184 817 résultats
19772091502135309523Shibunkaku 1977. Soft Cover. Fine. Number of books: 30 Shibunkaku paperback
1969168709N.p.: N.p. 1969. Archive of 29 original photographs from The Living Theatre performances dating between 1959 and 1969 including 27 borderless photographs and eight double weight photographs. <br /> <br /> Four photographs with Gianfranco Mantegna photographer stamps on the versos six photographs with Horace Dimayo photographer stamps on the versos two with "L'Express/Manuel Bidermanas" photographer stamps on the versos and one with a "Photo Pic" stamp on the verso.<br /> <br /> The archive includes:<br /> <br /> One borderless photograph from the January 13 1959 premiere performance of William Carlos Williams' "Many Loves" on The Living Theatre Playhouse's opening night.<br /> <br /> Three borderless photographs of the June 29 1966 performance of "Mysteries and Smaller Pieces" 1964 at the Odéon-Théâtre de l'Europe in Paris.<br /> <br /> Three borderless photographs from the September - October 1966 performances of Jean Genet's "The Maids" 1947 at the Berliner Festwochen including two double weight.<br /> <br /> Seven borderless photographs from the July 1968 performance of Bertolt Brecht's "Antigone" 1948 performed at the Avignon XXII Festival at the Cloître des Célestins.<br /> <br /> Two double weight borderless photographs of Julian Beck and Judith Malina being interviewed in 1968 at the Avignon XXII Festival at the Cloître des Carmes.<br /> <br /> Six borderless photographs from the October 1969 performance of "Mysteries and Smaller Pieces" 1964 at the Circo Medini in Milan.<br /> <br /> Two photographs from the October 1969 performance of "Paradise Now" 1968 at Teatro Alfieri in Turin.<br /> <br /> One borderless photograph of Julian Beck from Bernardo Bertolucci's segment "Agonia" from the 1969 compilation film "Love And Anger."<br /> <br /> Lastly four borderless photographs we have been unable to definitively identify including a photograph of a stage set a photograph of a performance of three actors a photograph of Jean-Jeacques Lebel and a photograph of a woman in profile possibly Living Theatre actress Mary Mary. The latter two photographs are likely from the 1968 Avignon performance of "Paradise Now."<br /> <br /> Founded in 1947 in New York by Julian Beck and Judith Malina The Living Theatre is the oldest active experimental theater group in the United States. In the fifties and sixties the company became an epicenter for revolutionary culture performing both original and repertory works. The company produced often radical stage productions and adaptations of works by artists and writers such as Bertold Brecht Gertrude Stein Jean Cocteau William Carlos Williams T.S. Eliot Pablo Picasso Luigi Pirandello and Federico García Lorca among others and laid the foundation for New York's robust underground art scene in the ensuing decades. <br /> <br /> The Living Theatre and its founders were the subject of the 1983 documentary "Signals Through the Flames" directed by Sheldon Rochlin.<br /> <br /> Photographs generally 7 x 5 inches to 12 x 8 inches. Near Fine overall five with light toning. All housed in a 9.75 x 12.17 inch Near Fine black folder with a "The Living Theatre" sticker on the front board. N.p. unknown
105791Oxford : At the Clarendon Press. As New. N.D. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked -- No date Circa 1786 Sold by D. Prince and J. Cooke Oxford: G. Robinson J. F. And C. Rivington and T. Cadell London. The letter to Adam Smith is paginated and has a separate title page which bears the description 'The fifth edition'. The letter to Adam Smith is paginated and has a separate title page which bears the description 'The fifth edition'. -- with a bonus offer-- . Oxford : At the Clarendon Press hardcover
159950394(Oldenburg, Warner Berendts Erben), 1599. Folio. Contemp. full calf. Richly gilt spine. Titlelabel gone. Engraved ornamental title-page. (86),494,(18) incl. (2) blank. Profusely textillustrated with engravings and woodcuts among them the full-page portrait of the author, a full-page view of Oldenburg, 3 folded genealogical tables and the double-page engraved elevated plan of Oldenburg. Internally clean and fine.
