42 315 résultats
17109200United Kingdom various 1710. Second Printing. Hardcover. Very Good. Second Printing. Hardcover. A collection of poetry tracts in the 18th century assembled and bound as a set showcasing typical and popular poetry writing and style in England. This was a common practice to gather political satire and literary tracts and bind them together generally at the discretion of the owner or in some cases the printer and/or bookseller. The majority of these works are poetry written as political satire towards the Tory government. This method of binding separate works 'sammelband' also speaks to contemporary collecting and publishing practices. <br /> The bound volume lists separate works as follows:<br /> attrib. Ward Edward. "The Pleasure of a Single Life or the Miseries of Matrimony. Occasionally Writ upon the many Divorces Lately Granted by Parliment. With the Choice or the Pleasures of a Country-Life." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709.<br /> <br /> Wilmot John. Earl of Rochester John Freke. "The History of Insipids a Lampoon By the Lord Roch---r. With his Farewell. 1680. Together with Marvil's Ghost. By Mr. Ayloff." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709.<br /> <br /> Blackmore Richard. "The Kit-Cats a Poem. To Which is Added the Picture in Imitation of Annacreon's Bathillus. Also also the Coquet Beauty by the Right Honorable the Marquis of Normanby." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709.<br /> <br /> Anon. "A Well-Timber'd Poem on Her Sacred Majesty; Her Marble Statue and Its Wooden Enclosure in Saint Paul's Church-Yard." Psalm XXII. 16. The Wicked have Enclosed Me. London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1712.<br /> <br /> Cavendish William. "The Charms of Liberty: A Poem. By the late Duke of D--. To Which is added Epigrams. Poems and Satyrs." Written by Several Hands. London: Printed in the Year 1709.<br /> <br /> Shippen William. "Faction Display'd. A Poem. From a Corrected Copy." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709.<br /> <br /> Dryden John. "Absalom and Achitophel. A Poem." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide For the Benefit of the Poor1708.<br /> <br /> Wilmot Earl of Rochester John. "Poems on Several Occasions: with Valentinian; a Tragedy. To which is added Advice to a Painter. Written by the Right Honorable John late Early of Rochester." London: Printed and Sold by Booksellers of London and Westminster 1710.<br /> <br /> Milton's Sublimity Asserted: in a Poem. Occasion'd by a late Celebrated Piece Entituled Cyder a Poem; in Blank Verse by Philo-Milton. London: Printed for W. Hawes and Sold by J. Morphew near Stationer's Hall and Stephen Fletcher Bookseller in Oxford 1709. Nine sammelband pamphlets bound in blind stamped decorative calf overlay recased with brown cloth boards; apparent shelf wear and toning to leaves each pamphlet constitutes approximately 16 pp. 8vo. Scarce copies of all in disbound condition so this bound aggregate is a rare and singular entity. hardcover
1569R53<p><strong>Description: </strong>Quarto approx. 7" x 5.5". Lacks all before Exodus 11:8. Text in two column black letter. Full-page woodcut of the Tabernacle F1 Table H3. Title before Joshua with large woodcut of Jugge's device. Full-page Map of Canaan Q1. Printed title to the Apocrypha. Map of the Holy Land before Matthew. 1 Corinthians 7 – Revelation 22 shorted and inserted from an octavo Geneva Bible.</p><p><strong>Collation:</strong> E-Z8 Aa-Kk6 A-X8 Y4 Aaa-Mmm8 Nnn6 A-K8 -A1. Begins at E1 Exodus 11:8 and ends at K8 Romans 15. <strong>Lacks</strong> title before Psalms and New Testament title. </p><p><strong>Binding:</strong> Rebacked brown calf. Boards with brown blind-paneled calf and corner fleurons. Two later working clasps. Spine with four blind-lined raised bands and a red gilt-lined morocco label with the words "The Holi Bible" and a date of 1569 lettered in gilt. </p><p><strong>Condition:</strong> Rubbed; intermittent staining; six ff. with marginal closed tears; T6 1 Sam 20 upper piece torn with six lines of text loss; Gg-Hh stain to half of text; D4 Ps 91 half of text torn away; A in NT with frayed edges; B6 lower corner loss of four lines of text. </p><p><strong>Provenance:</strong> Note to front pastedown reads "H.M. This is the 2nd edition of the Bible printed in 4to by R. Jugge the Queen's printer in 1569. This is the 2nd edition of Parker's Bible the 1st edition was a splendid folio in 1568. See Lewis' hist. of the Bible."</p><p><strong>Note:</strong> The first edition of the Bishops' Bible printed in quarto format. This smaller edition was printed just one year after the impressive first folio enabling the clergy to study from this version in their homes. The first quarto retains a few full-page woodcuts in the text. USTC records 13 copies in holdings.</p><p><strong>References:</strong> Herbert 126; STC 2105.</p> Richard Jugge hardcover
1682138282London: Printed by M.W. for Thomas Basset at the George in Fleetstreet and Ralph Smith at the Bible under the Piazza of the Royal Exchange in Cornhill 1682. Third edition in English of Higo Grotius' foundational work on international law. Folio bound in full contemporary paneled calf with a burgundy morooco spine label lettered in gilt title page printed in red and black added engraved title by T. Cross Senior bound opposite the printed title page. Translated into English by William Evats. In good condition. Armorial bookplate and period ownership signature. A pre-eminent contributor to international legal doctrine Hugo Grotius was an influential Dutch jurist philosopher and theologian. In this momentous work Grotius describes situations in which war is a valid tool of law enforcement and outlines principles for the use of force. Though based on Christian natural law Grotius advances the novel argument that his system would still be valid if it lacked a divine basis. In this regard he points to the future by moving international law in a secular direction. Barksdale's translation the first in English includes an original biographical sketch of Grotius. This edition "is perceived to be part of a larger movement in England aimed partly at setting out an ideological alternative to reformation proposals under discussion and to clarifying the relations between civil and ecclesiastical authority in England" Butler xii. Printed by M.W. for Thomas Basset at the George in Fleetstreet, and Ralph Smith at the Bible under the Piazza of the Royal Excha unknown
