Poésie

152 151 résultats

Trier parPrix décroissant

Pertinence Auteur A - Z Auteur Z - A Titre A - Z Titre Z - A Prix croissant Prix décroissant Libraire A - Z Libraire Z - A

Par page25

25 50 100

Filtres

Foscolo, Ugo traduce Gaio Valerio Catullo [Catullus, Catulle, Catull]MareMagnum

MANUSCRIPT POETRY ANTHOLOGYBiblio.com

Manuscript anthology of English poetry

06392England: 1830. A Handsome Early Nineteenth-Century Poetry Anthology Manuscript Elegantly Written and Illustrated with Charming Wash Drawings MANUSCRIPT POETRY ANTHOLOGY. Manuscript anthology of English poetry. England early-to mid-19th century. Square octavo 7 3/4 x 6 3/8 inches; 197 x 162 mm. 115 manuscript pages followed by four manuscript pages of index and one blank leaf. Written throughout in a clear and elegant brown-ink cursive hand. Several pages embellished with attractive pen-and-wash drawings including pastoral landscapes and small ornamental vignettes one depicting a rustic cottage beside a stream with church spire beyond another a pair of doves rendered in delicate gray wash. Handsomely bound in full contemporary maroon straight-grain morocco covers decoratively paneled in gilt and blind with elaborate floral corner borders spine in compartments richly ruled and ornamented in gilt board edges and turn-ins gilt red endpapers all edges gilt. A particularly appealing early nineteenth-century manuscript poetry anthology carefully compiled by an accomplished hand and attractively embellished with original drawings. The manuscript contains copies of poems and extracts by many of the most celebrated poets of the English canon including Robert Burns Lord Byron William Cowper Oliver Goldsmith John Milton Alexander Pope Sir Walter Scott William Shakespeare James Thomson and William Wordsworth together with additional popular verses circulating in print culture during the late eighteenth and early nineteenth centuries. The selection reflects the literary taste of the Romantic age drawing heavily on poets whose works were widely read and admired in the decades around 1800. Many poems were clearly copied from contemporary printed editions and literary magazines a common practice among educated readers of the period who assembled their own "commonplace books" or poetic albums as records of personal reading and reflection. Such manuscripts served both as repositories of admired literature and as exercises in penmanship literary appreciation and polite accomplishment. The present manuscript belongs firmly within this tradition. The writing is careful and highly legible suggesting a compiler who took pride in both calligraphy and arrangement. Several poems are introduced with small decorative drawings charmingly executed in sepia wash and placed above the text in the manner of vignette illustrations. These include a pastoral landscape scene accompanying lines beginning "O that this lovely vale were mine!" and a small study of doves above a transcription of lines attributed to Wordsworth beginning "Stay passenger and though within / Nor gold nor glittering gems are seen.". The drawings though modest in scale give the volume the atmosphere of a personal gift book or keepsake rather than a purely utilitarian notebook. A neatly prepared manuscript index at the end of the volume lists the poems and authors demonstrating that the compiler intended the book to function as a permanent anthology rather than a casual collection of copied verses. The combination of literary selection calligraphic care and decorative illustration suggests a manuscript created either as a cultivated personal project or as a presentation volume within the domestic literary culture of the early nineteenth century. Manuscript poetry anthologies of this kind were especially popular in Britain during the late Georgian and early Victorian periods when poetry formed an essential part of polite education and social life. Before the widespread availability of inexpensive printed anthologies readers frequently created their own compilations of favorite poems. These volumes often preserve fascinating evidence of the reading habits and aesthetic preferences of their compilers and when illustrated-as in the present example-they provide a particularly vivid glimpse into the culture of literary appreciation in the Romantic era. A handsome and engaging survival: a finely bound and attractively illustrated nineteenth-century manuscript anthology celebrating the great poets of the English language. England: , 1830 unknown