159950394Oldenburg Warner Berendts Erben 1599. Folio. Contemp. full calf. Richly gilt spine. Titlelabel gone. Engraved ornamental title-page. 8649418 incl. 2 blank. Profusely textillustrated with engravings and woodcuts among them the full-page portrait of the author a full-page view of Oldenburg 3 folded genealogical tables and the double-page engraved elevated plan of Oldenburg. Internally clean and fine. <br/><br/><em>First edition. Hamelmann's Chronicon is the first book to be printed in Oldenburg Brunet and it is the historical source work for the "House of Oldenburg" whose descendents became kings of Denmark and emperors of Russia. -Adams H 30. </em> unknown
0821VD70H6NHardcover. Very Good. hardcover
190823422Published By The Reilly & Britton Co. Chicago I 1908. Hardback NODUSTJAKCET 1908 1ST EDITION 2nd Printing VG-/VG- AS-IS. NO JACKET Cover is Brown black & White Slight SOIL & Darkening SPINE COVER Front has slight Rub Scuff Tiny Chips Extremities & Wear Scuff word THE on Front Cvr Lettered in Black on Spine 12 mo. with three titles liSted on page PRECeDing Contents. Ending with in Egypt Interior nice tigHT Light FOX Wear. 310 pgs ADS Aunt Janes Nieces Very good- condition Light edgewear tan. 8vo Decorations and lettering on boards is still strong and easy to reAd. Interior few Pencil Marks drawings Pages slightly age tonedSize oF book is about 5 1/2 and 7 1/2. . First Edition . One of the scarcer titles in the series and one especially hard to find in collectible condition. .This is Very Scarce Title. First Edition. Hard Cover. Published By The Reilly & Britton Co., Chicago I hardcover
196343008New York: Simon & Schuster 1963. First edition of this collection of songs from the 1960's folk music scene. Quarto original cloth with 112 pages with photographs. Signed by Bob Dylan in a contemporary hand on the front free endpaper. Features photos and tabulature of music by Joan Baez Bob Dylan Jack Elliott The Greenbriar Boys The New Lost City Ramblers and Peggy Seeger. Introduction by Pete Seeger. Notes by Earl Robinson. Rare and desirable signed by Dylan. Bob Dylan often performed and sometimes toured with Joan Baez starting when she was a singer of mostly traditional songs. As Baez adopted some of Dylan's songs into her repertoire and even introduced Dylan to her avid audiences a large following on the folk circuit it helped the young songwriter to gain initial recognition. By the time Dylan recorded his first LP 1962 he had developed a style reminiscent of Woody Guthrie. He began to write songs that captured the "progressive" mood on the college campuses and in the coffee houses. Simon & Schuster hardcover books
1936209211Privately Printed 1936. First. hardcover. fine. 2 volumes Thin 8vo limp brown cloth. Privately Printed b y W.E. Rudge from type set by Bertha Goudy. Limited First Editions.<br/><br/> The first volume is one of only 200 copies; the second is one of 300 and bears a "compliments slip from Bruce Rogers with a holograph note. Also included are two long autograph letters signed from Bruce Rogers to reviewer Lewis Gannett presenting the books." I will not say a `book' as it violates most of my ideas of bookmaking".He writes about T.E. and his translation of The Odyssey."I really think he likes me as much as he ever did any one." and quotes for Gannett's delectation one of the passages he had to leave out of the book for fear of a libel suit. Letter 24.xi.34 referring to a contretemps with the President of the University of Missouri. Fine.<br/><br/> Privately Printed unknown books
1936209211Privately Printed 1936. First. hardcover. fine. 2 volumes Thin 8vo limp brown cloth. Privately Printed b y W.E. Rudge from type set by Bertha Goudy. Limited First Editions.<br/> <br/> The first volume is one of only 200 copies; the second is one of 300 and bears a "compliments slip from Bruce Rogers with a holograph note. Also included are two long autograph letters signed from Bruce Rogers to reviewer Lewis Gannett presenting the books." I will not say a `book' as it violates most of my ideas of bookmaking".He writes about T.E. and his translation of The Odyssey."I really think he likes me as much as he ever did any one." and quotes for Gannett's delectation one of the passages he had to leave out of the book for fear of a libel suit. Letter 24.xi.34 referring to a contretemps with the President of the University of Missouri. Fine.<br/> <br/> Privately Printed unknown
1800003804Printed By W. Bulmer and Co. Cleveland-Row St. James's for the Author; and Sold By G. And W. Nicol Booksellers to His Majesty Pall-Mall; and Messrs. J. And J. Boydell Cheapside 1800 COMPLETE with 8 engraved plates 5 of which are hand coloured. Title continues: Exemplified by Suitable Sketches and More Finished Paintings. As This Work is Chiefly Intended for the Mere Beginner The Rules Are Both Familiar and Progressive. To Which Are Added Instructions For Executing Transparencies In a Style Both Novel and Easy. 4 36pp bound in paper vellum and marbled paper over boards deckled page edges with binding and hinges tight. Covers show edge/corner wear small paper label on front cover some pages uncut offsetting from plates occasional light foxing on the preliminary pages. SCARCE. Printed By W. Bulmer and Co. Cleveland-Row, St. James's, for the Author; and Sold By G. And W. Nicol, Booksellers to His Ma hardcover
