Autograph musical quotation signed. Paris, 25 April 1841.
Oblong 8vo. 1 p. Eight bars from an unidentified composition. - With printed border.
Inlibris · Wien, AT1 650,00 €
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200572229I. V. A. M. ; Et Al. New. 2005. Hardcover. 8448241231 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish English and Valencian with portions in English and Spanish only. 280 pp. With 123 ills. 119 col. . 31 x 25 cm. -- with a bonus offer-- . I. V. A. M. ; Et Al hardcover
31661New York: Dunbar Music Inc. As New. Single Page Folded. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - ND; copyright 1970. 2 page score; photo of The Guess Who on front cover. -- with a bonus offer-- . Dunbar Music, Inc. unknown
Oblong 8vo. 1 p. Eight bars from an unidentified composition. - With printed border.
[Fig. Bologna-Carracci] (cm.21,5) Ottima piena pergamena originale titolo al dorso. --cc.8nn., pp.432 (440). Bellissima antiporta figurata disegnata da Agostino Carracci e 17 imprese, sempre in rame per lo più del Carracci. + figure geometriche, epigrafi, ecc.Notevoli 2 figure astronomiche a fondo nero con costellazioni osservate dal Montanari e da Galileo. E' la più importante pubblicazione degli accademici Gelati di Bologna, EDIZIONE ORIGINALE. tratta vari argomenti: armi, imprese, musica, filosofia, politica, fisica, astronomia, terme, giochi ecc.di insigni autori come BOMBACI, MARSILI, MONTANARI.Esemplare bellissimo molto fresco e nitido con rami in ottima tiratura. --GRAESSE I 9, AUTORI ITALIANI DEL '600 3509, PRAZ II 3, CICOGNARA 1830, FETIS III p.4 E VIII p.397, FRATI G477. Ex libris autografo alla sguardia "Salvatore Betti 1824" Per notizie sul Betti (1792-1882) vedi, Pitrè G. "Profili Biografici"Palermo 1878 pag.9.[f30] Libro
188232820516<p>5 x 8 1/2 in . 4pp. Very good.</p><p><b>This is the rare original announcement and program for a major early benefit concert supporting Jewish refugees from Russia. </b>The pogroms carried out in 1881-82 drove countless Russian Jews to the West. This era marks the beginning of the period of the greatest Jewish immigration to the United States.</p><p>The concert was held at Mechanics Hall in Boston in 1882. The featured conductors are Carl Zerrahn and George Henschel. Henschel had become the first conductor of the Boston Symphony Orchestra a year earlier. Here he leverages his position to support Jewish refugees.</p><p>"Beginning in the 1880s a much larger wave of Jewish immigrants arrived in Boston from the Pale of Settlement in Russia and Eastern Europe. During the nineteenth century the Russian czars had confined Jews to this region and subjected them to religious persecution expulsions and forced military conscription. Passage of the May Laws in the 1880s made matters worse by forbidding Jews from owning or renting land outside of towns or cities and limiting their access to education. From 1881-1883 and again in the early twentieth century Jews were also targeted in violent riots or "pogroms" that left thousand dead and caused many more to flee" Boston College 2018.</p><p>The concert program includes pieces by Jewish composers or with Jewish themes including selections from from Mendelssohn's <i>Elijah</i> Handel's <i>Samson</i> and Henschel's "There was an Ancient King" sung by Henschel himself the finest baritone of his day. The performance concludes with Handel's "Hallelujah" chorus performed by the Salem Oratorio Society and the Lynn Choral Union.