Whitehead, ColsonBiblio.com
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2011101523-FNew York : Doubleday 2011. Book. Near Fine. Hardcover. Signed by Authors. 1st Edition. 8vo - over 7¾ - 9¾" tall. 1st. Edition 1st. Printing 2011. Hardcover with the dust jacket 272 page book. Also included is the Bound Gallery foe this book a scarce bound galley for this two time winner of the Pulitzer Price.The hardcover is signed only by Mr.Colson on the title page the Galley is NOT signed. A very scarce set of both the signed hardcover and the not signed Bound Galley ARC . Condition : Near Fine. Doubleday Hardcover
198480721Paris: Gallimard 1984. Fine. Gallimard Paris 1984 14 x 20.50 cm broché The first edition of which there were no deluxe copies. Handsome copy pencil reading marks in margins of some leaves. Autograph inscription signed by Eduardo Manet to Jacques Duchâteau. Gallimard unknown
198968028Montpellier: Fata Morgana 1989. Fine. Fata Morgana Montpellier 1989 14.50 x 22.50 cm broché First edition on current paper. Pleasant copy with illustrations by Jiri Kolar. We enclose a postcard on which Michel Butor has made an autograph dedication dated and signed to his friend the art critic and specialist of the New Roman Georges Raillard. Fata Morgana unknown
197987588Paris: Denoël 1979. Fine. Denoël Paris 1979 21.50 x 27.50 cm reliure de l'éditeur The first edition of which there were no deluxe copies. Work illustrated with 480 documents selected and presented by François Emile-Zola and Massin. Handsome copy despite light foxing to edges. Publisher's full red cloth binding smooth spine complete with illustrated dust jacket. Autograph inscription signed by Massin with a small drawing of an eye to the Immortal Pierre-Jean Rémy nom de plume of Jean-Pierre Angremy: ""Pour Jean-Pierre Angremy qui a l'oeil avec l'amitié fidèle Massin."" ""For Jean-Pierre Angremy who has the eye with faithful friendship Massin."" with the manuscript signature of François Emile-Zola. Denoël hardcover
1886000593London: VIZETELLY & CO. Good with no dust jacket. 1886. Half-Leather. Set of three 3 matching illustrated editions with fine bindings assumed originally from a larger set. Book One - Nana 1887 a 'new edition' translated without abridgment from the 127th French edition. Book Two - His Masterpiece 1887 a 'new edition' with a portrait of the author etched by Bocourt. Book 3 - Germinal 1886 translated without abridgment from the 60th French edition and illustrated with sixteen page engravings from designs by J. Ferat. Ox-blood half leather with 5-band spine with gilt title treatment. Marbelized end papers. Overall in very good shape save for some moderate dingage and rubbing and splitting at the front covers and the upper spines. Nana the worst rating good overall. Super shelf presence and three of Zola's best reads of the Rougon-Macquart series.; 12mo - over 6¾" - 7¾" tall; LITERATURE DRAMA PROSE FRENCH FRANCE ZOLA EMILE ZOLA NATURALISM NATURAL . VIZETELLY & CO. hardcover
190014035Paris: Imp. A. Eyméoud 1900. Fine. Imp. A. Eyméoud Paris s. d. circa 1900 11 x 16.50 cm agrafé First edition. Three small marginal lacks to the slightly faded front cover handsome interior condition. Rare. Imp. A. Eyméoud unknown
190016528Paris: Imp. A. Eyméoud 1900. Fine. Imp. A. Eyméoud Paris s. d. circa 1900 11 x 17 cm agrafé First edition. A good copy. Imp. A. Eyméoud unknown
155914509Lugduni Leiden Lyon: apud Ioannem TornaesiumGul. Gazeium 1559. Fine. apud Ioannem Tornaesium Gul. Gazeium Lugduni Leiden Lyon 1559 12 x 8 cm relié New edition after the original of 1531. Brunet IV 317. Caillet 7096. Title page within an engraved border. Contemporary limp vellum binding with overlapping edges. Title author in black ink. Some red ink annotations on the endpaper facing the title concerning the book's history. Copy trimmed short on certain pages notably of the index. Collection composed of 12 Latin poems on the liberal arts human existence and happiness each corresponding to a sign of the zodiac. Due to the criticisms the book contains about the church and the pope the 1531 edition was banned and the Inquisition kept a watchful eye on Palingenius's activities until he was condemned to the stake. The 11th book deals with astronomy and the 12th sets forth a theory of light that would be partly followed by Giordano Bruno. Marcellus Palingenius is the anagram of Pietro Angelo Manzolli. Ex libris Mathieu Varille Lyonnois. apud Ioannem TornaesiumGul. Gazeium hardcover
