Young EllaABAA
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1938004860Oceano CA: Harbison & Harbison 1938. Limited and Numbered Signed 1st Edition #293 of 500 copies SIGNED in pencil on the Limitation Page additionally SIGNED AND INSCRIBED BY AUTHOR on front endpage -"To Helen and Karl Klein with Good Wishes from Ella Young 16 July 1945". Laid in is a 2 page letter handwritten in ink by Ella Young - "Box 136 Oceano Calif. July 1945 Dear Helen & Karl Klein It is a great delight to read your letter and to have your greetings from that part of America which first welcomed and enchanted me. America is a living country in the sense that Ireland is living: a country where the mountains cry out to each other and the streams and rivers & forests make a vast music. It is for people such as you & Robert & Marie Lawson to interpret such a country or rather to be initiated by such a country and invited into its hidden realms and its sacred unseen cities. I count myself lucky to have lived in Ireland and to have known something of America. There is a book of mine "Celtic Wonder Tales" Dutton & Co. which contains fragments of the Celtic Myth of Creation. The Universe taking form through successive invasions from the God-World. It has too much condensed the famous Destruction of Da Dergas Hostel. Do you know "The Voyage of Bran Son of Febal" translated by Kuno Meyer published by David Nutt in the Strand London 1895. You should be able to get it from any good library. It is a saga that has always fascinated me. My greetings to you and to the Dawsons. I hope that you will write some again asap. Ella Young I am sending you by post a book of mine". The book which she sent by post is Very Good tape residue to the endpages from the letter having been taped in page containing the first poem in the book toned from newspaper clipping obituary laid in boards soiled. A wonderful treasure for the collector of Ella Young !. SIGNED AND INSCRIBED BY AUTHOR. Limited and Numbered Signed 1st Edition. Hard Cover. Very Good/No Jacket As Issued. 8vo - over 7¾" - 9¾" tall. Presentation Copy. Harbison & Harbison Hardcover books
188719530Pièce représentée pour la première fois, à Paris, sur le Théâtre-Français, le 17 janvier 1887.Édition originale. Exemplaire de Monsieur Got, sur Japon Impérial (seul exemplaire), signé par Alexandre Dumas fils.Paris, Calmann-Lévy 1887 - 153 pages.Superbe reliure plein maroquin tabac signée Canape. Dos à 5 nerfs avec titre, auteur et date en pied dorés. Tranches dorées sur témoins, non rogné. Couverture et dos conservés. Quintuple filet doré encadrant les contreplats et double sur les coupes. Pas de rousseur. Parfait état. Format in-4°(25x17).
189519529Pièce en quatre Actes en vers. Représentée pour la première fois, à Paris, le 5 avril 1895, sur le théâtre de la Renaissance.Édition originale tirée à 15 exemplaires numérotés sur papier du Japon, celui-ci (N°3). Dédiée à Sarah Bernhardt.Paris, G. Charpentier et E. Fasquelle - 1895 - 98 pages. Ex Libris Laurent Meeûs.Superbe reliure plein maroquin vert sombre signée Champs. Dos à nerfs aux titre, auteur et date en pied dorés. Tranches dorées sur témoins, non rogné. Débordement maroquin sur les contreplats avec roulettes, filets et fleurons angulaires dorés. Double filet doré sur les coupes et les chasses. Couverture et dos bleus conservés. Pas de rousseur. Parfait état. Format in-12°(19x13).