</p><p>The conductor featured in this program Sir Isidor George Henschel 1850-1934 was a German-born Jewish baritone pianist conductor and composer. He became the first conductor of the Boston Symphony Orchestra in 1881. On his appointment he sent his ideas for an innovative seating chart to his close friend Johannes Brahms who replied in an approving letter of mid-November 1881.</p><p><b>Very rare. Not in WorldCat.</b> Robert Singerman <i>Judaica Americana</i>2d ed Penn Libraries website 2019 3064 notes that the sole located copy once ascribed to the AJHS was "not found in either the Boston or New York collection Jan. 2016."</p> Printed By Jewish Watchman Print[ers]
Milano, Casa Editrice Italia (poi:) A. Mondadori (poi:) A. Rizzoli, 1919-1933, 163 fasc. complessivi, in formati diversi (prima in-8, poi in-4), leg. eterogenea (sia a fasc. sciolti, che rilegati in mezza tela coeva, pur conservando le br. edit.), pp. da 48 a 76 ciascuno. Nata come fascicolo di divulgazione per le novità teatrali italiane, si allarga dal 1922 a: teatro estero, musica e lirica, danza, attività delle filodrammatiche, cinema (L'Ultimo sceicco con R. Valentino, Metropolis di Lang, Ben Hur con Novarro, Lulù con L. Brooks, La montagna sacra con Leni Riefensthal attrice), col passaggio dal muto al sonoro, e rubriche fisse, pur continuando a pubblicare commedie ad ogni fasc., spesso inedite e in prima edizione: F.T. Marinetti con sintesi futuriste: "L'Oceano del cuore", con scenografia di Benedetta, e "Luci veloci"; T. Interlandi e C. Pavolini: "La croce del sud"; A.G. Bragaglia, che cura anche la rubrica "La pagina del macchinista", con articoli su scenoplastica futurista e teatro russo d'avanguardia, Rosso di San Secondo, L. Repaci, G.A. Borgese, M. Bontempelli, C.V. Lodovici, S. Gotta, ecc. Inoltre scritti di: L. Pirandello, Balilla Pratella, E. Prampolini, M. Gallian, F. Tozzi, S. D'Amico, Gobetti, Tilgher, O. Vergani, G. Zucca, E. Pea. Agli anni 1923-26 belle copp. a col. di: Sacchetti, Bianchi, Genua, Crespi, Veneziani, Pompei, Bernardini, Cito, Bonfiglioli, Fabiano, ecc. e disegni di: Angoletta, Sto, Oppo, Dudovich, Vellani Marchi, Depero, ecc; nel 1926-27 alle copp. fotoritratti di attrici: Abba, Vergani, Borboni, Gramatica, Galli, Borelli, di Lorenzo, ecc. Disponibile su richiesta specifica cronologica dei contributi sia letterari che iconografici.
Washington, Epic Ink Books, 2011, in folio (cm. 58 x 29) versione deluxe in piena pelle nera con custodia/valigetta anch’essa in pelle nera (cm. 80 x 33) 512 pagine completamente illustrate da fotografie a colori a piena pagina. Edizione speciale di 5000 copie numerate. In stato di nuovo, perfetto con ancora la scatola di cartone dell’imballaggio originale. Completo di garanzia applicata all’interno della custodia. Unito: The guitar collection: Stories. Un volume in-4to cartonato editoriale nero, pp. 192 completamente illustrato a colori e conservato in apposito alloggiamento all’interno della valigetta. Completa questo set una grande stampa a colori firmata (Peden) ancora sigillata e contenuta in apposita carpetta ripiegata di cm. 60 x 62)