17049200United Kingdom various 1704-1710. Second Printing. Hardcover. Very Good. Nine sammelband pamphlets bound in blind stamped decorative calf overlay recased with brown cloth boards; apparent shelf wear and toning to leaves each pamphlet constitutes approximately 16 pp. 8 vo. Scarce copies of all in disbound condition so this bound aggregate is a rare and singular entity. <br/><br/>A collection of poetry tracts in the 18th century assembled and bound as a set showcasing typical and popular poetry writing and style in England. This was a common practice to gather political satire and literary tracts and bind them together generally at the discretion of the owner or in some cases the printer and/or bookseller. The majority of these works are poetry written as political satire towards the Tory government. This method of binding separate works 'sammelband' also speaks to contemporary collecting and publishing practices. <br />The bound volume lists separate works as follows: <br />attrib. Ward Edward. "The Pleasure of a Single Life or the Miseries of Matrimony. Occasionally Writ upon the many Divorces Lately Granted by Parliment. With the Choice or the Pleasures of a Country-Life." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709. <br /> <br />Wilmot John. Earl of Rochester John Freke. "The History of Insipids a Lampoon By the Lord Roch---r. With his Farewell. 1680. Together with Marvil's Ghost. By Mr. Ayloff." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709. <br /> <br />Blackmore Richard. "The Kit-Cats a Poem. To Which is Added the Picture in Imitation of Annacreon's Bathillus. Also also the Coquet Beauty by the Right Honorable the Marquis of Normanby." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709. <br /> <br />Anon. "A Well-Timber'd Poem on Her Sacred Majesty; Her Marble Statue and Its Wooden Enclosure in Saint Paul's Church-Yard." Psalm XXII. 16. The Wicked have Enclosed Me. London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1712. <br /> <br />Cavendish William. "The Charms of Liberty: A Poem. By the late Duke of D--. To Which is added Epigrams. Poems and Satyrs." Written by Several Hands. London: Printed in the Year 1709. <br /> <br />Shippen William. "Faction Display'd. A Poem. From a Corrected Copy." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide 1709. <br /> <br />Dryden John. "Absalom and Achitophel. A Poem." London: Printed and Sold by H. Hills in Black-fryars near the Water-fide For the Benefit of the Poor1708. <br /> <br />Wilmot Earl of Rochester John. "Poems on Several Occasions: with Valentinian; a Tragedy. To which is added Advice to a Painter. Written by the Right Honorable John late Early of Rochester." London: Printed and Sold by Booksellers of London and Westminster 1710. <br /> <br />Milton's Sublimity Asserted: in a Poem. Occasion'd by a late Celebrated Piece Entituled Cyder a Poem; in Blank Verse by Philo-Milton. London: Printed for W. Hawes and Sold by J. Morphew near Stationer's Hall and Stephen Fletcher Bookseller in Oxford 1709. hardcover books
19522221650<p>Typed Letter Signed in the form of contract proposal from Victor Weybright at The New American Library of World Literature Inc. 501 Madison Avenue New York 22 New York Murray Hill 8-3470 May 9 1952. Addressed to Dylan Thomas c/o Mr. Oscar Williams 25 Water Street New York 4 New York. Very good.</p><p>Signed by Thomas at end and initialed twice by him noting hand corrections.</p><p>Contract for the purchase of the first part of Dylan Thomas' "Adventures In The Skin Trade."</p><p>Thomas was in New York on his American lecture tour having arrived on January 20th lecturing at Harvard U.C. Berkeley et.al.; leaving the U.S. on May 16th.</p><p>Oscar Williams born Kaplan 1900-1964 was a poet anthologist friend and promoter of Dylan Thomas. He occupied a penthouse at 35 Water Street and Thomas most likely stayed there when in New York.</p><p>Dylan Thomas contracts are uncommon on the market today.</p><p>See Dylan Thomas "The Collected Letters" 2000 ed pages 958-959 for a footnote detailing this contract and a related letter to Oscar Williams.</p> unknown books
51-5270London: engraved by W.F. Wells and J. Laporte published by H.R. Young London 1819. Folio. 28 x 42.5 cm. Contemporary black morocco with gilt dentelles on the edges of the covers and hte spine. Spine repaired and repair on lower front cover. 60 soft ground etchings full page plates many handcoloured. References: Abbey Lifein England no. 203.; OCLC Number :9369595. London: engraved by W.F. Wells and J. Laporte, published by H.R. Young, London, 1819 unknown
1581ST15633London: Printed by H. Middleton for George Bishop 1581. 168 x 110 mm. 6 5/8 x 4 1/4". 4 p.l. 792 pp. <br/> Contemporary flexible vellum yapp edges flat spine with ink titling front hinge reinforced with paper. Title page with early ink inscription of Richarde Grosvenor; front pastedown with engraved armorial bookplate of Grosvenor's descendant Hugh Duke of Westminster dated 1884; front free endpaper with bookplate of the Fox Pointe Collection. STC 11448; ESTC S112728. ◆Vellum somewhat soiled small chip to head of rear cover a little soiling to title page isolated faint foxing or small rust spots but an unusually clean and fresh copy internally in a serviceable binding with antique appeal.<br/> <br/> This is an infrequently seen polemical treatise from the English Reformation addressing theological arguments over Purgatory and transubstantiation one of 21 such works Fulke 1528-89 produced to refute Roman Catholic attacks on the doctrines of the Church of England. According to DNB "Fulke conceived the project of answering all works of controversy written in English by papists since 1558 and of doing so by the technique of exhaustive rebuttal answering every point large and small made in the writings of his opponents. . . . Fulke was well equipped for this role by his vast erudition especially in patristic literature and his command of biblical and classical languages as well as his painstaking concern for accurate detail and the rules of logical argument." During the last decade of Fulke's life "no year passed without the appearance of one or more books by him in defence of Protestantism and in confutation of the church of Rome. His language was unmeasured and even in that age he was conspicuous for the virulence of his invective against his opponents. His learning was however extensive and sound and he was an able master of controversy." Our copy resided in the Grosvenor family library at Eaton Hall for more than 200 years and later passed into the Fox Pointe Collection of Howard Knohl who in the 1980s began collecting English language first editions from before 1700 amassing a library of more than 4000 titles one of the largest privately owned collections in this subject area. This is a rare book: ABPC and RBH find no other copies at auction since 1975; ESTC and OCLC locate just two copies in North American libraries. Printed by H. Middleton for George Bishop unknown
First edition, small 8vo (131 x 81 mm), [24], 112, 117-172pp., (i.e. 168pp., as 113-16 omitted in the pagination), mounted woodcut frontispiece of a male archer, early ownership signature to title partially erased, upper corner of D1 restored with a loss of a few letters which have been added in ms. blank lower corner of M3 repaired, occasional light soiling and staining, marbled endpapers, eighteenth-century green morocco, tooled in gilt, overall a very good copy. Written when he was sixty-six years old, this is probably the last book which Markham wrote, and is one of his scarcest. "The practical instruction which he proceeds to give to the would-be-archer, of the bow and its use, the shooting-glove, the string, the shaft, the steel of the arrow, the feather, and the arrow-head, is reminiscent of Asham and may indeed be derived from his Toxophilus."?Poynter. Only two other copies have appeared at auction over the last 70 years, the Macclesfield copy sold by Sotheby's 14th April 2005 lot 1311 ?6,600 and the Fox Pointe copy sold by Forum Auctions 10th July 2019 lot 104 ?5000. STC 17333; Poynter, 40; Cockle, 129; Schwerdt II, p.10; Lake & Wright, p.199.
