Maurice MARTIN DU GARDBiblio.com
48 390 résultats
192848656Paris: Editions de la Nouvelle revue critique 1928. Fine. Editions de la Nouvelle revue critique Paris 1928 12 x 19 cm broché first edition on the current paper false mention of fifth. Signed autograph of Maurice Martin du Gard Robert Garric. Catholic reformist he was the founder of ""social Teams"" in 1920 which aimed to establish a social elite and bring the good word about the brotherhood born of the trenches to the workers in the tradition of patronage. Simone de Beauvoir then student of Robert Garric in philosophy at Sainte-Marie Institute of Neuilly remembers him in his ""Memoirs of a Tidy Wench"" ""Garric appeared; I forgot everything else and myself; the authority of his voice subdued me. In twenty years we he explained he had discovered in the trenches the joys of camaraderie that removed social barriers. . To deny all limits and all separations get out of my class out of my skin: this slogan electrified me. . Must serve my life! Must serve all my life! "" Back slightly as generally insolated. Editions de la Nouvelle revue critique unknown
192569589Paris: Editions du Sagittaire 1925. Fine. Editions du Sagittaire Paris 1925 20.50 x 21 cm broché First edition of the French translation established by Francis de Miomandre one of the rare lettered copies on Japan paper deluxe issue with 2 other numbered Japan copies. Rare and handsome full-margined copy. Editions du Sagittaire unknown
192557149Paris: Editions du Sagittaire 1925. Fine. Editions du Sagittaire Paris 1925 12 x 19 cm broché First edition of the French translation by Francis de Miomandre review copy. Signed autograph of Francis de Miomandre Guy Lavaud. Back slightly insolated complete copy of his prayer to insert. Editions du Sagittaire unknown
186148720Paris: Auguste Aubry 1861. Fine. Auguste Aubry Paris 1861 11.50 x 18.50 cm relié First edition one of 225 numbered copies on laid paper the only issue with 3 vellum copies 6 China paper copies and 20 chamois paper copies. Half navy morocco binding with corners spine with five raised bands set with gilt dots decorated with gilt double compartments richly ornamented with gilt typographical motifs a very slight scratch at foot of spine gilt fillet frame on marbled paper boards marbled endpapers and pastedowns top edge gilt handsome engraved armorial bookplate pasted on pastedown elegant contemporary binding signed by Capé. Provenance: from the Le Proux library with its engraved bookplate. Handsome copy virtually free from foxing and perfectly established. Auguste Aubry hardcover
187768495Paris: Alphonse Lemerre 1877. Fine. Alphonse Lemerre Paris 1877-1887 10 x 17.50 cm 4 volumes reliés First edition of the French translation by José Maria de Heredia. Bindings in half brown morocco with corners back with five nerves set with gilded nets and adorned with crossed golden swords overcoming a honorific golden distinction golden dates in tails framing of gilt fillets on marbled paper plates guards and contreplats of paper in the tank golden heads. Signed autograph of José Maria de Heredia to Leon Charmolüe on the first volume. A small snag on an upper corner of the third volume. Nice copy pleasantly established. Alphonse Lemerre unknown
194432014Paris: J. & R. Wittmann 1944. Fine. J. & R. Wittmann Paris 1944 12 x 18.50 cm broché New edition of the French translation printed in 825 numbered copies on pur fil paper ours one of the 50 reserved for ""A.B.L."". Handsome copy. J. & R. Wittmann unknown
190138327Paris: Imprimerie de la Cour d'Appel 1901. Fine. Imprimerie de la Cour d'Appel Paris 1901 17.50 x 26.50 cm broché First edition. Autograph inscription signed by D. Bois on the front cover. Small corner losses to boards. Rare pamphlet illustrated with figures in the text. Imprimerie de la Cour d'Appel hardcover
190038277Paris: Au bureau de l'Association française pour l'avancement des sciences 1900. Fine. Au bureau de l'Association française pour l'avancement des sciences Paris 1900 15 x 23.50 cm broché The first edition published in a small number of copies of this offprint. Rare and handsome copy. Au bureau de l'Association française pour l'avancement des sciences unknown
1964007421Praha Prague: Klub Ctenaru / Statni Nakladatelstvi Krasne Literatury a Umeni 1964. First Edition . Red Cloth. Fine/Near Fine Dustjacket. 255 Pp. Red Cloth Stamped In Black. Modernist Czech Design Of Covers And Dj. Nicely Inscribed To The Author's American Agent Forrest Ackerman And His Wife Wendy Who Translated Nesvadba In American Editions And Dated 1970. Publisher's Booklet Laid In Loosely. Fine In Near Fine Dj. <br/> <br/> Klub Ctenaru / Statni Nakladatelstvi Krasne Literatury a Umeni hardcover