1967515258New York: Acconci 1967. Mimeographed staple-bound 1st edition in very good condition. This is the 2nd of 6 issues of the literary magazine featuring contributions from Gertrude Stein and Aram Saroyan plus many more. Quite rare. There is some light foxing to front cover and page block and corners are lightly scuffed. Yellow colour from front cover has bled-through to following page. Text is clean and clear throughout. AD. First Edition. Paperback. Very Good. Used. Acconci Paperback
194513511Montreal: First Statement Press 1945. Book. Near Fine. Stapled Wraps. First Printing of the First Edition. Fine but for a tiny bump at spine heel and offsetting to endpapers from the jacket flaps. Ownership signature of P.K. Page graces the ffep. The jacket is bumped at spine heel and shows toning along the spine. Page was one of a handful of young Canadian poets who " hung out " with Layton in Montreal. First Statement Press Paperback
1930List2725Fort Knox Kentucky 1930. One 4 x 5.5 inch notebook; approximately 150 handwritten pages with many more blank. Light wear to binding foxing to top page edges else fine; near fine overall. The Civilian Conservation Corps was a New Deal work relief program that ran from 1933 to 1942 and provided manual labor jobs to young men hit by the Great Depression. The men lived in camps and were provided with meals clothing medical care and small salaries and performed conservation-related work on federal lands especially national forests. Will Morgan was a CCC member living at Fort Knox Kentucky. Fort Knox was the first stop for CCC enrollees and most were sent on to other locations. At first the CCC was open to men ages 18 to 25; given when the poems were written Morgan would have been born between 1909 and 1916.<br /> <br /> Many of the poems are love poems for various women or Morgan’s observations about life and meaning; the poems about the CCC are of primary interest. These often complain about life and work at Fort Knox. The labor is difficult—Morgan seems to have mainly been chopping down trees—and the conditions are far from luxurious:<br /> <br /> “I've got the C.C. blues/ By doing what the C.C.'s do./ Wearing shoes as big as a pack/ Wading in mud up to my neck/ The whole world's mud to me by heck./ For I've got those C.C. blues.†“C.C. Bluesâ€<br /> <br /> And though the men received paychecks they were small and most of the money went back into expenses:<br /> <br /> “The canteen and the laundry/ Take part of my ‘ready’ cash./ My pocket-book begins to look/ Like the remains of the Wall St. crash./ . Then finally to top it off/ The captain takes a fine./ So I guess I'll wait till next month/ Then maybe I'll get mine.†“Payday in Campâ€<br /> <br /> Nonetheless Morgan apparently got a lot out of his time with the Corps and felt “prepared to battle upward in life†“Rookiesâ€. For all the hardships Morgan writes:<br /> <br /> “The C.C.’s have taught me/ One outstanding thing./ That’s to take with a smile/ Whatever the day may bring./ . When camp days are over/ For life I’ve formed a plan/ Thru summer sun or winter snow/ It’s the smile that makes the man.†“Keep Smilingâ€<br /> <br /> Still on leaving Camp Knox he remarked: “Tho now "Adieu" to "Hell with you" as soon as we are gone†“Good by Camp Knoxâ€.<br /> <br /> Overall a charming first-person account of one young man’s experience as a “C.C. boy.â€. unknown
1824008239London: James Carpenter and Son 1824. SCARCE "Engraved from the best authorities and illustrated by notes biographical critical and poetical." Text describes 138 portraits which are interleaved. "Printed by D.S. Maurice Fenchurch Street"--Vol. 1 page 144." Two folio volumes bound in contemporary pebbled blue morocco over blue moire silk boards backs with gilt lettering and gilt decorations tops gilt. Very Good Plus light to moderate spotting associated with portrait pages light rubbing at tips. A handsome and well-bound set and quite uncommon. . First Edition. Half Morocco. Very Good Plus/No Jacket As Issued. Folio - over 12" - 15" tall. James Carpenter and Son Hardcover books
1821007669London: John Murray 1821. First Edition First Issue with Doge's speech p. 151 that begins "What crimes " consisting of 5 1/2 lines. In the original paper covered boards paper label at spine label with small chip yet still quite legible bookplate of Victor Travers-Smith M.D. front paste down early hand-written name front board edgewear to boards mostly confined to bottom edges end pages moderately foxed and stained and internally free of foxing overall a quite readable and pleasant copy with sound hinges and in the original binding and uncommon thus. . First Edition. Paper Covered Boards. Very Good/No Jacket As Issued. 8vo - over 7¾" - 9¾" tall. John Murray Hardcover books
1910016611George G. Harrap London 1910. Limited Edition. Hardcover. Very Good Condition/No Dust Jacket. Illustrator: Pogany Willy. Signed by Illustrator. Size: 12 3/4" x 9 1/2". . Full leather with gilt image of a ship at sea on front board includes all 20 tipped-in plates. This book is number 158 of a limited edition of 525 and is signed by Pogany on the limitation page. Wear at extremities covers stained a couple minor instances of toning in interior. Illustrator: Pogany Willy. Quantity Available: 1. Shipped Weight: 5 lbs 0 oz. Category: Poetry; Signed by Illustrator. Pictures of this item not already displayed here available upon request. Inventory No: 016611. . George G. Harrap hardcover