9594New Haven: Editions Wequetequock Cove 2006. Full Leather. Fine binding. Small folio 8.5" x 7". 32 pp. illus. Limited edition number 23 of 50 copies. Signed by Baltazar and Watsky. This copy sewn on meeting guards with silk endbands. Bound in dyed calf and finished with recessed stone veneer over sheep skiver dyed calf inlays and onlays as well as onlays in lizard. Subtly titled in blind across one of the onlays at the spine. Paper doublures with dyed calf hinges. <br /> <br /> Botehlo writes of this book being "filled with etchings of heavy lined and voluptuous shapes with textures and shade all done in black. The poetry evoked for me the verdancy of rogue plants that spring up between the cracks of concrete. It spoke of the appeal of being a snake allusions to original sin. I wanted the green onlays that have been dyed and embossed to be pillowed the stone inviting touch. I intended to create something that invites a sensory exploration." And here she has succeeded with astonishing grace creating a design that draws and keeps the attention. Wonderfully conceived and executed with exceptional skill. Botelho is among a select group of extraordinary design binders who are graduates from the American Academy of Bookbinding Fine Binding program. Editions Wequetequock Cove unknown
17630OXFORD. LEON LICHFIELD. 1731. A SCARCE ITEM BEING THE FIRST TIME THAT SAMUEL JOHNSON APPEARED IN PRINT. OCTAVO. REBOUND IN HALF LEATHER OVER BROWN CLOTH SPINE AND CORNERS RUBBED VERY TIGHT BINDING MARBLED ENDPAPERS. CONTENTS VERY CLEAN AND BRIGHT APART FROM THE TITLE PAGE WHICH IS BROWNED. MINOR REPAIR TO THE FOOT OF THE TITLE PAGE OF THE PREFACE. THE BOOK COMPRISES: A VERY LONG PREFACE BY HUSBANDS ' CONTAINING SOME REMARKS ON THE BEAUTIES OF THE HOLY SCRIPTURES MORE ESPECIALLY OF THE OLD TESTAMENT WHERE THEY ARE CONSIDERED IN A CLASSICAL VIEW'; A LIST OF SUBSCRIBERS 19 PAGES; THE POEMS 270 PAGES. IN THE PREFACE HUSBANDS SAYS OF JOHNSON ' THE TRANSLATION OF MR POPE'S MESSIAH WAS DELIVERED TO HIS TUTOR AS A COLLEGE EXERCISE BY MR JOHNSON A COMMONER OF PEMBROKE COLLEGE IN OXFORD AND ' TIS HOPED WILL BE NO DISCREDIT TO THE EXCELLENT ORIGINAL'. OVERALL A VERY GOOD COPY OF A SCARCE BOOK. OXFORD. LEON LICHFIELD. 1731 hardcover
1825ST20491London: R. Ackermann 1825. FIRST EDITION. 236 x 144 mm. 9 1/4 x 5 3/4". vii 1 84 pp. <br/> STRIKING DARK GREEN MOROCCO VERY ELABORATELY GILT BY CUNEO stamp-signed on lower front turn-in for Mildred B. Davey named stamped on upper front turn-in covers with geometric Art Deco frame smooth spine in compartments with triangle ornaments gilt lettering git-ruled turn-ins marbled endpapers. Housed in matching green morocco-backed clamshell box lined with fleece. Engraved map and 24 FINE DELICATELY HAND-COLORED PLATES inlaid on heavy stock as issued; original tissue guards. Verso of front free endpaper with engraved bookplate of Mildred Davey and red morocco ex-libris of Paul Edward Chevalier; front flyleaf with 19th century ink owner inscription of William Mitchell. A Large Paper Copy. Abbey Travel 210; Tooley 245; S. T. Prideaux "Aquatint Engraving: A Chapter in the History of Book Illustration" p. 229. See Peter Thorold "The British in France: Visitors and Residents since the Revolution" p. 64. A very small ink spot just intruding on very bottom edge of a handful of leaves a few vague spots of foxing to map isolated faint offsetting from illustrations but A VERY FINE COPY in all other ways--the text clean fresh and bright the plates immaculate the margins spacious the binding lustrous and sparkling.<br/> <br/> This is a lovely copy of a work with plates Prideaux considers "among the most beautiful to be found in aquatint engraving" and it comes in a handsome binding commissioned by Mildred Benson Davey and later owned by Paul Chevalier. Issued by a publisher known for his lavishly illustrated travelogues the volume takes us on a journey through the scenic French Pyrenees escorted by Englishman Joseph Hardy who adds his insights on the local population and government gives recommendations on the best mineral baths and describes in word and image the breathtaking scenery. The views are small measuring approximately 90 x 70 mm. but as Abbey notes "part of their charm is certainly in their small size." Sarah Prideaux praised their composition: "The ground is exceedingly fine and there is no line whatever. The colouring is most delicate and all the twenty-four illustrations are exquisite." We can only be impressed by the achievement of the colorist; the detail is cleanly executed the colors are luminescent and the images do not disappoint even under magnification. Thorold notes that this work was "a great success" and was later translated into French. Our copy was bound in a bold modern design at the Chicago workshop founded by in 1926 by John Cuneo 1884-1977. Cuneo hired fine British craftsmen like the Englishman Leonard Mounteney to create bibliophile-quality bindings for American collectors. After apprenticing at the bindery of G. & J. Abbott in Nottingham and studying ornamental design at the Battersea Polytechnic Mounteney worked as an exhibition finisher for Riviere before emigrating to Chicago where he initially worked with Alfred de Sauty at the R. R. Donnelley bindery before joining Cuneo's hand bindery. The present binding was a commission for Mildred Benson Davey 1890-1953 daughter of the founder of Benson & Rixon men’s clothiers. Cuneo also bound books for Chicago retail magnate Marshall Fields. Later our binding was appreciated by distinguished connoisseur Paul Chevalier whose library of beautiful volumes was uniformly characterized by outstanding workmanship and superb condition. The sale of his books in 1990 represented one of the best collections of 20th century bindings brought to auction in the past half century. Laid in is Christie's slip from Chevalier's 9 November sale where this appeared as lot 23 selling for $935. R. Ackermann unknown