1952140946365no place: The Pullman Company 1952. First Edition. Near Fine. First edition. Brad-bound printed sheets in black leatherette covers with one volume stamped in silver and the other gold. Near Fine with light wear to metallic stamping dulling to gold stamping; light toning to contents. Rare guidebooks produced for the largely African-American staff of the Pullman Company. <p>Shortly after the Civil War The Pullman Company became notable for hiring thousands of African American men-including many former slaves-to serve white passengers traveling across the country on the company's luxury railroad sleeping cars. Following meticulous rules and procedures as evident by those in this guidebook these men became pillars of the African-American community who as a result of their training maintained the highest standards of personal and professional decorum. Though they were underpaid overworked and endured never-ending racism on the job the Pullman porters would eventually help to fuel the Great Migration shape a new Black middle class and help launch the civil rights movement. The Pullman Company unknown
1903ST20279Paris: Librarie A. Roquette 1903. No. 92 OF 150 COPIES on Japon and another 10 copies on vellum paper. 251 x 160 mm. 9 7/8 x 6 1/4". 2 p.l. 67 1 pp. 2 leaves followed by additional suite of etchings. <br/> HANDSOME TAN CRUSHED MOROCCO GILT BY THE CLUB BINDERY stamp-signed and dated 1905 on front turn-in covers framed by gilt strapwork and multiple fillets raised bands spine compartments with similar gilt tooling gilt lettering densely gilt turn-ins marbled endpapers top edge gilt. In a modern slightly ill-fitting suede-lined gray linen clamshell box backed with blue morocco. Illustrated throughout with elegant borders and scenes surrounding the text colored with pochoir. With an additional suite of illustrations printed in black before letters. Front pastedown with morocco ex-libris of Robert Hoe and with bookplate of the Robin Collection. Spine uniformly a bit darkened text margins with a hint of browning because of paper quality but still a very pleasing copy with virtually no signs of use.<br/> <br/> Bound by one of America's greatest binderies and once owned by the renowned collector Robert Hoe this is a charming adaptation of a Medieval legend illustrated with delicate pochoir images by a popular French Art Nouveau artist. Originating in the 13th century the story here concerns a pious sacristan whose faith is tested when she falls in love with a young noble. The pages are adorned with attractive borders inspired by nature along with images from the story all colored in soft hues that evoke an angelic ethereal quality that fits perfectly with the themes of the legend. Our artist Henri Caruchet 1873-1943 was a sought-after illustrator in the bibliophilic world producing work for authors such as Octave Uzanne Theophile Gautier and Anatole France. The present work also contains a suite of uncolored illustrations printed before letters allowing the viewer to appreciate how much the pochoir coloring does to enliven Caruchet's designs. Our binding is a product of the esteemed Club Bindery founded by Grolier Club members and other wealthy collectors to provide close to home fine quality binding work rivalling what was available abroad. The workshop provided bindings that tended to be traditional in style--though frequently with elaborate decoration--and that lived up to its patrons' expectations in terms of excellence. The first members of the staff of the Club Bindery were the Englishmen R. W. Smith and Frank Mansell. They were subsequently joined by a number of French binders chief among them being Léon Maillard who had worked previously for Cuzin Gruel and Marius Michel. The Club Bindery was in operation until 1909 with Robert Hoe 1839-1911 being its most influential manager and client. Hoe was also the founding member and first president of the Grolier Club and according to Beverly Chew his library was "the finest America has ever contained." He acquired illuminated manuscripts early printing he owned a Gutenberg Bible on paper and one on vellum fine bindings French and English literature and Americana; when his library was sold in 1911-12 it fetched nearly $2 million a record that held until the Streeter sale more than 50 years later. Librarie A. Roquette unknown