David Brass Rare Books, Inc. · États-Unis2 500,00 $US≈ 2 115,25 €

POETRYBiblio.com

Muse in Good Humour

174568491London: Printed for M. Cooper 1745. POETRY. with: The Muse in Good Humour: or A Collection of Enigma's Serious and Comic. With a Complete Key to the Whole. Part II. Vol. II. London: Printed for M. Cooper 1745. First Cooper edition. Volume II only. Two parts in one twelvemo volume comprising Part II 6 1/2 x 3 5/8 inches; 164 x 94 mm. 2 ii 174; viii 148 pp. Bound without General title-page. Parts I and II each with separate title-page and pagination. According to ESTC no copy of Volume I is recorded and it is believed that possibly volume I is the 1744 J. Noble volume. "Vol.1 is yet to be identified; no copies reported 12/2016. Is 'vol.1' in fact 'The Muse in good humour. Or A collection of comic tales &c.' first published in 1744 ESTC T197901 by J. Noble" ESTC. Additionally according to ESTC part II of this volume "comprises the sheets of 'The muse in masquerade'. London: J. Noble 1745 ESTC T83724 with a different title page." Part I with frontispiece and four engraved vignettes. Part II with engraved vignette on title-page. Some of the engravings are signed by illustrator and caricaturist George Bickham Jr. We could find no other copy at auction and only two in U.S. libraries both Volume II only as well. Contemporary calf rebacked to style. Boards ruled in gilt. Spine stamped in gilt. Red morocco spine label lettered in gilt. Some minor scuffing to boards. Minor marginal repair to part II title-page. Engraved vignette on page 79 trimmed close just touching image. Overall a very good copy. "The successful two-volume Muse in Good Humour published by Francis and James Noble and copies by Mary Cooper contains. tales by Gay Prior Congreve and Dryden and one again Pope's Miller of Trompington. Cooper even advertised 'The Imperfect Enjoyment' probably by Etherege but did not print it; many editions indeed were made up. Like The Poetical Tell-Tale this collection of bawdy verse presents its items in random order for fitful reading modeling a use for literature increasingly deplored by the literary establishment." Making the Modern Reader: Cultural Mediation in Early Modern Literary Anthologies. By Barbara M. Benedict. HBS 68491. $2500. Printed for M. Cooper unknown

Heritage Book Shop, LLC · États-Unis2 500,00 $US≈ 2 115,25 €

(Chagall, Marc, illustra) Paul ÉluardMareMagnum

Le dur désir de durer. Avec 25 dessins originaux et un frontespice en couleurs de Marc Chagall

Edizione originale. Ottimo esemplare completo del rarissimo astuccio originale illustrato da Chagall, spesso mancante dalle copie che circolano sul mercato: il numero 288 di soli 330, in ottime condizioni (da segnalare una contenuta lacerazione alla testa del dorso, che coinvolge anche parte della cerniera anteriore, senza perdite; restauri perimetrali al cofanetto, perfettamente eseguiti), completo dell’originale pergamino semitrasparente avvolto alla copertina ripiegata ai bordi. Bellissimo libro d’artista splendidamente stampato per le cure del maestro Daniel Jacomet in una tiratura composta da 330 esemplari «sur Vélin B.F.K. de Rives à la curve» oltre a venticinque esemplari di testa siglati A-Y su carta diversa. Il frontespizio e otto tavole a piena pagina sono colorate a mano secondo la tecnica del pochoir. Dopo questa raffinatissima edizione in tiratura limitata, stampata subito a ridosso della Seconda guerra mondiale in preciso accordo tra poeta e pittore — «Je savais, en écrivant ces poèmes, qui’ls seraient illustrés par des dessins de Marc Chagall» dichiara Éluard in esergo — la raccolta sarà ristampata dallo stesso Bordas in tiratura molto più ampia, sempre con i disegni di Chagall (ma senza la qualità e i pochoir dell’originale), nel 1950, in un’edizione commercializzata anche sul mercato anglosassone per i tipi di Gray Falcon a Philadelphia e Trianon a Londra. -- «Chagall […] en mai 1946 se rendait à Paris pour un séjour de trois mois, accompagné par son ami le collectionneur Louis Stern. […] Lorsque Chagall débarqua à Paris, Eluard en était, en fait, absent depuis le 8 avril pour un long voyage en Tchécoslovaquie, en Italie, en Grèce et en Yougoslavie; il n’a pu retourner dans la capitale qu’à la fin juin au plus tôt: le 6 juillet il écrivait de Paris au ministre de l’Education Nationale pour refuser la Légion d’Honneur, s’excusant de son silence sur ses voyages. Les contacts avec le peintre furent donc forcément limités, puisque celui-ci allait regagner les Etats-Unis. Ils furent suffisants en tout cas pour convenir que Chagall illustrerait un recueil dont Eluard lui enverrait les textes: Le Dur Désir de Durer, qui sortira des presses le 11 novembre 1946. […] “Je savais en écrivant ces poèmes”, écrit Eluard en épigraphe […]. L’affirmation ne nout paraît pas valable pour les 19 poèmes du recueil, puisque «De solitude en solitude vers la vie» est daté de décembre 1945, que le poème «Du fond de l'abîme» (qui s’intitulait à l'origine «Le dur désir de durer») remonte, selon le témoignage de Claude Roy, à l'été de 1945 […] «Ici» échappe aussi à l’éclairage chagallien puisqu’il parut en juin 194S dans le n. 3 de la revue clermontoise “Espace”. Nous rangerions volontiers, pour des raisons d’analogie, «Grandeur d’hier et d’aujourd'hui» et «Puisqu’il n’est plus question de force» dans le même lot. Nous conserverions donc dans la pleine lumière de Chagall les douze premiers poèmes du recueil, et les deux derniers» (Gateau, Éluard, Picasso et la peinture, pp. 179-180). Monod, Manuel, n. 4209