Very Good Turkish, Ottoman (1500-1928) Contemporary quarter brown morocco. Red boards. Staining on the red cloth. Roy. 8vo. (25 x 17 cm). In Ottoman script (Turkish with Arabic letters). 64 p. Extremely rare first and only edition of this Turkish guide to the Turkish delegation of intelligence officers formed within the Niedermayer-Hentig Expedition, also known as the Kabul Mission to carry out counter-activities in the region against the British and Russian alliance, to return from India, through Russia, Afghanistan, and Iran, published after the expedition failed in 1916. This work both in very rare institutional holdings and market rarity is probably printed in no more than 100 copies. It was expected from the Turkish delegation, organized by Ömer Fevzi Bey, who was in charge of the Eastern Branch of the Turkish Intelligence (Teskilât-i Mahsûsa), by reaching Afghanistan through Iran and bringing "Jihad-i Akbar" to this country, to provide an important ally on the Indian border and to support the pro-independence Indian committees and an uprising against the British rule in India and the region. This book was prepared by the Ottoman Army Headquarters-General Intelligence Branch in 1916, during the First World War. In its introduction, the commission described their purpose of publishing this book, which is providing secret information to officers and other staff of the Ottoman army who will travel to Iran, Afghanistan, and Russia, telling them which roads to use, how to use their passports, where and how much food they need to take with them, etc., otherwise being a very comprehensive and detailed guide to the officers. The first chapter includes Iran and its environment, and the second chapter includes Russia and its environment. The first addendum contains detailed passport information, and the second part consists of the routes and towns requiring passports. According to the introduction, references of this book are some early British sources and reports by "Kralliik siyasi ve sehbenderhane zâbitâni, sabik müsahid atasemiliteri" H. Smith, "Harbiye Nezâreti Erkân-i Harbiye-i Ummiyesinden" A. D. Geddesi and "Istihbarat Subesinden" Captain S. M. Gibbon. Additionally, they are Foreign Ministry's 'tahrirât' documents, Intelligence Branch's 'kuyudâti', and a Russian railways guide printed in 1909. The Niedermayer-Hentig Expedition was a diplomatic mission to Afghanistan sent by the Central Powers in 1915-1916. The purpose was to encourage Afghanistan to declare full independence from the British Empire, enter World War I on the side of the Central Powers, and attack British India. The expedition was part of the Hindu-German Conspiracy, a series of Indo-German efforts to provoke a nationalist revolution in India. Nominally headed by the exiled Indian prince Raja Mahendra Pratap, the expedition was a joint operation of Germany and Turkey and was led by the German Army officers Oskar Niedermayer and Werner Otto von Hentig. Other participants included members of an Indian nationalist organization called the Berlin Committee, including Maulavi Barkatullah and Chempakaraman Pillai, while the Turks were represented by Kazim Bey, a close confidante of Enver Pasha. The mission failed in its main task of rallying Afghanistan, under Emir Habibullah Khan, to the German and Turkish war effort, but it influenced other major events. In Afghanistan, the expedition triggered reforms and drove political turmoil that culminated in the assassination of the Emir in 1919, which in turn precipitated the Third Anglo-Afghan War. It influenced the Kalmyk Project of nascent Bolshevik Russia to propagate socialist revolution in Asia, with one goal being the overthrow of the British Raj. Other consequences included the formation of the Rowlatt Committee to investigate sedition in India TBTK 13568.; Not in OCLC.
1736elala1162<p>Oxford: Printed by John Baskett 1736-35. 1736. 2 Volumes in 1. undated engraved title by J.Sturt with imprint of Richard Ware. with Apocrypha & index. contemporary dark red morocco wide gilt tooled borders on covers incorporating crown & sceptre ornaments gilt tooled spine with 5 raised bands centre covers with black morocco onlay incorporating letters JHS & winged angel head ornaments within gilt flame border bit rubbed with minor stain on upper cover joints & spine ends repaired short splits in lower joints occasional light spotting. Provenance: Capt. William Wilkie of Montrose d. 1761 his spouse Mrs. Ann Napier d. 1779 William Petrie d. 1834. BOUND WITH: CHURCH OF ENGLAND. BOOK OF COMMON PRAYER. The Book of Common Prayer. 4to. undated engraved title by J.Sturt with imprint of Richard Ware. some marginal dampstaining to first few leaves a few leaves browned. Oxford: Printed by John Baskett 1736. BOUND WITH: DOWNAME John. A Brief Concordance. 4to. London: Printed for R.Ware 1732. BOUND WITH: BIBLE. ENGLISH. The Historical Part of the Holy Bible Or The Old and New Testament Exactly and Compleatly Describ’d in above Two Hundred Historys Curiously Engrav’d by J.Cole From Designs of ye best Masters. 4to. 51 engraved plates containing 204 illustrations. London: Sold by Richard Ware nd. BOUND WITH: SACRED GEOGRAPHY Contained In Six Maps. 4to. title in red & black. 6 folding double-page engraved maps some short map fold tears – no loss. London: Printed for Richard Ware 1725. A handsome copy of an interesting composite bible and prayer book. All of the plates and maps are bound at various intervals throughout the text. The maps depict 1 the situation of Paradise and the country inhabited by the Patriarchs 2 the peopling of the world by the sons of Noah and the Israelites journeying in the wilderness 3 a plan of the city of Jerusalem with a view of Solomon’s Temple and all the sacred utensils therein 4 the Holy Land divided into the Twelve Tribes of Israel in which are exactly traced our Saviour’s travels 5 the land of Canaan and 6 the travels of St. Paul and the rest of the Apostles. Herbert 1032. See Herbert 965 970 974 992 993 & 1116 for similar variously dated combined texts with engraved titles bearing Ware’s imprint as here. Hardcover. Very Good.</p> Oxford: Printed by John Baskett, 1736-35. hardcover
105344London: 1868-1880. 30 vols. in 20 a complete set bound in half brown morocco gilt tops the Easton Neston set in fine condition. § "English Reprints" 1868–1880 by which an accurate text of the works of many English authors formerly only accessible in more expensive editions was placed within reach of the general public. Among the thirty volumes of the series were Stephen Gosson's School of Abuse Roger Ascham's Toxophilus Tottel's Miscellany and Robert Naunton's Fragmenta Regalia. An important collection of early English texts rarely found complete. 1868-1880. 30 vols. in 20 unknown books
015243Caleb Whitefoord (1734-1810), marchand anglais, diplomate, écrivain (satiriste). P.A.S., sd [1791], 1p in-8 oblong. « Sir, Please to deliver to the Bearer the Case containing Sir John & Lady Clerk's Portraits painted by Mr Raeburn of Edin[bur]gh. Caleb Whitefoord ». Henry Raeburn (1756-1823) était un célèbre portraitiste. Il s'agit en fait d'un unique et imposant tableau, Portrait of Sir John and Lady Clerk of Penicuik, peint en 1791. Il mesure 145*206 cm et se trouvait dans la collection Beit en 1987 et est aujourd'hui présenté à la National Gallery of Ireland. Ce tableau est d'ailleurs un des tableaux emblématiques de ce musée. Le couple représenté est Sir John Clerk of Pennycuik, 5th Baronet (1736-1798) et son épouse Rosemary Dacre Appleby. Sympathique document, tant par le signataire peu commun que le sujet. [375]