1894ST17640-G031894-1946. 17 separately published works. <br/> 1 BRANGWYN FRANK Illustrator. RUBAIYAT OF OMAR KHAYYAM. London and Edinburgh: T. N. Foulis 1911 175 x 145 mm. 6 7/8 x 5 5/8". Original vellum with gilt titling top edge gilt others untrimmed. Eight tipped-in color illustrations by Frank Brangwyn. Slightly splayed and very minor soiling; near fine. Uncommonly seen in vellum. <br /> <br /> 2 BULL RENE Illustrator. RUBAIYAT OF OMAR KHAYYAM. Banbury England: Hodder and Stoughton 1913 275 x 205 mm. 10 7/8 x 8 1/8". Brown cloth front cover elaborately decorated gilt titling on spine. Illustrated by Rene Bull. Sidney L. Nyburg bookplate. Near Fine. <br /> <br /> 3 CARR HAMZEH Illustrator. THE RUBAIYAT OF UMAR KHAIYAM. London: John Lane the Bodly Head Limited 1924 257 x 180 mm. 10 1/8 x 7". Translated from the French of J. B. Nicolas by Frederick Baron Corvo. Edited by Edward Heron-Allen. Tan cloth with original dust jacket. With 16 plates in color by Hamzeh Carr. Printed with facing French text. Volume fine dust jacket with front joint torn and inexpertly repaired. <br /> <br /> 4 DODSON BERT Illustrator. SELECTIONS FROM OMAR KHAYYAM'S RUBAIYAT: A PORTFOLIO OF DRAWINGS BY BERT DODSON. Norwalk Connecticut: Fairfield Graphics Incorporated n. d. 458 x 330 mm. 18 x 13". Not signed but probably one of 700 copies. Very large envelope-like portfolio with embossed title 39 unnumbered printed plates 19 black ink drawings by Bert Dodson alternating with their associated printed quatrains. An unusually clean copy of a very easily soiled item. A very appealing collection of charmingly surrealistic illustrations by Dodson b. 1938 the illustrator of more than 70 children's books. <br /> <br /> 5 DULAC EDMUND Illustrator. RUBAIYAT OF OMAR KHAYYAM. London: Hodder and Stoughton 1909 285 x 225 mm. 11 1/4 x 8 7/8". FIRST EDITION. White cloth with elaborate gilt decoration. Bookplate of Mae Borg. With a laid-in notice of an exhibition of Dulac's illustrated works to be held at the Leicester Galleries including watercolors for "Omar Khayyam" from 16 October to 20 November 1909. Potter 131. White cloth inevitably with slight soiling but still nearly fine. <br /> <br /> 6 FISH ANNE HARRIET Illustrator. RUBAIYAT OF OMAR KHAYYAM. New York: E. P. Dutton and Company 1922 292 x 235 mm. 11 1/2 x 9 1/4". FIRST EDITION. Original black orange and white paper boards laid down on new black cloth spine with simple gilt titling original dust jacket panels bound in at front and back. Illustrated by Fish. Potter 118. Jacket repaired and somewhat soiled the volume fine though binding refitted. <br /> <br /> 7 HANSCOM ADELAIDE Illustrator. THE RUBAIYAT OF OMAR KHAYYAM. New York: Dodge Publishing Company 1905 268 x 198 mm. 10 1/2 x 7 3/4". Publisher's beige cloth top edge gilt others untrimmed. With 28 tissue gravures including frontispiece printed in brown from photographs by California pictorialist photographer Adelaide Hanscom. Back cover somewhat soiled otherwise very nice. <br /> <br /> 8 JAMES GILBERT Illustrator. RUBAIYAT OF OMAR KHAYYAM. London: Adam and Charles Black 1909 255 x 197 mm. 10 x 7 3/4". White cloth with gilt titling and elaborate blue and green decorations. White cloth a little soiled as expected otherwise excellent. <br /> <br /> 9 LUNDBORG FLORENCE Illustrator. RUBAIYAT OF OMAR KHAYYAM. New York: Doxey's at the Sign of the Lark 1900 215 x 160 mm. 8 1/2 x 6 3/8". FIRST EDITION. Dark brown cloth with gilt titling and black decorations. Illustrated by Florence Lundborg. Potter 240. Fine Copy. <br /> <br /> 10 PALMER DORIS M. Illustrator. RUBAIYAT OF OMAR KHAYYAM. London: Leopold B. Hill 1921 305 x 230 mm. 12 x 9". FIRST EDITION. Original tan cloth with gilt design and black titling. Illustrated by Doris M. Palmer. Pencil gift inscription on fly leaf. Potter 117. Spine faded binding just a bit soiled but better than very good. <br /> <br /> 11 POGANY WILLY Illustrator. THE RUBAIYAT OF OMAR KHAYYAM. London: George G. Harrap and Company 1909 285 x 197 mm. 11 1/4 x 7 3/4". FIRST EDITION. Brown cloth and elaborately decorated paper boards. Illustrated by Willy Pogany. Potter 69. Very good plus. <br /> <br /> 12 ROBINSON CHARLES Illustrator. THE RUBAIYAT OF OMAR KHAYYAM. London and Glasgow: Collins Clear-Type Press 1928 280 x 200 mm. 11 x 7 7/8". Red leather with gilt decorations and titling. Excellent condition. <br /> <br /> 13 SANGORSKI AND SUTCLIFFE Calligraphers and Illustrators. RUBAIYAT OF OMAR KHAYYAM. London: Siegle Hill and Company 1910 320 x 240 mm. 12 5/8 x 9 3/8". FIRST EDITION. White cloth with elaborate gilt frame enclosing a gilt peacock gilt titling with intricate gilt decoration on spine top edge gilt others untrimmed. "Reproduced from a Manuscript Written and Illuminated by F. Sangorski and G. Sutcliffe." Potter 81. Corners bumped otherwise very fine--unusually clean for white cloth. <br /> <br /> 14 SETT M. K. Illustrator. RUBAIYAT OF OMAR KHAYYAM. Bombay: D. B. Taraporevala Sons and Company 1946 292 x 230 mm. 11 1/2 x 9". Hardcover consisting of a portfolio containing one 12 pp. booklet 16 unbound cards printed in red and green on heavy stock and a set of 15 unbound cards of full-page black & white illustrations. In the original dark green cloth portfolio gilt title on cover. Illustrated by M. K. Sett. Browned because of poor paper stock but still very good. <br /> <br /> 15 SULLIVAN EDMUND J. Illustrator. RUBAIYAT OF OMAR KHAYYAM. New York: E. P. Dutton and Company 1914 260 x 187 mm. 10 1/4 x 7 3/4". First American printing with these illustrations following British edition of 1913. Red cloth with elaborate gilt decorations. Illustrated by Edmund J. Sullivan. Long calligraphic birthday gift inscription on fly leaf from Dryden Phelps to his sister Celeste dated 1920. See Potter 101. Endpapers a bit browned otherwise fine--very