Zusammen 79 SS. auf 48 Bll. Meist (qu.-)8vo. Größtenteils mit eh. adr. Kuvert. Freundschaftliche Korrespondenz mit (Hans) Wolfgang Ploderer (1915-2004) u. a. über die Belange der Austro Mechana, seine Arbeit und Lektüre, Gesundheit u. a. - "Nun wird es trotz aller Vorbereitung und Freude nichts mit meiner Reise nach Paris. Eine Katastrophe, ich weiss. Ich habe nun seit drei Tagen schon die ärgsten Herzbeschwerden, darf nicht aufstehen, habe mich in den Turm zurückgezogen, um dem Telephon zu entgehen und schlafe nächtens 1½ Stunden. An Reisen ist absolut nicht zu denken und der Eingriff im Spital mußte auch verschoben werden! [...]" (Br. v. 20. Februar 1965). - "Heute wieder einige Bücherwünsche: Könntest Du den Briefwechsel Otto Brahms' mit Hofmannsthal, Lorca's Briefe und Fontanes Kritiken (Nymphenburger Verlag) mir hierher senden lassen? [...]" (Postkarte v. 29. August 1966). - "Ich liege seit einigen Tagen mit Grippe und bin entsprechend agil [...] Aus diesem Grunde mußte ich auf die Unterredung mit Minister Dr. Piffl verzichten. Ich bat aber um eine Audienz im Ministerium [...]" (Br. v. 19. November 1964). - Wolfgang Ploderer, Direktor der Urheberrechtsverwertungsgesellschaft "Austro Mechana", war mit dem Komponisten seit vielen Jahren befreundet und seit 1965 auch als dessen Bevollmächtigter und Berater tätig gewesen. - Beiliegend ein eigenh. Brief mit U. an einen namentlich nicht genannten Direktor (wohl nicht mit Ploderer identisch): "Seit einigen Tagen liege ich im Spital von St. Anna in Luzern. Ich habe meinen linken Fuß zweimal gebrochen und daran anschließend mit meinem Herzen einige Erfahrungen gemacht, die mich zwingen, Ihnen Folgendes zu sagen: mit Reisen zu Congressen, Besprechungen etc. ist es vorbei. Ich will Ihnen das Vergnügen Ihres Londoner Sieges nicht vergällen, ich werde aber, sobald es ohne Beleidigung möglich ist, das ‚Präsidenten' Amt abgeben. Von einer leitenden Tätigkeit in der A. K. M. wird nichts von mir realisiert werden. Nach wie vor bin ich bereit, meinen Einfluß zum Besten der Austro Mechana zur Verfügung zu stellen. Von stundenlangen Sitzungen oder aber ernsteren Strapazen darf ich nichts mehr auf mich nehmen [...]" (Br. v. 11. September 1964). - Weiters beiliegend 2 Bll. mit Blanko-Unterschriften.
Vintage print su alluminio, al retro etichetta con nome del fotografo, non censita. In ottimo stato.
174211077Paris Vve Mouret, Mme Boivin, le sr. Le Clerc 1742 petit in-fol., basane marbrée, dos lisse, p. de titre mar.(dos frotté en partie) 5 titres, 116pp.,
3 SS. auf Doppelblatt. 4to. Mit eh. Adresse (Faltbrief). Mit 3 eh. Zeilen und U. von Bruder Georg Franz Ferdinand (1808-1855). Schöner Brief an H. W. Veit in Prag mit einem Bericht über ein Vorspielen: "Unsere Abrede lautet auf einige Werke, diese erfolgen also pflichtgemäß. Nachdem wir Sonntag halb 10 Uhr Morgens mit der Eisenbahn hier eingetroffen, bewegte ich mich mit Theodor sofort zu Breitkopf und Härtel, der am andern Morgen zu uns kam, um das Quartett zu hören, wir stellten es ihm frei, seinen Verwandten den Dr Fink mitzubringen; wovon er auch Gebrauch machte, außer den Genannten waren Kistner und der Tenorist Schmidt zufällig bei uns als die Production losging. - Wir spielten es recht con amore und ich glaube besser als jemals. Alle Anwesende, den Dr. Fink mit inbegriffen waren enthusiasmirt [...]". - G. H. T. Müller war Bratschist des berühmten (ersten) Müller-Quartetts. Der Brief ist mit Gebr. Müller unterzeichnet und trägt den Zusatz "Secretair in d. A / Gustav Müller", was - wenn "A" für "Ausführung" steht - darauf schließen läßt, daß er der Verfasser ist. Der dreizeilige eh. Nachsatz von Georg Müller ist unzweideutig mit dessen U. versehen. - Etwa angestaubt und fleckig und mit kleinen Randläsuren.
