Rizzi-Zannoni (Giovanni Antonio) :Livre Rare Book
54 418 résultats
19883Paris, Charles Dien, s.d. (circa avant la Révolution française) ; in 16 (121 mm), maroquin grenat à grain long, filets et titre dorés au dos, filet doré d’encadrement des plats et filet ondulé d’intérieur, tranches dorées (reliure seconde moitié du XVIIIe), ouvrage entièrement monté sur onglets; titre gravé et 29 planches sur feuille double, la première sur les Sphères, en noir et blanc, toutes les autres sont aquarellées à la main, dont 2 mappemondes, l’Europe, l’Asie, l’Afrique, l’Amérique du Nord et l’Amérique du Sud, puis l’Europe et la France en quatre parties.
146-Io.J. Feder in Grau, auf Transparentpapier, aufgezogen, links unten signiert und datiert ?M. Wentzel fecit 1829?. Ca. 30/32,7:52 cm. In den Rändern unregelmäßig.
046-Io.J. Bleistift auf Velin, links unten bezeichnet und datiert ?Il tempio di Giove a Pompei li 15 Settembre 31.?, in der Mitte signiert (?) ?Wiegmann?. 29:35,5 cm. Provenienz: Drei nicht identifizierbare Sammlerstempel.
Abundant black and white illustrations and reproductions of photos. Features: Beyond the Law - Part I of the First True Account of the Exploits of the World's Most Noted Outlaws, by Emmett Dalton, the only survivor of the "Dalton Gang" - article with photos and great cover illustration; Wonders of the Teleferica - an interesting account of the remarkable aerial lines/cableways used by the Italians to transport men, guns, and provisions in the high Alps - article with many photos; The Youngest Soldier in the French Army - photo of 11-year-old Charles Meux of the French Army; Tales of the Service - Part I - A Night in a Vat; A Woman's Journey Across Africa - Part II - Eva J. Jordan, F.R.G.S. travelled with her husband for four-thousand miles through the great Equatorial Forest of Central Africa, becoming the first woman to penetrate this area - article with photos; A Night of Terror - an associate of Izaak Walton sinks into quicksand while fishing; Buried in a Snowdrift - a mining engineer is caught in an avalanche in the Andes; "Hooshta!" - the Tragedy of an Australian camel race - a stirring story from the West Australian goldfields; Exploring the Ice-Wilds of Eastern Karakoram - Part I - Fanny and William Workman describe their Himalayan mountaineering exploits - article with map and great photos; Thrice Through the Jaws of Death - Sergeant J. Harte of the Inland Water Transport relates hair-breadth escapes at sea and on land; How We Built the Bridge - War story related by a corporal of the canadian Overseas Railway Construction Corps; Crossing the Canal - A despatch orderly attempts to cross the Suez Canal at night; Some Adventures of a Newspaper Woman - Marie Harrison provides a graphic and thrilling account of her startling adventures in search of 'copy'; The Railway Conquest of the Bay - a photo-illustrated account of the building of the Hudson Bay Railway; A Happy Family - humorous account of the antics of a number of strange pets belonging to a party of colonials in Singapore; A Modern Grace Darling - Miss Ella Trout rescues a sailor from a torpedoed ship off the coast of Devon - article with nice photos of Miss Trout; Photo of a group of Solomon Islands head-hunters reading The Wide World Magazine; Interesting four-page illustrated stock offering by Guaranteed Tractors, Inc., Edmund G. Soward, President; and more. pp. 8 [ads], [3], 4-88, 9-24 [ads]. Clean and unmarked with moderate wear. A quality vintage copy of this wonderful issue. Book
254-Eo.J. Pinsel in Braun, über Bleistiftskizze, auf cremefarbenem Velin, verso am Oberrand mit grauer Feder bezeichnet ?Diese Skizze von meinem Vater E F Pape Sorent 1835 (sic!, muß lauten: 1845) Friedrich Pape?. 28,7:22,7 cm.