clean with bright gilt. <br /> <br /> 16 TAGORE ABANINDRO NATH Illustrator. THE RUBAIYAT OF OMAR KHAYYAM. Philadelphia: George W. Jacobs and Company n. d. 245 x 170 mm. 9 5/8 x 6 3/4". Publisher's brown suede with gilt titling on front cover and spine large gilt emblem on upper board top edge gilt others untrimmed. Seven tipped-in color illustrations by Abanindro Nath Tagore. Intermittent browning but still excellent. <br /> <br /> 17 VEDDER ELIHU Illustrator. RUBAIYAT OF OMAR KHAYYAM. Boston: Houghton Mifflin And Company 1894 215 x 165 mm. 8 1/2 x 6 3/4". Original gray cloth with elaborate gilt decoration original--seldom seen--printed dust jacket. Illustrated by Elihu Vedder. Volume with slight bubbling to the cloth otherwise fine; dust jacket stained and a bit frayed but still intact and unrepaired. unknown
195629570HBDJ 1956 on Copyright pg EARLY BRITISH ISSUE 606TH THOUSAND VG AS-IS INNER DJ FLAP 8 S. 6D. NET CATALOGUE # 3418/U. The signature is in blue ink. B/ W DECORATIONS BY E. H. SHEPARD with illustrations on the front of Christopher Robin and Winnie the Pooh. BACK DJ FLAP MENTIONS WHEN WE WERE VERY YOUNG WINNIE POOH & NOW WE ARE 6 SMALL GREEN Illustrated Boards NEAR excellent with Good gilt FIGURES ON FRONT. Dust Jacket Illustrated Inscribed Clean no significant bumps or rubs .7 1/2 X 5 IN APPROX . GREEN ILLUSTRATED CLOTH CVR Binding tight WITH BRIGHT GOLD GILT FIGURES no loose or missing pages. Feels only lightly read. Page block clean and bright with no marks. Light age tone to text block edge as you would expect in a book of this age. Top of text block coloured green and has retained its colour. The dustwrapper is NEAR excellent. GREEN TOPSTAIN. 4mm closed tears to top and bottom of front cover/ flap The spine is only very lightly sunned.<br /> Methuen & CO. LTD LONDON hardcover
1896ABC_48884Colophon: Amsterdam 1896. Large folio ca. 51 x 33 cm. Calligrafie und Druck von Johan. K. Koning Contemporary gold-tooled burgundy leather the front board with a large gold-stamped monogram as a centrepiece the intertwined initials of the couple: AJ and EdR with the date "24-26 August" above and the year "1896" below lettered in gold both boards show a single fillet frame along the outer edges gold-tooled turn-ins beige watered silk endleaves. Wedding album comprising five manuscript texts of occasional plays 4 in German 1 in Dutch written in a neat cursive in blank ink on thick laid paper each illuminated with a 4-line decorated initial in red blue and white on a gold/bronze field richly decorated with penwork in black ink extending down into the inner margin. Each text is preceded by a letterpress title leaf set in neo-Gothic type also used for the general title several text leaves and the colophon. Further with 1 gouache illustration on grey paper sheet size ca. 32 x 24.5 cm mounted on the first leaf showing a bouquet of flowers 14 printed ephemera relating to the "Polterabend" wedding-eve party and the wedding on single or double leaves in various sizes the wedding announcement/introduction to the wedding-eve party and attached is a photo of the couple in a circular frame of red wax 5 menu cards the lyrics to 6 German songs a musical score by the German composer Wilhelm Aletter 1867-1934 and an announcement of the comic opera Des Teufels Antheil by the French composer Daniel Auber 1782-1871 performed by the Frankfurter Opernhaus on 25 August 1896 in Frankfurt am Main. Also with two manuscript wedding speeches in German written in black ink on paper two mounted albumen prints the first showing two actors dressed as a Frisian farmer and his wife and the other showing a man in Chinese dress 56 large ornamental vignettes printed in red or blue throughout 17 ornamental tailpieces printed in black blue and red and some dried flowers mounted on several leaves. 60 ll. A sumptuously executed wedding album presented to the Dutch groom August Janssen 1865-1918 and his bride Ella de Ridder 1877-1951 produced in honour of their wedding celebrations which took place on 24-26 August 1896 in Frankfurt am Main Germany. Most of the album concerns their "Polterabend" the wedding-eve party similar to present-day bachelor-/bachelorette parties except for the bride and groom joining together in the festivities. The main event now associated with a Polterabend is the smashing of porcelain by the wedding guests in order to bring luck to the couple's marriage but in general the evening is filled with plays and songs written and performed for the couple by their family and friends.A few performing actors were members of the Janssen-family a Dutch business family who had amassed their fortune with the tobacco cultivation in the former Dutch East Indies. They were also known for their generosity and philanthropic activities in the Netherlands. At the head of this family was the German-Dutch merchant Peter Wilhelm Janssen 1821-1903 one of the founders of the Deli Maatschappij in Sumatra and father of the groom who was his second son. His eldest son Christian Wilhelm Janssen 1860-1927 was married to Susanna Dorothea Anna Rehbock 1862-1933. Her brother the Dutch merchant Heinrich Carl Rehbock 1865-1938 was married to Caroline