1954015383The Noonday Press New York 1954. Limited Edition. Hardcover. Very Good Condition/No Dust Jacket. Illustrator: Picasso Pablo. Size: 17 1/4" x 11 1/4". Text body is clean and free from previous owner annotation underlining and highlighting. Black cloth over boards with cream-colored printed title label on front board pages deckled and composed of alternating pages of terra cotta blue gray black and cream-colored paper unpaginated approximately 35 pages illustrated with four lithographs by Pablo Picasso. This book is unnumbered though is one of an edition of 64. Covers rubbed sun-fading along spine and top edges of boards bottom right corner of frontispiece lithograph is creased. Illustrator: Picasso Pablo. Quantity Available: 1. Shipped Weight: 4 lbs 0 oz. Category: Art & Design; Poetry. Pictures of this item not already displayed here available upon request. Inventory No: 015383. . The Noonday Press hardcover
1941009071New York: Julian Messner 1941. Book. Very Good. Hardcover. SIGNED AND INSCRIBED BY AUTHOR. First Edition. 8vo - over 7¾" - 9¾" tall. SIGNED AND INSCRIBED BY AUTHOR at front end page -" for Hugh and Bridget from Edward with best wishes for 1942". Bound in original quarter black cloth over marbled boards gilt lettering at spine. Very Good corners bumped and rubbed in a Very Good dust jacket with staining and soiling and light edge wear. The front of the jacket with an original pencil drawing of a female in portrait and unsigned. The drawing most likely of Bridget and done by James. Bridget Bate Tichenor 1917-1990 was born in France of British descent. She modeled for Man Ray and Vogue magazine and later became Fashion Editor at Vogue. She was trained at an early age in painting by Di Chirico and she later studied under Reginald Marsh with fellow artists George Tooker and Paul Cadmus. While living with her cousin Edward James the British poet Surrealist art collector and sponsor of the magazine Minotaure she became enamored with Mexico and moved there in 1953 following her divorce from Hugh Tichenor in 1952. She lived in Mexico the rest of her life and there became best known for her Surrealist and Magic Realist paintings. A wonderful Association Copy. Julian Messner Hardcover
009760The Coffee Gallery 1353 Grant Av. San Francisco: Humble Publications 1974. Book. Near Fine. Pictorial Printed Wrappers. First Printings. 8vo - over 7¾" - 9¾" tall. RARE. 25 separate numbers 1- 18 and 20 - 26 plus "Festival of Poetry Summer Solstice" August 1974 for a total of 26 publications. Lacking No. 19 which should have been published Oct. 2 1974. Vol. 1 No. 1 published 1974 no month and day given starting with Vol. 1 No. 2 published March 6 1974 each copy dated by day and month up to Vol. 1 No. 26 December 11 1974. All copies Fine except No. 4 horizontal tear front cover appears to be a paper flaw and No. 26 a 2" tear with chip top edge front cover and a horizontal tear with paper loss rear cover again appears to be a flaw in the paper. By 1974 "The Coffee Gallery" home to these Wednesday night poetry readings had a long history as a Beat and Bohemian hangout hosting the likes of Kerouac Ginsberg and Ferlinghetti reading poetry and featuring early performances by Janis Joplin and Grace Slick and the Great Society in its first public apperance in 1965. Poets published in these numbers include Paula Gunn Allen Eugene Ruggles Lennart Bruce A. D. Winans Nina Serrano Bill Vartnaw John Oliver Simon Beverly Dahlen Andrei Codrescu Peter Pussydog Ntozake Shange and Paul Mariah among numerous others. Each number with wonderful illustrations. RARE one other small collection found in current commerce with NO individual copies currently in commerce. WorldCat/OCLC gives no information on this publication. Humble Publications Paperback
1549biblio11<p>La Georgica di Virgilio 1549 Nuovamente di latina in toscana favella per Bernardino Daniello tradotta e commentata. Appresso Ioan. Gryphio In Venetia Venice. 7 105 leaves ill. 21 cm. Language: Italian descriptor: Agriculture -- Poetry. Didactic poetry Latin -- Translations into Italian. Named Person: Virgil. Georgica -- Translations into Italian. Notes: Printer's device on t.p.; initials./ Translation of Georgica. 1549 Collation as follows with corresponding notes to the colophons and images. blank a4-b4; Primo-A4-H4; Secunda-I4 K4-P4; Terzo-P4 verso Q4-T4; V4 X4; Quarto- X4 verso Y4-Z4; AA4-CC4 blank. 1549. Type set at last page. Four etchings three similar and one different.