139811aafMilano, Presso la Libreria di Educazione e d’Istruzione di Andrea Ubicini, 1844, gr. in-8vo, 117 p. (+ 1 p.) + 1 feuille ‘Indice delle Tavole’ + 14 planches lithographiques + 1 carte dépl., ex-libris manuscrit ‘H. v. Valentini N 12’ sur p. de garde / Exlibris Peter E. Obergfell, reliure en d.-toile originale.
690-Eo.J. Schwarze Kreide, auf Velin. 39:28,8 cm. Römische Kopie nach einer griechischen Marmorskulptur, die dem griechischen Bildhauer Leocares zugeschrieben wird, wie der Apollo von Belvedere. Sie wurde Heinrich II. von Frankreich (1519-1559) von Papst Paul IV. (1476-1559) geschenkt und befindet sich heute im Louvre in Paris.
128-Io.J. Aquarell über Bleistift, um 1850/60, auf cremefarbenem strukturiertem Papier. 16,3:20,5 cm. ? Verso mit Hinterklebung an den Rändern. Mit den Ausgrabungen der Caracalla-Thermen war 1824 unter Graf Girolamo Egidio di Velo begonnen worden, so daß davon auszugehen ist, daß Corrodi in Teilen der Ruinen um 1850/60 Studien zeichnen konnte. Die aufgelösten, geradezu impressionistisch wirkenden Pinselstriche sprechen für den Spätstil Corrodis, wie auch das feste strukturierte Papier.
Modern brown boards. 64mo (2x3, miniature), [8]+252+[14] pages. In Latin. Divided into 37 chapters, (oratios), each with its own heading in large type with decorated initial letter. Giovanni Battista Ferrari was born into a prosperous Sienese family in 1583 and entered the Jesuit Order in Rome in 1602. His subsequent career included a Professorship of Hebrew and Rhetoric at the Jesuit College in Rome, a position as horticultural advisor to the papal family, and the authorship of a number of important books. He also became a close associate of the scholar Cassiano dal Pozzo who was an advisor to the Barberini family. Through this connection, Ferrari joined an important circle of men of science in Rome, and was appointed to manage the new garden at the Barberini Palace which was unique as a showplace for the newest and rarest plants from the distant regions of Asia, Africa, and America. The cultivation of new specimens led Ferrari to the subject of botanical nomenclature, and he became a leading 17th century source for nomenclatural definition. Ferraris first book was a Syriac Lexicon, and he also published a series of Orationstreatises on Rhetoric which emphasized good Latin usage. His last publication was a book on Sienese saints. (illustratedgarden.org) OCLC: 797749225, OCLC-Worldcat lists only 8 copies of any early editions worldwide, none in North America. Title page is illustrated, showing a woman holding a rose. Very slight corner rounding, bit of spotting, period 2-word notation on title page, paper and binding remain very nice, about Very Good Condition Overall. Very Rare (AC-22-3)
158311101Lyon, s.n. (François Conrard), 1583 ; in-8 ; demi-vélin à petits coins, étiquette orange titre manuscrit (reliure probablement de la mi-XIXe) ; (32), 362, (10) pp., *-2*-8 A-Z8 [croix]2 ; marque 2 au titre.
16-Go.J. Öl auf Papier, verso von fremder Hand bezeichnet ?Ferd. Olivier? sowie das Monogramm ?F/O? in blauer Kreide am Oberrand. 15,3:22,7 cm. Die oberen Ecken rundbogig geschnitten. Provenienz: Sammlung G. Zeller, Stuttgart.
0825-Bo.J. Radierung, 1764, auf Bütten. 41,3:61,2 cm, Blattgröße 58,4:88 cm.- Unten mittig auf einer Kartusche bezeichnet, links unten signiert ?Piranesi F.?. Literatur: Focillon 777; Hind 72, II (v.III); Ficacci 943; Wilton-Ely 205. ? Kräftiger Abdruck mit dem vollen Rand, die Ränder nach außen leicht gebräunt.
0821-Bo.J. Radierung, 1759, auf Bütten. 54,6:40,6 cm, Blattgröße 87,2:58,2 cm.- Im Unterrand bezeichnet, rechts signiert: "Piranesi Architetto fec.". Literatur: Focillon 800; Hind 53, III (v.V); Ficacci 902; Wilton-Ely 164. ? Schöner Abdruck mit vollem Rand, die Ränder leicht gebräunt und mit vereinzelten Einrissen.