Milano, presso Luigi Scotti (circa 1830). In folio (cm. 38); splendida legatura di “dono’ in piena pelle “zigrino” rossa con triplice cornice in oro ai due piatti e scritta in oro al piatto anteriore, dentelle, fregi e titolo in oro al dorso; tagli dorati; frontespizio inciso; pp. 17, (1); front. inc., pp. 16, (2); front. inc., pp. 17, (1); front. inc.; pp. 16, (4). Le Ariette sono dedicate alla Principessa Zeneide Volkonski; a Prisilla Sady Burghersch nata Wellesley Pole; alla Contessa Teresa Appony nata Contessa Nogarola; alla Duchessa Hamilton-Braudon. Axs
20344Ensemble de 9 tomes en édition originale in-16 (181 mm env.), demi-chagrin à coins havane, dos à cinq nerfs, caissons décorés d’encadrements dorés, pièce de titre rouge, double filet doré sur les plats, tête dorée, non rogné (Flammarion) ; Ex-libris “Bibliothèque de Robert Buthaud” dessiné et gravé par Raoul Serres.- Dans les Brandes. Poèmes et rondels. Paris, Librairie Sandoz et Fisbacher, 1877 ; couverture et dos conservés ; [2], 287, [1] pp. Envoi autographe signé “A Louis Cilié. Bien affectueusement, Maurice Rollinat”. Bel exemplaire.- Les Névroses. Les ames. Les luxures. Les refuges. Les spectres. Les ténèbres. Avec un portrait de l’auteur par F. Desmoulin. Paris, Charpentier, 1893 ; VIII, 399 pp., portrait en frontispice. Quelques petites rousseurs, plutôt vers la tranche extérieure. Bon exemplaire dans l’ensemble.- L’Abîme. Poésies. Paris, Charpentier, 1886 ; 292 pp. Quelques rousseurs éparses. Bon exemplaire dans l’ensemble.- Les Apparitions. Paris, Charpentier-Fasquelle, 1896 ; 310 pp., les deux derniers cahiers (25 et 26) sont sur un papier plus blanc et brillant. Bel exemplaire.- Paysages et paysans. Poésies. Paris, Eugène Fasquelle, 1899 ; 332 pp., bel exemplaire.- En errant - proses d’un solitaire. Paris, Eugène Fasquelle, 1903 ; 325 pp., [1] f. de table. Bel exemplaire.Oeuvres posthumes :- Ruminations - proses d’un solitaire. Paris, Eugène Fasquelle, 1904 ; 296 pp. ; rousseurs aux 2 premiers feuillets, le reste en bon état.- Les bêtes. Poésies. Paris, Eugène Fasquelle, 1911 ; VII, 227 pp. ; bel exemplaire.- Fin d’oeuvre. Préface de Gustave Geffroy, avec un portrait de l’auteur et trois illustrations. Paris, Eugène Fasquelle, 1919 ; 341 pp. (avec le catalogue complet de l’oeuvre musicale de Maurice Rollinat) ; 3 photographies hors-texte sur papier glacé.
1985vd1146Actes sud Dos carré collé 1985 In-8 (10,1 x 19,1 cm), dos carré collé, 50 pages ; frottements aux mors et charnières, par ailleurs bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
146874N.p.: N.p. 1970. Archive of 288 vernacular color photographs of country music acts from the 1970s housed in a contemporary photo album with the subject of nearly every photograph identified by manuscript ink captions. Occasional additional notations give a date range between 1972-1980 for the photographs with most being dated 1977-1979. <br /> <br /> The photographs primarily consist of performers on stage indicating the photographer was near the stage with a strong sense of composition and timing. Photographs of performers casually posing for the camera indicate the photographer likely had backstage access for some of the performances. <br /> <br /> Based on additional information in some of the handwritten captions the photographs were primarily taken at concerts or events in the Western New York region - Chautauqua Dunkirk