<br /></p><p>A very nice and rare book in excellent condition from the famous presses of Giovanni Gryphio. The translation of Virgil's works. </p><p>Bernardo Daniello was a native of Luca and died in Padua in 1565. This work was published during his life and is a translation of Virgil's four works. He was known as a scholar made translation from the commentaries on classical works and wrote on Dante. His Poetica was his most famous work. Daniello's Poetica 1536 is without doubt the first work of its sort since antiquity and the few passages relative to the drama are of great historical importance. Daniello's ideas are of course derived from the ancients but are clearly stated and must have exercised a profound influence over his contemporaries and successors. Saintsbury says: The first author of one a theory of poetry is generally taken to be Daniello…it has such good claims to be among the very earliest vernacular disputations of a general character on poetry in Italy'. There is a mixture of Aristotle and Horace in the work. Daniello brings his skill of poetry to the translations of Virgil's works from the Latin to the Italian. A monumental work first published by Giovanni Johann Gryphio in 1545. This is a colophoned and engraved work that has been rebacked and rebound and is in fresh condition with a couple of minor ink spots. No worms and with the occasional paper tear but not affecting the text. Gryphio was one of the premier printers in Venice and used only the finest rag paper. This book in its present condition will last another 500 years. Collation as follows with corresponding notes to the colophons and images. blank a4-b4; Primo-A4-H4; Secunda-I4 K4-P4; Terzo-P4 verso Q4-T4; V4 X4; Quarto- X4 verso Y4-Z4; AA4-CC4 blank. 1549. Type set at last page. Four etchings three similar and one different. Colophons at each book as well.<br /><br />Publius Vergilius Maro October 15 70 BCE – September 21 19 BCE later called Vergilius and known in English as Virgil or Vergil was a classical Roman poet. He was the author of epics in three modes: the Bucolics or Eclogues the Georgics and the substantially completed Aeneid the last being an epic poem in the heroic mode which comprised twelve books as opposed to 24 in each of the epic poems by Homer and became the Roman Empire's national epic. Legend has it that Virgil was born in the village of Andes near Mantua in Cisalpine Gaul Gaul south of the Alps; present-day northern Italy. Some scholars have claimed Celtic ancestry based upon the location of his birth and upon a perceived "Celtic" strain in his verse. Other scholars suggest Etruscan or Umbrian descent by examining the linguistic or ethnic markers of the region. Analysis of his name has led to beliefs that he descended from earlier Roman colonists. Modern speculation ultimately is not supported by narrative evidence either from his own writings or his later biographers. Etymological fancy has noted that his cognomen MARO shares its letters anagrammatically with the twin themes of his epic: AMOR love and ROMA Rome.<br />Title: La Georgica di Virgilio.<br />Uniform Title: Georgica. Italian. Daniello<br />Authors: Virgil. <br />Daniello Bernardino; d. 1565 ; tr.<br />Publication: In Venetia Appresso Ioan. Gryphio<br />Year: 1549<br />Description: 7 105 leaves ill. 21 cm.<br />Language: Italian <br />Descriptor: Agriculture -- Poetry. <br />Didactic poetry Latin -- Translations into Italian. <br />Named Person: Virgil. Georgica -- Translations into Italian. <br />Notes: Printer's device on t.p.; intials./ Translation of Georgica.<br />Class Descriptors: LC: PA6804<br />Responsibility: Nuovamente di latina in toscana favella per Bernardino Daniello tradotta e commentata.<br />Entry: 19820430<br />Update: 20090412<br />Accession No: OCLC: 28784148</p> Appresso Ioan. Gryphio hardcover
1828008678London: Treuttel and Wu¨rtz Treuttel Jun. and Richter 1828. Book. Near Fine. Hardcover. SIGNED AND INSCRIBED BY AUTHOR. First Edition. 8vo - over 7¾" - 9¾" tall. RARE. SIGNED AND INSCRIBED BY AUTHOR at half title page of Vols. II and III - "Mr.& M. Trafford Southwell Wroxham Hall from the author". Three volumes First Editions published 1828-1830. Bound in unsigned 19th c. half green morocco over marbled boards marbled end papers tops gilt Near Fine a trifle rubbed. William Taylor of Norwich 1765-1836 was a British essayist literary criticscholar and polyglot to whom William Hazlitt paid tribute in "The Spirit of the Age " - "The style of philosophical criticism which has been the boast of the Edinburgh Review was first introduced into the Monthly Review about the year 1796 in a series of articles by Mr. William Taylor of Norwich". This Historic Survey of German Poetry is considered Taylor's major work and was considered a major factor in furthering British interest in German literature. A copy last seen at auction in 1968 RareBookHub no SIGNED copies of any of Taylor's works found online or at auction. Treuttel and Wu¨rtz, Treuttel Jun. and Richter Hardcover
in 8°; pp. (2), 206, (2); br.; 1^ ed. Copertina con incisioni xilog. in rosso di Adolfo De Carolis. Questa copia fa parte della tiratura distribuita da Marinetti nel 1910 con l’etichetta di color blu che riporta la dicitura: "Poesia" organo del Futurismo direttore F. T. Marinetti via Senato, 2 - Milano ("Questa pecetta…è una vera imprimatura che veniva concessa col contagocce e solo agli affiliati più fidati…" Echaurren - Futurcollezionismo, p. 33) utilizzata solo per 4 opere di Govoni e due di Palazzeschi (cfr. Gambetti-Vezzosi p. 396) (restauro professionale al dorso)
199793745Nice, Z'éditions 1997 In-8 24 x 16 cm. Broché, couverture grise, premier plat de couverture illustré en couleurs, 76 pp. Bel exemplaire.