1795ABC_47525Bath: Printed by S. Hazard for J. Johnson Vernor and Hood Ogilvy and Speare J. Sewell H. Gardner and C. and G. Kearsley 1795. Near-contemporary gold- and blind-tooled calf with the title volume number and year of publishing lettered in gold on the spine. 8vo. With a folding engraved map of Arabia 3 genealogical tables including 2 folding 1 plate showing the Kaaba in Mecca all taken from the first editon of 1735. 2 volumes. Fourth edition of the First translation of the Koran into English.a landmark not only in efforts to bring an accurate version of the Quran to the English-speaking world but also in Western Quranic studies in general. Holt notes his "enlightened and objective attitude" in sharp contrast with most Western Arabists of his day or earlier: "His freedom from religious prejudice his obvious conviction that Arabic writers were the best source of Arab history and Muslim commentators the fittest to expound the Quran marks an enormous advance ". In addition to Arabic sources Sale consulted the best Latin translation of the Quran by Ludovico Marracci published in 1698.Rebacked some tears in the folding map repaired.l ESTC T146975; Fück Die Arabischen studien p. 104; P.M. Holt Studies in the history of the Near East 1973 pp. 57-60; McKenzie & Ross eds. A ledger of Charles Ackers p. 41; Schnurrer p. 429. Printed by S. Hazard for J. Johnson, Vernor and Hood, Ogilvy and Speare, J. Sewell, H. Gardner and C. and G. Kearsley, unknown
xv, [1], 124, 3 [ads] pp. Index. Text in German. "Beitrage zur Konjunkturforschung - Herausgegeben vom Osterreichischen Institut Fur Konjunkturforschung Nr. 3" - front cover. "A collection of four lectures covering theories of the influence of money on prices, the conditions of equilibrium between the production of consumers' goods, the working of the price mechanism in the course of the credit cycle, and the case for and against an 'elastic' currency." - Jacob Cohen. Unread as most pages uncut. Average wear to original brown wrappers which are partially separated from textblock. Bit of writing at base of spine. 1939 New York Times Book Review of Schumpeter's 'Business Cycles' laid in. A sound copy of this, Hayek's second book. Machlup B-2, Cody & Osrem B-2, Hutchinson 912, Cohen 183. Book
181821571London, Diggens pour Ackermann, 1818 ; petit in-4°, demi-veau vert foncé, dos à nerfs décoré de fleurons à froid et de palettes, filets et titre dorés, roulette décorative à froid d’une part et d’autre du dos (reliure romantique de l’époque) ; VIII, 106, [4] pp. et 27 planches hors-texte très finement aquarellées, avec les plans.
Unread. As new. Number 216 of limited edition of 350 copies. Signed by co-author R.E. Gosnell. "Few publications, if any, of similar size and excellence have been produced in Canada." - From Editor's Foreword. Part I includes 210 pages and eighteen chapters which constitute "a survey of events from the earliest times down to the Union of the Crown Colony of British Columbia with the Dominion of Canada." Part II is "a history, mainly political and economic, of the Province since Confederation up to the present time." Part I is preceded and followed by dozens of tissue-protected black and white portraits of individuals influential in the early history of the province, complete with their brief biographies upon the tissue. Part II comprises eighteen chapters over 226 pages plus 5 pages of addenda followed by dozens of tissue protected portraits of "some of the men conspicuous as present day factors in development." Top edge gilt. Gilt lettering upon backstrip. Marbled endpapers. Exceptionally clean, bright, and unmarked with zero wear. Brown suede exterior appears as fresh as the day it was applied over 100 years ago. This majestic fourteen pound tome measures 13" x 10.5" x 4". A magnificent acquisition for any serious collector of British Columbia history. A better copy will not be found. [Lowther 1607, Hale 2523, Edwards & Lort 3177, Strathern 495] Book
41185Folio. Contemporary dark brown leather-backed blue/gray boards. Titled "A collection of Songs by several eminent Masters" in contemporary manuscript on recto of first page of music. Engraved throughout.<br /> <br /> Provenance<br /> With "Lucy Gregory July the 6th 1756" and "Prince Gregory" in contemporary manuscript to front pastedown. Manuscript titling and annotation "Ex dono Revd. Dr. Dawson For use of Musical Society Windsor Castle to be returned to Dr. Dawson When ye club ceases viz when it is reduced to three persons" to blank recto of first song along with title and index to blank verso of final song.<br /> <br /> Contains 33 songs including works by Barrett Blow Eccles Galliard Handel 8 Leveridge Orlandini Pepusch Daniel Purcell Henry Purcell 2 Weldon and others. Scored mainly for voice most for one voice and few for two and figured basso continuo with single-line flute arrangements for some songs.<br /> <br /> 1. Handel. "A Favorite song in the Opera of Theseus" "See see your faithfull lover pineing". London ca. 1720. i blank 2 i blank pp. BUC p. 1001.<br /> <br /> 2. Purcell H. "Sing all ye muses. A song set by Mr. Henr. Purcell The Words by Mr Durfey." London ca. 1700. From Part I of The Comical History of Don Quixote. 4 pp. BUC p. 861 another edition. Scored for two voices and figured basso continuo.<br /> <br /> 3. Handel. "Mi brilla in English and Italian" "Be Kind and Love" / "Mi brilla nel seno". London ca. 1720. i blank 2 i blank pp. HWV 10 Silla.BUC p. 93. <br /> <br /> 4. Purcell H. "The Mad Dialogue Sung by Mr. Leveridge and Mrs. Lynsey" "Behold the man with gigantick might". From The Richmond Heiress. London ca. 1700. 3 i blank pp. BUC p. 862.<br /> <br /> 5. Handel. "Vieni torna in English & Italian" "Turn o turn thee dearest Creature / Vieni torna Idolo mio". London ca. 1715. i blank 2 i blank pp. HWV 9 Teseo. BUC p. 1041.<br /> <br /> 6. Handel. "A Favourite Song by an Eminent Master Within the Compass of the Flute" Recitativo: "Lo here my Love" / Aria: "Love in her eyes sits playing". London ca. 1725. i blank 2 i blank pp. BUC p. 624.<br /> <br /> 7. Handel. "A Song with a Symphony for an Octave Flute & Violins" Recitativo: "Ye verdant Plains" / Aria: "Hush ye pretty warbling Quire". London ca. 1722. i 3 paginated 4-6 i blank pp. HWV 49 Acis and Galatea. BUC p. 432 date incorrect; JISC two copies at Oxford and the British Library. In score for piccolo violin voice and unfigured basso continuo. <br /> <br /> 8. Handel. "A song by an Eminent Master" "Would you gain the tender Creature". London ca. 1750. HWV 49 Acis and Galatea. BUC pp. 432 1091.