193654234Paris: Nrf 1936. Fine. Nrf Paris 1936 12 x 19 cm broché First edition an advance service de presse copy. A good copy of the author's first book. Nrf unknown
188675740Paris: Charpentier & Cie 1886. Fine. Charpentier & Cie Paris 1886 12 x 19 cm broché First edition with no mention of deluxe copies. Some minor foxing affecting mainly the endpapers. Precious autograph inscription signed by Catulle Mendès to José Maria de Heredia. Charpentier & Cie unknown
1987009341London: Kenseikai Publications 1987. Very informative book on Iai the drawing of the Japanese sword. 88 pages in very bright clean condition many B/w photographs and illustrations all present as published plus very informative text NO dustwrapper outer illustrated card covers are bright and clean. A very nice example of this book SEE IMAGES. DETAILED IMAGES CAN BE TAKEN UPON REQUEST. First UK Edition. Illustrated Card Covers. Very Good/No Jacket. 23.5 x 17 Cms. Card Covers. Kenseikai Publications Paperback
1923049395Moskva / Moscow Ussr: Knigoizdate'stvo "Tvorcstvo 1923. 1st Edition . Soft cover. Very Good. 86 Pp. Illustrated Large Format Soft Cover. First And Only Printing 1923. High Quality Paper And Production Quality Not The Usual Poorly Produced Soviet Mass-Market Propaganda. Covers Worn And Browning At Edges Where They Overlap The Page Bock But Contents Fine No Marks. Scarce Worldcat Shows 3 Institutional Holdings In Denmark And Germany. Petr / Pyotr Petrovich Konchalovsky / 1876 -1956 Was A Russian Painter A Member Of The Jack Of Diamonds Artist'S Group And Of A Large Family Of The Russian Artistic Elite. He Was Born In The Village Of Slavianka Izyumsky Uyezd Kharkov Governorate Present-Day Ukraine. His Father Was An Art Publisher. In 1889 The Konchalovskys Moved To Moscow And Their House Became A Part Of The Moscow Art Scene Of The 1890S. Their House Was Often Visited By Valentin Serov Mikhail Vrubel Vasily Surikov. A Famous Painting Shows Alexei Tolstoy Visiting Them. Later Pyotr Married A Daughter Of Vasily Surikov Who Always Praised The Art Of His Son-In-Law. During His Gymnasium Years Konchalovsky Attended Classes Of Moscow School Of Painting Sculpture And Architecture. In 1896-1898 He Traveled To Paris And Studied At The Académie Julian. In 1899 He Returned To Russia And Entered The Imperial Academy Of Arts In Saint Petersburg Graduating In 1907. At The Academy He Studied Under Savinsky Zaleman And Kovalevsky.Since 1909 He Exhibited Frequently Participating In The Golden Fleece Fraternity Mir Iskusstva And New Society Of Artists. He Was A Founding Member Of The Society Jack Of Diamonds In 1909. Beginning In 1918 He Taught Art. In 1922 He Had His First Solo Exhibition At The Tretyakov Gallery. During That Period He Mostly Drew Still Lifes And Landscapes. His Paintings-As Of All Other Jacks Of Diamond-Were Strongly Influenced By Paul Cézanne. Later He Started To Paint Portraits Often Ceremonial Portraits That Were Considered As The Examples Of Socialist Realism Style. Konchalovsky Was A Very Prolific Painter And Is Known To Have Created More Than Five Thousand Works. Many Of His Descendants Were People In The World Of Art. His Son Mikhail Petrovich Konchalovsky B. 1906 Was A Notable Painter. His Daughter Natalia Konchalovskaya 1903-1988 Was A Notable Children's Writer And Her Husband Sergei Mikhalkov Was A Notable Poet The Author Of Children's Poetry And Two Versions Of The National Anthem Of The Soviet Union And The Present National Anthem Of Russia. They Have Two Sons: Andrei Konchalovsky Is A Film Writer Director And A Painter Whose Son Egor Is Also A Notable Film Director. Nikita Mikhalkov He Is Also A Movie Director Who Won The 1994 Best Foreign Language Film Oscar For Burnt By The Sun. Yes Leftists Also Have A Huge Inventory Of Semi-Heriditary Elites. <br/> <br/> Knigoizdate'stvo "Tvorcstvo paperback