Libreria Antiquaria Pontremoli srl · MILANO, IT2 000,00 €

[Alfabeta; Nanni Balestrini, Umberto Eco, Francesco Leonetti, Maria Corti, Antonio Porta, Paolo Volponi et alii]MareMagnum

Alfabeta

Collezione completa in edizione originale. Collezione completa di 114 numeri dal maggio 1979 al dicembre 1988 in ottimo stato di conservazione. Nel 1979 la casa editrice milanese Multhipla diretta da Gino Di Maggio decise di riprendere l’esperienza del periodico «AlfaBeta. Laboratorio di critica delle arti visive, di storia dell’arte e …» terminata nel marzo del 1976 dopo soli otto numeri, dando vita ad «Alfabeta. Mensile di informazione culturale». Rispetto alla rivista originaria, più strettamente legata all’ambito artistico, la nuova serie ha interessi - come del resto il sottotitolo dichiara – culturali in senso più ampio, concentrandosi in modo particolare nel campo letterario e in quello politico. Animatori del progetto furono, oltre allo stesso Di Maggio e a Gianni Sassi nella vesta di art director, Nanni Balestrini, Umberto Eco, Paolo Volponi, Antonio Porta, Maria Corti, Francesco Leonetti, Pier Aldo Rovatti e Mario Spinella. Più avanti, il comitato di redazione includerà anche Omar Calabrese, Carlo Formenti, Vincenzo Bonazza, Marisa Giuffra, Nino Trombetta e Maurizio Ferraris. Volontà di Nanni Balestrini – che a ragione può essere considerato come una delle figure fondamentali della rivista, se non la più importante – era quella di creare un gruppo caratterizzato da interessi culturali e posizionamenti politici diversi tra loro così da cogliere e restituire criticamente e nel modo più completo possibile i mutamenti in atto e i movimenti emergenti generando, seppur nella differenza, un fronte comune contro la crisi e il ritiro dalla scena pubblica degli intellettuali e contro il disimpegno politico venuti dopo la stagione del fermento culturale e delle lotte. L’avventura di «Alfabeta» terminerà nel 1988 con il numero 114. Solo nel 2010 Balestrini e Di Maggio cercheranno di recuperare il senso di quell’avventura tanto importante fondando «Alfabeta 2 - mensile di intervento culturale».

