rand etwas stockfleckig, Fotos in gutem Zustand, Album in Halbledereinband mit Ecken (P.H. Beyer & Sohn, Leipzig), Titel in Goldprägung auf Vorderdeckel, Rotschnitt, an den Ecken und Rücken berieben, hinteres Scharnier fast ganz abgelöst.
94349aafvers 1890 - 1900, in-folio, 37 photographies et phototypies originales en grand format (27 x 21 cm) collées sur carton (46.5 x 36.5 cm), dont 7 coloriées (Nürnberg, Westerland-Sylt) + 3 héliogravures + 3 gravures d’art coloriées, dans une chemise en carton recouverte en velours vert style ‘Art Nouveau’.
142453aaf1904, in-4to, 12 ff. rigides d’album avec 48 photos n/b numérotées, (11x8 cm), montées + 2 photos entre les pages, avec un cahier manuscrit de 4 ff. avec les légendes des photos, dédicace ms. signé “M.G.” et daté le 1er janvier 1906, / Exlibris Peter E. Obergfell, reliure en toile verte originale, avec filets noir sur le plat devant, tranches rouges, bel exemplaire.
116928aaf1996-2003, environ 140 planches (50 x 65 cm), chaque planche est composée par 6 à 12 photographies (10 x 15 cm / 13 x 18 cm / 25 x 10 cm) collées sur carton noir. Au verso indication du film employé, du sujet et parfois des paramètres d’exposition. Les compositions sont signées ‘R.’.
136272aafXXè sciècle, in-4to, classeur de 20 pochoirs plastique avec documents, photos etc. recto/verso, + boite ILFORD Grand-Format, avec ca. 40 photos (tirages originales) de diverses formats, en couleurs & n/bl. de René Bersier (qqs unes signées et datés / et -ou tirages spéciales), + boîte pt-format ca. 35 photos et div. coupures de journaux, le lot ensemble.
126652aafTimbre ovale ‘Dépot général de Photographies, 35, Boulevard des Capucines et Rue Neuve-Saint-Augustin, s.d., vers 1855, (35x43.5 cm,), photographie originiale, albumen print, montée sur carton d’origine, signée en bas a droite ‘Bisson Frères’ + cachet ‘Dépôt général de Photographie’, support légèrement taché, Karton schmutz- u. stockfl., kl. Randläs. - Bild tls. etw. fleckig. Sign.: Stamp u. in d. Photographie rechts unten.
133068aafLondon, Allan W. Bennett, 1866, in-4°, 1 leaf ‘half-title’ + XII (incl. ill. titlepage) + 243 p., including the notes by the photographer (p. 237-243), illustrated with 1 frontispice + one double-page lithogr. map of the Bernese Oberland. (Lithogr. Day) with 28 original photographs of which 17 in text, including the circular picture on the title-page + 11 inserted plates , overall a clean copy, fine publisher’s blue gilt and blind-tooled cloth binding (represents the equipment for photography and for glacier-exploration), small obstructions to top and bottom-spine, corners bumped, gilt edges. A very good copy, (binder’s ticket of Westley's to rear’).
116324aaf1929, 21.5x26 cm (l’étui), 71 Stéréo-Fotos auf Glas in Original-Kasette, dazu ein Lieferschein für ‘Herrn Mayer z. Zt. Davos ’ mit einem ‘Stereo-Verzeichnis’ von 22 Stück ‘Davos-Platz den 28 März 1929’ + 1 Metall-Viewer mit Plakette ‘The perfectscope trade mark’. 71 plaques de verre (+ 1 cassée) contenues dans leur étui d’origine, plusieurs plaques encore dans les pochettes papier d’origine imprimées au nom de Meerkämper.
118490Lausanne, Librairie Centrale et Universitaire V. Porchet & Cie. 1937, 310x250mm, 33pages, en feuilles, sous chemise rempliée, imprimée en noir, ornée d'une photographie n/b contrecollée. Un des 185 exemplaires sur papier vélin, numéroté n.° 78 / 170, imprimé par Tell Geneux, maître imprimeur, à Lausanne. Petites déchirures sur le haut du dos de la chemise, autrement très bel exemplaire de cette belle édition originale - rare et précieuse, difficile à trouvé. Bringolf, 30, in fine.
A cura di Mauro Pispoli. Testi di Enrico Ghezzi e Carlo Frittelli. Firenze, Frittelli Arte Contemporanea, 2012; ril. in cofanetto, 12 tavv. col., cm 29,5x42. italiano ril. in cofanetto
199843304New York, IMA USA Inc., 1998.
90821 P., Auguste Aubry - Lyon, Imprimerie de Louis Perrin, 1860, petit in-8° de 84 pp.-2 ff.(ach., marque), relié plein maroquin rouge, titre or sur dos à nerfs richement orné, large dentelle sur les plats, double filet sur les coupes, tranches dorées, dentelle intérieure, quelques piqûres. Reliure de Raparlier.