184560043Paris: Victor Magen 1845. Fine. Victor Magen Paris 1845 14 x 22.50 cm relié First edition. Bradel binding in half brown morocco with corners spine with five raised bands set with gilt fillets and decorated with double gilt compartments decorated with gilt floral motifs date and place gilt at foot double gilt fillets on marbled paper boards marbled endpapers and pastedowns covers preserved top edge gilt. Light foxing. Provenance: from the library of Victor Hugo's beloved grandson Georges-Victor Hugo whom his grandfather who took charge of his education after the death of his son Charles affectionately nicknamed: ""Monsieur le Petit Georges"" with his monogram stamped in gilt at the head of the front board. Victor Magen hardcover
192284829Paris: Lucien Vogel éditeur 1922. Fine. Lucien Vogel éditeur Paris 1922 19 x 24.50 cm une feuille Original color print printed on laid paper signed at bottom left of the plate. La Gazette du bon ton one of the most beautiful and influential fashion magazines of the 20th century celebrating the talent of French creators and artists at the height of the Art Deco movement. Famous fashion magazine founded in 1912 by Lucien Vogel La Gazette du bon ton was published until 1925 with an interruption during the War from 1915 to 1920 due to the mobilization of its editor-in-chief. It consists of 69 issues printed in only 2000 copies and is illustrated notably with 573 color plates and 148 sketches representing models by great couturiers. From their publication these luxurious publications ""were addressed to bibliophiles and worldly aesthetes"" Françoise Tétart-Vittu ""La Gazette du bon ton"" in Dictionnaire de la mode 2016. Printed on beautiful laid paper they use a typeface specially created for the magazine by Georges Peignot the Cochin character adopted in 1946 by Christian Dior. The prints are created using the metal stencil technique heightened in colors and some highlighted with gold or palladium. The adventure begins in 1912 when Lucien Vogel man of society and fashion - he had already participated in the magazine Femina - decides to found with his wife Cosette de Brunhoff sister of Jean father of Babar the Gazette du bon ton whose subtitle was then ""Art modes et frivolités"". Georges Charensol reports the words of the editor-in-chief: ""In 1910 he observes there existed no fashion journal that was truly artistic and representative of the spirit of its time. I was therefore thinking of making a luxury magazine with truly modern artists . I was certain of success because for fashion no country can rival France."" ""Un grand éditeur d'art. Lucien Vogel"" in Les Nouvelles littéraires n°133 May 1925. The success of the magazine is immediate not only in France but also in the United States and South America. Originally Vogel therefore brings together a group of seven artists: André-Édouard Marty and Pierre Brissaud followed by Georges Lepape and Dammicourt; and finally his friends from the École des beaux-arts who are George Barbier Bernard Boutet de Monvel or Charles Martin. Other talents quickly join the team: Guy Arnoux Léon Bakst Benito Boutet de Monvel Umberto Brunelleschi Chas Laborde Jean-Gabriel Domergue Raoul Dufy Édouard Halouze Alexandre Iacovleff Jean Émile Laboureur Charles Loupot Charles Martin Maggie Salcedo. These artists unknown for the most part when Lucien Vogel calls upon them will subsequently become emblematic and sought-after artistic figures. These same illustrators create the drawings for the Gazette's advertisements. The plates highlight and sublimate the dresses of seven creators of the time: Lanvin Doeuillet Paquin Poiret Worth Vionnet and Doucet. The couturiers provide exclusive models for each issue. Nevertheless some of the illustrations do not feature any real model but only the illustrator's idea of the fashion of the day. La Gazette du bon ton is a decisive stage in the history of fashion. Combining aesthetic excellence and plastic unity it brings together for the first time the great talents from the worlds of arts letters and fashion and establishes through this alchemy a completely new image of woman slender independent and audacious also carried by the new generation of couturiers Coco Chanel Jean Patou Marcel Rochas. Taken over in 1920 by Condé Montrose Nast the Gazette du bon ton would largely inspire the new composition and aesthetic choices of the ""dying little journal"" that Nast had bought a few years earlier: Vogue magazine. On the verso of the illustration 6 figures in black representing the button in fashion. Lucien Vogel éditeur unknown