<br /> <br /> 9. Eccles. "Air in the Opera Semele. The words by Mr Congreve" "Come Zephrys". London ca. 1730. i blank 2 i blank pp. BUC p. 309. <br /> <br /> 10. Orlandini. "A favourite Song in the Opera of Arsaces Sung by Sigr. Senesino" "Se sol la mia morte" / "Cœlestial Corinna". London ca. 1721. i blank 2 i blank pp. BUC p. 56. "Lucy Gregory" in contemporary manuscript to upper outer corner of final blank page. <br /> <br /> 11. Anon. "The Ladys Repulse or Favourite Minuet in Hercules" a pasticcio. London ca. 1715. 2 pp. BUC p. 478. <br /> <br /> 12. Barrett. "A Song sett by Mr. Iohn Barrett Sung by Mrs. Lindsey" "Mistake not Nymph". London ca. 1705. 1f. recto music verso blank pp. BUC p. 86.<br /> <br /> 13. Barrett. "Liberia A Song Set to Musick" "Liberia's all my Thought". London ca. 1715. 1f. recto music verso blank pp. BUC p. 86.<br /> <br /> 14. Purcell D. "Lovely Charmer. A song in the Island Princess." London ca. 1700. 1f. recto music verso blank pp. BUC p. 856.<br /> <br /> 15. Leveridge. "A Favorite Song in the new Opera The words by Mr. Leveridge." London ca. 1720. 1f. recto music verso blank pp. BUC p. 339.<br /> <br /> 16. Anon. "Tom a Bedlam" "Forth from my dark and Dismall cell". London ca. 1720. 1f. recto music verso blank pp. BUC p. 345. <br /> <br /> 17. Leveridge. "A Scotch Song Sung by Mr. Leveridge the words by Mr Durfey" "Farewell my Bonny". London ca. 1710. 1f. recto music paginated "10" verso blank pp. BUC p. 325.<br /> <br /> 18. Blow. "Go Perjur'd Man. A Song for two Voices." London ca. 1710. 1f. recto music verso blank pp. BUC p. 115.<br /> <br /> 19. Anon. "A song by a Gentleman" "How charming". London ca. 1730. 1f. recto music verso blank pp. BUC p. 370.<br /> <br /> 20. Weldon. "Orpheus Song to the Waves Sett by Mr. Iohn Weldon Sung by Mrs. Linsey." "Stop O ye Waves". London ca. 1710. 1f. recto song verso version for flute pp. BUC p. 1065.<br /> <br /> 21. Anon. "A Song by a Great Master" "Beauteous Idol charming Creature". London ca. 1720. 1f. recto music verso blank pp. BUC p. 93. <br /> <br /> 22. Turner. "A Song On Mira's Singing and Beauty" "Singing charms The Bless'd above". London ca. 1710. 1f. recto music verso blank pp. BUC p. 1024.<br /> <br /> 23. M. F. "A song in the Italian style by F M" "Ah Crudel prenesto". London ca. 1720. 1f. recto music verso blank pp. BUC p. 638. A humorous song satirizing Italian opera with text in nonsense-Italian.<br /> <br /> 24. Galliard. "Sung by Mr. Pack in The Opera of Circe" "Fairest if thou can'st be King". London ca. 1720. 1f. recto music verso blank pp. BUC p. 358.<br /> <br /> 25. Vanbrughe. "Apollo to Daphne by Mr. Vanbrughe" "My Dearest Daphne". London ca. 1735. Not in BUC but may be from Vanbrughe's collection Mirth & Harmony; see BUC p. 1034.<br /> <br /> 26. Anon. "The Address with The Lady's Answer" "Ah lovely Nymph". London ca. 1725. 1f. recto music paginated "7" verso blank pp. BUC p. 11. <br /> <br /> 27. Handel. "A Song the words by Mr. Kirkland set to a Trumpet Minuet of Mr. Hendell's" "Phillis the Lovely". London ca. 1725. 1f. recto music verso blank pp. HWV 349 Watermusic. BUC p. 781. <br /> <br /> 28. Young and Leveridge. "The Reproach" "Send back my long stray'd Eyes" and "Mr. Leveridge's Tune." London ca. 1720. 1f. recto music verso blank. BUC p. 1098. The instrumental tune appears to be unrelated to the song; here may however be some association as the song incorporates imagery related to the eyes and the tune's name not given here is "Black-eyed Susan." <br /> <br /> 29. Anon. "A Song after the Italian Manner by an Eminent Master" "Lovely cruel charming fair". London ca. 1715. 1f. recto music verso blank pp. BUC p. 632 another edition. <br /> <br /> 30. Handel. "Di godere in English & Italian by Mr. Hendell" "Di godere" / "Oh my dearest". London ca. 1720. 1f. recto music verso blank. HWV 228. Not in BUC; possibly related to an edition in Foundling Museum. JISC "This song appeared in two editions in 1719: the first was in The Yearly Subscriptions a volume of twenty songs advertised on 5 December the second in the Monthly Mask of Vocal Music issued on 24 December".<br /> <br /> 31. Pepusch. "A Song in the Mask of Martillo" "Tender Hearts to ev'ry Passion". London ca. 1716. 1f. recto music verso blank pp. BUC p. 722. <br /> <br /> 32. Carey. "The Midsummer Wish Taken from the Journal" "Waft me some soft and cooling Breeze". London ca. 1725. 1f. recto music verso blank pp. BUC p. 165. <br /> <br /> 33. Leveridge. "A Song in the Beau Demolish'd Sung by Mr. Leveridge" "Whilst I'm carrouzing". London ca. 1730. 1f. recto music verso index in contemporary manuscript pp. BUC p. 615. <br /> <br /> Binding worn rubbed and bumped; spine partially lacking; lower board nearly detached. Minor dampstaining and worming; occasional small stains. John Barrett ca. 1674-ca. 1745 was an English composer and organist pupil of John Blow. "Like many of his contemporaries such as Jeremiah Clarke John Eccles and Daniel Purcell Barrett composed mainly for the theatre and his many songs mostly of the double-barrelled art song variety are both tuneful and attractive." Christopher Powell revised by H. Diack Johnstone in Grove Music Online<br /> <br /> John Blow 1649-1708 was an English composer organist and teacher. "By his mid-20s he had become the foremost musician in England and in later years he was the elder statesman of the Restoration school whose chief luminary was Henry Purcell." Bruce Wood in Grove Music Online <br /> <br /> John Eccles ca. 1668-1735 was an English composer. "Eccles's greatest talent is revealed in his many songs. Remarkable for their beautifully contoured melodies and impeccable prosody they quickly capture the mood and subtleties of the poetry and are eminently singable. His large works are notable for their dramatic pacing and their carefully planned tonal architecture. In the latter respect he surpassed even Purcell and was far in advance of his day. Eccles brought the Restoration tradition to its close. After Purcell's death in 1695 he was undoubtedly the greatest of the Restoration theatre composers." Stoddard Lincoln in Grove Music Online<br /> <br /> John Ernest Galliard ca. 1687-1749 German composer and oboist "certainly played a significant role in London's musical life in the first half of the 18th century." Roger Fiske revised by Richard G. King in Grove Music Online<br /> <br /> George Frideric Handel 1685-1759 English composer of German birth was "one of the greatest composers of his age." Anthony Hicks in Grove Music Online<br /> <br /> Richard Leveridge 1670-1758 English bass and composer was "a leading singer on the London stage and a popular composer of songs." Olive Baldwin revised by Thelma Wilson in Grove Music Online. <br /> <br /> Giuseppe Maria Orlandini 1676-1760 was an Italian composer. "The large number and wide spread of performances of his operas confirm the opinions of Burney La Borde Martini and Quadrio that Orlandini was highly celebrated as a composer of dramatic music. He was best known for his comic intermezzos in which genre his importance almost certainly outweighs that of Pergolesi. Indeed Orlandini's Bacocco e Serpilla under various titles and with added music by various composers appears to have been the most frequently performed piece of musical drama in the entire 18th century." John Walter Hill and Francesco Giuntini in Grove Music Online<br /> <br /> Johann Christoph Pepusch 1667-1752 a German-born composer and theorist active in England is best known for his arrangement of music for The Beggar's Opera to John Gay's libretto; he composed works in all genres including vocal music.