Libreria Antiquaria Pontremoli srl · MILANO, IT2 000,00 €

ARETINO, PietroMareMagnum

Capricciosi & piaceuoli ragionamenti di m. Pietro Aretino, il veritiere e'l diuino, cognominato il flagello de' principi/La puttana errante overo dialogo, di Madalena e Giulia, di M. P. Aretino

In-8°, 2 parti: 541(3);-54 (2). Legatura in pelle contemporanea con cornice in oro ai piatti, nervature, tasselli e titolo in oro al dorso, tagli in oro, buona copia, ex libris alla sguardia inziale di contropiatto. Prima edizione, che si distingue dalla seconda stampata nello stesso anno per la differenza dei fregi e dei capolettera e soprattutto per la differente consistenza della seconda parte, qui in 54 pp, nella seconda edizione in 38pp. Willems, Les Elzevier, 858 Contemporary calf binding with gold frame on the plates, bands, labels and gilt title on the spine, gold edges, good copy, ex libris at the endpaper of the front cover. First edition, which differs from the second printed in the same year for the difference of the friezes and the initials and above all for the different consistency of the second part, here in 54 pp, in the second edition in 38pp. Willems, Les Elzevier, 858 Capolavoro della letteratura erotica sono i Ragionamenti di Pietro Aretino, cioè i dialoghi tra prostitute, diviso in due parti, in cui si raccontano storie salaci e si propongono riflessioni. La Puttana Errante è licenziosa quanto la prima parte: si conclude con un'enumerazione esplicita delle posizioni sessuali (ed è spesso associata a una serie di tavole che le illustrano ciascuna). Alcuni hanno affermato che non è, infatti, di Aretino ma di Niccolò Franco o dell'assistente di Aretino, Lorenzo Venier. Masterpiece of erotic literature are Pietro Aretino's Ragionamenti, that is the dialogues between prostitutes, divided into two parts, in which spicy stories are told and reflections are proposed. La Puttana errante is as licentious as the first part: it ends with an explicit enumeration of sexual positions (and is often associated with a series of plates illustrating each). Some have stated that it is not, in fact, from Aretino but from Niccolò Franco or from Aretino's assistant, Lorenzo Venier.

Libreria Antonio Pettini · Roma, IT2 000,00 €

Poésie

Siècle

Langage

Ajouté

Sujets

Catalogues

Omaggio a Licini. Sette artisti per Osvaldo Licini.

Apokalypsis Ioannoy ou la Revelation de Notre Seigneur Jesus-Christ a Saint Jean, son disciple bienaime, et plus souvent intitulee Apocalypsis Iesu Xristi / pour la premiere fois paraphrasee en vers alexandrins par Pierre Pascal

Sovraesistenze

Carminum libri quatuor ad hilernum bellaium cognomento langium. [suivi de] Carminum libellus.

Amanecer en el delta del ParanÃ e altre poesie

Etras in Da- a/u delà. A magazine of arts and literature

IS 5

CAVALCANTI POEMS

ZOKU E KASEN 続絵歌仙. 2 vols

Binding Fine The Poems of Elizabeth Barrett Browning; A New Edition Carefully Corrected By the Last London Edition with an Introductory Essay in Three Volumes

Nine Silences Deluxe Edition

Nine Silences Deluxe Edition

The Works of John Hookham Frere in Verse and Prose Now First Collected with a Prefatory Memoir Binding Fine - F. Bedford

Manuscript anthology of English poetry

Muse in Good Humour

L'unique jardin.

L'unique jardin.

PUBLII OVIDII NASONIS OPERA OMNIA EX RECENSIONE PETRI BURMANNI Eight Volumes

Contes : Xanthis. Divine Bontemps. Hyalis. Rovère et Angisèle. Avec des gravures sur cuivre de Sylvain Sauvage

Le dur désir de durer. Avec 25 dessins originaux et un frontespice en couleurs de Marc Chagall

Alfabeta

Capricciosi & piaceuoli ragionamenti di m. Pietro Aretino, il veritiere e'l diuino, cognominato il flagello de' principi/La puttana errante overo dialogo, di Madalena e Giulia, di M. P. Aretino

Epigrammi

La serenata di Ciapino e il lamento della ghita. Stanze rusticali

Siècle

Langage

Ajouté

Sujets

Catalogues

Siècle

Langage

Ajouté

Sujets

Catalogues