0818-Bo.J. Radierung, 1757, auf Bütten. 40,6:61,1 cm, Blattgröße 58,4:87,9 cm.- Im Unterrand bezeichnet, rechts unten signiert ?Piranesi Architetto fec.?. Literatur: Focillon 804; Hind 43, V (v.VI); Ficacci 898; Wilton-Ely 160. ? Schöner Abdruck mit dem vollen Rand, die Ränder nach außen leicht gebräunt.
035-Eo.J. Aquarell über Bleistift, auf festem Zeichenpapier. 23,2:32,3 cm. - Verso, vermutlich vom Kopisten, bezeichnet ?Die kleine Bucht bei Nauplia nach C. Rottmanns Originalskizze im Kupferstich Cabinet zu München? sowie ?A. (undeutl. Name) 28. Septemb 75?. Nach Rottmanns Aquarell, entstanden um 1836, das sich im Besitz der Staatl. Graphischen Sammlung in München befindet (Inv. Nr. 21361). Vergleichsliteratur: Ausst. Katalog: Carl Rottmann. Die Landschaften Griechenlands. München 2007, Farbabb. 21, S. 46.
1753214550Venezia: Giambatista Pasquali 1753. Title page of volume I printed in red and black woodcut title vignettes initials tailpieces. 2 vols. 4to. Contemporary vellum morocco spine labels worn. Apart from repair to head of spine of vol. II a lovely set from the library of the Borghese-Fantuzzi family armorial bookplate. Title page of volume I printed in red and black woodcut title vignettes initials tailpieces. 2 vols. 4to. The definitive edition of this celebrated catalogue of works written in Italian -- a virtual PMM of Italian printing. It first appeared in 1706 as a bibliopraphical appendix to the Fontanini's work Della eloquenza italiana with 1500 entries. Subsequent editions appeared in 1727 1736 and 1737 before this last and most important edition -- which is entirely the bibliographical part of the work -- containing 5000 entries of Italian works in poetry prose arts sciences etc. with the invaluable commentary by Zeno and an index. Besterman 3213; Graesse II 612 Giambatista Pasquali unknown
15997751599. Chiaroscuro woodcut in colors printed from four blocks on laid paper in dark brown grey and three shades of ochre 14 1/2 x 14 1/2 inches 370 x 370 mm the full sheet. A very good impression with gaufrage clearly visible on the verso trimmed to the platemark. A central vertical fold is mainly visible on the verso an additional diagonal fold is also visible on the verso. There are several scattered expert repairs to areas of skinning in the lower right quadrant of the sheet on the verso as well as one pea-sized area of expert repair in the center-left sheet on the verso. Repairs are not visible on the recto unless the sheet is viewed through raking light. Laid down to an archival paper matrix.<br /> <br /> Bartsch XII.101.11. Andreani published this suite of prints to reproduce the nine canvases of the Triumphs of Caesar by Andrea Mantegna made for the Gonzaga ducal palace in Mantua between 1484 and 1492 now residing in Hampton Court. The set his last large-scale publication took four years to complete and was the first to depict a painted cycle in its entirety. According to the dedication page Andreani worked after drawings prepared by the Mantuan painter Bernardo Malpizzi. Each of the nine scenes were printed with four blocks; the key block for outlines and separately carved blocks to apply the different shades of color. <br /> - The Chiaroscuro Woodcut in Renaissance Italy edited by Naoko Takahatake p108. unknown
1753214550Venezia: Giambatista Pasquali 1753. Title page of volume I printed in red and black woodcut title vignettes initials tailpieces. 2 vols. 4to. Contemporary vellum morocco spine labels worn. Apart from repair to head of spine of vol. II a lovely set from the library of the Borghese-Fantuzzi family armorial bookplate. Title page of volume I printed in red and black woodcut title vignettes initials tailpieces. 2 vols. 4to. The definitive edition of this celebrated catalogue of works written in Italian -- a virtual PMM of Italian printing. It first appeared in 1706 as a bibliopraphical appendix to the Fontanini's work Della eloquenza italiana with 1500 entries. Subsequent editions appeared in 1727 1736 and 1737 before this last and most important edition -- which is entirely the bibliographical part of the work -- containing 5000 entries of Italian works in poetry prose arts sciences etc. with the invaluable commentary by Zeno and an index. Besterman 3213; Graesse II 612 Giambatista Pasquali unknown books
514Pen and sepia ink wash on cream laid paper 4 1/8 x 6 3/16 inches 103 x 152 mm. In good condition with scattered areas of light brown discoloration and uniform age tone. Condition consistent with age. unknown