192875353Paris: Nrf 1928. Fine. Nrf Paris 1928 19.50 x 25 cm broché First edition one of 8 numbered copies on China paper this one being no. 1 deluxe issue. A minute tear without loss at the head of the spine a few inevitable light spots mostly affecting the endpapers and edges. A handsome copy. Nrf unknown
192852075Paris: Nrf 1928. Fine. Nrf Paris 1928 18.50 x 25 cm relié First edition one of 499 numbered copies on pure thread paper. Half black shagreen binding spine with four raised bands decorated with a gilt marine anchor marbled paper boards black paper endpapers and pastedowns sunned covers preserved modest contemporary binding. Nrf hardcover
192818999Paris: Nrf 1928. Fine. Nrf Paris 1928 19.50 x 25 cm broché First edition one of 499 numbered copies on pure wire. Tear and lack at head of spine otherwise handsome copy. Nrf unknown
196153762Paris: La bibliothèque des arts 1961. Fine. La bibliothèque des arts Paris 1961 25.50 x 33.50 cm reliure de l'éditeur sous étui First edition one of 960 numbered copies on laid paper. Publisher's full cream cloth binding smooth spine with light scratches complete with its slipcase. Work illustrated with 145 illustrations. La bibliothèque des arts hardcover
199030647Barcelona: Centro Cultural de la Fundacion Caja de Pensiones 1990. Fine. Centro Cultural de la Fundacion Caja de Pensiones Barcelona 1990 - broché First edition. Rich iconography. Text in Spanish. Fine copy. Centro Cultural de la Fundacion Caja de Pensiones unknown
180654122Paris: Imprimerie de la Préfecture du département de la Seine 1806. Fine. Imprimerie de la Préfecture du département de la Seine Paris 1806 12 x 19 cm broché First edition. This copy is in its original wrappers and modern facsimile covers. A rare and good copy. Imprimerie de la Préfecture du département de la Seine unknown
183521611Naples Naples: Imp. & Papeterie du Fibrène 1835. Fine. Imp. & Papeterie du Fibrène Naples Naples 1835 22 x 28.50 cm reliure cartonnée de l'éditeur First edition. Publisher's cream paper boards smooth unlettered spine with lacks small angular scratches and light stains on covers some minor interior worming. Our copy lacks engraved plates 1 2 3 and engraved plates 19 to 34 it is complete with engraved plates 4 to 19 inclusive. Rare. Imp. & Papeterie du Fibrène hardcover
183053044Strasbourg & Clermont-Ferrand: F.G. LevraultBouillet 1830. Fine. F.G. Levrault Bouillet Strasbourg & Clermont-Ferrand 1830 28 x 22 cm reliure de l'éditeur First edition. Publisher's Bradel binding in full boards smooth spine with a tear at foot boards soiled corners slightly bumped. Our atlas volume which we offer for sale alone is illustrated with 31 lithographed plates outside the text sometimes double-page and some mounted and heightened with watercolor. Angular dampstain at head of endpaper and title pages some minor interior foxing. Rare but incomplete without the text. F.G. LevraultBouillet hardcover
182385268Paris: Panckoucke 1823. Fine. Panckoucke Paris 1823-1832 36 x 54 cm relié First and only edition. This copy is one of the rare examples complete with the 64 full-page plates. The work is also illustrated with a title vignette depicting the artist Ambroise-Louis Garneray in a small boat sketching the entrance to the port of Brest. Contemporary binding of half tan sheep with corners smooth spine richly decorated in gilt and blind with multiple large typographic tools discreet restorations to the joints marbled-paper boards marbled endpapers and pastedowns. A magnificent work on the ports of France and one of the finest collections ever produced on the subject. The author of these highly precise engravings joined the navy at the age of thirteen and thereby witnessed numerous naval battles. From 1806 he was imprisoned for eight years in Portsmouth using his captivity to study drawing and painting and to record the scenes he had observed during his voyages. Upon his return from the United Kingdom Garneray became painter to the Duke of Angoulême then Grand Admiral of France later serving as director of the Rouen museum and entering the Sèvres manufactory where he executed numerous maritime subjects. His work of remarkable delicacy and realism was praised by Melville in Moby-Dick: ""Who Garneray the painter is or was I know not. But my life for it he was either practically conversant with his subject or else marvellously tutored by some experienced whaleman. The French are the lads for painting action."" Panckoucke hardcover