<br /> <br /> Daniel Purcell ca. 1664-1717 brother or cousin of Henry Purcell was an English composer and organist. "Although he was a victim of invidious comparison with Henry Daniel was a talented composer whose style while perhaps too ornate is never dull or incompetent." Mark Humphreys revised by Robert Thompson in Grove Music Online<br /> <br /> Henry Purcell 1659-1695 composer and organist "was one of the most important 17th century composers and one of the greatest of all English composers." Peter Holman and Robert Thompson in Grove Music Online<br /> <br /> John Weldon 1676-1736 an English organist and composer "of considerable talent" was a pupil of Henry Purcell. Margaret Laurie revised by Stephen Bullamore in Grove Music Online. unknown
15781339018London i.e. Antwerp: printed by Henry Loë sold by me Gerard Dewes dwelling in Pawles Churchyarde at the signe of the Swanne 1578. First English Edition. Hardcover. Folio 24 779 25; VG; bound in modern blind-tooled full calf paneled spine with blind-stamping morocco label with gilt titling; mold-staining to boards; mild rubbing; Binder's ticket inserted at end of volume for 'Period Binders Bath England'; title page chipped on all edges backed on all edges backing to 6 21 gutter of 2-5 22-3 fore edge xxx2-yyy4; name written in blue ink to A; h6 missing piece of upper fore corner only loss of text is page number; small hole in Cc; Fff2-4 have small worming to the top edge; some scattered tide-marks;<br /> <br><br /> <br><br /> marginalia to the following 122 pages primarily adding the common name of the plant to the description: A2v A5v A6r B1v B5r/v C1v C3v C4r/v C5v C6r D1r D2r D3r/v D4r F2v F3v F4v F5r F6r G1r/v G3r G5r H1r H4r H5v I1r I3v I4r I5r K5r K6r L4v L6v M1v M2v M4r/v M5v O1r/v O3r O6r/v P2v P5r/v Q5v Q6r R4r R5v R6r S2r/v S3r S6r T1r T6r U2r U3v U5r X5r X6r Y1v Y2v Z1r Aa5r Bb2r Ee5v Ff4r Ff5r Ff6r Gg1r/v Hh1v Hh2v Hh3v Ii4r Ii5r Ii6v Kk4v Kk5v Ll1r Ll3r Mm2r Nn1r Nn3r Oo5r Pp1v Pp3r/v Tt1v TT6r Uu1v Uu3r/v Uu4r Uu6v Xx4v Xx5v Xx6r/v Yy2v Yy6r/v Zz1v Bb3r Bb5v Ccc2r Eee3v Fff6r Ggg1r Ggg4r/v Hhh1r Hhh3v Lll2v Lll5v Mmm1v <br /> <br><br /> <br><br /> Title within cartouche. Includes indexes and tables; Imprint in two settings. In this setting second line of imprint begins "by me".; 3r has first line of caption title in black letter. 4r is signed and has catchword "Cubba"; with 870 woodcuts about thirty of which are original to this edition.<br /> <br><br /> <br><br /> MK consignment; shelved case 4. ESTC: S126799;<br /> <br><br /> <br><br /> Henry Lyte's first and most important work was his translation of the Cruydeboeck of Rembert Dodoens Antwerp 1554 translating it from the 1557 French translation of Charles de L'Ecluse Histoire des Plantes. Dodoens' Cruydeboeck is known for not using the traditional method of arranging the plants in alphabetical order but rather dividing the plant kingdom into six groups Deel based on their properties and affinities. It treated in detail especially the medicinal herbs which made this work in the eyes of many a pharmacopoeia. This work and its various editions and translations became one of the most important botanical works of the late 16th century part of its popularity being his use of the vernacular rather than the commonly used Latin. wikipedia;. 1339018. Shelved Dupont Bookstore. [printed by Henry Loë, sold] by me Gerard Dewes, dwelling in Pawles Churchyarde at the signe of the Swanne hardcover books
13 Volumes bound in five, large 8vo printed on good wove paper, [iv], 388; xii, 363, [1]; [iv], 295, [1]; vii, [iii], 355, [1]; [iv], 257; [iv], 314; [iv], 306; [iv], 170; [iv], 195, [1]; [iv], 117, [1]; [iv], 189, [1]; [iv], 83, [1]; [iv], 82, [2]pp., parts 1-3 in orig. boards, spines chipped, covers loose, orig. printed label on upper covers, uncut, parts 4-7 cont. half calf, rubbed, spine stained and spotted, parts-8-13 cont. quarter morocco, rubbed, foot of spine torn, faint stamp of 'Mercantile Library, Philada.', front hinge shaken, title page to part 8 loose, prices and buyers' names supplied in a cont. hand, a made-up set of the complete English sale catalogues of the library of Richard Heber (the 13th volume is notoriously rare). Heber was a book collector on a monumental scale, De Ricci estimated his library between two and three hundred thousand volumes. The sales took place at a time when the market was absolutely glutted and there were practically no buyers. The total realised was ?65,774, for books which had cost their late owner a good deal over ?100,000. "The Dibdinian age may be aptly said to terminate with the dispersal of the gigantic library accumulated by Richard Heber, a bibliomaniac if there ever was one... From 1800 to 1830, he purchased at every London sale... He thought nothing of securing whole libraries... When he died, his books filled two houses in London, one at Hodnet, one at Oxford, one at Ghent and one at Paris, not to speak of smaller stores at... other Continental cities. The total number of volumes in his library must have been between two and three hundred thousand, and it is doubtful whether any private individual has ever owned so large a library... The London sales produced ?56,744, for books which had cost their late owner over ?100,000. The market was absolutely glutted and there were practically no new buyers... The Heber catalogues, although... arranged in the most inconvenient manner, are daily consulted by every bibliographer... His series of Continental books, early Italian and Spanish works, later Latin poetry, humanistic treatises... were unrivalled... The real strength... was, however, in the field of early English literature... For thirty years he... purchased nearly every item which came on the market".?De Ricci, p.102. Organised according to the residences where Heber kept his libraries, the present catalogues number 1 - 13 and were held in 1834, 1835, 1836 & 1837. Sotheby's managed the sale for parts 1- 3 and 9 - 10; R. H. Evans, for parts 4 and 6 - 8 and 11; B. Wheatley, parts 5 and 12-13.