Little Valley and Lakewood - all within an hour of each other as well as the nearby Erie County NY Fair and Expo and Pittsfield PA. Other locations include the New York State Fair and Pittsburgh PA. <br /> <br /> Included are images of country music legends Johnny Cash Dolly Parton Loretta Lynn Conway Twitty Hank Snow June Carter Cash The Carter Family Minnie Pearl Tanya Tucker Tammy Wynette and Wanda Jackson. Also included are photographs of singers who while lesser known today were among the biggest stars of the era including Bobby Goldsboro Crystal Gayle Donna Fargo Freddy Fender Jeannie C. Riley Buddy Alan Charlie Walker Peggy Sue Bill Anderson Kenny Price LeRoy Van Dyke Lynn Anderson Jay Lee Webb Jean Shepard and Kitty Wells. Finally the album contains images of smaller and possibly even regional acts some of which appear unknown to us presenting a broad survey of a transitional era in country music as rock soul and pop began to fuse with the more traditional country sound that had begun declining in popularity toward the end of the previous decade. <br /> <br /> For more details please inquire. <br /> <br /> Photographs variously sized primarily 3.5 x 5 inches but up to 7.5 x 9.75 inches. Generally Near Fine. <br /> <br /> Housed in an about Very Good generic photo album with starting and loss to the spine fraying and rubbing. Several internal pages loose or with dried glue leading to occasional slipping of the photographs. N.p. unknown
206 S. Gr. 8°. Frontisp. Portr. Erste 5 Blätter und Portr. am Rand leicht wasserfleckig. Innensteg durchgehend wasserrandig. Mit Vignetten. Mitgebunden: - ders.: Die Kunst das Clavier zu spielen, durch den Verfasser des critischen Musicus an der Spree. - Berlin : Haude und Spener, 1751. - 27 S. + 3 Tabelle + Noten-Falttafel. HLdr. d. Zt. Deckel leicht beschabt. ad 1) RISM BVI, 2, S. 542: Einzelausgabe. Ad 2) RISM BVI, S. 544: 2. Ausgabe des 1. Teil.
1960157870New York: Edward Padula 1960. Draft script for the 1960 musical noted as "Acting Version" on the front wrapper. The play opened at the Martin Beck Theatre on April 14 1960 transferring to the 54th Street Theatre and then the Shubert Theatre and closed on October 7 1961 after a run of 607 performances. Winner of the 1961 Tony Award for Best Musical.<br /> <br /> An unsuccessful pop songwriter is convinced he can make his fortune if he can get recently drafted rock and roll star Conrad Birdie on the Ed Sullivan show to kiss his high school girlfriend goodbye. Basis for the 1963 film version starring Janet Leigh Dick Van Dyke Maureen Stapleton and Ann-Margaret.<br /> <br /> Red titled Studio Duplicating Service wrappers noted as Acting Version on the front wrapper. Title page present with credits for Book by Mike Stewart Music by Charles Strause Lyrics by Lee Adams and Directed and Choreographed by Gower Champion. 107 leaves with last page of text numbered 2-8-42. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good with chipping and closed tears at the extremities bound with two gold screw brads. Edward Padula unknown
2 SS. Qu.-4to. Notation für Singstimme und Klavier mit (dt. und ital.) unterlegtem Text zu "Das Vergißmeinnicht" ("Die Blume, die an Baches Rand beim Abschied Du gepflückt"). - Mit lithograpierter Bordüre und Resten eines Montagestreifens; beschnitten, die Handschrift jedoch unbeschadet; von einer vertikalten Knickfalte abgesehen tadellos.