Janssen 1871-1951 one of the five daughters of Peter Wilhelm Janssen. Among the other actors were the brother of the bride Gustave von Ridder 1874-1956 the German playwright Hermann Otto Rudolf Presber 1868-1935 the German lawyer Paul Roediger 1859-1938 and his Dutch wife Julie Louise Charlotte Elink Schuurman 1875-1961 the sisters Anna Maria Humser 1876-1974 and Elisabeth Else Humser 1872-1967 daughters of the German lawyer and politician Gustav Adolph Humser 1836-1918 who was chairman of the Frankfurt city council at the time of the wedding celebration.The groom August Janssen 1864-1918 started his business career at trade offices in Bremen and London. He subsequently left for the former Dutch East Indies where he founded several enterprises. His wealth enabled him to engage in philanthropic activities. For example the municipality of Baarn benefited from his generosity he erected two public swimming pools there at his own expense. The bride Ella Elisabeth de Ridder 1877-1951 was the only daughter of the Belgian-German merchant August Cornelius de Ridder 1837-1911 known for his distinguished art collection of mainly Dutch and Flemish paintings of the 17th century which he built at his house at Kronberg near Frankfurt am Main. The famous Anglo-Hungarian artist Philip Alexius de László 1869-1937 painted Ellas portrait in 1903 in Baarn at the house of Hendrik Cornelis van den Honert 1854-1916 the successor of Peter Wilhelm Janssen as director of the Deli Maatschappij in 1898. De László had also painted her mother Johanna Elisabethe Louise May 1853-1942 around 1898 and two of her children in 1908.A unique wedding album of two members of prominent German-Dutch business families written and printed in 1896 as a special single copy publication. The album was produced in Amsterdam by Johan K. Koning who took care of the calligraphy of the texts and the printing of the divisonal titles explanatory leaves and vignettes.The spine and edges and corners of the boards show signs of wear with some minor loss of material at the foot of the sipne and the tips of the corners of the boards the leather is somewhat faded adn scratched all without affecting the general clarity of the tooling or the integrity of the binding. The watered silk on the first free flyleaf is torn some offsetting to the blank versos of the leaves and some glue residue on the leaves with dried flowers. Otherwise in good condition. hardcover
Four parts in two volumes, bound in one. Crown quarto (290 x 215mm). With a total of 38 folding engraved plates with multiple images to each, totalling 156 images. Vol. I, Part I: Pp. viii, 157, (2) Errata (verso blank). Plus 22 folding plates, numbered I-XXII; Volume II, Parts II-IV: Pp. vii, (i) Errata, 128. Plus 16 folding plates, numbered XXIII-XXXVI including XXVII bis and XXVIII bis. With Supplements and Observations. Engraved device to title, woodcut head- and tail-pieces. Half-title present.Hardcover, bound in contemporary plain blue paper-covered boards, rubbed and chipped in places, floral shelf label to spine, few sporadic institutional stamps. In fine condition, preserved in the original state, wide-margined, untrimmed. Excellent copy practically unused, still entirely unopened. ~ First French edition. Very rare. OCLC locates only 3 copies worldwide: UCLA; Delaware; Bibliothèque nationale de France. One copy, that in Conservatoire national des arts et métiers, is incomplete, comprising of Vol. 1 only. We located another copy, that in Hagley Museum. All 4 located copies are rebound and trimmed to 26 cm or less, as opposed to the present copy which is in the original size of 29 cm, untrimmed, undoctored and in first binding. ~ The English "An essay on naval tactics, systematical and historical, with explanatory plates, in four parts" first appeared in 1790 and went through 13 editions until 1827, which are held now by 52 institutional libraries worldwide. It was translated into French by Daniel Lescallier (1743-1822 ). ~ John Clerk of Eldin (1728-1812), was a Scottish merchant, naval author, artist, geologist and landowner. He is best remembered for his influential writings on naval tactics in the Age of Sail. He was a prolific, noted etcher and it is believed that the fine plates in this work were made by him. In this work he expounds on the tactic known as "cutting the line". This involved sailing into the enemy's line of ships and attacking the rear ships with the whole force of the fleet. Horatio Nelson used several sentences from Clerk's work in his orders to the British fleet before the Battle of Trafalgar. There is a certain amount of discrepancy regarding the publishing date of the second volume. While several bibliographies, mostly citing each other, tend to date it at 1798, the Bibliothèque nationale de France dates it at 1797. The volume itself, however, is dated "L'An VI" which, following the first volume of 1791, can only be 1796. It is most interesting to note that "Biographie universelle, ancienne et moderne" (Volume 61, 1836) claims that the first French edition appeared in 1797, and that "une seconde édition a paru depuis". (C) Descriptive Text Copyright Librarium of The Hague.