1933ST15997Montgomeryshire Wales: Gregynog Press 1933. No. 37 OF 250 COPIES one of 110 in this binding accompanied by three additional plates on Japon EACH ONE OF 12 SIGNED BY THE ARTIST. 390 x 255 mm. 15 1/4 x 10". 15 leaves. <br/> Fine original dark slate blue Oasis morocco device in blind on front cover blind titling on front cover and spine. In the original paper slipcase somewhat worn and browned but sound. Wood engraved title with device and 21 wood engravings in the text five of them full-page chapter openings by Blair Hughes-Stanton and WITH THREE ORIGINAL SIGNED WOOD ENGRAVINGS ON JAPANESE VELLUM--"The Man Mourns I" 5/12 "The Man Mourns II" 4/12 and "Destruction" 5/12--attractively matted. Printed in blue and black on Japanese vellum; with an additional half-page engraving from chapter I laid in. Harrop 29; De Zilverdistel Cat. II 29; Hughes-Stanton 21. ◆A breath of fading to the spine negligible signs of wear to the binding but a fine copy with only trivial condition issues and the additional engravings pristine.<br/> <br/> This is in Harrop's words "one of the most spectacular books to come from this or any other press" our copy with the bonus of three limited edition wood engravings from the work signed by the artist. "Lamentations" was designed and illustrated by Blair Hughes-Stanton 1902-81 who studied at the school of Leon Underwood at Hammersmith and had a long and productive career producing sophisticated woodcuts as an avant-garde artist. Although he was encouraged to make his expressive sometimes even savage images look more like those of Eric Gill he resisted and successfully established his unique personal style as an illustrator. The three extra engravings here are excellent examples of his dramatic emotional technique; "The Man Mourns I and II" effectively convey overwhelming grief while "Destruction" inspires a feeling of impending doom. From 1930 through 1933 Hughes-Stanton worked for the Gregynog Press in Wales helping to design text layout providing woodcut illustrations and designing bindings. The press was founded in 1922 by two spinster sisters Gwendoline 1882-1951 and Margaret 1884-1963 Davies using a substantial inheritance from their industrialist grandfather; it produced 42 works between 1923 and 1942 eight of them in Welsh. Cave says that the books printed by the Gregynog Press "more than bear comparison with the work of any other private press" and "in the design and execution of bindings the Gregynog Press was far superior to any the Doves Press included.". Gregynog Press unknown
ST18542England ca. 1375. 287 x 198 mm. 11 1/4 x 7 3/4. Single column 32 lines in a small rounded English gothic hand with rubrics in the margins. <br/> Rubrics in red running title in red paragraph marks in red or blue two initials measuring two lines in height and colored blue with red penwork. See: P. E. Beichner "Aurora Petri Rigae Biblia Versificata A Verse Commentary on the Bible." ◆Remnants of mounting tape in top margin of recto but a really excellent specimen the hand very clear the ink especially rich and the vellum extremely clean and quite bright.<br/> <br/> Written in a gothic hand heavily influenced by the English secretarial style this leaf comes from a copy of the "Aurora" a commentary on the Bible in verse form written in the late 12th century by French poet Petrus Riga 1140-1209 a canon of Rheims cathedral. Although little is known about the author's life Riga's text became immensely popular throughout Europe and was routinely studied in Medieval universities. According to Beichner "for those who could read Latin it supplied Scriptural lore in a popular form and it also served as a book of popular theology devotional reading moral instruction and entertainment. Its influence was propagated by teachers preachers and lexicographers by poets and other writers. It was studied imitated translated and quoted. Not only was it widely read in monasteries and convents but it was also recommended reading for the sons of nobles." It is interesting to note that although Riga's work was copied numerous times in the 13th century copies from the later Medieval period such as the present work are uncommonly rare. The parent manuscript containing our leaf was previously in the possession of the Dukes of Westminster and was sold at Sotheby's on 11 July 1966 lot 229 when it was advertised as having 267 leaves missing the first gathering plus 13 other leaves. Bookseller Francis Edwards acquired the manuscript at that sale removed three damaged leaves and sold the remainder. It was thereafter broken up and dispersed. Several sister leaves are now in the collections of Marquette University Lawrence University and the University of South Carolina. unknown
1962ST15876Frankfurt am Main: Ars Libri Verlag Gotthard de Beauclair 1962. No. 93 of 250 COPIES IN ENGLISH SIGNED by the illustrator and designer. 494 x 320 mm. 19 3/8 x 12 5/8". 40 pp. 2 leaves.Designed by Gotthard de Beauclair. <br/> FINE RED CRUSHED MOROCCO BY ROLAND MEUTER signed "R. Meuter Ascona" on rear turn-in upper cover with gilt lettering underlined with four gilt rules smooth spine with gilt titling leather hinges. In the original linen clamshell box backed with matching morocco. With 30 lithographs in the text by Gerhart Kraaz and one additional lithograph in a portfolio. ◆Slight discoloration from a bookmark in the lower gutter of colophon opening otherwise in perfect condition.<br/> <br/> Handsomely bound and beautifully designed and printed this very large folio first publication from the Ars Libri Press later called Ars Librorum exemplifies the kind of high quality work for which leading German publisher and book designer Gotthard de Beauclair was known. Beauclair 1907-92 began his career at Insel Verlag where he rose to art director and according to the Oxford Companion to the Book "turned inexpensive Insel books into collectors' items with excellent typography." He also founded three different publishing houses where he produced special limited editions that made full use of his excellent design and typographical skills. The present item is one such work recognized by the Association of German Book Artists as one of the most beautiful books of 1962. Gerhart Kraaz 1909-71 studied painting and worked as a graphic designer before becoming a serious book illustrator. The present title is considered his first major work in the realm of bibliophilic editions. His illustrations in charcoal are sensuous and shadowy capturing the romance and allure of the most beguiling Old Testament book. This edition in English appeared the same year as the German language edition but is much rarer--apparently the publisher cancelled a number of copies and very few ever made it to market. The binding characterized by an elegant simplicity is appropriate for the subject matter and for the stately large-format volume. Our binder Roland Meuter maintains an atelier in Ascona Switzerland where he continues to produce imaginatively designed bindings that attract considerable attention. Ars Libri Verlag, Gotthard de Beauclair unknown