17564062Rome: Gioacchino & Giovanni Giuseppe Salvioni Stampatori Pontificii Vaticani 1756. 8vo 210 x 135 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes and 12 tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved initials numerous red-printed woodcut initials. Occasional light browning. 18th-century Roman gold-tooled red goatskin covers with densely tooled dentelle border built up from leafy plant tools sprigs floral and arabesque tools each cornerpiece enclosing a grid with gold dots blossom tools and dots in central field ornamental centerpiece of large foliate arabesque and dandelion tools spine in six uniformly gold-tooled compartments block-printed pastedown endpapers with flower and fruit design stencil-colored in red green and yellow gilt edges with gauffred border design; upper cover a bit faded and bowed corner bumped a couple of scrapes to lower cover. Provenance: Horace de Landau 1824-1904 bookplate shelfmark no 47854; Vicomte de Cossette armorial bookplate. A rococo binding on a luxuriously printed and illustrated Office of the Virgin from the Salvioni press official printers to the Vatican. The Salvioni press used several workshops sometimes collectively mislabeled as the "Vatican" or "Salvioni" bindery. Those bound for the papal library were finely executed and different binderies can be identified by their tools color of leather and stylistic details. The present pretty but crowded binding decor with its in places overlapping tooling does not seem to belong to the corpus of binderies represented in for example the Vatican Library's 1977 exhibit catalogue of papal bindings. Stylistically it uses types of tools and decoration - the wide "Louis XV" style border and the basketweave cornerpieces - in vogue during the reigns of Clement XIV 1769-1774 and Pius VI 1775-1799. Its decoration is similar for example to binding no. 262 in Legature papali but it is of inferior workmanship and does not use the same tools. It was probably produced in a Roman shop executing many commissions and forced to work quickly although it could even be a provincial binding. Cf. Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 262 plate CXCI. Gioacchino & Giovanni Giuseppe Salvioni, Stampatori Pontificii Vaticani hardcover
17564062Rome: Gioacchino & Giovanni Giuseppe Salvioni Stampatori Pontificii Vaticani 1756. 8vo 210 x 135 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes and 12 tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved initials numerous red-printed woodcut initials. Occasional light browning. 18th-century Roman gold-tooled red goatskin covers with densely tooled dentelle border built up from leafy plant tools sprigs floral and arabesque tools each cornerpiece enclosing a grid with gold dots blossom tools and dots in central field ornamental centerpiece of large foliate arabesque and dandelion tools spine in six uniformly gold-tooled compartments block-printed pastedown endpapers with flower and fruit design stencil-colored in red green and yellow gilt edges with gauffred border design; upper cover a bit faded and bowed corner bumped a couple of scrapes to lower cover. Provenance: Horace de Landau 1824-1904 bookplate shelfmark no 47854; Vicomte de Cossette armorial bookplate. A rococo binding on a luxuriously printed and illustrated Office of the Virgin from the Salvioni press official printers to the Vatican. The Salvioni press used several workshops sometimes collectively mislabeled as the "Vatican" or "Salvioni" bindery. Those bound for the papal library were finely executed and different binderies can be identified by their tools color of leather and stylistic details. The present pretty but crowded binding decor with its in places overlapping tooling does not seem to belong to the corpus of binderies represented in for example the Vatican Library's 1977 exhibit catalogue of papal bindings. Stylistically it uses types of tools and decoration - the wide "Louis XV" style border and the basketweave cornerpieces - in vogue during the reigns of Clement XIV 1769-1774 and Pius VI 1775-1799. Its decoration is similar for example to binding no. 262 in Legature papali but it is of inferior workmanship and does not use the same tools. It was probably produced in a Roman shop executing many commissions and forced to work quickly although it could even be a provincial binding. Cf. Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 262 plate CXCI. Gioacchino & Giovanni Giuseppe Salvioni, Stampatori Pontificii Vaticani hardcover books
141234aafMilan, chez Pierre et Joseph Vallardi, s.d. ca. 1816. in-8vo, leporello (ca. 19.5x180 cm) Vue panoramique de la ville avec un légère colorit en gris et rouge + illustration du Dome de Milan sur l’interieure du couvercle postérieure. cartonnage original.