Paperback in very good condition. First edition. One of 500 copies. Thirty pages. Covers and page block are marked, tanned and edge-worn. Minor bumps on a few pages. Binding is exposed at inside covers and between one or two pages, but rermains intact. Pages are clean and text is clear throughout. HCW Used
Petit In-4 carré, non paginé Edition originale limitée à 80 exemplaires illustrés d'une quinzaine de gravures originales en couleurs sur bois et sur lino de Staritsky. Celui-ci est un des 10 exemplaires Hors Commerce sur vélin de Rives BFK, signés par l'auteur, l'artiste et par l'éditeur à la justification. En parfaite condition.
In-folio, 80p. Edition de luxe numérotée 1/122 exemplaires sur vélin à la main, teinté en rouge avec texte et illustrations imprimés en blanc [tirage total: 199 exemplaires]. Illustré de 11 eaux-fortes originales de Hans Erni. Signé par l'artiste et l'éditeur à la justification. En parfaite condition.
19873609BIEVRES-EN-ESSONNE. PIERRE ET PHILIPPE DE TARTAS. 1987. GRAND IN-4 EN FEUILLES (30 X 40,5 X 5,5 CENTIMETRES ENVIRON) NON PAGINE, COUVERTURE ILLUSTREE EN COULEURS, SOUS EMBOITAGE PERCALINE NOIRE AVEC FENETRE SUR LE PLAT SUPERIEUR ORNEE D'UN PORTIQUE JAPONAIS DORE ESTAMPE EN RELIEF SUR FOND ROUGE. ILLUSTRE DE TRES NOMBREUSES LITHOGRAPHIES EN COULEURS, DONT LA COUVERTURE ET 12 PLANCHES DOUBLES HORS TEXTE. PREMIER TIRAGE LIMITE A 527 EXEMPLAIRES NUMEROTES. UN DES 350 SUR VELIN D’ARCHES, CELUI-CI PORTANT LE NUMERO 262 ET COMPORTANT L'ETAT DEFINITIF DES ILLUSTRATIONS, SIGNE PAR L'EDITEUR ET L'ARTISTE ET VISE PAR MINISTERE D'HUISSIER. BEL EXEMPLAIRE.
1883200636Paris Alphonse Lemerre, éditeur 1883 331p 1 volume IN4. Reliure signée (Dervois) en demi maroquin tabac à coins. Tête dorée. Dos lisse titréorné de fers dorés et mosaiqués. Date en quaue.Exemplaire numéroté N°49/50 sur papier whatman paraphé par l'éditeur après 50 exemplaires sur Chine et 1000 su
201526102Paris, Editions Le Cheval Marin 1957. In-8 broché de 66 pages au format 23,5 x 19 cm. Couverture avec titre imprimé. Dos carré, très légèrement insolé, avec titre. Plats avec légeres traces d'insolations aux bords et aux mors. Infimes frottis et tassements aux coins. Intérieur frais. Longue préface, bibliographique, par André Coyne pour le dernier ouvrage écrit par l'auteur et publié de façon posthume, 4 mois après la mort du poète , à Lima, Pérou, le 10 janvier 1956, suite à une leucémie. Rarissime édition originale en superbe état général.