1776ST12954Paris: Joseph-Gérard Barbou 1776. 215 x 135 mm. 8 1/2 x 5 1/4". Three volumes. <br/> ELEGANT 19TH CENTURY BROWN MOROCCO GILT BY JOLY FILS stamp-signed on front turn-ins covers with French fillet border raised bands spine compartments densely gilt with complex fleurons drawer handle tools and circlets intricately gilt turn-ins marbled endpapers gilt edges. Engraved title pages three engraved vignettes and three engraved plates after Moreau le jeune. Cohen-de Ricci p. 604. Lightly washed and pressed in keeping with bibliophilic fashion at the time of binding one title page with small corner tear otherwise A FINE SET clean and still crisp internally with ample margins and the scarcely-worn bindings quite lustrous.<br/> <br/> This is a finely bound copy of singer and playwright Pierre Laujon's songs "About Society" and "About Folly" with illustrations of "ravishing grace" that Cohen-de Ricci considers among the best efforts of Jean Michel Moreau. Laujon 1727-1811 wrote and performed in musical reviews and ballets where his efforts attracted the attention of the Count of Clermont and the Prince de Condé who hired him to direct their festivals and pageants. The songs here were composed for these "society festivals" gently mocking the frivolous naughty behavior of the elite. The accompanying illustrations showing beautifully dressed courtiers and bon-vivants are the work of Moreau le jeune 1741-1814 deemed by no less than Gordon Ray to be "the greatest name among French illustrators of the 18th century." The graceful bindings here were done by one of the great bookbinding houses of France. After apprenticing in the provinces Antoine Joly 1838-1917 moved to Paris found employment with the celebrated Léon Gruel later formed a partnership with Thibaron in 1874 succeeded him 11 years later and in 1892 turned the business over to his son Robert 1870-1924 who signed his work "Joly fils." According to Duncan & DeBartha "An excellent gilder like his father Robert designed and produced a range of classical covers." The trifecta of light-hearted songs elegant engravings and luxurious bindings endow this set with a great deal of French charm. Joseph-Gérard Barbou] unknown
93354aafn.d., 26.5x20.5 cm,
1961008126Wallasey Cheshire England: Spin Publications 1961. RARE. 61 magazines the complete run of one of Britain's early and iconic folk music revival magazines. All are Near Fine to Fine. 10 issues each in the first 3 volumes 6 each in Vols. 4-6 5 issues in Vol 7 Nos. 5 and 6 in a combined issue and 4 issues in Vols. 8 and 9. The first seven numbers of Vol. 1 printed as a duplicated 12 page stapled magazine in 300 copies. By the time of Vol. 1 No.7 the magazine had become so popular that it went into photo offset and 1000 copies were printed. Published out of Chelsea under the auspices of the the Liverpool Spinners and the Spinners Club the magazine's main focus was on British traditional folk music. Editor Beryl Davis was the wife of the Spinners singer Tony Davis. By 1965 it had grown to 500 readers with many in America. Covers in Vol. 2 included Martha & Huddie Ledbetter Woody Guthrie and Pete Seeger while Vol. 3 No. 7's cover featured a then 24 year old Bob Dylan. Individual issues are SCARCE in todays market so to complete a full set would be a long term project. Worldcat notes 4 institutional holdings none of which have complete sets. Thus likely this is a once-in-a-lifetime opportunity. . First Edition. Stapled Folder. Near Fine/No Jacket As Issued. Various. Spin Publications Paperback books
1816046831Madrid: La Viuda de Aznar 1816. Second Edition. Hardcover Full Leather. Good Condition. Early tooled leather spine with raised bands marbled endpapers; water stains to endpapers and to bottom margin more or less throughout title stained scattered minor maginal stains small hole to corner of final leaf final music leaf with mild stains. viii 30 2pp with 17 leaves of printed music a few folding. <br/><br/>A scarce work on the guitar first published in 1799 - the first edition is rare this the second only slightly less so. About a dozen copies of the second edition in OCLC rare in commerce. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Music; Inventory No: 046831. La Viuda de Aznar hardcover
1816046831Madrid: La Viuda de Aznar 1816. Second Edition. Hardcover Full Leather. Good Condition. Early tooled leather spine with raised bands marbled endpapers; water stains to endpapers and to bottom margin more or less throughout title stained scattered minor maginal stains small hole to corner of final leaf final music leaf with mild stains. viii 30 2pp with 17 leaves of printed music a few folding. <br/><br/>A scarce work on the guitar first published in 1799 - the first edition is rare this the second only slightly less so. About a dozen copies of the second edition in OCLC rare in commerce. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Music; Inventory No: 046831. La Viuda de Aznar hardcover books
13110Used; Like New/Used; Like New. An interesting collection of detailed original Japanese drawings showing the construction and decoration of Imperial Court instruments. 39 x 27 cm 15 x 10.5 in. 12 pp. Bound with a single string.  Pen and ink on very delicate rice paper. Slight chipping/small tears to outer edge central vertical crease overall fine.  Undated ca. 1900. <br style=""> unknown books
190044484Paris, Wilhem Benque, (c. 1885-1900). 40 photographies (130 x 210 mm) montées dans un album in-4 (220 x 300 mm), maroquin noir, dos muet à nerfs, dentelle intérieure, tranches dorées (reliure de l'époque).