187641593Romorantin Romorantin-Lanthenay: Joubert et Fils - Paul Carro - Standachar 1876. Fine. Joubert et Fils - Paul Carro - Standachar Romorantin Romorantin-Lanthenay 1876-1894 13 x 21 cm 6 fascicules reliés en 1 Author's copy. Pamphlets in first edition: Concours agricole d'arrondissement du dimanche 17 septembre 1876 Concours agricole d'arrondissement 24 septembre 1882 Concours agricole d'arrondissement 16 septembre 1888 Session de mai 1891 Coup d'il d'un protectionniste sur les travaux publics en Sologne 1878 Etude sur l'habitat en Sologne 1889 Vues de Sologne - Enquête sur les conditions des ouvriers agricoles 1894 Le Reboisement de la Sologne 1886 Le chasteau de Lamotte-Beuvron 1898. Contemporary binding in half red shagreen spine with five raised bands decorated with gilt dotted lines original wrappers preserved. Ernest Gaugiran was secretary general of the central agricultural committee of Sologne. Joubert et Fils - Paul Carro - Standachar hardcover
1825015956Paris Circa 1820/1829 1825. Original Antique Engraving . Single Sheet. Very Good. 20" x 14. Title In Three Lines Beneath Image; "Grave A L'eauforte Par Allix" At Lower Left "Terminee Au Burin Par Quauvilliers" At Lower Right Bottom Line Reads "No. 66 G. De Grece / Dessinee D'apres Nature Par Chatelet / A.P.D.R." Plate Mark 14 1/4" X 10 1/4". Watermarked Paper. <br/> <br/> unknown
195482362Paris 1954. Fine. Paris s. d. circa 1954 17.30 x 12.20 cm une feuille Original view of Nicolas de Staël's atelier with his palette and brushes Paris n.d. circa 1954 photograph :173x122cm ; leaf : 24x182cm. Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb. Intimate view of the painter's atelier 7 rue Gauguet in Paris taken one year before his death. In the background is one of his paintings from his famous series Flowers 1952-1953. Taken by Denise Colomb great portraitist of the 20th century known for her portraits of Antonin Artaud Giacometti Picasso Soulages and Miro in their studios. It is said that his workshop was the cave of a palaeontological potter. With sediment layers of paleo. A crucible a large material well riddled with pigments paintbrushes pots of plastered trowels buckets rags. In a strong smell of turpentine. A workshop covered soiled stained with dirt with masonry clay. Its wingspan its strength its topsail height springs into this crater of Vesuvius. Slightly disoriented he leans he pours. To paint for him is to be prey to vertigo to unpredictable bifurcations of accident of chance. Patrick Grainville Les Yeux de Milos unknown
195482361Paris 1954. Fine. Paris s. d. circa 1954 17.30 x 12.20 cm une feuille Original view of Nicolas de Staël's atelier with his palette and three paintings Paris n.d. circa 1954 photo:173x122cm ; leaf: 24x182cm. Original silver print photograph of Nicolas de Staël's atelier by Denise Colomb. Small trace of rust on the upper right corner. Charming view of the painter's atelier 7 rue Gauguet in Paris taken one year before his death. Featuring his palette as well as two paintings from his Flowers series 1952-1953 and an abstract composition on the right. Taken by Denise Colomb great portraitist of the 20th century known for her portraits of Antonin Artaud Giacometti Picasso Soulages and Miro in their studios. It is said that his workshop was the cave of a palaeontological potter. With sediment layers of paleo. A crucible a large material well riddled with pigments paintbrushes pots of plastered trowels buckets rags. In a strong smell of turpentine. A workshop covered soiled stained with dirt with masonry clay. Its wingspan its strength its topsail height springs into this crater of Vesuvius. Slightly disoriented he leans he pours. To paint for him is to be prey to vertigo to unpredictable bifurcations of accident of chance. Patrick Grainville Les Yeux de Milos unknown
182283216Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Fine original plate of a river landscape on the Espirito Santo as a copperplate engraving in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Some marginal worming and minimal marginal tears. Chez Arthus Bertrand unknown
182283283Paris: Chez Arthus Bertrand 1822. Fine. Chez Arthus Bertrand Paris 1822 52 x 36.40 cm une feuille Beautiful original plate with two large intaglio vignettes by Reinhard and Johann Carl Schleich II in folio format. It comes from the atlas of the French first edition of this travel account to Brazil first published in 1820-1821 under the title Reise nach Brasilien in den Jahren 1815 bis 1817 and illustrating the account of the first voyage to Brazil by Maximilian Prince of Wied-Neuwied. Some worming and minimal marginal tears small lack to upper left corner. Chez Arthus Bertrand unknown
1700015795Circa 1700 1700. First Edition . No Binding. Good. 27 Cm x 42.5 Cm. Hand Colored Engraving. A Very Large Engraved View Of A Military Parade Ground And Surrounding Buildings In Constantinople With About 100 Figures Mostly Soldiers. 17" X 10 5/8". Trimmed To Edges. Many Figures In Foreground Walking Or On Horseback With Dogs Horses Etc. 1/2" Square Area With Some Rubbing Away Of Engraving Repairs Along At Top 1" Similar Horizontal Lines Representing Sky Have Been Attached From Another Engraving A Little Soiling To White Sky. Colored In Red Blue Pink Green Yellow. <br/> <br/> unknown