1987127BIEVRES-EN-ESSONNE. PIERRE ET PHILIPPE DE TARTAS. 1987. GRAND IN-4 EN FEUILLES (30 X 40,5 X 5,5 CENTIMETRES ENVIRON) NON PAGINE, COUVERTURE ILLUSTREE EN COULEURS, SOUS EMBOITAGE PERCALINE NOIRE AVEC FENETRE SUR LE PLAT SUPERIEUR ORNEE D'UN PORTIQUE JAPONAIS DORE ESTAMPE EN RELIEF SUR FOND ROUGE. ILLUSTRE DE TRES NOMBREUSES LITHOGRAPHIES EN COULEURS, DONT LA COUVERTURE ET 12 PLANCHES DOUBLES HORS TEXTE. PREMIER TIRAGE LIMITE A 527 EXEMPLAIRES NUMEROTES. UN DES 350 SUR VELIN D’ARCHES, CELUI-CI PORTANT LE NUMERO 440 ET COMPORTANT L'ETAT DEFINITIF DES ILLUSTRATIONS, SIGNE PAR L'EDITEUR ET L'ARTISTE ET VISE PAR MINISTERE D'HUISSIER. PETITS DEFAUTS SANS GRAVITE SUR L’ETUI, SINON BEL EXEMPLAIRE.
19872323BIEVRES-EN-ESSONNE. PIERRE ET PHILIPPE DE TARTAS. 1987. GRAND IN-4 EN FEUILLES (30 X 40,5 X 5,5 CENTIMETRES ENVIRON) NON PAGINE, COUVERTURE ILLUSTREE EN COULEURS, SOUS EMBOITAGE PERCALINE NOIRE AVEC FENETRE SUR LE PLAT SUPERIEUR ORNEE D'UN PORTIQUE JAPONAIS DORE ESTAMPE EN RELIEF SUR FOND ROUGE. ILLUSTRE DE TRES NOMBREUSES LITHOGRAPHIES EN COULEURS, DONT LA COUVERTURE ET 12 PLANCHES DOUBLES HORS TEXTE. PREMIER TIRAGE LIMITE A 527 EXEMPLAIRES NUMEROTES. UN DES 350 SUR VELIN D’ARCHES, CELUI-CI PORTANT LE NUMERO 500 ET COMPORTANT L'ETAT DEFINITIF DES ILLUSTRATIONS, SIGNE PAR L'EDITEUR ET L'ARTISTE ET VISE PAR MINISTERE D'HUISSIER. BEL EXEMPLAIRE AVEC ENVOI AUTOGRAPHE SIGNE PAR L’ARTISTE.
19451313PARIS. LAMBUSIER. 1945. (AU PROFIT DES OEUVRES DE LA CROIX ROUGE FRANCAISE POUR LES PRISONNIERS DE GUERRE). IN-4 EN FEUILLES (28 X 22,5 X 2,5 CENTIMETRES ENVIRON) DE 147 PAGES, COUVERTURE CREME REMPLIEE, TITRE IMPRIME EN ROUGE, SOUS ETUI CARTONNE (29 X 23 X 3 CENTIMETRES ENVIRON). ILLUSTRE D'UN FRONTISPICE GRAVE EN MEZZOTINTE PAR DARAGNES, UNE GRAVURE AU BURIN (PORTRAIT DE FRANCOISE GILLOT) ET DEUX IN-TEXTE DE PICASSO, QUATRE HORS TEXTE GRAVES A L'EAU -FORTE ET DIX-SEPT DESSINS IN-TEXTE DE DIGNIMONT, QUATRE HORS TEXTE GRAVES A L'EAU-FORTE ET VINGT-CINQ DESSINS DANS LE TEXTE DE TOUCHAGUES. PREFACE DU GENERAL KOENIG, TEXTES PAR PAUL ELUARD, PAUL VALERY, COLETTE, ANDRE BILLY, ETC. LE BURIN ET LES DEUX DESSINS DE PICASSO ILLUSTRENT LE POEME «DANS UN MIROIR NOIR» DE PAUL ELUARD. EDITION ORIGINALE. TIRAGE LIMITE A 1070 EXEMPLAIRES NUMEROTES, TOUS SUR VELIN DE LANA, DONT 50 HORS COMMERCE, CELUI-CI PORTANT LE NUMERO 246. DEFAUTS SUR L’ETUI CARTONNE, SINON BON EXEMPLAIRE.