225 pages. "Beneath the great westward flow of our civilization, there are undercurrents moving eastward. These are impelled by a spirit which looks back to the east, to the days of tyrant and slave, of luxury and misery, and incidentally to the suppression of western culture... The following pages are designed to cast light on these eastern undercurrents which have undermined western states." - Preface. Black and white photographic portrait of Sergius A. Nilus. Erratum list affixed inside front cover. Unmarked. Above-average wear. Age-yellowing to card covers and contents. Covers nearly detached. Binding tender. Singerman 0221. Book
xii, 119, 15 pp ads. Fifty-six illustrations including seven black and white photographic plates with frontis photo of a complete 12" apparatus. "An effort to place in the hands of advanced amateurs in electrical science a practical working manual on the construction of high-frequency coils, now so useful in scientific investigation." - from Introduction. Publisher's tag affixed to front free endpaper. Errata slip affixed to page 5. Tanning to outer half of each endpaper. Faint evidence something has been peeled from back of half-title page. Prior owner's inkstamp upon back of frontispiece. Prior owner's details written atop title page. Binding sound. Moderate wear to greenish-black boards. Some loss from white lettering upon front board. White lettering to backstrip is gone. A quality copy. Book
Signed and briefly inscribed by Kahane upon front free endpaper. xii, 338 pages. Index. "The inside story, by its founder, of the militant organization determined to defend Jews in whatever manner necessary." - dust jacket. "I am not ashamed to admit it. I do not understand the Jew. I am at a loss to understand a man so clever in business, so keen in science, so intellectually bright in debate - and so incredibly stupid when it comes to saving himself." - dust jacket. Book tight and square with moderate wear and bump to upper corner of front board. Average wear to dust jacket which is now preserved in archival-grade Brodart. Book
pp. viii, 326. Index. "The story of the men on both sides of the Atlantic who successfully thwarted plans to dismantle the Nazi cartel system. The first complete account of how the giant German industrial and financial combines subsidized Hitler and the Nazi military machine on the one hand, and on the other hand conspired to weaken Europe and America through favorable cartel agreements, in preparation for world conquest. Names all the major individuals and all the major firms involved. Describes incidents of how we actually aided the enemy in wartime. Written from firsthand experience by the man who, as Chief of the Decartelization Branch of our Military Government, was not allowed to complete the mission set by President Roosevelt. Reveals the obstacles that blocked the mission's path. Exposes what happened when the interests of businessmen conflicted with U.S. war aims." - dust jacket. Author was a lawyer turned professor who was invited to join the Board of Economic Warfare (BEW) in 1942. Light wear to publisher's pale green cloth. Prior owner's name upon front free endpaper. Short marginal ink lines on approximately fourteen pages, otherwise contents clean and bright. Average wear to dust jacket now preserved in archival-grade Brodart. This title has been assigned a prestigious place on the 'Forbidden Bookshelf', a short list of American books once 'vanished' by state and corporate entities but now being revived with a view to providing a better understanding of America's past and how her future course might be corrected. Book
1550L7NAYKM7EWW1Lyon: Guillaume Rouillé colophon: printed by Philibert Rollet 1550. 19th-century marbled boards manuscript spine label. 8vo. With Rouillés woodcut device on the title-page eagle on a globe flanked by 2 snakes numerous woodcut decorated initials and an arabesque decoration below the colophon. Well-made but popularly priced Lyon 8vo edition of Mesues three seminal pharmacological works including his great pharmacological handbook the principal model for the European pharmacopoeias translated into Latin by Jacques Dubois/Jacobus Sylvius 1478-1555 who taught anatomy at Paris his students including Vesalius and Gesner. Dubois first published it in a Paris folio edition in 1542. Speaking of the artisanal epistemology crucial to the European scientific revolution De Vos calls Mesues present works a conduit for the Arabic contributions to that epistemology and its subsequent development and impact describing them as the most dominant source of pharmaceutical writings and by far the most influential in the subsequent development of European pharmacy with Duboiss new Latin translation of particular note pp. 668 670 673. It is by far the most detailed and extensive mediaeval book of pharmacological recipes far surpassing the 12th-century Antidotarium Nicolai which had been the standard work in Europe. Not only does it include 432 recipes for compound medications compared with Nicolais 85 it arranges them by the kind of medicine rather than alphabetically and unlike Nicolai it gives detailed instructions for their preparation. It largely superseded Nicolai in Europe in the late 1300s and early 1400s. Although Mesue and his present works have fallen into undeserved obscurity in the general public they went through more editions than Ibn Sina Avicenna Galen or Discorides.If the attribution to Joannis Mesuae Damasceni is correct the author must be Yahya = Yuhanna ibn Masawaih al-Mardini ca. 925-1015 known in the West as Mesue the younger.Provenance: 1 owners inscription in ink dated 1636 struck through and difficult to decipher on front paste-down; 2 another dated 21 August 1818 on back paste-down also difficult to read; 3 19th-century ink owners inscription of Arthur Rénaux on front paste-down. Occasional browning; an owners inscription erased on the title-page with slight loss to authors name. Binding rubbed; hinges cracked and minor chips in the spine.l Baudrier IX 176; Durling 3144; USTC 150499; Wellcome 4280; cf. Hirsch I 171f; not in BMC STC French; for Mesue and the present works: Paula De Vos The Prince of Medicine: Yuhanna ibn Masawayh and the foundations of the Western pharmaceutical tradition in: Isis 104 2013 pp. 667-712; Prioreschi History of medicine IV Byzantine and Islamic pp. 290-291. Guillaume Rouillé (colophon: printed by Philibert Rollet), hardcover