195352369New York: Noonday Press. As New. 1953. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine clean & unmarked tight to the spine - 503 pages. -- with a bonus offer-- . Noonday Press hardcover
2010123498Electa. New. 2010. Paperback. 8837070217 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TWO VOLUME SET ONE1 I 2 II. Flawless copy brand new pristine never opened. Text in Italian with a bonus offer-- . Electa paperback
200533806Academia Verlag. New. 2005. Hardcover. 389665330X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FULL TEXT IN ITALIAN ONLY -- 308 pages size 155 x 23 cm -- FLAWLESS COPY -- AVAILABLE IMMEDIATELY -- Choose us for the information you need -- DESCRIPTION: La dottrina delle idee ha rappresentato un oggetto privilegiato di analisi per numerose generazioni di autorevoli interpreti da un punto di vista storico filologico filosofico e scientifico. Tuttavia una pur rapida consultazione della vastissima bibliografia platonica dell'ultimo cinquantennio mostra sufficientemente come l'interesse critico ed esegetico intorno a questo nucleo teorico della riflessione di Platone si sia rivolto per lo più all'indagine di problemi specifici o di singoli aspetti dell'opera del filosofo ateniese perdendo talvolta di vista l'orizzonte concettuale e lo sfondo filosofico entro il quale bisogna collocare il suo pensiero. Ora questo volume intende invece concentrare l'attenzione sulla nozione e sul concetto di eidos nella filosofia di Platone e nel dibattito che le dottrine platoniche hanno suscitato nella tradizione posteriore a partire dalla prima Accademia e da Aristotele fino a giungere a tracciare un quadro schematico e sintetico delle principali correnti "platonizzanti" del pensiero antico. Attraverso un confronto a più voci che si è andato via via costruendo nel corso di successivi seminari e incontri di studio si è pensato di fornire così una raccolta miscellanea capace di "fare il punto" intorno al dibattito critico e agli studi più recenti su questo tema cruciale. -- TABLE OF CONTENTS CONTRIBUTORS: Introduzione W. L. & F. F. ; La teoria platonica delle idee; M. Baltes-M. L. Lakmann Idea dottrina delle idee; L. Brisson Come rendere conto della partecipazione del sensibile all'intellegibile in Platone ; W. Leszl Ragioni per postulare le idee; J. -F. Pradeau Le forme e le realtà intellegibili: l'uso platonico del termine eidos; G. Sillitti L'idea del bene tra geometria e dialettica nei libri VI e VII della Repubblica platonica; B. Centrone L'eidos come holon in Platone e i suoi riflessi in Aristotele; D. O'Brien La forma del non essere nel Sofista di Platone ; Il dibattito sulle idee fra l'Accademia antica e Aristotele; M. Isnardi-Parente Il dibattito sugli eide nell'Accademia antica; F. Fronterotta Natura e statuto dell'eidos: Platone Aristotele e la tradizione platonica; M. Mariani Aristotele e il "terzo uomo"; C. Cerami La sostanza sensibile e la nozione di TODE TOIONDE in Metafisica VII 8; Il dibattito sulle idee nella tradizione platonica; F. Ferrari Idea ed eidos nel medioplatonismo; A. Linguiti Dottrina delle idee nel neoplatonismo; Bibliografia -- with a bonus offer-- . Academia Verlag hardcover