189925034Batavia Jakarta: Landsdrukkerij 1899. Fine. Landsdrukkerij Batavia Jakarta 1899 18 x 26.50 cm broché First edition. Light worming to boards and title page otherwise a handsome and rare copy. Landsdrukkerij hardcover
180148383à Paris: Chez Bleuet jeune 1801. Fine. Chez Bleuet jeune à Paris 1801 7.50 x 13.50 cm relié First edition a small octavo edition with the same pagination having appeared on the same date. Fine typographic printing by Didot on deluxe laid paper. 6 figures by Lefèvre in double state and engraved by Godefroy. Full blonde morocco binding late 19th century signed R. Raparlier. Spine with raised bands decorated. Title and date in gilt. Triple gilt fillet frame on boards. Gilt edges. Wide interior borders. Restoration to first compartment over 1cm. Rubbing to headcaps joints and corners. Light tears to front board. Loss of gilding to fillet frame on rear board. Handsome copy nevertheless. Small adventure novel set in the Middle Ages at the time of the first crusades in Bellegrade Hungary; the author begins with a critique of the barbarism of feudal times which only the virtue and heart of women redeemed from brutality. Notable is the critical vision of history a post-revolutionary perception of events. Bookplate Remusat's armorial stamp with his motto: Boute et ne doute Chez Bleuet jeune hardcover
1883219310Friedrich Vieweg und Sohn Braunschweig. 1883. Softcover Zustand: mit Kennungen einer Privatbibliothek. Rücken Ecken Kanten gut. Teilweise sind die Druckbögen noch geschlossen. Friedrich Vieweg und Sohn, Braunschweig., paperback
1886277358Verlag der Praehistorischen Zeitschrift Südende-Berlin 1886. Hardcover mit Leinenrücken und -ecken Erschien früher unter dem Titel: Die Wartburg Jahrgang 1886/881888/891893/941900/01 ungebunden 1899 Januar 1900 Januar. Zustand: keine Beschädigungen mit Kennungen einer Klosterbibliothek. Rücken Ecken Kanten gut. Verlag der Praehistorischen Zeitschrift, Südende-Berlin, hardcover
1938209054Eugen Diederichs Verlag Jena 1938. Hardcover Leinen ohne Schutzumschlag Zustand: keine Beschädigungen mit einem Bibliotheksstempel. Rücken Ecken Kanten gut. Das Leinen ist unsauber. Der Schnitt hat Tintenspritzer. Eugen Diederichs Verlag, Jena, hardcover
1909286210Verlag von B.G. Teubner Leipzig 1909. Hardcover Pappe mit Lederrücken und -ecken Marmorschnitt ohne Schutzumschlag Nur I. Jahrgang. Zustand: Keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut berieben. In allem original und sehr sauber und gut erhalten. Aus einer Lehrerbibliothek mit Kennung Eintrag Rückenschild. Verlag von B.G. Teubner, Leipzig, hardcover
1936253564Akademische Verlagsgesellschaft Leipzig 1936. Softcover 1936-1941. Jahrgänge 53Hefte 6 bis 12 541 bis 12 55 1 bis 12 56 1 bis 11 ohne 8 und 12 57 1 bis 12 58 nur Heft 1. Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Akademische Verlagsgesellschaft, Leipzig, paperback
1911257670Aschendorffsche Verlagsbuchhandlung Münster 1911. Hardcover 1911-1936. Zustand: keine Beschädigungen mit Kennungen einer Klosterbibliothek. Rücken Ecken Kanten gut. Aschendorffsche Verlagsbuchhandlung, Münster, hardcover
1888247670L. Schwann Düsseldorf 1888. Softcover 1888-1898. Zustand: keine Beschädigungen Exemplare aus einer Klosterbibliothek. Rücken Ecken Kanten sehr gut. L. Schwann, Düsseldorf, paperback
1887274915Verlag des Deutschen und Oesterreichischen Alpenvereins München 1887. Hardcover Pappe mit Lederrücken und -ecken Rundumfarbschnitt ohne Schutzumschlag Nur Band XVIII. Zustand: Keine Beschädigungen mit einer Namenseintragung hinten. Rücken Ecken Kanten gut berieben. Vorsatz und Titelblatt braunfleckig ansonsten mit gutem festem sauberem Block und in allem original. Verlag des Deutschen und Oesterreichischen Alpenvereins, München, hardcover
1993037749Stuttgart: Gunter Krauss Schmuck 1993. 1st Edition 1st Printing. Hardcover. Near Fine. Plates And Facsimiles By Tomi Ungerer. #250 Of 1000 Copies; This Copy One Of 500 Hand Signed And Numbered By Gunther Krauss And Also Signed By Ungerer On The Facing Page. Black Boards Stamped In Gilt And Red Inner Black Board Red Endpapers Bound Portfolio Within Of Color Plates With Facsimiles On Thin Paper. Non-Authorial Gift Inscription On Half-Page Flap. <br/> <br/> Gunter Krauss Schmuck hardcover