247 pages. Black and white photographic frontis portrait of author. "This is a book written by a German after a war which brought defeat to his country and a great civilized people to a condition of dependence and subordination... The German Inflation can only be understood as part of the general history of the time. May we all learn from the past and emerge from the destructive era of reciprocal hostility into a new constructive period of international well-being." - from Foreward. Chapters include: The Inflation of the War Period; From the Armistice to the Invasion of the Ruhr; From the Invasion of the Ruhr to the Stabilization of the Mark; The Stabilization of the Mark; From Rentenbank to Golddiskontbank; From Currency Crisis to Economic Crisis; The Dawes Plan; The Reconstruction of German Money and Capital Markets; Foreign Credits; International Co-operation. "(Schacht) became one of the directors of the Reichsbank in 1916 and in 1923 became currency commissioner for the Reich. After his economic policies helped reduce German inflation and stabilize the German mark, Schacht was appointed president of the Reichsbank. He collaborated with other prominent figures in economics to form the Young Plan to modify the way that war reparations were paid after Germany's economy was destabilizing under the Dawes Plan. Though on March 7, 1930, six months after the beginning of the Great Depression, he stepped down from the position of Reichsbank Chairman, but returned on March 17, 1933 after Hitler's rise to power." - from wikipedia dot org. Binding intact. Unmarked with average wear. Bright gilt lettering upon black cloth backstrip. Mild foxing to endpapers. A sound copy. Aldcroft & Rodger p.83, Peterson p.367. Book
Unread. As new. Number 216 of limited edition of 350 copies. Signed by co-author R.E. Gosnell. "Few publications, if any, of similar size and excellence have been produced in Canada." - From Editor's Foreword. Part I includes 210 pages and eighteen chapters which constitute "a survey of events from the earliest times down to the Union of the Crown Colony of British Columbia with the Dominion of Canada." Part II is "a history, mainly political and economic, of the Province since Confederation up to the present time." Part I is preceded and followed by dozens of tissue-protected black and white portraits of individuals influential in the early history of the province, complete with their brief biographies upon the tissue. Part II comprises eighteen chapters over 226 pages plus 5 pages of addenda followed by dozens of tissue protected portraits of "some of the men conspicuous as present day factors in development." Top edge gilt. Gilt lettering upon backstrip. Marbled endpapers. Exceptionally clean, bright, and unmarked with zero wear. Brown suede exterior appears as fresh as the day it was applied over 100 years ago. This majestic fourteen pound tome measures 13" x 10.5" x 4". A magnificent acquisition for any serious collector of British Columbia history. A better copy will not be found. [Lowther 1607, Hale 2523, Edwards & Lort 3177, Strathern 495] Book
[9], 10-320 pages. Name Index. Subject index. Dedicated to Arthur Kitson, "the British pioneer of the new economics, to whose writings the author owes his initial interest in the fascinating problems of wealth and currency." - dedication page. Soddy [1877-1956] was awarded the 1921 Nobel Prize for Chemistry for his work related to isotopes and the transmutation of elements resulting from radiation. Inspired by Kitson, he began writing about economics in 1921, focussing on monetary policy and the role of energy in economic systems. "Soddy's economic writings were largely ignored in his time, but would later be applied to the development of ecological economics in the late 20th century." - E. Zencey. On page 289 Soddy footnotes the Protocols of the Learned Elders of Zion, stating "It is very widely believed that there has been something akin to an actual financial conspiracy to enslave the world." "But of the existence of a real conspiracy - a conspiracy of silence - on all monetary problems, in the Press and on political platforms, among editors, publishers and economists, who more than any others ought to be alive and awake to their infinite importance - there can be no question whatever." - p.291. "It was indeed a revelation to the author, accustomed to think of the battle for liberty of thought in scientific matters as having been fought and won centuries ago at the time of Galileo and the Inquisition, to find that in economics, as distinct from physics, it has not yet been won at all. If economics were really a science it would not need to protect itself from criticism by a conspiracy of silence." - p.292. Relatively minor marginal ink markings to thirteen pages. Front free endpaper removed. Ink stamp of "Technocracy Inc., Continental Headquarters, New York City" upon half-title. Front hinge starting. Above-average wear to publisher's green cloth. Dust jacket not included. A worthy reading copy of this fascinating study. Fundaburk 2119, Masui p.244. Book